Robin McKie writes via The Guardian: Scientists with Breakthrough Listen, the world's largest scientific research program dedicated to finding alien civilizations, say a host of technological developments are about to transform the search for intelligent life in the cosmos. These innovations will be outlined at the group's annual conference, which is to be held in the UK for the first time, in Oxford, this week. Several hundred scientists, from astronomers to zoologists, are expected to attend. "There are amazing technologies that are under development, such as the construction of huge new telescopes in Chile, Africa and Australia, as well as developments in AI," said astronomer Steve Croft, a project scientist with Breakthrough Listen. "They are going to transform how we look for alien civilizations."

Among these new instruments are the Square Kilometer Array, made up of hundreds of radio telescopes now being built in South Africa and Australia, and the Vera Rubin Observatory that is being constructed in Chile. The former will become the world's most powerful radio astronomy facility while the latter, the world's largest camera, will be able to image the entire visible sky every three or four nights, and is expected to help discover millions of new galaxies and stars. Both facilities are set to start observations in the next few years and both will provide data for Breakthrough Listen. Using AI to analyze these vast streams of information for subtle patterns that would reveal evidence of intelligent life will give added power to the search for alien civilizations, added Croft.

"Until now, we have been restricted to looking for signals deliberately sent out by aliens to advertise their existence. The new techniques are going to be so sensitive that, for the first time, we will be able to detect unintentional transmissions as opposed to deliberate ones and will be able to spot alien airport radar, or powerful TV transmitters -- things like that." [...] Croft remains optimistic that we will soon succeed in making contact. "We know that the conditions for life are everywhere, we know that the ingredients for life are everywhere. I think it would be deeply weird if it turned out we were the only inhabited planet in the galaxy or in the universe. But you know, it's possible."

An anonymous reader quotes a report from the BBC: US officials say they have taken action against an AI-powered information operation run from Russia, including nearly 1,000 accounts pretending to be Americans. The accounts on X were designed to spread pro-Russia stories but were automated "bots" -- not real people. In court documents made public Tuesday the US justice department said the operation was devised by a deputy editor at Kremlin-owned RT, formerly Russia Today. RT runs TV channels in English and several other languages, but appears much more popular on social media than on conventional airwaves.

The justice department seized two websites that were used to issue emails associated with the bot accounts, and ordered X to turn over information relating to 968 accounts that investigators say were bots. According to the court documents, artificial intelligence was used to create the accounts, which then spread pro-Russian story lines, particularly about the war in Ukraine. "Today's actions represent a first in disrupting a Russian-sponsored generative AI-enhanced social media bot farm," said FBI Director Christopher Wray. "Russia intended to use this bot farm to disseminate AI-generated foreign disinformation, scaling their work with the assistance of AI to undermine our partners in Ukraine and influence geopolitical narratives favorable to the Russian government," Mr Wray said in a statement. The accounts now appear to have been deleted by X, and screenshots shared by FBI investigators indicated that they had very few followers.

Paramount Global has agreed to merge with Skydance in a significant deal that will see the Redstone family relinquish control of the storied movie studio and media company. The merger, valued at over $8 billion, involves a consortium including RedBird Capital Partners and KKR, and is expected to close in the third quarter of 2025, subject to regulatory approval. CNBC reports: The deal gives National Amusements an enterprise value of $2.4 billion, which includes $1.75 billion in equity. Paramount's class A shareholders will receive $23 apiece in cash or stock, while class B stockholders will receive $15 per share, equating to a cash consideration totaling $4.5 billion available to public shareholders. As part of the deal Skydance will also inject $1.5 billion of capital into Paramount's balance sheet. "It's a new Paramount; it's not just a catchphrase," said RedBird's Jeff Shell, former CEO of NBCUniversal, on a call with investors Monday. "We think it's going to be a new day for these combined assets."

Skydance founder David Ellison will lead the combined company as CEO, while Shell will serve as president. The merger is subject to regulatory approval and expected to close in the third quarter of 2025. It also includes a 45-day "go-shop period," in which the Paramount special committee can solicit other offers. A completed Skydance merger would mark a major shift for the ownership of Paramount, as well as for Hollywood as a whole. The Redstone family has long controlled the movie studio -- known for films such as "The Godfather," "Top Gun" and "Forrest Gump" -- as well as the CBS broadcast network and cable TV networks including MTV and Nickelodeon. Now, Ellison, 41, son of Oracle founder and billionaire Larry Ellison, will be at the helm of a major movie studio and among Hollywood's elite. "It's been a long time since a creative executive ran one of the big Hollywood companies," Shell said on Monday's call. "And I think it's really important when creative is the core."

Monday Boeing announced plans to acquire its key supplier, Spirit AeroSystems, for $4.7 billion, according to the Associated Press — "a move that it says will improve plane quality and safety amid increasing scrutiny by Congress, airlines and the Department of Justice. Boeing previously owned Spirit, and the purchase would reverse a longtime Boeing strategy of outsourcing key work on its passenger planes."

But meanwhile, an anonymous reader shared this report from Newsweek: More than a hundred Boeing whistleblowers have contacted the U.S. aviation watchdog since the start of the year, Newsweek can reveal. Official figures show that the Federal Aviation Administration's (FAA) whistleblowing hotline has seen a huge surge of calls from workers concerned about safety problems. Since January the watchdog saw a total of 126 reports, via various channels, from workers concerned about safety problems. In 2023, there were just 11....

After a visit from FAA Administrator Mike Whitaker to a Boeing factory earlier in the year, Boeing CEO Dave Calhoun agreed to share details of the hotline with all Boeing employees. The FAA told Newsweek that the number of Boeing employees coming forward was a "sign of a healthy culture".... Newsweek also spoke to Jon Holden, president of the 751 District for the International Association of Machinists, Boeing's largest union which represents more than 32,000 aerospace workers. Holden said that numerous whistleblowers had complained to the FAA over Boeing's attempt to cut staff and reduce inspections in an effort to "speed up the rate" at which planes went out the door...

Holden's union is currently in contract negotiations with Boeing, and is attempting to secure a 40% pay rise alongside a 50-year guarantee of work security for its members.
CNN also reports on new allegations Wednesday from a former Boeing quality-control manager: that "for years workers at its 787 Dreamliner factory in Everett, Washington, routinely took parts that were deemed unsuitable to fly out of an internal scrap yard and put them back on factory assembly lines." In his first network TV interview, Merle Meyers, a 30-year veteran of Boeing, described to CNN what he says was an elaborate off-the-books practice that Boeing managers at the Everett factory used to meet production deadlines, including taking damaged and improper parts from the company's scrapyard, storehouses and loading docks... Meyers' claims that lapses he witnessed were intentional, organized efforts designed to thwart quality control processes in an effort to keep up with demanding production schedules. Beginning in the early 2000s, Meyers says that for more than a decade, he estimates that about 50,000 parts "escaped" quality control and were used to build aircraft. Those parts include everything from small items like screws to more complex assemblies like wing flaps. A single Boeing 787 Dreamliner, for example, has approximately 2.3 million parts...

Based on conversations Meyers says he had with current Boeing workers in the time since he left the company, he believes that while employees no longer remove parts from the scrapyard, the practice of using other unapproved parts in assembly lines continues. "Now they're back to taking parts of body sections — everything — right when it arrives at the Everett site, bypassing quality, going right to the airplane," Meyers said.

Company emails going back years show that Meyers repeatedly flagged the issue to Boeing's corporate investigations team, pointing out what he says were blatant violations of Boeing's safety rules. But investigators routinely failed to enforce those rules, Meyers says, even ignoring "eye witness observations and the hard work done to ensure the safety of future passengers and crew," he wrote in an internal 2022 email provided to CNN.

They lived 378 days in a "mock Mars habitat" in Houston, reports Engadget. But today the four volunteers for NASA's yearlong simulation will finally emerge from their 1,700-square-foot habitat at the Johnson Space Center that was 3D-printed from materials that could be created with Martian soil.

And you can watch the "welcome home" ceremony's livestream starting at 5 p.m. EST on NASA TV (also embedded in Engadget's story). More det ails from NASA: For more than a year, the crew simulated Mars mission operations, including "Marswalks," grew and harvested several vegetables to supplement their shelf-stable food, maintained their equipment and habitat, and operated under additional stressors a Mars crew will experience, including communication delays with Earth, resource limitations, and isolation.
One of the mission's crew members told the Houston Chronicle they were "very excited to go back to 'Earth,' but of course there is a bittersweet aspect to it just like any time you reach the completion of something that has dominated one's life for several years."

Various crew members left behind their children or long-term partner for this once-in-a-lifetime experience, according to an earlier article, which also notes that NASA is paying the participants $10 per hour "for all waking hours, up to 16 hours per day. That's as much as $60,480 for the 378-day mission."

Engadget points out there are already plans for two more one-year "missions" — with the second one expected to begin next spring...

I'm curious. Would any Slashdot readers be willing to spend a year in a mock Mars habitat?

Amazon has introduced new advertising strategies for its Fire TV platform, displaying full-screen ads before screensavers activate on idle devices, CordCutters reports. Users have observed ads from various brands during these pre-screensaver intervals, the report added.

Roku's recent update has sparked controversy among TV owners, particularly those with TCL and Hisense models. The update, version 13.0.0 released on June 6, introduced a feature called "Roku Smart Picture" that has led to numerous complaints about unwanted motion smoothing effects. The Verge adds: While Roku doesn't explicitly mention motion smoothing, or what Roku calls "action smoothing," the update has made it so that I and many others with Roku TVs see motion smoothing, regardless of whether the picture setting is Roku Smart Picture or not. My TV didn't even support motion smoothing before this. Now, I can't make it go away.

An anonymous reader shares a report: Sony plans to eventually stop producing consumer-grade recordable Blu-ray discs, but commercial products such as game and film Blu-rays will still be produced. Sony Group will lay off 250 employees at a division that produces recordable media discs, and start winding down the production of specific Blu-ray products, sources have told Japanese newspaper Mainichi.

However, contrary to recent reports, this decision will not affect Blu-ray discs that contain games, TV shows, or films. The staff reduction is happening to the Sony Sendai Technology Center, which produces recordable disc formats like CD-R, DVD-R, BD-R and archival discs for the Japanese region. Standard Blu-rays, 4K UHD discs, and PlayStation 4, PlayStation 5, and Xbox Blu-ray discs--which are made at Sony's separate DADC (Digital Audio Disc Corporation) facility--will still be manufactured, shipped, and sold worldwide. In other words, physical media will not go anywhere anytime soon, despite the prevalence and growth of streaming and/or digital media.

Netflix is following through on its plan to phase out its cheapest ad-free tier for existing subscribers. From a report: As spotted in numerous posts on Reddit, Netflix is now asking some basic plan subscribers to choose a new plan to stay subscribed to Netflix. One Reddit user received a notification on their Netflix app, saying "Your last day to watch Netflix is July 13th. Choose a new plan to keep watching." Subscribers paying $11.99 / month for the basic plan will have to choose either the $6.99 ad-supported tier, the $15.49 ad-free tier, or the $22.99 ad-free 4K premium plan.

Tennis is betting on video games to lure young fans. Two titles are set to compete: TopSpin 2K25, out now, and Tiebreak, coming in August. TopSpin lets players match legends like Federer against newcomers like Alcaraz. Tiebreak, backed by pro tours, features Djokovic on its cover.

The push comes as TV viewership among youth plummets. Only a third of 18-24 year-olds watch live matches, versus 75% of over-55s. Game makers claim playing increases the odds of buying tickets and hitting real courts. Football's EA Sports FC, with 150 million users, has shown gaming's pull. Tennis officials hope pixelated rallies will spark real-world passion.

It's been adapted into a graphic novel, a videogame, a radio play, and an opera, according to Wikipedia — which also describes years of trying to adapt Neuromancer into a movie. "The landmark 1984 cyberpunk novel has been on Hollywood's wishlist for decades," writes Gizmodo, "with multiple filmmakers attempting to bring it to the big screen." (Back in 2010, Slashdot's CmdrTaco even posted an update with the headline "Neuromancer Movie In Your Future?" with a 2011 story promising the movie deal was "moving forward....")

But now Deadline reports it's becoming a 10-episode series on Apple TV+ (co-produced by Apple Studios) starring Callum Turner and Brianna Middleton: Created for television by Graham Roland and JD Dillard, Neuromancer follows a damaged, top-rung super-hacker named Case (Turner) who is thrust into a web of digital espionage and high stakes crime with his partner Molly (Middleton), a razor-girl assassin with mirrored eyes, aiming to pull a heist on a corporate dynasty with untold secrets.
More from Gizmodo: "We're incredibly excited to be bringing this iconic property to Apple TV+," Roland and Dillard said in a statement. "Since we became friends nearly 10 years ago, we've looked for something to team up on, so this collaboration marks a dream come true. Neuromancer has inspired so much of the science fiction that's come after it and we're looking forward to bringing television audiences into Gibson's definitive 'cyberpunk' world."
The novel launched Gibson's "Sprawl" trilogy of novels (building on the dystopia in his 1982 short story "Burning Chrome"), also resurrecting the "Molly Millions" character from Johnny Mnemonic — an even earlier short story from 1981...

It was analgous to the "Blue Screen of Death" that Windows gives for critical errors, Phoronix wrote. To enable error messages for things like a kernel panic, Linux 6.10 introduced a new panic handler infrastructure for "Direct Rendering Manager" (or DRM) drivers.

Phoronix also published a follow-up from Red Hat engineer Javier Martinez Canillas (who was involved in the new DRM Panic infrastructure). Given complaints about being too like Microsoft Windows following his recent Linux "Blue Screen of Death" showcase... Javier showed that a black screen of death is possible if so desired... After all, it's all open-source and thus can customize to your heart's content.
And now the panic handler is getting even more new features, Phoronix reported Friday: With the code in Linux 6.10 when DRM Panic is triggered, an ASCII art version of Linux's mascot, Tux the penguin, is rendered as part of the display. With Linux 6.11 it will also be able to handle displaying a monochrome image as the logo.

If ASCII art on error messages doesn't satisfy your tastes in 2024+, the DRM Panic code will be able to support a monochrome graphical logo that leverages the Linux kernel's boot-up logo support. The ASCII art penguin will still be used when no graphical logo is found or when the existing "LOGO" Kconfig option is disabled. (Those Tux logo assets being here.)

This monochrome logo support in the DRM Panic handler was sent out as part of this week's drm-misc-next pull request ahead of the Linux 6.11 merge window in July. This week's drm-misc-next material also includes TTM memory management improvements, various fixes to the smaller Direct Rendering Manager drivers, and also the previously talked about monochrome TV support for the Raspberry Pi.
Long-time Slashdot reader unixbhaskar thinks the new option "will certainly satisfy the modern people... But it is not as eye candy as people think... Moreover, it is monochrome, so certainly not resource-hungry. Plus, if all else fails, the ASCII art logo is still there to show!"

Microsoft's canceled Xbox cloud console, codenamed Keystone, has been detailed in a new patent spotted by Windows Central's Zac Bowden. From the report: Back in 2021, Microsoft announced that it was working on a dedicated streaming device for Xbox Game Pass. That device was later revealed to be codenamed Keystone, which took the form of a streaming box that would sit under your TV, cost a fraction of the price of a normal Xbox, and enable the ability to play Xbox games via the cloud. Unfortunately, it appears Microsoft has since scrapped plans to ship Xbox Keystone due to an inability to bring the price down to a level where it made sense for customers. Xbox CEO Phil Spencer is on record saying the device should have costed around $99 or $129, but the company was unable to achieve this.

Thanks to a patent discovered by Windows Central, we can finally take a closer look at the box Microsoft had conjured up internally. First up, the patent reveals that the console took the form of an even square with a circle shape on top, similar to the black circular vent on an Xbox Series S. The front of the box had the Xbox power button, and a USB-A port. Around the back, there were three additional ports; HDMI, ethernet, and power. On the right side of the console there was appears to be an Xbox controller pairing button, and the underside featured a circular "Hello from Seattle" plate that the console sat on, similar to the Xbox Series X. This patent was filed in June 2022, which was around the time when the first details of Xbox Keystone were being revealed.

An anonymous reader shares a report: If you've been mindlessly scrolling through streaming services and have been feeling even less enthused than usual, you may not be entirely to blame: almost all major US streamers have been cutting their original TV output this year, according to new analysis (paywalled) from Variety.

From content monolith Netflix, which released 203 original shows in the first half of 2023 compared with 174 in H1 '24, to Disney+, which has halved its already-slim original TV library as it continues an apparent shift to quality over quantity, shrinkage has hit the streaming world hard. Indeed, of the 8 major streamers Variety studied from Luminate data, only Max and Peacock maintained their output level year over year. All told, the number of original seasons fell 19% at the 8 streamers tracked.

An anonymous reader shares a report: We're at a transitional moment in streaming -- user growth is slowing and major players are looking to consolidate, but the long-promised dream of profitability finally seems within reach (especially if you're Netflix). The perfect time, then, for The New York Times to interview many of the industry's big names -- including Netflix co-CEO Ted Sarandos, Amazon's Prime Video head Mike Hopkins, and IAC chairman Barry Diller -- about what they think comes next.

There seemed to be broad agreement on most of the big themes: More ads, higher prices, and fewer big swings on prestige TV. These changes are all united by the shift towards profitability, rather than growth-at-all-costs. If the initial prices of many streaming services seemed unsustainably low at launch, it turns out they were -- prices have been steadily rising, while the streamers have also introduced more affordable subscription tiers for viewers who are willing to watch ads. In fact, some execs told The Times that streamers will keep raising prices for the ad-free tiers with the aim of pushing more customers to sign up for ad-supported subscriptions instead. The growth of ad-supported streaming could also affect the kinds of movies and shows that get produced, since advertisers generally want to reach a mass audience -- think of the heyday of ad-supported network TV, with its endless shows about doctors and cops, compared to the more ambitious fare on subscription-supported HBO.

A federal jury in Las Vegas has convicted five men for operating Jetflicks, one of the largest illegal streaming services in the U.S., the Justice Department announced Thursday. The service, which charged $9.99 monthly, allegedly hosted over 183,200 TV episodes, surpassing legitimate streaming platforms. Prosecutors said the operation caused "substantial harm" to copyright owners. The defendants face up to 48 years in prison for conspiracy to commit criminal copyright infringement and related charges. Sentencing dates are pending.

In a featured article for The Verge, David Pierce explores the world of competitive Excel, highlighting its rise from a hobbyist activity to a potential esport, showcased during the Excel World Championship in Las Vegas. Top spreadsheet enthusiasts competed at the MGM Grand to solve complex Excel challenges, emphasizing the transformative power and ubiquity of spreadsheets in both business and entertainment. An anonymous reader quotes an excerpt from the report: Competitive Excel has been around for years, but only in a hobbyist way. Most of the people in this room full of actuaries, analysts, accountants, and investors play Excel the way I play Scrabble or do the crossword -- exercising your brain using tools you understand. But last year's competition became a viral hit on ESPN and YouTube, and this year, the organizers are trying to capitalize. After all, someone points out to me, poker is basically just math, and it's all over TV. Why not spreadsheets? Excel is a tool. It's a game. Now it hopes to become a sport. I've come to realize in my two days in this ballroom that understanding a spreadsheet is like a superpower. The folks in this room make their living on their ability to take some complex thing -- a company's sales, a person's lifestyle, a region's political leanings, a race car -- and pull it apart into its many component pieces. If you can reduce the world down to a bunch of rows and columns, you can control it. Manipulate it. Build it and rebuild it in a thousand new ways, with a couple of hotkeys and an undo button at the ready. A good spreadsheet shows you the universe and gives you the ability to create new ones. And the people in this room, in their dad jeans and short-sleeved button-downs, are the gods on Olympus, bending everything to their will.

There is one inescapably weird thing about competitive Excel: spreadsheets are not fun. Spreadsheets are very powerful, very interesting, very important, but they are for work. Most of what happens at the FMWC is, in almost every practical way, indistinguishable from the normal work that millions of people do in spreadsheets every day. You can gussy up the format, shorten the timelines, and raise the stakes all you want -- the reality is you're still asking a bunch of people who make spreadsheets for a living to just make more spreadsheets, even if they're doing it in Vegas. You really can't overstate how important and ubiquitous spreadsheets really are, though. "Electronic spreadsheets" actually date back earlier than computers and are maybe the single most important reason computers first became mainstream. In the late 1970s, a Harvard MBA student named Dan Bricklin started to dream up a software program that could automatically do the math he was constantly doing and re-doing in class. "I imagined a magic blackboard that if you erased one number and wrote a new thing in, all of the other numbers would automatically change, like word processing with numbers," he said in a 2016 TED Talk. This sounds quaint and obvious now, but it was revolutionary then. [...]

Competitive Excel has been around for years, but only in a hobbyist way. Most of the people in this room full of actuaries, analysts, accountants, and investors play Excel the way I play Scrabble or do the crossword -- exercising your brain using tools you understand. But last year's competition became a viral hit on ESPN and YouTube, and this year, the organizers are trying to capitalize. After all, someone points out to me, poker is basically just math, and it's all over TV. Why not spreadsheets? Excel is a tool. It's a game. Now it hopes to become a sport. I've come to realize in my two days in this ballroom that understanding a spreadsheet is like a superpower. The folks in this room make their living on their ability to take some complex thing -- a company's sales, a person's lifestyle, a region's political leanings, a race car -- and pull it apart into its many component pieces. If you can reduce the world down to a bunch of rows and columns, you can control it. Manipulate it. Build it and rebuild it in a thousand new ways, with a couple of hotkeys and an undo button at the ready. A good spreadsheet shows you the universe and gives you the ability to create new ones. And the people in this room, in their dad jeans and short-sleeved button-downs, are the gods on Olympus, bending everything to their will.

Roku TV owners are complaining that motion smoothing is "suddenly enabled on their TVs with no way to turn it off," reports The Verge. From the report: Contributors on Reddit and in Roku's community forum reported seeing the change on TCL TVs running on Roku OS 13, as did a few staffers on The Verge. However, for others who have access to "Expert" picture settings, the same update is in place without a change, and the settings to control it are still available. For some people experiencing the problem, they said this is the first time their TV offered Roku's motion smoothing feature at all and that there's nowhere in any menu (either the standard settings or the picture settings available while watching TV) to turn it off. The update notes for Roku OS 13 mention a new "Roku Smart Picture" feature that will optimize based on the content being watched, so there may be a bug there. However, people in older threads have reported similar issues with some Roku devices before.

A Roku community moderator responded on the forum that the team is looking into the incident. Roku also offered its typical instructions for disabling the settings, which involves clicking the Star button on the remote during playback and heading to the Action Smoothing submenu under Advanced Picture Settings. [...] Naturally, a lot of people who work in film and television aren't a fan. Star Wars: The Last Jedi director Rian Johnson once went so far as to say it makes "movies look like liquid diarrhea."

SoftBank has developed AI voice-conversion technology aimed at reducing the psychological stress on call center operators by altering the voices of angry customers to sound calmer. Japan's The Asahi Shimbun reports: The company launched a study on "emotion canceling" three years ago, which uses AI voice-processing technology to change the voice of a person over a phone call. Toshiyuki Nakatani, a SoftBank employee, came up with the idea after watching a TV program about customer harassment. "If the customers' yelling voice sounded like Kitaro's Eyeball Dad, it would be less scary," he said, referring to a character in the popular anime series "Gegege no Kitaro."

The voice-altering AI learned many expressions, including yelling and accusatory tones, to improve vocal conversions. Ten actors were hired to perform more than 100 phrases with various emotions, training the AI with more than 10,000 pieces of voice data. The technology does not change the wording, but the pitch and inflection of the voice is softened. For instance, a woman's high-pitched voice is lowered in tone to sound less resonant. A man's bass tone, which may be frightening, is raised to a higher pitch to sound softer. However, if an operator cannot tell if a customer is angry, the operator may not be able to react properly, which could just upset the customer further. Therefore, the developers made sure that a slight element of anger remains audible.

According to the company, the biggest burdens on operators are hearing abusive language and being trapped in long conversations with customers who will not get off the line -- such as when making persistent requests for apologies. With the new technology, if the AI determines that the conversation is too long or too abusive, a warning message will be sent out, such as, "We regret to inform you that we will terminate our service." [...] The company plans to further improve the accuracy of the technology by having AI learn voice data and hopes to sell the technology starting from fiscal 2025. Nakatani said, "AI is good at handling complaints and can do so for long hours, but what angry customers want is for a human to apologize to them." He said he hopes that AI "will become a mental shield that prevents operators from overstraining their nerves."

T2's open development process and the collection of exotic, vintage and retro hardware can be followed live on YouTube and Twitch.

Now Slashdot reader ReneR writes: Embedded T2 Linux is known for its sophisticated cross compile features as well as supporting all CPU architectures, including: Alpha, Arc, ARM(64), Avr32, HPPA(64), IA64, M68k, MIPS(64), Nios2, PowerPC(64)(le), RISCV(64), s390x, SPARC(64), SuperH, x86(64). But now it's going Desktop!

24.6 comes as a major convenience update, with out-of-the-box Windows application compatibility as well as LibreOffice and Thunderbird cross-compiled and in the default base ISO for the most popular CPU architectures.

Continuing to keep Intel IA-64 Itanium alive, a major, up-to-3x performance improvement was found for OpenSSL, doubling crypto performance for many popular algorithms and SSH.

The project's CI unit testing was further expanded to now cover the whole installation in two variants. The graphical desktop defaults were also polished -- and a T2 branded wallpaper was added! ;-) The release contains 606 changesets, including approximately 750 package updates, 67 issues fixed, 80 packages or features added, 21 removed and 9 other improvements.