An anonymous reader writes with a bit of sports commentary on the just-concluded RoboCup 2013 soccer matches: "Previously achieved results are no guarantee for the future, as was demonstrated once again in the final match of the Middle Size League. Team Tech United Eindhoven had reached the final unbeaten and without a single goal against them, but the Chinese team Water turned out to be the stronger party in the final." It's hard to stop watching video of soccer-playing robots.
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It's not just for obscure Japanese islands anymore: reader NobleSavage writes with news that "If you're a tourism board, non-profit, university, research organization or other third party who can gain access and help collect imagery of hard to reach places, you can apply to borrow the Trekker and help map the world." You can also help map the world (albeit without the very neat Trekker backpack cam) without an application process via OpenStreetMap. But if you had access to a panoramic camera like this, what places or spaces would you want to capture? I hope there will be street view imagery of Petra, but I don't see any yet.
In Paul Theroux's dystopian novel O-Zone, wearing masks in public is simply a fact of life, because of the network of cameras that covers the inhabited parts of earth. Earthquake Retrofit writes with a story at the New York Times describing a life-imitating-art reaction to the perception (and reality) that cameras are watching more of your life than you might prefer: clothing that obscures your electronic presence. "[Adam Harvey] exhibited a number of his stealth-wear designs and prototypes in an art show this year in London. His work includes a series of hoodies and cloaks that use reflective, metallic fabric — like the kind used in protective gear for firefighters — that he has repurposed to reduce a person’s thermal footprint. In theory, this limits one’s visibility to aerial surveillance vehicles employing heat-imaging cameras to track people on the ground. He also developed a purse with extra-bright LEDs that can be activated when someone is taking unwanted pictures; the effect is to reduce an intrusive photograph to a washed-out blur. In addition, he created a guide for hairstyling and makeup application that might keep a camera from recognizing the person beneath the elaborate get-up. The technique is called CV Dazzle — a riff on 'computer vision' and 'dazzle,' a type of camouflage used during World War II to make it hard to detect the size and shape of warships."