"A trailer has been released for the first film to star an authorised generative AI version of a major Hollywood actor," writes The Guardian: Val Kilmer was cast in western As Deep As the Grave before his death in April 2025. Production delays meant he never shot any scenes, but the creative team worked with UK-based company Sonantic to create an AI speaking voice based on his old recordings. His estate and daughter Mercedes collaborated with the film-makers on the visual deepfake of the actor. Kilmer, who was diagnosed with throat cancer, was also assisted by technology for his cameo in 2022's Top Gun: Maverick...

Writer-director Coerte Voorhees confirmed that Kilmer is seen for around an hour of the film's running time... Voorhees has said that the production followed Sag-Aftra [union] guidelines, and that Kilmer's estate — which provided archival material for them to use — was compensated financially.
"Kilmer's likeness can be seen portraying Father Fintan, a Catholic priest and Native American spiritualist," adds The Hollywood Reporter. But the AV Club calls it "ghoulish puppet show time."

"Having your AI Val Kilmer puppet whisper 'Don't fear the dead, and don't fear me' in a movie trailer is a bold choice..." He is accompanied (per Variety) by a whole host of disclaimers, caveats, and explanations offered by writer-director Coerte Voorhees and his associates: Kilmer deeply wanted to be in the movie, but was too sick to do so. His family endorses and supports his inclusion. He was a big fan of technology, including, presumably, its use in turning his own image into a digital avatar to then shove into movies...

The fact is, of course, that nobody would be paying a fraction of this attention to As Deep As The Grave — about early female archeologist Ann Axtell Morris — if it weren't now being used as the stage on which Voorhees was very publicly accepting the dare to go full-on ghoulish with AI tech.
"The filmmakers said they hoped they were showing Hollywood how to use the technology in a positive way..." notes Australia's ABC News. But their articles add that "Some have called the trailer 'terrifying' and 'disgusting' on social media."

Mashable writes: "Very fitting that this trailer includes a scene where a corpse is unceremoniously yanked out of the ground," read one of the top comments on As Deep as the Grave's trailer at time of writing... [O]nline commenters have labelled it disgusting and disrespectful, not only for digitally reanimating Kilmer but also for the damaging precedent As Deep as the Grave's use of AI could set for the film industry as a whole.

Sony Pictures chief Tom Rothman urged theater owners to cut down the roughly 30 minutes of trailers and ads before movies. "Get off the ad crack," Rothman told the audience at CinemaCon this week. "Get rid of the endless advertising and substantially shorten the long pre-shows." Variety reports: He noted that frequent moviegoers now show up a half hour late to avoid all the spots (something that reserved seating has made easier than ever before). Rothman said that means many people "don't even see the trailers," which results in "enticements gone to waste." Rothman predicted that the 2026 box office, which has already benefitted from hits like "Super Mario Galaxy Movie" and "Project Hail Mary," will rebound in a big way. But he acknowledged that attendance still trails pre-pandemic levels.

Rothman has been a vociferous defender of the big screen, pushing studios to embrace longer windows so that movies will stay in cinemas longer. That was a theme that Rothman returned to at CinemaCon, pressing exhibitors to hold strong and agree not to show movies that quickly appear on streaming services or on-demand platforms. "Enforce longer windows," Rothman said. "Yes, even if that means you cannot play every film."

In addition to stumping for exhibition, Rothman has practically begged Hollywood to invest in new stories along with all the franchise fare. In a recent New York Times op-ed, for instance, Rothman, the longest-serving studio chief, wrote, "For all the success of films driven by existing intellectual property, originality is essential to movies. Neither movie theaters nor the art form itself can survive without at least some originality. After all, you can't make a sequel to nothing."

The Super Mario Galaxy Movie "is officially the year's highest-grossing film to date with $629 million at the global box office," reports Variety — and it will likely earn over $1 billion. Project Hail Mary now becomes the year's second highest-grossing movie, with four-week ticket sales over $510, notes The Hollywood Reporter: The two films have helped propel year-to-date revenue to $2.113 billion — the best showing for the first part of the year since before the pandemic in 2019 ($2.619 billion), according to Comscore. And revenue is running 25% ahead of the same corridor last year.
Some context from ScreenRant: Even though The Super Mario Galaxy Movie reviews were largely negative, earning it a disappointing 43% score from critics on Rotten Tomatoes, audiences gave it a far superior score of 89% from audiences, making it Verified Hot on the platform's Popcornmeter. This indicates that the movie should continue to climb up the global box office chart thanks to strong word of mouth, even as it trails consistently behind the original 2023 movie in terms of commercial performance.
Canadian astronaut Jeremy Hansen called Project Hail Mary "an inspirational example.. We all thought that movie was really uplifting and inspiring." Before the Artemis astronauts launched their mission, Space.com points out "they were treated to a viewing of Amazon MGM Studios' Project Hail Maryto bolster their spirits ahead of their monumental 10-day lunar voyage. " Marking the occasion and providing encouraging words to the three American astronauts and one Canadian astronaut, Ryan Gosling recorded a brief encouraging video for the moon-bound foursome.
Today NPR took a spoiler-filled look at the science in the film, asking: Would it be possible for humans to travel to a place as far away as the Tau Ceti star system? It's not possible right now, says Lisa Carnell, division director for NASA'S Biological and Physical Sciences Division. "I don't think we are fully prepared to send humans to Mars, let alone light years away," she says. Given the leaps in technology that humanity has made in just the past century, however, she didn't want to rule it out.... "I believe it's possible [one day]"...

The hypothetical study of how humans and extraterrestrials might communicate is a real scientific field, called xenolinguistics, that includes researchers from linguistics, animal communication, and anthropology. Martin Hilpert, a professor of linguistics at the University of Neuchâtel in Switzerland, says the film "gets a lot of things right" for how such an encounter might occur, though it also employs a lot of "happy coincidences" too.

"RGB LED TVs have been the talk of the TV world this year," argues The Verge, with models coming from all the manufacturers." And the first one of 2026 is here — the UR9 from China's Hisense — "the first look at the viability of the new backlight technology outside of demo rooms." They call it "a step above the traditional mini-LED TVs of years past." and "a great first shot against OLED's bow." HDR is colorful and accurate, it has great brightness, and it is capable of showing colors beyond the P3 color space for movies and TV shows that have wider color. But at $3,500, the 65-inch model I reviewed is priced comparably to high-end OLEDs from LG and Samsung, which is tough competition... One of the touted benefits of RGB LED TVs is their ability to achieve 100 percent of the BT.2020 color space... [But] even if a TV is capable of extending beyond P3 and into BT.2020 colors (which the UR9 absolutely is), with most movies and TV shows it doesn't matter. It's also a bit of a chicken-or-the-egg situation — we need TVs that can accurately display BT.2020 before the color space is fully adopted by TV and movie creators, but if there's no content, why get a BT.2020 TV?
BGR points out this new mini LED TV also "includes a DisplayPort (DP) connection alongside HDMI."

"Well, technically, it's a USB-C port that delivers full DisplayPort functionality, but it's labeled as DisplayPort." The TV also has three HDMI 2.1 ports, making it a great choice for game consoles and PCs. And while HDMI 2.1 supports 4K/120Hz, the Hisense UR9S will deliver 4K/170Hz or 4K/180Hz visuals [a higher refresh rate] when connected to a gaming PC via DisplayPort. Better yet, the TV is AMD FreeSync-compatible, and Hisense plans on adding Dolby Vision 2 HDR in future firmware.

The Hisense UR9S will be available in four sizes: 65, 75, 85, and 100 inches. It's worth mentioning that the two largest sizes will max out at 180Hz for the refresh rate, while the 65 and 75-inch screens come in at 170Hz. This is exciting news for serious gamers looking for the best gaming TVs and a huge step forward in the evolution of panel tech. RGB Mini LED TVs were showcased by a handful of manufacturers at CES 2026, including Samsung, Sony, and LG; so Hisense will certainly have some competition.

Hundreds of theatres are now showing a new documentary called The AI Doc: Or How I Became An Apocaloptimist. Variety calls it "playful and heady,"edited "with a spirit of ADHD alertness." The New York Times suggests it "tries to cover so much that it ends up being more confusing than clarifying, but parts are fascinating."

But the Los Angeles Times calls it an "aggravating soup of information and opinion that wants to move at the speed of machine thought." So while co-director Daniel Roher asks whether he should bring a child into a world with AI, "Perhaps more urgently, should Roher have made an AI doc that treats us like children?" First, he parades all the safety doomers, seeming to believe their warnings that an unfeeling superintelligence is upon us and we can't trust it. Then, sufficiently disturbed, he hauls in the AI cheerleaders, a suspiciously positive gang who can envision only medical miracles and grindless lives in which we're all full-time artists. Only then, after this simplistic setup where platitudes reign, do we get the section in which the subject is treated like the brave (and grave) new world it is: geopolitically fraught, economically tenuous and a playground for billionaires.

Why couldn't the complexity have been the dialogue from the beginning, instead of the play-dumb cartoon "The AI Doc" feels like for so long? Maybe Roher believes this is what our increasingly gullible, truth-challenged citizenry needs from an explanatory doc: a flashy, kindhearted reminder that we're the change we need to be.
Read more reactions here and here. Mashable warns the documentary's director "will ultimately craft a journey that feels like a panic attack in real time. In the end, you may not feel better about mankind's chances against the rise of AI. But you'll likely feel less helpless in the future before us all."

They also point out that the film "shares some ways its audience can more actively be apart of the conversation, and provides a link to the film's website for engagement," where 6,948 people have now signed up for its newsletter. ("Demand a seat at the table," urges its signup button, under a warning that "Government and AI companies are designing our future without us. We need to reclaim our voice in shaping the future of AI...")

An anonymous reader quotes a report from CNN: Stephen Colbert already has a new job lined up for when he ends his 11-year run as host of "The Late Show" in May -- the comedian and well-known J.R.R. Tolkien superfan announced he will co-write and develop a new film in the blockbuster "Lord of the Rings" franchise. Colbert joined "LOTR" director Peter Jackson to reveal the news in a video announcement.

"I'm pretty happy about it. You know what the books mean to me and what your films mean to me," the late-night host told Jackson, who led the Oscar-winning team behind the nearly $6 billion original "Lord of the Rings" and "The Hobbit" trilogies. [...] Colbert said the next installment will be based on parts of Tolkien's "The Fellowship of the Ring" book that didn't make it into the original movies. "The thing I found myself reading over and over again were the six chapters early on in (The Fellowship of the Ring) that y'all never developed into the first movie back in the day ... and I thought, 'Oh, wait, maybe that could be its own story that could fit into the larger story.'" he said.

Colbert said he discussed the idea with his son, screenwriter Peter McGee, to work out the framing of the story. "It took me a few years to scrape my courage into a pile and give you a call, but about two years ago, I did. You liked it enough to talk to me about it," Colbert told Jackson. Colbert said he, McGee and Jackson have been working alongside screenwriter Philippa Boyens on the development of the story. "I could not be happier to say that they loved it, and so that's what we're going to be working on," Colbert said. Colbert's LOTR movie, tentatively titled "Shadow of the Past," will be the second of two new upcoming films in the franchise from Warner Bros. Discovery. The first of which is called "The Hunt for Gollum" due to be released in 2027.

It was 60 years ago when William Shatner — born in 1931 — portrayed Captain Kirk in the TV series Star Trek. Shatner turns 95 today — and celebrated by posting a picture of himself smoking a cigar.

"At 95, I'm still smokin'!" Shatner joked, adding that in life he'd learned two things. "Never waste a good cigar. Never trust anyone who says you should 'act your age.'"

For more celebrations, Paramount's free/ad-supported streaming platform Pluto TV announced a "Trek TV takeover birthday celebration" that will run through April 3rd, according to TrekMovie.com, with marathon of Star Trek movies and TV shows — and even that time he was roasted on Comedy Central. ("Freeâ½ My favorite price!" Shatner quipped on X.com.)

Shatner still remains a popular celebrity, even travelling to space five years ago on a Blue Origin flight past the Kármán line. Since then he's led a cruise to Antarctica — and even performed an alternate take of Captain Kirk's final scene on the Jimmy Fallon show.

And this week Shatner (along with hundreds of thousands attendees) appeared at Orlando's MegaCon — and shared stories about his life with Orlando Weekly: Shatner: Last month, I was on board a cruise ship, and they said the only thing I had to do over the next three days, "before we let you go home," is sing "Rocket Man." So I thought, "I'm not going to sing 'Rocket Man' the same way that what's-his-name did. ... So, I looked at the song very carefully to see if I could find what actors call a throughline. What is the character singing? What is he singing about? And so I look through all of these weird lyrics, and all of a sudden, the word sticks out to me: "alone." So I say to the band members, "OK, let's make this song about being alone in space." And I work on it with the band and the musicians, and again on a Saturday night, I perform the number, and 4,000 people stand up and applaud "Rocket Man." And they won't let me off the stage, again and again. Four times, I get a standing ovation, wild.

And that's the progression for me, of science fiction for me, as exemplified by this song. The song went from superficial to something of depth and meaning... It touched people enough for them to stand up and applaud, and I realized that is the story of science fiction... Science fiction with all its great technology has evolved into great storytelling that reaches people in a manner that is very difficult for other types of drama to do.
Shatner answered questions from Slashdot readers in 2002 ("My life is my statement...") and again in 2011. ("I used to try to assemble computers way back when and they came out looking like a skateboard...")

And judging by his X.com posts, Shatner is now involved in early testing of the site's upcoming digital payment system X Money.

Longtime Slashdot reader SchroedingersCat writes: Chuck Norris, known for his roles in action films and as Texas Ranger Cordell Walker on the TV show "Walker, Texas Ranger," passed away on March 19, leaving behind a legacy of inspiring millions around the world. He was 86.

He became Internet phenomenon after "Chuck Norris Facts" went viral online with such wildly hyperbolic statements as, "Chuck Norris had a staring contest with the sun -- and won," and, "When Chuck Norris does push-ups, he doesn't push himself up, he pushes the Earth down."

His death was announced by his family through his official Instagram account, but no further details were immediately available. He was hospitalized earlier that day in Hawaii after experiencing a medical emergency, the family said.

Steven Spielberg directed his last Jurassic Park movie nearly 30 years ago, notes ScreenRant. But the 79-year-old filmmaker now brings us The Dinosaurs, a four-part documentary on Netflix where he's executive producer: The first few reviews are in, and the results lead to a perfect 100% score on Rotten Tomatoes. It's worth noting that the rating will likely fluctuate since there are only six reviews. So far, critics all agree that the new Netflix docuseries is a breathtaking visual of history's most majestic creatures, and Morgan Freeman's soothing narration elevates the experience. Most importantly, the reviews note that the story is intimate, making the dinosaurs feel real with their personalities.
"Audience" reviewers gave it a lower score of 67%.

• "There is a sense of drama and emotional weight which permeates through the entire series as it tells the story of the dinosaurs from start to the present day. The ending brought tears to my eyes..."

• "Wow, what a sleeper! Flat graphics, looks like video game animations. Unrelatable story lines. Don't waste your time. Honestly would you even look twice if Spielberg's name wasn't on it?"

• "This show was honestly incredible... It was a 10/10 series that I absolutely adored highly recommended to anyone who loves and has an interest of the ancient world."

• "I'm sorry, but the dinos of Prehistoric Planet are far superior, and were achieved on a much smaller budget. Their dinos look absolutely real, and you are convinced you're watching a documentary with real animals"

ScreenRant notes Netflix's debut of The Dinosaurs' "aligns perfectly" with the arrival of all four Jurassic World movies on Netflix, where they're already dominating Netflix's "Top 10" charts for the U.S.

"Witness the rise and the fall of nature's greatest empire," narrator Morgan Freeman says in the trailer...

Warner Bros. is developing a feature film set in the world of Game of Thrones with writer Beau Willimon of Andor and House of Cards. "That's about all we know right now, and as with everything 'Thrones' things could change, but the film is firmly in development," reports TheWrap. Page Six Hollywood was first to break the news and speculated that the story could revolve around Aegon I, the legendary Targaryen king who spawned a dynasty. From the report: The Targaryens have been at the center of all things "Thrones" on HBO, with "Game of Thrones" following Daenerys Targaryen's (Emilia Clarke) quest to usurp the throne, spinoff "House of the Dragon" set in the midst of the Targaryens' reign and recent spinoff "A Knight of the Seven Kingdoms" following the squire-ship of Aegon "Egg" Targaryen towards the end of the family's run atop the Iron Throne. All, of course, based on George R.R. Martin's expansive book universe.

"The drought of upcoming Star Wars movies is coming to an end soon," writes Cinemablend. In May the The Mandalorian and Grogu opens, and one year later there's the release of the Ryan Gosling-led Star Wars: Starfighter.

But "there are some insiders who already believe that Starfighter will be a bigger hit than The Mandalorian and Grogu..." According to unnamed sources who spoke with Variety, there's a "sense" that Star Wars: Starfighter, which is directed by Deadpool & Wolverine's Shawn Levy, will be a more satisfying viewing experience. These same sources are allegedly impressed by the early footage they've seen of Ryan Gosling's performance and also suggested that Levy has "recaptured the franchise's spirit of fun." Furthermore, the article states that there's concern that because The Mandalorian and Grogu is spinning out of a streaming-exclusive series, it might not have as much appeal to people who aren't already fans of The Mandalorian... Star Wars: Starfighter, on the other hand, will be accessible to everyone equally. It's set five years after The Rise of Skywalker, which is an unexplored period for the Star Wars franchise onscreen. It's also expected that most, if not all of its featured characters will be brand-new, so no knowledge of past adventures is required.
Slashdot reader gaiageek reminds us that 2027 will also see a special 50-year anniversary event in movie in theatres: a "newly restored" version of the original 1977 Star Wars.

Seamus Blackley, one of the original founders of Xbox who helped convince Bill Gates and Steve Ballmer to back a console project more than 26 years ago, told GamesBeat in an interview that he believes Microsoft is quietly sunsetting the platform under the guise of an AI-driven leadership transition.

Microsoft recently announced that Asha Sharma, whose career has focused on AI and software as a service, will replace Phil Spencer as Xbox CEO, and that COO and president Sarah Bond is leaving the company. Blackley said he expects Sharma's role to be that of "a palliative care doctor who slides Xbox gently into the night," arguing that Satya Nadella's all-consuming bet on generative AI has turned every business unit -- Xbox included -- into a nail for the same hammer.

He compared the appointment to putting someone who doesn't like movies in charge of a major motion picture studio, and advised Sharma to either develop a genuine passion for games or find a way to leave the job soon.

DVD and Blu-ray sales have been in freefall for years, but the decline is slowing considerably as Gen Z buyers turn to physical media and drive a measurable uptick at video rental stores and retailers across the U.S.

Overall disc sales fell just 9% last year after dropping more than 20% in both 2023 and 2024, according to the Digital Entertainment Group, and U.S. consumers spent 12% more on 4K UHD Blu-rays in 2025 than the prior year. The Criterion Collection, a leading boutique Blu-ray label, confirmed significant year-over-year sales increases that its president credits to younger customers.

Vidiots, a video store in Los Angeles, averaged 170 rentals a day in January 2026 -- its biggest month ever -- after loaning about 22,000 discs total in 2023 and roughly 50,000 in 2024. Barnes & Noble reported DVD and Blu-ray sales growth of "mid-double digits" over the past year.

An anonymous reader shares a report: When will AI movies start showing up in theaters nationwide? It was supposed to be next month. But when word leaked online that an AI short film contest winner was going to start screening before feature presentations in AMC Theatres, the cinema chain decided not to run the content.

The issue began earlier this week with the inaugural Frame Forward AI Animated Film Festival announcing Igor Alferov's short film Thanksgiving Day had won the contest. The prize package for included Thanksgiving Day getting a national two-week run in theaters nationwide. When word of this began hitting social media, however, some were dismayed by the prospect of exhibitors embracing AI content, with many singling out AMC Theatres for criticism.

Except the short is not actually programmed by exhibitors, exactly, but by Screenvision Media -- a third-party company which manages the 20-minute, advertising-driven pre-show before a theater's lights go down. Screenvision -- which co-organized the festival along with Modern Uprising Studios -- provides content to multiple theatrical chains, not just AMC. After The Hollywood Reporter reached out to AMC about the brewing controversy, the company issued this statement to THR on Thursday: "This content is an initiative from Screenvision Media, which manages pre-show advertising for several movie theatre chains in the United States and runs in fewer than 30 percent of AMC's U.S. locations. AMC was not involved in the creation of the content or the initiative and has informed Screenvision that AMC locations will not participate."

1.5 million people have now viewed a slick 15-second video imagining Tom Cruise fighting Brad Pitt that was generated by ByteDance's new AI video generation tool Seedance 2.0.

But while ByteDance gushes their tool "delivers cinematic output aligned with industry standards," the cinema industry isn't happy, reports the Los Angeles Times reports: Charles Rivkin, chief executive of the Motion Picture Assn., wrote in a statement that the company "should immediately cease its infringing activity."

"In a single day, the Chinese AI service Seedance 2.0 has engaged in unauthorized use of U.S. copyrighted works on a massive scale," wrote Rivkin. "By launching a service that operates without meaningful safeguards against infringement, ByteDance is disregarding well-established copyright law that protects the rights of creators and underpins millions of American jobs."

The video was posted on X by Irish filmmaker Ruairi Robinson. His post said the 15-second video came from a two-line prompt he put into Seedance 2.0. Rhett Reese, writer-producer of movies such as the "Deadpool" trilogy and "Zombieland," responded to Robinson's post, writing, "I hate to say it. It's likely over for us." He goes on to say that soon people will be able to sit at a computer and create a movie "indistinguishable from what Hollywood now releases." Reese says he's fearful of losing his job as increasingly powerful AI tools advance into creative fields. "I was blown away by the Pitt v Cruise video because it is so professional. That's exactly why I'm scared," wrote Reese on X. "My glass half empty view is that Hollywood is about to be revolutionized/decimated...."

In a statement to The Times, [screen/TV actors union] SAG-AFTRA confirmed that the union stands with the studios in "condemning the blatant infringement" from Seedance 2.0, as video includes "unauthorized use of our members' voices and likenesses. This is unacceptable and undercuts the ability of human talent to earn a livelihood. Seedance 2.0 disregards law, ethics, industry standards and basic principles of consent," wrote a spokesperson from SAG-AFTRA. "Responsible A.I. development demands responsibility, and that is nonexistent here."

Amazon plans to use AI to speed up the process for making movies and TV shows even as Hollywood fears that AI will cut jobs and permanently reshape the industry. From a report: At the Amazon MGM Studio, veteran entertainment executive Albert Cheng is leading a team charged with developing new AI tools that he said will cut costs and streamline the creative process. Amazon plans to launch a closed beta program in March, inviting industry partners to test its AI tools. The company expects to have results to share by May. [...] Amazon is leaning on its cloud computing division, Amazon Web Services, for help and plans to work with multiple large language model providers to give creators a wider array of options for pre- and post-production filmmaking.

A sprawling informal economy of rogue streaming devices has taken hold across the U.S., as consumers fed up with rising TV subscription costs turn to cheap Android-based boxes that promise free access to thousands of live channels, sports events, and on-demand movies for a one-time $200 to $400 purchase.

The two dominant players -- SuperBox and vSeeBox -- are manufactured by opaque Chinese companies and distributed through hundreds of American resellers at farmers markets, church festivals and Facebook groups, according to a report by The Verge. The hardware is generic and legal, but both devices guide users toward pirate streaming apps not available on any official app store.

vSeeBox directs users to a service called "Heat"; SuperBox points to "Blue TV." One user estimated access to between 6,000 and 8,000 channels, including premium sports networks and hundreds of local affiliates. A 2025 Dish Network lawsuit against a SuperBox reseller alleged that some live channels on the device were being ripped directly from Dish's Sling TV service -- Sling's logo was still visible on certain feeds. Dish has pursued resellers aggressively, winning $1.25 million in damages from a vSeeBox seller in 2024 over 500 devices and $405,000 from another over 162 devices. None of this has meaningfully slowed adoption. The market has roots in earlier Chinese-made devices like TVPad that targeted Asian expat communities and reportedly sold 3 million units before being litigated out of existence. SuperBox and vSeeBox simply broadened the audience to mainstream America.

Apple TV+ has landed the screen rights to Cosmere, the sprawling literary universe created by Brandon Sanderson. "The first titles being eyed for adaptation are the Mistborn series, for features, and The Stormlight Archive series, for television," reports the Hollywood Reporter. From the report: The deal is rare one, coming after a competitive situation which saw Sanderson meet with most of the studio heads in town. It gives the author rarefied control over the screen translations, according to sources. Sanderson will be the architect of the universe; will write, produce and consult; and will have approvals. That's a level of involvement that not even J.K. Rowling or George R.R. Martin enjoys.

Sanderson's literary success and fan following helped pave the way for such a deal. One of the most prolific and beloved fantasy authors working today, he has sold over 50 million copies of his books worldwide, collectively across his series. [...] While the Cosmere books are set in various worlds and eras, the underlying premise concerns a being named Adolnasium who is killed by a group of conspirators. The being's power is broken into 16 shards, which are then spread out throughout many worlds by the conspirators, spreading many kinds of magic across the universe.

An analysis of film and music release patterns has found that summer and late fall are the optimal windows for movie premieres, while the music industry has no clear "best" month -- only a worst one, December, which the report's author dubbed "Dump-cember."

For films, the calendar splits into distinct strategic zones. Summer months and holidays see elevated box office because audiences have more free time, and studios chase mega-billion-dollar hits during these windows. October and November see a surge of prestige releases as studios cluster their Oscar hopefuls to keep them fresh in voters' minds when awards season begins in January.

The Silence of the Lambs, which swept the Academy Awards' Big Four categories in 1992, remains the only Best Picture winner in seven decades to have been released in January -- the industry's infamous "Dump-uary." The music industry operates differently. Most months are interchangeable for album releases, but December is uniquely bad. Artists avoid it because they would compete against Christmas classics from Bing Crosby and Andy Williams, both dead for decades. Albums released in December also receive weaker critical reception as measured by Pitchfork scores, and labels quietly slot their least promising projects into this low-attention window.

Friday 72-year-old Richard Stallman made a two-hour-and-20-minutes appearance at the Georgia Institute of Technology, talking about everything from AI and connected cars to smartphones, age verfication laws, and his favorite Linux distro. But early on, Stallman also told the audience how "I despise DRM...I don't want any copy of anything with DRM. Whatever it is, I never want it so badly that I would bow down to DRM." (So he doesn't use Spotify or Netflix...)

This led to an interesting moment when someone asked him later if we have an ethical obligation to avoid piracy.. First Stallman swapped in his preferred phrase, "forbidden sharing"...

"I won't use the word piracy to refer to sharing. Sharing is good and it should be lawful. Those laws are wrong. Copyright as it is now is an injustice."

Stallman said "I don't hesitate to share copies of anything," but added that "I don't have copies of non-free software, because I'm disgusted by it." After a pause, he added this. "Just because there is a law to to give some people unjust power, that doesn't mean breaking that law becomes wrong....

"Dividing people by forbidding them to help each other is nasty."

And later Stallman was asked how he watches movies, if he's opposed to DRM-heavy sites like Netflix, and the DRM in Blu-ray discs? "The only way I can see a movie is if I get a file — you know, like an MP4 file or MKV file. And I would get that, I suppose, by copying from somebody else."

"Sharing is good. Stopping people from sharing is evil."