Experimental Fees Settle Royalty War For Internet Radio 270
S-100 writes "SoundExchange has reached an agreement for royalty rates with a consortium of Internet radio broadcasters. The parties are ecstatic that the issue is finally resolved, and that the new rates are below the previous 'death to Internet radio' levels that had previously been imposed by the CARB. According to NewsFactor, Pandora founder Tim Westergren proclaims that 'the royalty crisis is over!', and other large broadcasters are equally pleased. One unheard-from group is less likely to be pleased: small Internet radio broadcasters. Buried in the details are a new minimum royalty payment: $25,000 per year. So say goodbye to all of the small Internet radio stations that you have been listening to, as they will no longer afford to operate legally."
Re:goodbye to the small Internet radio station? (Score:4, Informative)
I, for one, welcome our new allofinternetradio.ru overlords.
Re:What about public domain music? (Score:4, Informative)
This would only apply to record labels or artists covered by SoundExchange.
Basically it's part of the RIAA so you have the Big 4. Sony EMI, Universal, and Warner.
There may be some others.
http://en.wikipedia.org/wiki/SoundExchange#Business_structure_and_oversight
Re:What are they paying now? (Score:4, Informative)
If I understand, that's just for the right to not be sued for broadcasting the music. Broadcasters still have to pay to buy the music, for bandwidth to stream the music, hardware to do that, people to select music, build websites themselves, manage online communities, manage advertising relationships, etc.
AND that's the minimum. So if you have zero listeners, you have to pay $25 000 per year just to start.
$25K Adds Barrier of Entry to Control net Radio (Score:5, Informative)
Re:What about public domain music? (Score:5, Informative)
Re:This is an outrage! (Score:4, Informative)
That would be ASCAP, not the RIAA.
"ASCAP protects the rights of its members by licensing and distributing royalties for the non-dramatic public performances of their copyrighted works. ASCAP's licensees encompass all who want to perform copyrighted music publicly."
http://www.ascap.com/about/ [ascap.com]
Got this email from their CEO (Tim) (Score:5, Informative)
I hope this email finds you enjoying a great summer Pandora soundtrack.
I'm writing with some important news. Please forgive the lengthy email; it requires some explaining.
First, I want to let you know that we've reached a resolution to the calamitous Internet radio royalty ruling of 2007. After more than two precarious years, we are finally on safe ground with a long-term agreement for survivable royalty rates â" thanks to the extraordinary efforts of our listeners who voiced an absolute avalanche of support for us on Capitol Hill. We are deeply thankful.
While we did the best we could to lower the rates, we are going to have to make an adjustment that will affect about 10% of our users who are our heaviest listeners. Specifically, we are going to begin limiting listening to 40 hours per month on the web. Because we have to pay royalty fees per song and per listener, it makes very heavy listeners hard to support on advertising alone. Most listeners will never hit this cap, but it seems that you might.
We hate the idea of capping anyone's usage, so we've been working to devise an alternative for listeners like you. We've come up with two solutions and we hope that one of them will work for you:
Your first option is to continue listening just as you have been and, if and when you reach the 40 hour limit in a given month, to pay just $0.99 for unlimited listening for the rest of that month. This isn't a subscription. You can pay by credit card and your card will be charged for just that one month. You'll be able to keep listening as much as you'd like for the remainder of the month. We hope this is relatively painless and affordable - the same price as a single song download.
Your second option is to upgrade to our premium version called Pandora One. Pandora One costs $36 per year. In addition to unlimited monthly listening and no advertising, Pandora One offers very high quality 192 Kbps streams, an elegant desktop application that eliminates the need for a browser, personalized skins for the Pandora player, and a number of other features: http://www.pandora.com/pandora_one [pandora.com].
If neither of these options works for you, I hope you'll keep listening to the free version - 40 hours each month will go a long way, especially if you're really careful about hitting pause when youâ(TM)re not listening. Weâ(TM)ll be sure to let you know if you start getting close to the limit, and weâ(TM)ve created a counter you can access to see how many hours youâ(TM)ve already used each month.
Weâ(TM)ll be implementing this change starting this month (July), Iâ(TM)d welcome your feedback and suggestions. The combination of our usage patterns and the "per song per listener" royalty cost creates a financial reality that we can't ignore...but we very much want you to continue listening for years to come.
Re:NO (Score:3, Informative)
Re:What about public domain music? (Score:2, Informative)
Will keep going until shutdown. (Score:2, Informative)
$500, not $25,000, apparently (Score:5, Informative)
I assumed, in my grandparent comment, that the Slashdot story was correct, and was shocked at the amount.
This government PDF file seems to say $500, also: Final Determination Of Rates And Terms, Docket No. 2005-1 CRB DTRA [loc.gov] (PDF) Quote: "(b) Minimum fee. Each Commercial Webcaster and Noncommercial Webcaster will pay an annual, nonrefundable minimum fee of $500 for each calendar year or part of a calendar year of the license period during which they are Licensees pursuant to licenses under 17 U.S.C. 114."
Error: $500, not $25,000, apparently (Score:3, Informative)
However, the Slashdot story seems to be in error. The amount should be $500, not $25,000, apparently [slashdot.org].
Re:Error: $500, not $25,000, apparently (Score:4, Informative)
From Wikipedia:
From the Library of Congress, Section 3f2: ( http://thomas.loc.gov/cgi-bin/query/F?c104:1:./temp/~c104dVWooD:e844 [loc.gov]: )
Emphasis mine.
Re:$500, not $25,000, apparently (Score:3, Informative)
If you had read the summary you might have worked out that the story is about a new agreement on fees. This means that your wikipedia article on what the fees have previously been is completely irrelevant. If you had then RTFA you would find that the summary is correct.
Re:What about public domain music? (Score:3, Informative)
Re:$500, not $25,000, apparently (Score:5, Informative)
Re:Error: $500, not $25,000, apparently (Score:2, Informative)
Slashdot story seems to be in error. The amount should be $500, not $25,000
There was a 2007 agreement setting the minimum at $500, and at the moment the Wikipedia article is reporting that OLD figure.
The linked story is on a NEW agreement, and it states the NEW minimum is $25,000.
The RIAA came to an agreement with the handful of largest webcasters to set government rules to exterminate the pesky small webcasters who have the annoying habit of playing a lot of non-RIAA indie music.
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Re:Social corruption, or small-player boon? (Score:3, Informative)
Music is not melody? Where'd you come up with that line of BS? Check Wikipedia's definition, for example. The first paragraph of their
Entry [wikipedia.org] on the subject states that:
Me, I have trouble calling large parts of the techno and of rap stuff on the radio anything other than junk because they are specifically not very "musical sounding", aka having melody, harmony, articulation, timbre, texture, etc.
'
Course, it might also be that the "art of the muses" was supposed to INSPIRE, not degrade.
The latest version is still $500, not $25,000. (Score:5, Informative)
4. Minimum Annual Fees
(a) In General. For each year from 2006-2015, an Eligible Small Webcaster shall pay annual minimum fees as follows:
(1) $500 for electing Microcasters, which shall constitute the only royalty payable hereunder by an electing Microcaster, except that an electing Microcaster also shall pay a $100 annual fee (the ''Proxy Fee'') to SoundExchange for the reporting waiver discussed in Section 6(a), and the provisions of Section 5(d) shall apply;
(2) $2,000, for Eligible Small Webcasters other than electing Microcasters that had Gross Revenues during the prior year of not more than $50,000 and reasonably expect Gross Revenues of not more than $50,000 during the applicable year; or
(3) $5,000, for Eligible Small Webcasters that had Gross Revenues during the prior year of more than $50,000 or reasonably expect Gross Revenues to exceed $50,000 during the applicable year. (b) The amounts specified in Section 4(a) shall be paid by January 31 of each year. (c) All minimum fees (but not the Proxy Fee for the reporting waiver for Microcasters) shall be fully creditable toward royalties due for the year for which such amounts are paid, but not any other year.