Michael McWhertor reports via Polygon: Warner Bros. Discovery is telling developers it plans to start "retiring" games published by its Adult Swim Games label, game makers who worked with the publisher tell Polygon. At least three games are under threat of being removed from Steam and other digital stores, with the fate of other games published by Adult Swim unclear. The media conglomerate's planned removal of those games echoes cuts from its film and television business; Warner Bros. Discovery infamously scrapped plans to release nearly complete movies Batgirl and Coyote vs. Acme, and removed multiple series from its streaming services. If Warner Bros. does go through with plans to delist Adult Swim's games from Steam and digital console stores, 18 or more games could be affected.

News of the Warner Bros. plan to potentially pull Adult Swim's games from Steam and the PlayStation Store was first reported by developer Owen Reedy, who released puzzle-adventure game Small Radios Big Televisions through the label in 2016. Reedy said on X Tuesday the game was being "retired" by Adult Swim Games' owner. He responded to the company's decision by making the Windows PC version of Small Radios Big Televisions available to download for free from his studio's website. Polygon reached out to other developers who had worked with Adult Swim Games as a publisher. Two studios responded to say that they'd received a similar warning from Warner Bros. Discovery, but they are still in the dark about what it means for their games. [...]

Polygon reached out to 10 studios and solo developers who had their games published by Adult Swim Games to see what they've heard. Some say they haven't been contacted by WB Discovery, but they expect to. "From what I've heard from others, I will probably be hearing from them soon," developer Andrew Morrish, who published Kingsway and Super Puzzle Platformer Deluxe through Adult Swim, told Polygon. "It's not looking good." Molinari said that if and when his game Soundodger+ is pulled from Steam, he'll republish it there "with as little downtime as possible between the two versions." The game is also available from Molinari's itch page.

Nikon, in a press statement: Nikon hereby announces its entry into an agreement to acquire 100% of the outstanding membership interests of RED.com, LLC (RED) whereby RED will become a wholly-owned subsidiary of Nikon, pursuant to a Membership Interest Purchase Agreement with Mr. James Jannard, its founder, and Mr. Jarred Land, its current President, subject to the satisfaction of certain closing conditions thereunder.

Since its establishment in 2005, RED has been at the forefront of digital cinema cameras, introducing industry-defining products such as the original RED ONE 4K to the cutting-edge V-RAPTOR [X] with its proprietary RAW compression technology. RED's contributions to the film industry have not only earned it an Academy Award but have also made it the camera of choice for numerous Hollywood productions, celebrated by directors and cinematographers worldwide for its commitment to innovation and image quality optimized for the highest levels of filmmaking and video production.

This agreement was reached as a result of the mutual desires of Nikon and RED to meet the customers' needs and offer exceptional user experiences that exceed expectations, merging the strengths of both companies. Nikon's expertise in product development, exceptional reliability, and know-how in image processing, as well as optical technology and user interface along with RED's knowledge in cinema cameras, including unique image compression technology and color science, will enable the development of distinctive products in the professional digital cinema camera market.

Warner Bros. Discovery said a password crackdown for its Max streaming service is coming later this year, joining competitors Netflix and Disney. TheWrap reports: JB Perrette, WBD's CEO and president of global streaming and games, said the initiative would launch later this year with a broader rollout in 2025. "We think, relative to the scale of our business, it's a meaningful opportunity," Perrette said during Morgan Stanley's 2024 Technology, Media & Telecom Conference in San Francisco on Monday. The push to crack down on password sharing comes as Warner Bros. Discovery narrowed its streaming loss to $55 million during its fourth quarter of 2023, down from a loss of $217 million a year ago. For the full year, it swung to a profit of $103 million, compared to a loss of $1.59 billion in 2022.

Looking ahead, WBD said its DTC business would have "modestly negative" EBITDA in the first half of 2024 before turning profitable in the second half. WBD is targeting $1 billion of direct-to-consumer EBITDA in 2025. In its fourth quarter, Warner Bros. Discovery added 1.8 million subscribers in its direct-to-consumer division for a total of 97.7 million. The DTC segment's results include Max, Discovery+ and traditional HBO cable subscriptions. Parrette also discussed interest in transactional ads, notes Ars Technica. Per Perrette: "On the ad format size, we've made lots of improvements from where we were, but we still have a lot of ad format enhancements that will give us more things that we can go to marketers with, [like] shoppable ads [and] other elements of the ad format side of the house that we can improve."

Piracy was traditionally seen as something that predominantly young males were interested in. This is a largely outdated representation of reality, as girls and women began to catch up a long time ago. In some countries, including Indonesia, more women pirate music, movies, and TV-shows than their male counterparts. TorrentFreak reports: [N]ew findings published by researchers from Northumbria University Newcastle, which include gender, are worth highlighting. The survey data, looking at piracy trends in Thailand and Indonesia, was released by Marketing professor Dr. Xuemei Bian and Ms. Humaira Farid. The results were presented to WIPO's Advisory Committee on Enforcement recently and the associated presentation (PDF) was published online. Through an online survey and in-person interviews, the research aims to map consumer attitudes and behaviors in Indonesia and Thailand, particularly in connection with online copyright infringement.

One of the overall conclusions is that piracy remains a common activity in both Asian countries. Pirates are present in all age groups but and music, movies en TV-shows tend to be in highest demand and younger people. Those under 40, are more likely to pirate than their older counterparts. These findings are not out of the ordinary and the same trends are visible in other countries too. Interestingly, however, some notable differences between the two countries appear when gender is added to the mix. The tables below show that women are more likely to pirate than men in Indonesia. This is true for all content categories, except for software, where men are slightly in the lead. In Thailand, however, men are more likely to pirate across all categories. The researchers do not attempt to explain these differences. However, they show once again that 'dated' gender stereotypes don't always match with reality. And when they have little explanatory value, one can question whether gender is even relevant in a piracy context.

Looking at other differences between Thai and Indonesian consumers there are some other notable findings. For example, in Indonesia, 64% of the respondents say they're aware of the availability of pirated movies and TV-shows on YouTube, compared to 'just' 32% in Thailand. Indonesian consumers are also more familiar with music piracy sites and pirate much more frequently than Thai consumers, as the table below shows. Finally, the researchers also looked at various attitudes toward piracy. This shows that Thai pirates would be most likely to stop if legal services were more convenient, while Indonesian pirates see cheaper legal services as the largest discouraging factor.

"The Mandalorian & Grogu and Daisy Ridley's untitled Star Wars movie have received working titles ahead of their respective production starts," reports CBR: According to The Cosmic Circus, The Mandalorian and Grogu will be filmed under the working title "Thunder Alley", while Ridley's Star Wars movie will be known as "New Jedi Order..." The Mandalorian & Grogu will be the first Star Wars movie to enter production since 2019's The Rise of Skywalker, the ninth and final installment in The Skywalker Saga...

[In Ridley's untitled Star Wars movie], Ridley will reprise her role from the Star Wars sequel trilogy as Rey, with the new movie set to follow the fan-favorite Jedi as she rebuilds the Jedi Order roughly 15 years after the events of The Rise of Skywalker... Other Star Wars movies in the works include James Mangold's upcoming feature about the origins of The Force, set during the Dawn of the Jedi era; and Dave Filoni's feature-length film set in the New Republic era that will conclude post-Return of the Jedi storylines that began in The Mandalorian, The Book of Boba Fett, Ahsoka and the upcoming Skeleton Crew.
"California's Film Commission announced in a news release Monday that Lucasfilm's upcoming feature film The Mandalorian & Grogu will be produced entirely in the state," reports the Press Democrat, "one of 15 movie productions coming to fruition thanks to California's Film and TV Tax Credit Program." Based on the popular Disney+ series and directed by "The Mandalorian" creator Jon Favreau, "The Mandalorian & Grogu" is set to be the first film in the franchise's 46-year history to be shot entirely in the state and the biggest blockbuster in the history of the commission's tax credit program, bringing approximately $166 million to the state's economy through wages and expenditures, the release said. According to The Hollywood Reporter, the film will get $21.8 million in tax credits.

The Mandalorian & Grogu, which is due to begin filming later this year and is currently expected to be released sometime in 2026, will continue the story of the titular lone bounty hunter and his alien baby companion that began in the three-season series, Lucasfilm announced last month.

An anonymous reader quotes a report from TorrentFreak: In recent months, Movie-Web has quickly gained popularity among a particular group of movie aficionados. The open source software, which is still available on GitHub, allows anyone to set up a movie search engine capable of streaming content from third-party sources. These external sources tend to have large libraries of pirated entertainment. Movie-web's developers are not oblivious to the legal ramifications but since they don't host any files, they hoped to avoid legal trouble. The software just provides a search engine for third-party content, they argued. [...]

Yesterday, the movie-web.app domain was suddenly taken down. According to a message posted on the official Discord server, this is the result of a "court action" from several movie companies including Warner Bros. Netflix, Paramount, Universal, and Disney. [I]t appears that action was taken against the movie-web.app domain. It seems likely that registrar Namecheap suspended the domain after receiving a legal complaint from the aforementioned Hollywood companies. [Update: After publishing the article we learned that there is a legal action that requires registrars to take action against several 'pirate' domains. We're looking into the matter and will follow this up later.]

Namecheap updated the domain's status to clientHold, which effectively rendered the domain inaccessible. The measure is often used to suspend pirate site domains following copyright holder complaints. The surprise takedown only affects movie-web's publicly hosted 'demo' instance. On Discord, the movie-web team says that it has no plans to bring this website back in any shape or form. "As a team, we always said that if we were taken down, we would go down without a fight and we have decided to stick to that. We have zero interest in getting involved with legal matters, and so we will not be trying to circumvent this takedown in any way," developer 'BinaryOverload' writes.

Netflix's new sci-fi drama Spaceman centers on Czech astronaut Jakub Procházk, described by Polygon as "painfully introverted, emotionally repressed, and above all, quiet... so muted and compressed, he seems like a trauma victim." The film, adapted from the 2017 novel Spaceman of Bohemia written by Czech author Jaroslav KalfaÅ(TM), is a solemn drama in the mold of Andrei Tarkovsky's Solaris, or to some degree, Christopher Nolan's Interstellar. The story revolves around Jakub's disintegrating frame of mind after eight months alone in space as he investigates a glowing cosmic phenomenon that's become visible from Earth. Meanwhile, his wife Lenka (Carey Mulligan), heavily pregnant and going through her own breakdown back home, decides to leave Jakub, and his handlers (Isabella Rossellini among them) work to keep him from finding out. And then the giant spider appears, and Jakub worries that he's losing his mind.
CNN says Sandler's deal with Netflix "means pretty much doing whatever he wants, which, in the case of Spaceman, means traveling to the furthest reaches of space as the near-solitary star of a pretentious, message-heavy drama."

You can watch a trailer here. The movie enjoys a "limited theatrical release" this weekend, and will stream on Netflix starting March 1.

An anonymous reader quotes a report from Ars Technica: India's plan to let a moratorium on imposing customs duties on cross-border digital e-commerce transactions expire may end up hurting India's more ambitious plans to become a global chip leader in the next five years, Reuters reported. It could also worsen the global chip shortage by spiking semiconductor industry costs at a time when many governments worldwide are investing heavily in expanding domestic chip supplies in efforts to keep up with rapidly advancing technologies.

Early next week, world leaders will convene at a World Trade Organization (WTO) meeting, just before the deadline to extend the moratorium hits in March. In place since 1998, the moratorium has been renewed every two years since -- but India has grown concerned that it's losing significant revenues from not imposing taxes as demand rises for its digital goods, like movies, e-books, or games. Hoping to change India's mind, a global consortium of semiconductor industry associations known as the World Semiconductor Council (WSC) sent a letter to Indian Prime Minister Narendra Modi on Thursday. Reuters reviewed the letter, reporting that the WSC warned Modi that ending the moratorium "would mean tariffs on digital e-commerce and an innumerable number of transfers of chip design data across countries, raising costs and worsening chip shortages."

Pointing to Modi's $10 billion semiconductor incentive package -- which Modi has said is designed to advance India's industry through "giant leaps" in its mission to become a technology superpower -- the WSC cautioned Modi that pushing for customs duties may dash those global chip leader dreams. Studies suggest that India should be offering tax incentives, not potentially threatening to impose duties on chip design data. That includes a study from earlier this year, released after the Semiconductor Industry Association and the India Electronics and Semiconductor Association commissioned a report from the Information Technology and Innovation Foundation (ITIF). [...] It's possible that India and other developing nations may seek to narrow the moratorium rather than end it. An Indian government official told Reuters that "these issues need to be discussed and settled" before India can make a decision on whether to extend the moratorium.

Amazon is pushing back against reports that its Freevee service is shuttering. The Wrap: AdWeek reported the news, which it said is part of an effort by the tech giant to shift its focus to Prime Video. Sources familiar with the matter told the outlet that sunsetting Freevee could happen sometime within the second quarter. However, a spokesperson for Amazon said there are "no changes" coming to Freevee.

"Amazon Freevee remains an important streaming offering providing both Prime and non-Prime customers thousands of hit movies, shows and originals, all for free," they added. Freevee, which was formerly known as IMDb TV until a rebrand in 2022, offers thousands of premium movies and TV shows, including originals such as "Bosch: Legacy," "Judy Justice" and "Jury Duty" and over 150 free ad-supported streaming TV (FAST) channels.

Disney is outsourcing its DVD and Blu-ray disc business to Sony Pictures Entertainment. Variety reports: As part of the deal, Sony will market, sell and distribute all Disney's new releases and catalog titles on physical media to consumers through retailers and distributors in the U.S. and Canada. Disney will continue to manage its own digital media, like premium video-on-demand. It's unclear if this will result in layoffs at Disney. However, the studio is expected to conduct an internal assessment across all business functions that support physical entertainment amid the transition to Sony, according to sources familiar with the agreement.

According to Disney, the licensing model allows the studio to continue to offer films and TV shows through physical retailers and to respond to consumer demand more efficiently. The company said the shift is consistent with strategies it's implemented companywide, as well as transitions in other markets.

An anonymous reader quotes a report from Wired: We already know thatOpenAI's chatbots can pass the bar exam without going to law school. Now, just in time for the Oscars, a new OpenAI app called Sora hopes to master cinema without going to film school. For now a research product, Sora is going out to a few select creators and a number of security experts who will red-team it for safety vulnerabilities. OpenAI plans to make it available to all wannabe auteurs at some unspecified date, but it decided to preview it in advance. Other companies, from giants like Google to startups likeRunway, have already revealed text-to-video AI projects. But OpenAI says that Sora is distinguished by its striking photorealism -- something I haven't seen in its competitors -- and its ability to produce longer clips than the brief snippets other models typically do, up to one minute. The researchers I spoke to won't say how long it takes to render all that video, but when pressed, they described it as more in the "going out for a burrito" ballpark than "taking a few days off." If the hand-picked examples I saw are to be believed, the effort is worth it.

OpenAI didn't let me enter my own prompts, but it shared four instances of Sora's power. (None approached the purported one-minute limit; the longest was 17 seconds.) The first came from a detailed prompt that sounded like an obsessive screenwriter's setup: "Beautiful, snowy Tokyo city is bustling. The camera moves through the bustling city street, following several people enjoying the beautiful snowy weather and shopping at nearby stalls. Gorgeous sakura petals are flying through the wind along with snowflakes." The result is a convincing view of what is unmistakably Tokyo, in that magic moment when snowflakes and cherry blossoms coexist. The virtual camera, as if affixed to a drone, follows a couple as they slowly stroll through a streetscape. One of the passersby is wearing a mask. Cars rumble by on a riverside roadway to their left, and to the right shoppers flit in and out of a row of tiny shops.

It's not perfect. Only when you watch the clip a few times do you realize that the main characters -- a couple strolling down the snow-covered sidewalk -- would have faced a dilemma had the virtual camera kept running. The sidewalk they occupy seems to dead-end; they would have had to step over a small guardrail to a weird parallel walkway on their right. Despite this mild glitch, the Tokyo example is a mind-blowing exercise in world-building. Down the road, production designers will debate whether it's a powerful collaborator or a job killer. Also, the people in this video -- who are entirely generated by a digital neural network -- aren't shown in close-up, and they don't do any emoting. But the Sora team says that in other instances they've had fake actors showing real emotions. "It will be a very long time, if ever, before text-to-video threatens actual filmmaking," concludes Wired. "No, you can't make coherent movies by stitching together 120 of the minute-long Sora clips, since the model won't respond to prompts in the exact same way -- continuity isn't possible. But the time limit is no barrier for Sora and programs like it to transform TikTok, Reels, and other social platforms."

"In order to make a professional movie, you need so much expensive equipment," says Bill Peebles, another researcher on the project. "This model is going to empower the average person making videos on social media to make very high-quality content."

Further reading: OpenAI Develops Web Search Product in Challenge To Google

Amazon faces a class-action lawsuit accusing the company of false advertising and deceptive practices because Prime Video now serves commercials by default. Variety reports: "For years, people purchased and renewed their Amazon Prime subscriptions believing that they would include ad-free streaming," the lawsuit says. "But last month, Amazon changed the deal. To stream movies and TV shows without ads, Amazon customers must now pay an additional $2.99 per month ... This is not fair, because these subscribers already paid for the ad-free version; these subscribers should not have to pay an additional $2.99/month for something that they already paid for."

The case was filed on behalf of Wilbert Napoleon, a resident of Eastvale, Calif., who says he's a Prime member. "Plaintiff brings this case for himself and for other Amazon Prime customers," the suit said. The complain alleged that Amazon violates Washington State and California state consumer protection laws that prohibit unfair competition and deceptive business acts and practices. Amazon's conduct, as alleged, "was immoral, unethical, oppressive, unscrupulous and substantially injurious to consumers,â according to the lawsuit. The suit seeks unspecific monetary damages, including punitive damages, as well as an injunction to block Amazon's alleged deceptive conduct.

The suit was filed Feb. 9, after Amazon starting on Jan. 29 began running ads in Prime Video content in major markets including the United States unless users opt to pay extra ($2.99/month in the U.S.) to have an ad-free experience. Some analysts have forecast Prime Video ads generating more than $3 billion in revenue in 2024.

After climbing the charts of Apple's App Store, the trendy Kimi app, with its collection of bootlegged movies, has disappeared. From a report: Pretending to be a spot-the-difference vision-testing game, the widely downloaded app ranked above Netflix, Hulu, and Amazon Prime Video in Apple's charts this week for free entertainment apps before it was removed. Without having to pay for anything or log in to any kind of account, iPhone owners could previously use Kimi to browse a wide selection of bootlegs for popular movies and TV shows. Many of the movies up for Best Picture at this year's Oscars were on Kimi, at varying levels of quality.

Poor Things was included in a grainy, pixelated state, but a high-quality version of Killers of the Flower Moon was on Kimi to stream, although an intrusive ad for online casinos was splashed across the top. That definitely isn't the viewing experience Martin Scorsese imagined for audiences. Not just limited to movies, viewers were also able to access episodes of currently airing TV shows, like RuPaul's Drag Race, through the Kimi app. Who was behind this piracy app? It remains a mystery. The developer was listed as "Marcus Evans" in the app store before Kimi was taken down, and this was the only app listed under that name, likely a pseudonym.

Sarah Perez reports via TechCrunch: Fresh on the heels of its $40 million fundraise, streaming media company Plex is today announcing its expansion into a new business: a movie rentals storefront. The addition, which will initially be offered to U.S. customers, will give the streamer another means of generating revenue beyond its subscription products and ad-supported streaming -- a diversification that will prove critical as the ad market continues to be unpredictable.

At launch, the marketplace will offer movies from top studios, including WB, Paramount, MGM, Lionsgate and A24, which means Plex users will be able to rent titles like "Barbie," "Wonka," "Aquaman and the Lost Kingdom," "Mission: Impossible -- Dead Reckoning," "The Color Purple," "Expend4bles," "PAW Patrol: The Mighty Movie," "Hunger Games: The Ballad of Songbirds and Snakes," "Mean Girls" and others. Plex says there will be just over 1,000 titles available to rent starting at $3.99, but the number of titles will grow over time. Titles will also move in and out of windows, so the number of rentals will fluctuate over time, as well. [...]

Once users rent a movie, they have 30 days to watch. After starting the rental, you'll have 48 hours to finish viewing it, similar to other marketplaces. The movie will also appear in the "Continue Watching" section on Plex's home screen if you don't finish watching it upon your first go. The company plans to add more studio partners to its movie rentals store over time, it says. [...] The new movie marketplace will launch across platforms, Plex notes, including its apps on Amazon Fire TV, Apple TV, Android TV/Google TV, Roku, smart TVs (LG, Hisense, Samsung, Sony, VIZIO), game consoles and Apple and Android smartphones and tablets.

An anonymous reader quotes a report from MacRumors: The Apple Music, Apple TV, and Apple Devices apps that Apple has been testing for Windows machines have officially launched, ending a long preview period and bringing an end to the iTunes app on some computers. The Apple Music, Apple TV, and Apple Devices app are part of Apple's effort to split iTunes on PC into multiple platforms to mirror how these apps work on Macs. On Windows 10 and later, PC customers can download the three separate apps to manage devices and access Apple Music and Apple TV content. Microsoft first announced plans for Apple Music and Apple TV apps for the Microsoft Store back in October 2022, so the split from iTunes has been in the works for more than a year.

The Apple Music app gives Windows users a way to listen to and manage music from their iTunes library, including iTunes Store purchases, while the Apple TV app allows users to watch and manage movies and TV shows from iTunes. Both of the apps also give access to Apple's streaming services, Apple Music and Apple TV+. The Apple Devices app is designed to allow PC owners to update, back up, and restore and manage their iPhones and iPads, and sync content from their PCs. Using the standalone apps requires Windows 10 or later, and all three apps must be installed to transition away from iTunes. After the apps have been added to a PC, iTunes is used only to access podcasts and audiobooks. The iTunes library should not be deleted, because it is used by the Apple Music and Apple TV apps.

After declining to allow their iPad app to run on the Vision Pro before launch, YouTube now says it has an app on its roadmap. "We're excited to see Vision Pro launch and we're supporting it by ensuring YouTube users have a great experience in Safari," said YouTube spokesperson Jessica Gibby. "We do not have any specific plans to share at this time, but can confirm that a Vision Pro app is on our roadmap." The Verge reports: Gibby didn't give a date for this roadmap, so we'll have to wait and see what YouTube does here -- it could just tweak the iPad app, or it could do a lot more. One thing YouTube and Apple have not done yet is figure out support for the large library of 360 and VR video on YouTube right now -- YouTube has had 3D support since 2011 and 360 support since 2016, but none of it works on the Vision Pro. (Here I am interviewing Michelle Obama at the White House in 360 in 2016!)

I asked Apple if YouTube's 360 and 3D videos will ever work on the Vision Pro during our review, and Apple spokesperson Jackie Roy basically told me they aren't good enough, saying that "much of this content was created for devices that do not deliver a high-quality spatial experience. In some cases, this content could also cause motion discomfort. We've focused our efforts on delivering the best spatial media experience possible including spatial photos and videos, Apple Immersive Video, and 3D movies available on Apple TV." Tough! I asked YouTube if this new app will support VR and 360 video on the Vision Pro and have not heard back yet.

The Orange County Register reports: The new Pixar Place Hotel next door to Disneyland and Disney California Adventure is designed to look like you've walked onto the Pixar Animation Studios campus in Emeryville with concept drawings, character maquettes and final designs sprinkled throughout the hotel. "For those of you who are into the creative process, I think you'll be really happy. This hotel really celebrates that," Pixar Chief Creative Officer Pete Docter said during the opening ceremony for the hotel. "You get to see rough drawings, color studies and animation sketches as the animators were working. It really feels like you're walking into Pixar in a way when you step in here."

The multimillion-dollar transformation of the former Paradise Pier Hotel into the new Pixar Place Hotel debuted on Tuesday, January 30 after three years in the making at the Disneyland resort in Anaheim. The front lobby of the hotel is intended to feel like a gallery of curated artwork and custom creations inspired by Pixar's famed studio in Northern California. The rear lobby takes visitors through the animated filmmaking process from hand-drawn sketches to wire-frame character designs. Red, yellow and blue bursts of primary colors serve as bold accents at the front desk in contrast to the muted colors of modern hotel designs.
More details from the Los Angeles Times: The showcase piece of the lobby is a large mobile, situated above the Pixar lamp and ball, with abstracted, stained glass-like figures from "The Incredibles," "Wall-E," "Finding Nemo" and more. They are flanked by colored panels, which react to the music played in the area, an effect that is of course better seen in the evening.

"Pixar is a balance of sophistication and whimsy that really is core to their values," said Kirstin Makela, an art director at Walt Disney Imagineering, the company's secretive arm devoted to theme park experiences. "They're a studio that's been at the cutting edge of what they do. They take it very seriously that their characters are represented in that high esteem that they deserve because they are works of art. "So it really is about creating a space that feels like a living art gallery that allows for the work to be elevated and feel celebrated, and allows for the work to get that dynamic pop of color and energy," Makela continued...

[I]ncluded in the rooms is the hardbound "The Art of Pixar" book, and various depictions of the Pixar lamp and ball, from an actual lamp on the desk to traces of the ball and the lamp in the bedding, carpeting and decorative pillows...

In a sampling of room rates throughout the year, I found nothing lower than $405 per night for a standard room, and about $100 more for high-traffic holiday months.

James Cameron tells Vanity Fair's Nick Bilton that his experience with Apple's Vision Pro "was religious. I was skeptical at first. I don't bow down before the great god of Apple, but I was really, really blown away... I think it's not evolutionary; it's revolutionary. And I'm speaking as someone who has worked in VR for 18 years." He explained that the reason it looks so real is because the Apple Vision Pro is writing a 4K image into my eyes. "That's the equivalent of the resolution of a 75-inch TV into each of your eyeballs — 23 million pixels." To put that into perspective, the average 4K television has around 8 million pixels. Apple engineers didn't slice off a rectangle from the corner of a 4K display and put it in the Apple Vision Pro. They somehow compressed twice as many pixels into a space as small as your eyeball. This, to people like Cameron who have been working in this space for two decades, "solves every problem."

But even with all this wonder, with 23 million pixels that are so clear and crisp that you can't tell reality from a digital composite of it.... the more I've used the Apple Vision Pro over the past two weeks, the more one glaring problem revealed itself to me. It's not the weight (which is a problem but will come down over time), or the size (which will shrink with each iteration), or the worry that it will drive us to consume more content alone (almost half of Americans already watch TV alone). Or how tech giants like Meta, Netflix, Spotify, and Google are currently withholding their apps from the device. (Content creators may come around once the consumers are there, and some, like Disney, are already embracing the device, making 150 movies available in 3D, including from mega-franchises like Star Wars and Marvel.) And it's not even the price, because if Apple wanted to, the company could subsidize the cost of the Apple Vision Pro and it would have about as much financial impact as Cook losing a nickel between his couch cushions.

I'm talking about something that I don't see a solution for... I can see a day when we all can't imagine living without an augmented reality. When we're enveloped more and more by technology, to the point that we crave these glasses like a drug, like we crave our iPhones today but with more desire for the dopamine hit this resolution of AR can deliver. I know deep down that the Apple Vision Pro is too immersive, and yet all I want to do is see the world through it. "I'm sure the technology is terrific. I still think and hope it fails," one Silicon Valley investor said to me. "Apple feels more and more like a tech fentanyl dealer that poses as a rehab provider." Harsh words, but he feels what we all feel, a slave to our smartphone, and he's seen this play before and he knows what the first act is like, and the second act, and he knows how it ends.

• Political blogger Taegan Goddard says the Vision Pro "offers a glimpse of how we might use computers in the future. If you're skeptical — and many people are — you need to try it before drawing any conclusions. It's hard to explain unless you've worn it. But I can assure you, it's mind-blowing."

• Apple CEO Tim Cook tells Bilton "You can actually lay on your sofa and put the displays on your ceiling if you wish. I watched the third season of Ted Lasso on my ceiling and it was unbelievable!"

• Dan Ives, a senior analyst at the investment firm Wedbush Securities, tells Bilton, "We think a few years from now it'll resemble sunglasses and be less than $1,500."

Visual effects artists working on James Cameron's Avatar movies have voted to unionize in a National Labor Relations Board (NLRB) election. From the Hollywood Reporter: Of an eligible 88 workers at Walt Disney Studios subsidiary TCF US Productions 27, Inc. who assist with productions for Cameron's Lightstorm Entertainment, 57 voted to join the union and 19 voted against, while two ballots were void. These workers include creatures costume leads and environment artists as well as others in the stage, environments, render, post viz, sequence, turn over and kabuki departments. Management and labor now have a few days to file any objections, and if none are raised, the election results will be certified.

This bargaining unit doesn't include employees of VFX facility vendors, notably Weta FX, which is the lead VFX house on the Avatar films and employs the vast majority of the more than 1,000 artists who work on a typical Avatar movie. But unionizing the group represents a major inroad for the VFX industry labor movement, believes one VFX industry source who spoke with THR. "While insignificant as a number, this is the core team that answers to Jim Cameron," says the source. "They are not necessarily impressive in size, but in influence."

The workers first went public with their organizing bid in December, when they filed for a union election with the NLRB. At the time, participating workers said in public statements that they were aiming to gain comparable benefits and pay to their unionized peers and have greater input into in working conditions. "Every one of my coworkers has dedicated so much time, creativity and passion to make these films a reality. So when you see them struggling to cover their health premiums, or being overworked because they took on multiple roles, or are just scraping by on their wages ... you cannot keep silent," said kabuki lead Jennifer Anaya.

An anonymous reader quotes a report from TechCrunch: The pace is picking up for the Apple Vison Pro apps ahead of the spatial computing device's Friday launch as developers ready their apps for the new platform. While just last week, only 150-plus apps had been specifically designed for the Vision Pro so far, according to a third-party analysis of the App Store, Apple announced today that more than 600 new apps and games are being readied for the Vison Pro ahead of its debut. These join the more than 1 million already compatible apps across iOS and iPadOS, the company says. [...]

The company says more than 600 apps and games have been designed to take advantage of the Vision Pro's capabilities and its 3D user interface that's navigated using your eyes, hands and voice. Several streaming apps have already announced their support, including Disney+, ESPN, MLB, PGA Tour, Max, Discovery+, Amazon Prime Video, Paramount+, Peacock, Pluto TV, Tubi, Fubo, Crunchyroll, Red Bull TV, IMAX, TikTok and MUBI. The PGA Tour Vision app offers a golf game with real-time shot tracking across models of real golf courses, while the NBA app will allow streaming up to five broadcasts live or on-demand at once, Apple notes. Red Bull TV will include 3D maps of races. Soccer fans will also be able to stream MLS Season Pass via Apple's own Apple TV app. That app will offer access to Apple's Originals, more than 200 3D movies and Apple Immersive Video.