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david.emery was one of a few folks who noted that Patrick Stewart can now be referred to as Sir Captain as he will be knighted by the Queen. This should bring balance to any future X-Men movies.

Wowsers writes "An article in The Times states that UK consumers will be hit with an estimated £500m ($800m US) bill to tackle online piracy. The record and film industries have managed to convince the government to get consumers to pay for their perceived losses. Meanwhile they have refused to move with the times, and change their business models. Other businesses have adapted and been successful, but the film and record industries refuse to do so. Surely they should not add another stealth tax to all consumers."

ThousandStars writes "'The anti-technological aspect [in James Cameron's Avatar] is strange because the movie is among most technically sophisticated ever: it uses a crazy 2D and 3D camera, harnesses the most advanced computer animation techniques imaginable, and has apparently improved the state-of-the-art when it comes to cinema. But Avatar’s story argues that technology is bad. Humans destroyed their home world through environmental disaster and use military might to annihilate the locals and steal their resources.' The question is two-fold: why have a technically sophisticated, anti-technical movie, and why are we drawn to it? Part of the answer lies in Neal Stephenson's Turn On, Tune In, Veg Out."

An article in the LA Times calls NASA out for failing to make broadcasts on their dedicated television network as entertaining as they can be. The author, David Ferrell, complains that fascinating subject matter is often fraught with boring commentary and frequent, extended silences, making most people quickly lose interest. Quoting: "Witness one recent segment about the recovery of a Soyuz capsule upon its return to Earth. The dark, bullet-like object landed in the featureless steppes of Kazakhstan, about 50 miles outside the unheard-of town of Arkalyk. Coverage consisted of video shot from an all-terrain vehicle approaching it — mostly soundless footage of tall grass going by — with an occasional word by an unnamed commentator. 'You can see the antenna that deployed shortly after landing,' the commentator said in that deadpan tone shared by scientists and golf announcers. The camera chronicled the tedious extraction of three crew members weakened by spending six months in orbit; they were loaded one by one onto stretchers. 'Again, a rather methodical process,' the commentator noted, as if grasping for something — anything — to say. Later: 'The official landing time has been revised to 1:15 and 34 seconds a.m., Central Time. The official time was recorded at the Russian Mission Control Center . . . by the Russian flight-control team.' ... Where is Carl Sagan when you need him?"

Ada_Rules writes "Researchers at the Imperial College London have announced development of an alcohol substitute that has many of the same properties as the Synthehol from the series Star Trek, in that one will get a buzz from it but will not end up with a hangover. In addition you will have the option of getting immediately sober if you so desire it. Let's hope this is not the typical vaporware. It is not that I really want a drink of Synthehol, but with its release I assume Romulan Ale won't be far behind."

Santa Claus must use advanced technologies to pull off his annual feat. Thankfully, NewScientist has the exclusive about the what and the how. "He relies on some impressive gadgets: miniature flying robots, advanced satellites, highly sensitive surveillance devices, memory-erasing milk, self-assembling toys, and a warp-drive-powered sleigh that's capable of bending and twisting space-time to such an extent that it slips Santa and his reindeer out of the observable universe. In 1949, Kurt Gödel published one of the first mathematical descriptions of how it could work. In his version, the universe has paths called closed time-like curves that might allow you to jump in a ship, fly for a while, and end up right back where you started in space and time."

alphadogg contributes this snippet from Network World: "If you get busted for drunk driving in Montgomery County, Texas, this holiday season, your neighbors may hear about it on Twitter. That's because the local district attorney's office has decided to publish the names of those charged with driving while intoxicated between Christmas and New Year's Eve. County Vehicular Crimes Prosecutor Warren Diepraam came up with the idea as a way of discouraging residents from getting behind the wheel while drunk. 'It's not a magic bullet that's going to end DWIs, but it's something to make people think twice before they get behind the wheel of a car and drive while they're intoxicated,' he said."

beernutmark writes "Well, it looks like Santa or at least Norad/Google hates Linux. This year, for the first time since its inception, Norad is not making a simple .kml file available for download to track Santa. You must connect to their website with a Windows/Mac browser and use the browser plugin. No full-screen Google Earth to look at the beautiful areas around Santa's path. (Anyone have any open source source kml files for tracking Santa or any idea how we can go about making one for 2010?)"

An anonymous reader writes "What's Twitter good for? How about crowd sourcing control of your Christmas tree. Dangerous Prototypes built an open source, networked Christmas tree that you can control from Twitter. Send a color or hexadecimal color code to @tweet_tree, then watch the color change on the live video stream. This project is based on an updated version of the open source business card size web server covered previously."

Jamie noted a bit on The Science of Avatar running on Ain't it Cool, written by a professor of astrophysics who has worked on searching for planets and SETI. I believe I might be the last person on earth who hasn't seen it; here's hoping I can find 3 free hours over the holidays.

adeelarshad82 writes "A month after signing a deal with EMI for music video content, Hulu has reached an agreement with Warner Music Group to add its content to the video site as well. The deal will allow Hulu to post music videos, artist interviews, live concerts, and behind-the-scenes footage from artists on WMG labels like Atlantic Records, Rhino Records, and Warner Bros. Records."

bluec writes "Generally speaking, the BBC isn't allowed to encrypt or restrict its broadcasts: the license fee payer pays for these broadcasts. But the BBC has tried to get around this, asking Ofcom for permission to encrypt the 'metadata' on its broadcasts – including the assistive information used by deaf and blind people and the 'tables' used by receivers to play back the video. As Ofcom gears up to a second consultation on the issue, there's one important question that the BBC must answer if the implications of this move are to be fully explored, namely: How can free/open source software co-exist with a plan to put DRM on broadcasts?"

harrymcc writes "The last ten years have been an amazing era for tech — and full of amazingly dumb moments. I rounded up scads of them. I suspect you'll be able to figure out which company is most frequently represented, but Apple, Google, Twitter, Facebook, Sony, and many others are all present and accounted for, too."

jrincayc writes "It's nearly the end of 2009. If the 1790 copyright maximum term of 28 years was still in effect, everything that had been published by 1981 would be now be in the public domain — like the original Ultima and God Emperor of Dune — and would be available for remixing and mashing up. If the 1909 copyright maximum term of 56 years (if renewed) were still in force, everything published by 1953 would now be in the public domain, freeing The City and the Stars and Forbidden Planet. If the 1976 copyright act term of 75* years (* it's complicated) still applied, everything published by 1934 would now be in the public domain, including Murder on the Orient Express. But thanks to the Sonny Bono Copyright Term Extension Act, nothing in the US will go free until 2018, when 1923 works expire." Assuming Congress doesn't step in with a Copyright Extension Act of 2017. What are the odds?

maccallr writes "The DarwinTunes experiment needs you! Using an evolutionary algorithm and the ears of you the general public, we've been evolving a four bar loop that started out as pretty dismal primordial auditory soup and now after >27k ratings and 200 generations is sounding pretty good. Given that the only ingredients are sine waves, we're impressed. We got some coverage in the New Scientist CultureLab blog but now things have gone quiet and we'd really appreciate some Slashdotter idle time. We recently upped the maximum 'genome size' and we think that the music is already benefiting from the change."

cowmix writes "When TPM came out ten years ago, its utter crappiness shocked me to the core and wounded a entire generation of geeks. My inner child had been abused and betrayed. I moped around, talking to no one, for almost two weeks. I couldn't bring myself to see #2 or #3, whatever they were called. Now, a decade later, comes Star Wars: The Phantom Menace Review, the ultimate, seven-part, seventy minute analysis of this mother of all train wrecks. Not only does it nail how the film blows, but tells us why. Time, apparently, does not heal all wounds." Or, if you prefer all 7 parts embedded in one page, you can check out slashfilm's aggregation.

thomst writes "A week ago, Rob McKenna, the Attorney General of Washington State, filed suit against DirecTV, alleging 16 counts of unfair, deceptive, and unethical business practices. The charges include failure to disclose important contract information (such as early termination fees, 'service maintenance' fees, and rebate terms), misrepresentation, 'negative option' billing, 'unconscionable enforcement of contract to which there has been no mutual consent,' failure to honor promotional offers, and 'imposing charges when no service has been provided.' The complaint is available online (PDF). MSNBC's Bob Sullivan states that McKenna's office received 375 complaints against DirecTV in the 11.5 months before he filed suit, and 59 additional complaints in the 24 hours immediately after the filing was announced. Sullivan's story also states, 'McKenna said he'd been working with DirecTV for months in an attempt to avoid a court battle, and he was surprised DirecTV refused to change its business practices voluntarily.'"

uglyduckling writes "A grassroots Facebook campaign has pushed the 1990s Rage Against the Machine song 'Killing in the Name Of' to the top of the British music charts for Christmas. The campaign was planned to prevent the X-Factor winner from charting Christmas number one, as has been the case for the past four years. It was supposedly a kick against the commercialism of Christmas and commercial dominance in the music scene, although Rage and the X-Factor winner Joe McElderry were actually signed to the same label. Despite this minor detail, it's interesting to note that this is the first song to reach the number one spot through downloads alone in the UK, and is a testament to the organizational power of social networking sites like Facebook. The Facebook group also asked for donations to charity, and has raised £70,000 for the homeless charity Shelter."

Dave Knott writes "The notable science fiction screenwriter and director Dan O'Bannon has died at the age of 63. O'Bannon's career began with a writing credit for John Carpenter's Dark Star and he went on the write many enduring science fiction and horror films such as Blue Thunder, Lifeforce, Screamers and Total Recall. He was also an occasional director, whose credits include The Return Of The Living Dead, the campy horror film that made popular the zombie chant of 'braaiiiinnnsss.' However, he will be best remembered as the writer of Alien, one of the all-time classics of both the science fiction and horror genres. O'Bannon died after a 30 year battle with Crohn's disease and is survived by his wife, Diane, and son, Adam."

We've discussed the Netflix Prize numerous times as the contest ran, including the news two years ago that the anonymity of the dataset had been broken. Now reader azoblue sends in this excerpt from Wired: "An in-the-closet lesbian mother is suing Netflix for privacy invasion, alleging the movie rental company made it possible for her to be outed when it disclosed insufficiently anonymous information about nearly half-a-million customers as part of its $1 million contest to improve its recommendation system. ... The lead attorney on the new suit, Joseph Malley, recently reached a multimillion-dollar settlement with Facebook over its failed Beacon program, which drew fire in part for sharing users’ Blockbuster rentals with their friends. ... If a data set reveals a person's ZIP code, birthdate and gender, there's an 87 percent chance that the person can be uniquely identified." The suit turns on the question of whether Netflix should have known that their dataset's anonymity could be broken, two years before researchers demonstrated that.