gnujoshua writes "In a new article, GNU Project founder Richard M. Stallman speaks out against the proposal to include hooks for DRM in HTML5. While others have been making similar arguments, RMS strikes home the point that while companies can still push Web DRM themselves, the stance taken by the W3C is still — both practically and politically — vitally important: '[...] the W3C cannot prevent companies from grafting DRM onto HTML. They do this through nonfree plug-ins such as Flash, and with nonfree Javascript code, thus showing that we need control over the Javascript code we run and over the C code we run. However, where the W3C stands is tremendously important for the battle to eliminate DRM. On a practical level, standardizing DRM would make it more convenient, in a very shallow sense. This could influence people who think only of short-term convenience to think of DRM as acceptable, which could in turn encourage more sites to use DRM. On the political level, making room for DRM in the specifications of the World Wide Web would constitute an endorsement in principle of DRM by the W3C. Standardization by the W3C could facilitate DRM that is harder for users to break than DRM implemented in Javascript code. If the DRM is implemented in the operating system, this could result in distribution of works that can't be played at all on a free operating system such as GNU/Linux.'"

centre21 writes "Having been on Slashdot for several years, I've seen a lot of articles concerning DRM. What's most interesting to me are the number of comments condemning DRM outright and calling for the abolishing DRM with all due prejudice. The question I have for the community: is there ever a time when DRM is justified? My focus here is the aspect of how DRM protects the rights of content creators (aka, artists) and helps to prevent people freely distributing their works and with no compensation. How would those who are opposed to DRM ensure that artists will get just compensation for their works if there are no mechanisms to prevent someone from simply digitally copying a work (be it music, movie or book) and giving it away to anyone who wants it? Because, in my eyes, when people stop getting paid for what they do, they'll stop doing it. Many of my friends and family are in the arts, and let me assure you, one of the things they fear most isn't censorship, it's (in their words), 'Some kid freely distributing my stuff and eliminating my source of income.' And I can see their point. So I reiterate, to those who vehemently oppose DRM, is there ever a time where DRM can be a force for good, or can they offer an alternative that would prevent the above from happening?"

An anonymous reader writes "The new Xbox is almost here and the details appear to strongly suggest 'always on' is the way forward. We all know that this is an artificial requirement and certainly there are plenty of people on all sides of the table. To paraphrase the user 'tuffy' who commented on this issue at Ars Technica recently; if you're trying to sell 'always online' as a feature of the future, there needs to be some benefit for me the customer. There is not one. Or, rather, there is no sign yet of any actual clearly compelling reason why any end user would support this limitation to their purchase. So, what's the best way to express this? Spend your money on an Ouya? Contact the Xbox team? These are all valid options but they also lack visibility. What we need is a way that could help actually quantify the levels of discontent in the gamer community. Maybe E3 attendees could turn their backs in protest like some did during Thatcher's funeral procession. Or gamers could sign some useless petition. What do Slashdotters think? Is the upcoming Steam box a reasonable plan? As a gamer, I'm of two minds about the whole thing. I really don't like it but I may roll over eventually and join the herd because I could get used to it. Then again part of me is rankled by this slow erosion of access to me and my data."

kxra writes "The Free Culture Foundation has posted a thorough response to the most common and misinformed defenses of the W3C's Extended Media Extensions (EME) proposal to inject DRM into HTML5. They join the EFF and FSF in a call to send a strong message to the W3C that DRM in HTML5 undermines the W3C's self-stated mission to make the benefits of the Web 'available to all people, whatever their hardware, software, network infrastructure, native language, culture, geographical location, or physical or mental ability.' The FCF counters the three most common myths by unpacking some quotes which explain that 1.) DRM is not about protecting copyright. That is a straw man. DRM is about limiting the functionality of devices and selling features back in the form of services. 2.) DRM in HTML5 doesn't obsolete proprietary, platform-specific browser plug-ins; it encourages them. 3.) the Web doesn't need big media; big media needs the Web." Also: the FSF has announced that a coalition of 27 web freedom organizations have sent a joint letter to the W3C opposing DRM support in HTML5.

I've been really, really excited about digital video distribution lately: first Netflix greenlights jms's return to science fiction TV, and then Amazon announces their new pilots. Perhaps the decade long dearth of any good television is nearing its end! So, with that in mind, I finished up editing Slashdot for the day and sat down to watch some of these new pilots. Only to discover that Amazon has taken away my ability to watch entirely in the name of Digital Restrictions Management.

itwbennett writes "Amazon sent out a press release over the weekend announcing that the pilots for their original shows 'held 8 spots on the list of 10 most streamed Amazon VOD episodes.' So blogger and entertainment junkie Peter Smith decided to spend a couple of hours seeing if they were worth watching. He managed to sit through 4 of the 8 comedy shows and found a mixed bag — one a clear miss, two meh, and one he'd like to see turned into a series. Have you watched any of the pilots? What did you think?" The quality of these the pilots is not the only way they're a mixed bag: for many Linux users, they're simply not watchable. Watch soon for unknown_lamer's screed on the fat lot of good(will) Amazon is generating by making it harder to legally get these shows.

FuzzNugget writes "In a recent blog post, Netflix details their plans to transition from Silverlight to HTML5, but with one caveat: HTML5 needs to include a built-in DRM scheme. With the W3C's proposed Encrypted Media Extensions, this may come to fruition. But what would we sacrificing in openness and the web as we know it? How will developers of open source browsers like Firefox respond to this?"

DavidGilbert99 writes "According to anonymous sources, Microsoft's game director Adam Orth has left the company following a series of comments on Twitter about the rumoured always-on aspect of the next generation Xbox console. It is still unclear if Orth left voluntarily or was pushed out but either way it's not good news for Microsoft." If you'd prefer your news without obnoxious auto-playing video ads (with sound!), IGN reports Orth's departure, too.

Adam Orth, creative director of Microsoft Studios, on Thursday tweeted that "doesn't get" objections to DRM schemes that require always-on internet connection to play console games. An anonymous reader writes "Microsoft on Friday released an official statement regarding the tweets: 'We apologize for the inappropriate comments made by an employee on Twitter yesterday. This person is not a spokesperson for Microsoft, and his personal views do not reflect the customer centric approach we take to our products or how we would communicate directly with our loyal consumers. We are very sorry if this offended anyone, however we have not made any announcements about our product roadmap, and have no further comment on this matter.'" I can't help reading those tweets in the voice of Sterling Archer.

beerdragoon writes "Electronic Arts CEO Peter Moore has responded to the company's appearance in the finals of the Consumerist's Worst Company In America poll. Moore accepts some responsibility for some of EA's past failings: 'I’ll be the first to admit that we’ve made plenty of mistakes. These include server shut downs too early, games that didn’t meet expectations, missteps on new pricing models and most recently, severely fumbling the launch of SimCity. We owe gamers better performance than this.' However, he ignores or contests many of the common complaints about the company — issues that earned it a spot in the finals for the second year in a row. Quoting: 'Many continue to claim the Always-On function in SimCity is a DRM scheme. It’s not. People still want to argue about it. We can’t be any clearer – it’s not. Period. ... Some people think that free-to-play games and micro-transactions are a pox on gaming. Tens of millions more are playing and loving those games."

Trailrunner7 writes "Source code and a private signing key for firmware manufactured by a popular PC hardware maker American Megatrends Inc. (AMI) have been found on an open FTP server hosted in Taiwan. Researcher Brandan Wilson found the company's data hosted on an unnamed vendor's FTP server. Among the vendor's internal emails, system images, high-resolution PCB images and private Excel spreadsheets was the source code for different versions of AMI firmware, code that was current as of February 2012, along with the private signing key for the Ivy Bridge firmware architecture. AMI builds the AMIBIOS BIOS firmware based on the UEFI specification for PC and server motherboards built by AMI and other manufacturers. The company started out as a motherboard maker, and also built storage controllers and remote management cards found in many Dell and HP computers. 'The worst case is the creation of a persistent, Trojanized update that would allow remote access to the system at the lowest possible level,' researcher Adam Caudill said. 'Another possibility would be the creation of an update that would render the system unbootable, requiring replacement of the mainboard.'"

New submitter SoVi3t points out comments from Microsoft Studios Creative Director Adam Orth about the debate over always-online DRM, brought to the fore recently by the disastrous launch of SimCity and rumors that the next-gen Xbox console will require it. "Don't want a gaming console that requires a persistent internet connection? 'Deal with it,' says Microsoft Studio's creative director. In what he later termed a 'fun lunch break,' Orth took to Twitter to express his shock at people who take umbrage with the idea of an always-on console. When quizzed by other Twitter users about people with no internet connection, he suggested that they should get one, as it is 'awesome.' He then likened people who worry about intermittent internet connectivity being an issue as the same as someone not buying a vacuum cleaner because the electricity sometimes goes out. While Orth later apologized, saying it had being a bit of banter with friends, it did raise awareness that there are more than a few people who are very unhappy with the possibility of an always-on future version of the Xbox. Orth has also now switched his Twitter account settings to private."

sgroyle (author Simon Royle) writes with an excerpt from an article he wrote about discovering that publisher WHSmith has been adding DRM to books without their authors' permission, and against their intent: "DRM had, without my knowledge, been added to my book. I quickly checked my other books; same thing. Then I checked the books of authors who, because of their vocal and public opposition, I know are against DRM – Konrath, Howey, and Doctorow, to name a few – same result. ALL books on WHSmith have DRM in them. Rather than assume WHSmith where at fault, I checked with my distributor, Draft2Digital. They send my books to Kobo, who in turn send my books to WHSmith. D2D assured me the DRM was not being added by them and were distressed to hear that this was the case. Kobo haven't replied to any of the messages in this thread: 'WHSmith putting DRM in books distributed via Kobo'. I'm not holding my breath." Update: 03/22 21:02 GMT by T : Problem resolved. Hanno Liem of the Kobo team wrote with good news that the DRM notices that were appended were done so in error, and since corrected: "The original site has been updated – it was just a bug on our site, and was resolved within a day I think. We're all slashdot readers here at Kobo Operations, and this is kinda painful :p" Thanks, Hanno.

jrepin writes "There's a new front in the battle against digital restrictions management (DRM)technologies. These technologies, which supposedly exist to enforce copyright, have never done anything to get creative people paid. Instead, by design or by accident, their real effect is to interfere with innovation, fair use, competition, interoperability, and our right to own things. That's why we were appalled to learn that there is a proposal currently before the World Wide Web Consortium's HTML5 Working Group to build DRM into the next generation of core Web standards. The proposal is called Encrypted Media Extensions, or EME. Its adoption would be a calamitous development, and must be stopped."

An anonymous reader writes "I'm an indie developer about to release a small ($5 — $10 range) utility for graphic designers. I'd like to employ at least a basic deterrent to pirates, but with the recent SimCity disaster, I'm wondering: what is a reasonable way to deter piracy without ruining things for legitimate users? A simple serial number? Online activation? Encrypted binaries? Please share your thoughts."

Jeremy Allison - Sam writes "Ian Hickson, author and maintainer of the HTML5 specification, comments about the real reasons for DRM. They're not what you might think. Ian nails it in my opinion. He wrote, 'The purpose of DRM is not to prevent copyright violations. The purpose of DRM is to give content providers leverage against creators of playback devices. Content providers have leverage against content distributors, because distributors can't legally distribute copyrighted content without the permission of the content's creators. But if that was the only leverage content producers had, what would happen is that users would obtain their content from those content distributors, and then use third-party content playback systems to read it, letting them do so in whatever manner they wanted. ... Arguing that DRM doesn't work is, it turns out, missing the point. DRM is working really well in the video and book space. Sure, the DRM systems have all been broken, but that doesn't matter to the DRM proponents. Licensed DVD players still enforce the restrictions. Mass market providers can't create unlicensed DVD players, so they remain a black or gray market curiosity."

mozumder writes "The disastrous launch of SimCity took its first major toll, with EA CEO John Riccitiello being fired from his position and removed from the Board of Directors. It is unknown what effect this may have on the SimCity franchise or any future DRM of EA games, but clearly someone didn't think their cunning plan all the way through when they decided to implement always-on connections for single-player gaming."

An anonymous reader writes with this excerpt from Geek.com: "Ever since SimCity launched, there has been a suspicion that the need for the game to always be connected to a server was mainly a form of DRM, not for social game features and multiplayer. Then a Maxis developer came forward to confirm the game doesn't actually need a server to function, suggesting the information coming out of EA wasn't the whole truth. Now EA and Maxis have some explaining to do as a modder has managed to get the game running offline indefinitely." The writer names a few small ways in which the game is actually improved by being offline, too.

adeelarshad82 writes "The SimCity launch debacle is only the latest in an increasingly frustrating string of affronts to gamers' rights as customers. Before SimCity, we had Ubisoft's always-on DRM (that the company only ended quietly after massive outcry from gamers). We had the forced online and similarly unplayable launch of Diablo III. We had games like Asura's Wrath and Final Fantasy: All the Bravest that required you to pay more money just to complete them after you purchase them. And let us never forget the utter infamy of StarForce, SecuROM, and Sony's copy protection, which installed rootkits on computers without users' knowledge. As one recently published article argues, maybe it's time for gamers to demand adoption of a Bill of Rights."

sfcrazy writes "Netflix is using HTML5 video streaming instead of using Microsoft's Silverlight on Chromebooks (which now supports DRM for HTML5). Recently Google enabled the much controversial DRM support for HTML5 in Chrome OS to bring services like Netflix to Chromebooks using HTML5." Still no word on general support for GNU/Linux, but x86 or ARM, what's the difference? (If you're ok with DRM at least.)