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A Law Professor's Opinion of Viacom vs YouTube
Posted by
Zonk
on Sat Mar 17, 2007 10:46 PM
from the winning-isn't-everything dept.
from the winning-isn't-everything dept.
troll -1 writes "Lawrence Lessig, a well-known law professor at Stanford, has an op-ed in the NY Times entitled
Make Way for Copyright Chaos which references the Viacom vs YouTube case. What's interesting about this article is that it gives some historical perspective on copyright law and the courts. Up until Grokster, Lessig says the attitude of the courts was, 'if you don't like how new technologies affect copyright, take your problem to Congress.' But in the Grokster case the court seemed to rule against the technology itself, cutting Congress out of the picture. He also explains that Viacom is essentially asking the Court to rule against the safe harbor provision of
Title II of the DMCA which should protect YouTube and others against liability so long as they make reasonable steps to take down infringing content at the request of the copyright holder. Lessig doesn't give us any insight into who's going to win but he does conclude that 'conservatives on the Supreme Court have long warned' about the dynamic of going against Congress when it comes to copyright."
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Viacom Demands YouTube Remove Videos 225 comments
AlHunt writes "According to the folks at PCWorld Viacom has publicly scolded YouTube for continuing to host throngs of Viacom videos without permission. They are demanding that over 100,000 of its clips be removed from the site. This includes content from Comedy Central (no more Daily Show), MTV, Nick at Nite, Nickelodeon, Paramount Pictures, and VH1. YouTube has acknowledged receiving a DMCA request from Viacom, and the article notes what a dire precedent this could be if Google can't reach an agreement with Viacom and its fellow IP holders."
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Viacom vs. YouTube - Whose Side Are You On? 353 comments
DigitalDame2 writes "Lance Ulanoff of PCMag believes that the Viacom and YouTube lawsuit is a bad idea because it has the potential to damage the burgeoning online video business; instead, it could work with the millions of people who are currently viewing Viacom content on YouTube. On the other side, Jim Louderback, an editor-in-chief of PCMag says that Lance doesn't know what he's talking about: with all the content available online for free, Viacom can kiss those investments goodbye. YouTube is actively filtering, actively allowing uploads, and making money off of the content that's been uploaded. The courts will find that Viacom has been wronged, that Google has not done enough to protect the rights of copyright holders, and that Google owes Viacom reparations. Whose side are you on?"
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Anlogous to Slashdot vs Scientologists (Score:5, Insightful)
Should YouTube be responsible for it's user's material? Viacom says yes. Viacom doesn't want to get into the buisness of tracking down users individually.
Now is Google supposed to rat out offenders minimally? Or is Google supposed to become the user generated content police themselves? If they are, it sets a bad prescedent for all text forums online in that the moderator will have to make sure the posters aren't posting something copywrighted. I won't get into draconian measures an oppressive government has on free speech, even though it does tie in.
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Pawn Shop versus Fence. (Score:4, Insightful)
Now scale this up to the point where the consignement owner has both slashed his margins to the bone, and is accepting and reselling so much merchandise he literally hasn't the staff or time to check. Then you have E-bay.
E-bay is a consignment shop that is not really meeting the good faith effort that is the industry standard for pawnshops.
One the one hand, who gave them a free pass on making an effort? On the other by having a huge customer base and low margins, they in some ways have created a new industry. They are arbitraging the junk drawers and attics of america. Putting all that goods back into circulation effectively increases the wealth of the nation, and also means less waste of resources to remanufacture items. It's giving people who could not afford goods, those goods at lower costs, and it's also encouraging others to buy new goods they might hesitate to buy because they know they can cash them out later.
So arguably it's good for the nation.
How to we resolve this dichotomy: promotes illegal activity and is below community standards for good faith effort to prevent that activity versus promotion of healthy commerce at a mega scale.
Hmmmm. Hell if I know. A freind of mine had his skis stolen. One assumes they probably went on e-bay. He also bought a pair of skis to replace them on e-bay at a below wholesale price. Coincidence? Ebay has lots of legit merchandise but it's a good place to sell stolen stuff too.
But this viacom thing is the same thing all over again except this time it's intellectual rather than physical property.
Parent
Re:Pawn Shop versus Fence. (Score:4, Insightful)
The difference is that the DMCA makes it crystal clear that YouTube is meeting it's obligations as long as it takes down infringing content when the copyright owner points it out.
This was a deliberate decision made by congress, aimed at allowing businesses like YouTube to have a sane set of rules to follow. If Viacom don't like it they should convince congress to change it's mind. They don't think they can so they're asking the courts to "interprate" the law until it says what they want.
Your reasoning is perfectly valid, but it isn't for the courts to decide since the legislature have passed a law on exactly this issue.
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Google gave up the righteous stance of being unwilling to censor when they went along with political content censorship: the decision will haunt them in this and similar situations, where the content doesn't have the protection o
Re:Anlogous to Slashdot vs Scientologists (Score:5, Insightful)
Viacom doesn't want to get into the buisness of tracking down users individually.
And that's exactly what this is all about. They're shoveling against the tide. They won the right to have the premptive say in what is or is not a copyright violation, but belatedly realized that it's a hell of a lot of work (ironic, since it actually mirrors the "opt-in" provision of all earlier copyright laws). Now they're trying to outsource that job to content providers, even ones that comply with their DMCA notices.
Parent
Re:Anlogous to Slashdot vs Scientologists (Score:5, Insightful)
YouTube has the technological capability to minimize infringement, something that wasn't feasible in 1998...
Viacom is going to make the argument that since YouTube has it, they should be forced to apply it on Viacom's behalf.
Parent
Re:Anlogous to Slashdot vs Scientologists (Score:5, Informative)
I give you and only you the permision to repost anything I have writen on slashdot and hold an automatic copywrite over. How is anyone supposed to know you have permision as aposed to someone else not having permision? Currenty, the person who can give permision has to say "hey, you don't have my permision" then goto the appropriate chanels to get the content removed if and when the user doesn't.
Now suppose as part of the user agreement to Youtube, It says you post only what you have copywrite to or permision to use from the copyholder. How are they going to verify the copyright is theirs or that the user has permision to use it? They need to contact the copyright holder. But the copyright holder isn't always clear when the posting consists of a few clips of some obscure show or scenes from some show that doesn't readily make it obvious what the show is. Are they now supposed to have a team of people that reviews every show, movie, song, book, whatever else that can be copywriten in order to scan ever file uploaded in order to see if it is someone elses and how to contact them to verify someone has permision?
It is the copy owners job to determine if their work is being used against their rights acording to the right given by the copyright. It is there job to give notice and request it stop. Google having some op in service is a way for the copy owner to let google/youtube know who does and who doesn't have permision to use a certain piece of copywriten work outside of someone saying they have the right to do so.
Parent
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They always had the capability. They could have, in 1998, made posting a video have to pass a 'moderation' step (performed by human beings).
Yes, such a set would be costly, and yes, it would be prone to error - but so is their current technological solution (perhaps less costly, but still - not cheap in any way!).
It's funny. Laugh. (Score:2, Interesting)
So someone posting the comment of the article in the Slashdot discussion, considering the article isn't slashdotted, is, well, funny. But it illustrates that Slashdot is subject to the same types of copyright violation.
IIRC, CmdrTaco and friends already had to deal with it once before, with the Scientologists. (Though that wasn't a copypaste of a linked article...)
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Not really sure where he gets off on the conservatives vs justices thing above, because the decision in the Betamax ruling in 1984 was essentially made by the so-called liberals on the supreme court, and opposed by people like Reinquest. Betamax, indeed, was an expansion of fair-use, which isn't something Congress had explicitly ruled upon in any way relevant to the Betamax case.
Be that as it may, what, exactly, is the evidence that the court is going to rule against YouTube even if it shows it did obey
Digital Rights Act (Score:5, Interesting)
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"The legal situation is ambiguous. At issue is America's Digital Millennium Copyright Act, which became law in 1998, when Google, founded that year, was unknown and YouTube did not exist. It includes a "safe-harbour" provision for anybody who removes copyrighted content as soon as the owner requests it.
YouTube has been doing that--most notably a month ago, when Viacom demanded that 100,000 clips be taken down. But the safe-harbour clause applies only as lo
Trias politica (Score:2)
All laws are judged in a public court, and mostly impartial judges are there to see if your case fits the law in question or not. This is the way the trias politica works, and it works well. What's sometimes even more importa
Wrong arguments.... (Score:5, Insightful)
I say that because Google/YouTube is one of the few companies that actually wants to provide such services. They have the right business model to do so, and they are making stars out of ordinary people. There is some evidence to show that YouTube sites et al will replace network television in short order if network television continues to suck and user generated content continues to get better. Mashups will make the 45,000+ channels of on-demand YouTube content even more coherent, and thus more attractive to the average viewer.
Back to the question on the table. The article clearly shows that what Viacom is pissed off about is that they have to look for the infringement on their own, or PAY YouTube to do so. Personally, I think Viacom is just whining because they are being hung with their own rope!
IMO, it would benefit the industry, the country, the world if YouTube wins. I say this because on-demand content is the future, and not the kind where you are paying DVD rental costs for each view. The on-demand video industry will replace television eventually, but it cannot grow to that size if the Viacom's of the world are allowed to destroy it before it gets off the launching pad.
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1 - Aspiring filmmakers and video stars discovered on YouTube. Discovered by who and for what? If YouTube and direct distribution win over the traditional methods (which is inevitable), who is going to be discovering these people and who what? Yes, millions of people on the internet will happil
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If YouTube is successful and sets a precedent, I hope you are happy with watching reruns for all the stuff created between ~1900-2007, because everything else will likely be created by India and China, with serious DRM protecting their content.
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What you are forgetting is that the lack of copyright will reduce the incentive for people to create new material.
Here's an offer you can't refuse: Show me one single independent academic paper that conclusively proves this thesis and I will Paypal you $50 USD.
(The reason I can offer you this wager with impunity is because I can link to close to a dozen academic papers, in various languages, proving the opposite. Here's my favourite, in Swedish: http://www.ulfpettersson.se/2006/06/27/upphovsratt en-som-incitament-en-inkomstanalys-av-kreativa-yrk en/ [ulfpettersson.se])
While you Google your life away, ponder this: When the US had a copyr
Ironically (Score:5, Interesting)
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Not if Viacom keeps asking Youtube to pull them down... particular if Youtube isn't pulling them, as they can then be found liable under the DMCA for not complying with takedown requests in a timely manner.
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But the young'un has good points on every single issue he or she raised. Look again at those issues if you can find time: even the Canada soft timber one was a solid gripe. Complaining about government subsidies in a trade partner is great, but the US lost the court cases on this 3 times and imposed an illegal tariff in direct violation of NAFTA as punishment. Then when the US lost its case in the WTO about tax breaks for c
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On this particular point you are wrong. WTO ruled there was no subsidy. The difference between the two industries aren't government subsidies but entirely different models. Canadian logging companys pay less to log on crown land then US logging do for a simili
Who didn't see this? (Score:5, Interesting)
Google _had_ to expect this. They probably consulted Lessig _prior_ to purchasing the startup. The thing is, this is the showdown that we all expected. Does 'Fair Use' exist? Are content providers liable for member uploads? How is YouTube above the laws that Napster collapsed under? According to the "big, bad DMCA" the _victim_ has to prosecute, which in this case is Viacom, and by the same standards, they should be forced to go after individual users (uploaders) that are at fault, like the RIAA.
The real issue at hand is that copyright law is in complete disarray today. It has an identity crisis that makes such a risky purchase on Google's part worth pursuing on the off-chance that they can score several million more users and page impressions, while still weathering a lawsuit of this magnitude.
The justices will ultimately determine who the winner/loser is, not Congress. This is a rare stage in history where the "intent" of the law will determine its true meaning and either empower or enslave the people going down one path or the other.
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Tell me about it.
We have extensions left and right. Fair use and the first sale doctrine are slowly disintegrating.
Someone needs to remind Congress and the Courts that the point of the intellectual property system is not to set the terms under which the public may redistribute artistic work, but rather ensure that the artist gets some renumeration.
"To promote the progress of science and useful arts, by securing for limited times to
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Right now, if I were to self-publish a book right now, and I live for another 50 years, that book won't enter public domain until 2127 (2127 is not a typo). If I were to sell it through a publisher, it still wouldn't enter public domain until 2077.
That number will increase the next time Disney... er... I mean Congress entends copyright.
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WWSVD -- What Would Siva Vaidhyanathan Do? (Score:2, Interesting)
This and the whole filesharing thing... (Score:2)
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It's amazing how long you can succeed in holding back something "unstoppable". It's not always successful, but people can and do live their entire lives in the areas at risk.
Lawrence Lessig, familiar name? (Score:5, Insightful)
Big in the "Free Culture" movement and writer of the phrase "code is law". Slashdotters should recognize this name.
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So they should have introduced him as, "Lawrence Lessig, a bias law professor"?
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Much like Bruce Schneier is presumed to be a recognized authority in cryptography and security, Lessig is universally recognized as an influential authority on the field: copyright, software and IP in general. Whether he is right or wrong, his opinion most likely will carry more weight in and out of academia than other random law professors.
Mentioning
Congress polices constitution; Courts make law (Score:2, Funny)
The problem is volume (Score:5, Insightful)
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I have little sympathy-- They want absolute control over the works, for 70 years, despite the obvious fact that this is not what the market wants! The market wants a more dynamic approach to content acquisition. If they'd embraced the technology, instead of fighting it, then they wouldn't have to deal with the consequences of the law which they pushed for.
Instead of content on demand, we have a seeming dearth of good programing, and an increase in the amount
YouTube Summer of Art? (Score:4, Insightful)
I am not so sure...
YouTube Summer of Art anyone?
Put up some nice prizes in several categories. Contest rules like so:
1. Make and post videos in some category. License must be copyleft.
2. Put all "raw materials" that went into the video up somewhere like the internet archive. (Google could host for free as well I guess.) This is for reuse by all in the next contest that will be held.
3. Winners determined. (How? Most popular on YouTube itself? Some other way?)
4. Winners get a nice budget to make more copyleft videos.
Whatever.
If the "content" industry insists on hamstringing the tech industry, the tech industry might need to fund alternate content. Content that can't be used to hamstring new tech but would rather promote new tech while that same new tech promotes that content.
all the best,
drew
http://www.youtube.com/watch?v=vcaf2ThG7q4 [youtube.com]
UFO seen in skies over Winton!
Parent
Grokster is in favor of YouTube (Score:5, Interesting)
Let's look at the holding:
Held: One who distributes a device with the object of promoting its use to infringe copyright, as shown by clear expression or other affirma- tive steps taken to foster infringement, going beyond mere distribu- tion with knowledge of third-party action, is liable for the resulting acts of infringement by third parties using the device, regardless of the deviceís lawful uses.
This does not apply to YouTube. YouTube, by actively discouraging infringers by being *overzealous* when pursuing alleged infringers (see Chung, Anshe; Crook, Michael), and plasting the site with warnings, and setting annoying upload limits that are shorter than television episodes, is not conducting itself in any manner remotely analogous to Grokster.
Technologically, YouTube is more analogous to the Napster case (centralized database, ability to terminate users). But Napster was never found guilty--it was just found that an injunction could be filed against them, and the legal costs forced bankruptcy.
I do not see Viacom winning this case, and I am surprised Lessig didn't opine similarly.
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That's not Lessig's point: his point is that in making the Grokster decision, the court effectively created new liability for an action that wasn't covered by legislation. This is something they've previously shown themselves unwilling to do. If they do the same thing in this case (i.e., create new liability that doesn't originate in legislation but which protects copyright holders more than the legislat
Horrible Characterization of Grokster (Score:2)
If Viacom is Smart... (Score:2, Interesting)
...then they are just looking for a big payday from Google's deep pockets, and are using the suit to force them into some sort of deal the way some other content providers have done. Realistically, there is no way to effectively police millions of clips uploaded on a daily basis for copyright violations any more than Slashdot could police every single post on its site to see if there is anything infringing, libelous, or somehow illegal. And don't forget, YouTube is NOT the only game in town -- they may be t
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Alas, SCOTUS did not agree, which
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"DMCA protects passive storage" is a pretty narrow restatement of the safe harbor protections of DMCA.
I think it's more accurate to say that the provider cannot