Kodak Unveils 50MP CCD Image Sensor

i4u writes in to let us know that Kodak has announced the world's first 50 million pixel CCD image sensor for professional photography (i.e., for medium-format cameras). Engineering-grade devices of the CCD, the KAF-50100, are currently available. Kodak plans to enter volume production in Q4 2008. "At 50 megapixels, the sensor captures digital images with unprecedented resolution and detail. For instance, with a 50 megapixel camera, in an aerial photo of a field 1.5 miles [about 2.5 km] across, you could detect an object about the size of a small notebook computer (1 foot by 1 foot)." Here's CNet's Crave blog with a few more technical details.

Hasselblads?

H3DII-50 has had 50 megapixel backends for quite some time..?

Is it unprecedented because it's now available at a cheaper price or something?

Re:Hasselblads?

Just take a look at the camera here [hasselblad.se].

So this news may not be the really latest news.

Re:Hasselblads?

Why, that's only ~72MB per shot, or about 13.9K pictures per TB, are you really going to shoot 69,444 shots before your 5TB NAS is obsolete? If you are you're probably a professional and the couple grand for the storage is a drop in the bucket compared to your other costs. I can't even fathom what 69K shots would have cost in media format film and developer solution (not to mention if you farmed it out to a lab!)

Note

This is pretty much useless without really expensive lenses, so don't expect to see it in any consumer-level cameras.

Re:Note

It's a medium format sensor; the silicon imaging area is twice as big as a single 35mm film slide. Currently there's only a handful of cameras that has a "full frame" sensor for 35mm.

So, no, it will NEVER be used in a consumer-level camera. This is for people who shoot billboard ads.

This is the camera that sensor's going into:

http://www.hasselbladusa.com/products/h-system/h3dii-50.aspx [hasselbladusa.com]

$1k per Megapixel is about right for a Hasselblad - the H3DII-39 is about $35k. And that's just the body only. Lenses start at 3k. Zeiss makes'em. Aside from Zeiss's optical reputation, these lenses are special because the clockwork mechanism and the shutter are integrated into the lens.

http://www.zeiss.com/C12567A8003B58B9/Contents-Frame/2DFB31CE532E5E32C125711B0038D874 [zeiss.com]

Unlike a DSLR which has to expose the image sensor a slit at a time at higher shutter speeds, this means that the entire frame can be exposed simultaneously, down to 1/8000 sec.

In other words... not your typical point and shoot or Digital Rebel XSi :-)

Re:Note

Billboards can be shot with the cheapest of consumer digital cameras due to the fact that they are printed at an extremely low DPI. If you were standing two feet in front of a billboard it would look absolutely horrible regardless of what it was shot with, but for people viewing them from 50 feet away it looks perfect. The only thing you need a ton of megapixels for is very large prints that can be viewed up close. An average print in a shopping mall is anywhere from five to ten feet tall and you can walk right up to it. For those you need a lot of resolution. Having said that, billboards are still probably shot with medium format due to the nature of the assignment, even the two by three inch pictures on product boxes or catalogs are shot medium format because that is what is used by commercial photographers, almost exclusively.

Re:Note

If the lens is perfect (which it isn't, but let's assume that) the camera will be diffraction-limited. At a certain aperture, the Airy disk will be larger than the pixels in the sensor. This camera has 6-micron pixels, which is very small indeed. Cameras with this sensor will probably be diffraction-limited at f/5.6 and smaller apertures.

Re:Note

Well I'm sorry to break it to you, but the size of the Airy disk at f/5.6 is 7.5 microns, therefore any sensor with smaller pixels can be said to be diffraction-limited. If you want to discard the issue of color, and consider just the luminance, then the 2x2 pattern gives you a 12 micron area diameter in which case the system is diffraction-limited at f/11 and smaller. But if you do that you must be willing to admit that the system has only 3 megapixels instead of 12.

You appear to be operating under some definition of diffraction-limited other than "limited by diffraction". Also I would like to point out that 12MP on a 16x24mm sensor is 6 microns, not "less than 6 microns".

I've measured around 400 Megapixels equivalent

...in a typical medium format transparency (6x7cm) shot with a good lens (e.g. Mamiya Sekor). That's a careful assessment made by inspecting top quality drum scans. Yes, those lenses are expensive; up to $3K-4K new, but that's not just the optics - the lens integrates the leaf shutter (not focal plane, typical of consumer cameras).

For comparison, a 35mm film frame (24x36mm, iirc) carries about 15 Megapixels (there is wide consensus on this).

More here [google.ca], here [photo.net]...

Re:I've measured around 400 Megapixels equivalent

You don't need that many pixels. Good quality 6-8MP digitals were considered by many to surpass film because of other characteristics (especially the lack of film grain).

Consumer grade medium format

...when was the last time you saw a "consumer" grade medium format film camera?

Uh, ... today? [bhphotovideo.com]

With or without Bayer pattern?

The article doesn't seem to mention whether the new Kodak sensor uses the new-and-perhaps-improved pixel pattern that Kodak announced in 2007. See http://johncompton.pluggedin.kodak.com/default.asp?item=624876 [kodak.com]

Nice

Happily this sort of development drives down prices on consumer grade products over time. I wonder how this compares to scanning low iso medium format film on a drum scanner.
http://www.luminous-landscape.com/reviews/shootout.shtml [luminous-landscape.com]
Is a good example of such a comparison, though I've seen differing results with older digital cameras.

This must be the new Hasselblad H3DII-50 sensor

Bing! Right on the heels of Hasselblad [hasselbladusa.com] announcing their new H3DII-50 camera (to be released in October) which presumably uses this sensor. Hasselblad has also announced a future 645 format sensor (roughly 56mm x 45mm), more details to be revealed at Photokina 2008 (major bi-annual worldwide photography trade show) later this year.

That's a tall tripod

>> in an aerial photo of a field 1.5 miles [about 2.5 km] across, you could detect an object about the size of a small notebook computer

That's either a really tall tripod or image stabilization has come a lot farther than I thought.

-b

Oooo...

Hi-Rez Pr0n!!

Gimme!!!

Make your own back?

I have a Mamiya 645 J (I think it is) and an older Yashica Mat 124 G that I wish had digital backs. I wonder how hard it would be to make my own back.

Not a chance

I don't think a do-it yourself digital back for your old camera is a very realistic project, unless you're an experienced Analog & Digital electronics designer. Kodak used to have a pretty nice demo board for their CMOS imager chips, which was about as "plug and play" as you could hope for, but I haven't seen anything for their higher-end CCD sensors...

Actually, they do have an evaluation board listed for the previous version of this sensor:
http://www.kodak.com/global/en/business/ISS/Products/Fullframe/ [kodak.com]

these exist!

They are called scanning backs because that is precisely what they do.

And yes, the resolution is unparalleled. 50 megapixels was achieved in these, oh maybe 10 years ago. Its not uncommon today for these to generate files in excess of 1GB.

Hasselblad and Film

I have an extensive Hasselblad V system which totals more than 30,000 euros but it is completely film-based. Unfortunately only major photographic studios can afford MF digital backs, save for the small 16mp back for the V System. So, at the moment, I consider a better investment the scanning of 6x6 film frames which at 4800 gives an image around 10,100 pixels square which can reach up to half a gig in size in 16bit resolution.

Unfortunately, Hasselblad has given up on the V system line (as the H system is a completely different design) and only the lowly 16mp back is offered with a square sensor. And its mostly as a tribute to V system diehards and possibly be discontinued soon.

That means that if a V system user want to upgrade to a new digital back, like the 50mp one, will need to dump the whole system. The lenses can be used with adaptors but then you will miss their real focal length and the autofocus and electronics of the H system. Which unfortunately goes against the philosophy of the "old" Hasselblad company where one could mix modern and old components freely. That meant that you could stick a modern lens and a digital back on a 50 year old body. Now, its pretty much "dump everything" to upgrade.

ISPs better prepare

those of us in third world countries like New Zealand who have to pay in blood for our bandwidth are going to start seeing Users sending (or trying to send) their friends 40+ meg attachments once those cameras become standard consumer issue. Trying to explain to my dad how to load MS Paint, and shrink the image, resulted in him writing down the instructions, and then promptly ringing me the first time he had to follow those instructions.

The major ISPs in this country who offer "broadband" plans with 200MB traffic per month -- yes, you read that right: MB -- are going going to have to do some serious reassessing. As it is, with Xbox demo games upward of 1GB, I don't know how we're putting up with this garbage.

As Uncle Ben said: "With great power comes great responsibility." Everybody wants the power, but nobody wants the responsibility.

I'll probably be marked as a troll, but this is a serious issue. How many of you have received one page word docs, or excel spreadsheets from companies, only to find that those files were over 5 megs? just a bunch of text, and fecking huge 12 million DPI logo.

I'm not saying we should stay in the dark ages, but we need to start preparing.

Re:I can't use this

You can't use this. I can't use this. But a real pro can. I'm just a point and shooter with a small amount of knowledge to be dangerous. 5-6 mpix is probably all I need because I don't have a discerning eye. I only want to blow stuff up to 8 x 10 once in awhile when I accidentally take a great picture (like when the airplane went right by Mt. Rainier (REALLY close) and I just happened to have a window seat. I coulda seen a climber pee in the snow on there!)

But to a real pro I could see how this would be a must have, and if it is a must have they'll pay whatever it takes to get it, and the cost will be too much for both of us. And if producing this ultimately brings down the cost of my Nikon Coolpix 5700 next time I have to buy one, that's cool with me.

Re:I can't use this

And I wonder how many people's computers will absolutely CRY when trying to open a 50mpix tiff. My 6mpix jpegs are 2.5-3.5mb.

Here [arizona.edu] is a 24mb tiff from the Phoenix mission.

Re:

You may not but I could.
Its not a Mom and Pop ccd for a $299 camerat at walmart.
Current digital backs for film cameras like I use are 20,000 a POP !

Try to take one of you 6mp pics and blow it up to a 6ft poster or art piece, youll be swimming in boxes

I still shoot film, medium format 6cmx6cm, 25 iso high silver film. I took a picture of a building in NY and the 60th story I can count rivets in the windowsill vents when I blow it up.

For high quality there is no comparison for film, currently, I would tra

Re:I don't know about how many LoCs this is ....

.... but, you could spot the pimple on the Pron star's ass from 1000 feet away without using a zoom lens.

You mean a telephoto lens?

I have a Sigma 10-20mm lens that is a zoom lens that is from crazy-wide to very-wide, and doesn't get to a "normal" focal length. Perhaps you mean something like a 500mm lens, which doesn't zoom?

Focal length comparison, from 10 to 500mm on a 1.5x crop sensor here [flickr.com]