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Technology

Live or Memorex? 299

Jett points us to an article in free! and another in Broadcasting and Cable, describing how CBS News digitally inserted ads into their New Year's broadcasts - the same technology that adds ads into live sports broadcasts. The technology to undetectably alter a still photo has been around for a long time, but only recently has the capability existed to alter live broadcasts in real-time. The CBS News director suggests that a good, ethical use of this technology would be 'blocking out objectionable signs or covering up a competitor's logo'. How can society cope with a world where seeing can not equal believing?
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Live or Memorex?

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  • by Anonymous Coward
    ... in an article about the impact of digital editing of photos, video, etc. on the use of these media as courtroom evidence. Is it possible to determine with reasonable accuracy whether or not an image has been doctored? If so, for how long is this likely to remain true? If these media become useless as evidence, what do we do? Eyewitnesses are next to useless. This topic might make a good Q&A subject.

    --- Brian
  • by Anonymous Coward
    I put up with advertising for that reason - broadcasting costs money. What I really hate is when I pay a premium and get advertising anyway -- like on a videotape. And don't get me started on public broadcasting in America.
  • by Anonymous Coward
    I have tried hard to aruge with people at work about this. Back in the UK, we have the BBC. Sure, it costs $150 a year to buy a TV license, but you get two TV channels and 5 radio channels completely free of commercials! Now there's a bizarre concept. Pay for a service, get a service, advertisment free! I have no problems paying for a service if I can get rid of the advertising. Web sites, email services, TV, radio, whatever. I pay to go to the cinema and I get a (reletively) commerical free experience (except for blatant product placement) The thing is, I wouldn't mind advertising so much, if the commericals were interesting or funny! In the UK (and a lot of other countries, I'm sure), there are a lot of very subtle, very funny commercials, but having 'Ford Country' and 'Did somebody say McDonalds' in my face does one thing, and that is exactly the opposite of what a commerical is supposed to do!
  • Bah, my grandfather could see the puck just fine, and he was listening to the hockey game on the radio. ;-)
  • I can sort of see where this is going. I imagine the first walk on mars will go something like this:

    Lander craft settles down onto a huge Coke logo, other billboards are featured in the background, most of the mars landscape is obscured. The first astronaut steps of the craft onto the surface, gets half way through something like "One small step for man..." etc before being cut off by some CGI babe running into the screen handing him/her a can of Coke(tm) say "After a 2 year flight, I bet you could use the refreshing taste of Coke(tm)."

    One last thing:

    CBS News' internal standards prohibit digital manipulation or other faking of news footage, but Genelius said this new technology was not yet covered by the guidelines.

    ...

    "There is nothing specific in CBS News standards," she explained. "We're just beginning to use this."

    errr... wouldn't the existing guidelines prohibit this, or do these people always need to have things made 'specific' and spelt out for them. I can't help but think that some people are just a bit thick.

    --
    Simon


  • It will soon be mighty easy to manufacture evidence against someone and frame them. So what if lots of people know that this capability exists. The onus will be on the accused to prove they were framed in this manner.
  • by Smack ( 977 ) on Tuesday January 11, 2000 @03:43AM (#1383362) Homepage
    http://www.howstuffworks.com/question2 25.htm [howstuffworks.com]

    And since the line is added by the broadcaster, there isn't just one company doing it. Each of the 3 broadcasters has their own system, I think.

    ESPN (and MNF) use SporTVision [sportvision.com] for example, not PVI.
  • I can see it now, bank robber bursts in, kills everyone, and walks out with all the cash. Security video shows the whole thing including his face with no mask. Goes to trial.

    Brother-in-law testifies that they were watching 'when butterflys attack' on FOX. Defense claims that the footage was rigged, just like on the evening news because the police hate people who watch fox. The police claim that the home video of him watching the show and getting sprayed with beer in a vain attempt to win $10,000 is faked, just like the evening news.

    After extensive interviews, eye witnesses across the street testify that they saw a man with three legs and a purple beard run out of the bank and escape in a giraffe drawn sled.

    Case dismissed.

  • by Masem ( 1171 ) on Tuesday January 11, 2000 @03:23AM (#1383364)
    First, on the technology of changing a billboard in real time, I can believe it; if you've watched any pro football this year, you'll see the same technology used to digitally add a yellow strip across the field to show where the first down yardage is during the real time broadcast. In this case it is very useful.

    What annoys me more is how much ads are being forced upon us in all aspects of life; tv, movies, the net, magazines, even in college textbooks. TV is the worse right now; it used to be that the end credits for most shows were just shown in full screen, no problem, but then someone got the idea to splitscreen them, to allow an ad to run along side the credits. This idea expanded everywhere, and now nearly no show has anything happen during the credits (one of the few I can think of is Frasier or Whose Line is it Anyway?). I remember one time a local station tried to do the same thing during the end credits of Voyager, which UPN had already splitscreen, such that one could not hear the preview of next week's episode, nor read any of the credits as they were 1/4th of the screen.

    Why do we need ads pushed in our face as much as advertizers think we do? I'm sure I'm not the only one on /. that generally makes shopping purchases based on reviews and reports, rather than "I saw that on TV!". I would also suspect that up to 50% of such Americans are like that as well, being trained consumers rather than drop-of-the-hat buyers. Unforunately, I suspect that this group does not include the target of these commercials: the 15-21 and 22-30 demographics. These people tend to spend more on impluse purchases, as thus will be more prone to an ad than others.

    And very much unfortunately, we have no way to stop this forced advertizing. We are the low end of the entertainment food chain, when it comes to consumers. The stations know they have our eyes, and the ads know they have our wallets. We have no real place to complain to except the FCC (as Americans, at least), and I'd suspect such cries would go unheard. Until we are at a point where there are 6 minutes of show vs 24 minutes of commercials.

    Hopefully, what occured above may spark something, whether a law suit between two rival TV networks, or something pointing out that the press can no longer be considered to be biased. One question that might be asked is what version of a live shot might be archived away in the stations' vaults, the original or the modified? Can you imagine the shear power that a network press room might have if they can present their archived version (the one that was modified in real time) and use that as evidence in a major governmental scandal? Sure, there are telltale signs that the picture was modified, but technology will only get better to a point where you can't tell.

    I do hope that the network media realizes they have journalistic morality to think of here. Even something as innocent as changing a sign to be an ad for yourself can lead down the road to trouble.

  • by Masem ( 1171 ) on Tuesday January 11, 2000 @03:27AM (#1383365)
    I think it lies with two parts: first, the camera that will have the shot of the first down line will be in a fixed position (though it's angle of view might change) at the start of the place, so the software can calculate based on camera angle and the appropriate yardage line where the FDL is at and where the camera is at to plop the line on screen. The second part is then just to block the line when players cross it, and since no uniform is green in the NFL (or significantly green), this is almost just doing a chromakey with a big fuzzy zone.
  • by Effugas ( 2378 ) on Tuesday January 11, 2000 @05:24AM (#1383372) Homepage
    All human transactions include built in presumptions about the status of each interaction--in plain english, there's alot about what we get from eachother that we just sort of "assume".

    Contracts generally exist to clarify assumptions, not introduce utterly unexpected clauses--for example, a parking lot *can* disclaim liability for random damage caused to your car, but *can't* make the claim that exceeding one hour parking causes ownership of the car to transfer to them.

    Contracts reflect the surrounding legal environment; they rarely completely rewrite it. The leeway granted on contract negotiations appears to usually be connected to the equivalent levels of power between the two negotiating bodies--the less legal force one party has in relation to another, the more the validity of the underlying contract is controlled by the legal environment. (Thus, the recent dismissal of an employee's noncompete clause which stated they couldn't work for a year in the same industry--this would have destroyed the employee but done no harm to the employer, thus the judge declined to enforce.)

    This applies directly to the re-editing of video streams in that there's a presumption by the viewer that what they are seeing is a representation of the facts. The yellow first down line represents a fact that is in conceptual existence but lacks physical representation. This is a use of the technology to aid comprehension. However, the surreptitious modification of video streams to replace advertising and/or objectionable content is different--there is no underlying shared context being expressed, rather the value that the viewer places in what they see within in a given scene is redirected towards whatever the production crew desires.

    Now, it obvious that the production crew can decide the backdrop as a whole--indeed, computer generated news desks are not entirely rare. But they're represented as such, and come replete with their own credibility wins and losses. Similarly, a correspondant appearing to report from the Middle East is spawning the presumption that, "They must know what they're talking about because they're actually there when I'm sitting on my couch *here*".

    We attach value and credibility to the backdrop of any news report--even the simple tagline for an AP Newswire story gives the location of the author(if not his or her name).

    To replace advertising, or any content in a non-obvious manner(pixelation of objectionable content is obvious, and explicitly changes the context of the display) is to borrow the credibility one holds for an environment and secretly sell it to the highest bidder.

    That's not fair, and not even a 1.5 second blurb at the beginning of a broadcast can escape that fact. It's lying to the customer. That's not fair. Show some kids a walking, talking, thinking Teddy Ruxpin bear, and when they grow up provide them invisibly manipulated cities and scenes to believe in?

    Hell, at least they're consistent.

    Yours Truly,

    Dan Kaminsky
    DoxPara Research
    http://www.doxpara.com
  • There is no ethical use for this sort of thing. It's tantamount to altering the viewers' reality. As someone who believes that free will is one of the two things that define humanity (the other being the ability to exchange complex information) I find the very idea of altering a broadcast in this manner to be outright immoral (certainly more so than anything they could possibly block out could ever be).

    I suppose inserting ads is borderline, since at least the alteration is obvious. Same for sticking the score in the corner of the screen. But other than that, I see no potentially ethical use for this sort of thing.
  • by substrate ( 2628 ) on Tuesday January 11, 2000 @03:41AM (#1383376)
    I've always felt that when grade schools try to introduce students to the news paper in grade four or so they should also teach them the power of critical thinking. This would of course go against the normal school systems agenda, so I doubt it'll ever happen. An interesting exercise is to pick a few articles in the newspaper, especially if they are on something people typically have an opinion about, and seperate cold hard facts from the reporters opinion or interpretation. Maybe use two colours of highlighter to dilinieate fact v.s. opinion. Tally it up. Even in situations where you are supposed to be getting a report on something you'll find a great deal of opinion interjected.

    The media has also been guilty of image manipulation before. One of the popular magazines was caught during the OJ Simpson trial. They doctored up a picture of Simpson and gave him a couple days beard growth, darkened shadows to make him appear more menacing and so on. They were definately trying to manipulate the public. It was done to sell more magazines but it was done at the expense of the publics perception of Simpson.

    Watch any interview on TV, most of the cutaway shots to the reporter are done after the fact. Often the questions are reshot later to give the reporter a heightened air of professionalism. Have you ever contrasted the way a reporter speaks to the way the typical person speaks? Some of it is professionalism but a lot of it is a cheat on the part of the producers.

    So, this is nothing new. It's reprehensible but you shouldn't trust the media any less over it. You should always be looking for the hidden angle which is the only way you'll be able to form your own opinions.
  • "...blocking out objectionable signs or covering up a competitor's logo, he says...meets CBS' journalistic guidelines."

    Is this an admission of censorship from CBS? Are they admitting that the news is watered down and censored to meet the needs of whoever is paying the most in sponsorship and advertising that quarter?

    I watch the news. I need the news. I enjoy the news. I don't need someone elses idea of what the news should be.

    I know this is a little muddled but I know what I mean!
  • Yes, irony was my point. I got replies and moderation points by censoring a quotation to suit my purpose.

    All censorship is wrong and an insult to our intelligence as it supposes that we are all too dumb to make up our own minds.


  • Okay, I can see blocking something objectionable -- but who's to say what's objectionable? What's the limit to this? "Live" TV used to be one of the few ways the populace could be sure they were seeing what was going on.

    Now, a "live" shot of a war could be doctored to not show any of "our" troops dying - hell they could edit the footage to change the outcome of things...and it would all be done in the name of "protecting the people" - Bullsh**. It's lying, plain and simple.

    And "blocking a competitor's logo" is *not* ethical, at least in my opinion. Blocking ALL logos and ads would be OK if it was a consumer decision, but we don't need TimeWar^H^H^H^H^H^H^HAOL deciding that every ad on cable TV is an AOL ad, and brainwashing people that way.

    This isn't to say that this technology doesn't have good, legitimate uses. It's just that in our society the way it is today, the power of this WILL be misused, and it's the people who will get the short end of the stick, not the companies, corporations and media.
  • You could always have a time/date stamp included along with the hash. That would preclude later video alterations in many cases, until people reverse engineered the camera hardware. (How easy is it to embed a private key into a microchip that does digital encryption/signatures, and keep that private key secret from even a determined reverse engineering attempt?)

    But of course just yesterday there was a GPL'ed software release to do realtime video editing, and anyone with enough kilobucks to spend can do better.

    There are third party services out there that will timestamp and PGP sign your data, but that's kind of pointless when the latency involved in video editing is less than the latency involved in sending hashes to the timestamper's server and getting them back.
  • He wasn't really in the toilet. At least...I don't think so....

  • I an a Vision Tester for SynaPix [synapix.com], and some of the people I work with wrote software that does exactly this before they joined the team. This is not really a big deal - you know the weatherman stands in front of a virtual set too. ;)

    All this talk about government conspiricies and doctoring footage is REALLY funny coming from a technical crowd. Beforehand, did you REALLY believe all those special effects in X Files??

    You don't even have to calculate camera paths anymore to match moves against the camera - software does the math for you (See MatchMaker at my companies website). You can also automatically build 3D models from 2D motion footage, WITHOUT extra cameras and such.

    You can fool a lot of people with virtual sets and motion capture, but an expert will [hopefully] always be able to tell what has been faked. The editing and compositing process always leaves some destructive signs of work, even if they are not visible to the eye. Relax people... I'd be more afraid of those transcievers they want to put in your driver's license so they can track you, only when you go through those express toll-booths of course ;-)

    This message was posted with Mozilla M12, and wow it's looking good!

  • There's a TV show in France where they do that all the time -- "Le Vrai Journal" (The REAL News). They have a heavy bunch of SGI servers and make big fake news reports. They do, however, warn the public. They've shown Bill Clinton in the Oval office with a naked monika. Rather funny.
  • Blocking a competitor's logo is, probably, fine - so long as the block is obvious. The pixellated area of a screen masking a face or some other censored partial image, the visual equivalent of the beep or the "expletive deleted".

    It's censorship though, but if you watch/read/listen to any news media you're being given someone else's view of the facts anyway, is editing censorship? Yes, no, maybe.

    You cannot believe what you see - that's not new. What is new is that modifications are much harder to detect than previously, say, the classic example of the shot of Lenin preaching with the then out of favour Trotsky replaced by a lump of wood.

    Can you trust what you see? That's the real issue. Can you trust your news provider to give you as many facts as are pertinent. After all, you can read two newspapers, but you can't watch two live actions feeds with as high a level of discrimination.

    If you can't trust the image - and unless a strict code of conduct is used to indicate when manipulation is used you can't trust the image - then you must be able to decide whether you can trust the provider.

  • Sure, this is a brilliant tool for propaganda. Yes, Goebbels would have loved to have technology that can manipulate live broadcasts. If the article said that, I agree it would have been an appropriate cautionary note.

    But saying "Goebbels would be proud" goes beyond that. It implies a similarity of motive in the development or use of this technology. I don't see why Goebbels would be proud of inserting ads into a TV broadcast, unless, for example, they were conveying vile propaganda.

  • The "evilness" of a media tactic such as L-VIS is a function of (a) the extent to which a media tool claims to be factual, and (b) the extent to which the tactic alters fact.

    No, that would be the "deceptiveness" of a media tactic. Its evilness depends on the purpose or message inherent in that deception. It's not a comparison of deception: Goebbels used other, more subtle ways to promulgate evil and destructive propaganda besides outright deception. Furthermore, Goebbels is not just some PR person: again, comparing someone in the media with Goebbels is perhaps the ultimate insult, so I'm curious what brought this on in the article heading.

  • Uhh, michael, you may have gone a little far with that department listing. Drawing a connection from anyone involved in the media to the Nazi propaganda minister is, to me, the height of condemnation. It implies the most evil intent possible, and I don't see any explanation why -- was that just the first thing that came to mind or what?
  • Personally if I were an advertiser who had paid money for an ad or logo that was edited out of a live shot, I would want to sue.

    If I were the owner of a building who had chosen not to have a billboard and one was plastered on anyways for the evening news, I would want to sue.

    But would either have a case?

    Wondering,
    Ben
  • And can you think of anything Fox News would like better than to prove CNN faked something? Except maybe proving that the government faked something?

    No, I'm not paranoid. I know that whatever they can do, they won't agree on what to do.
  • How can society cope with a world where seeing can not equal believing?

    It's been a while since you could really believe what you saw.

    Consider this: Print out a "memo" from your boss saying you should get a raise. Include a scanned image of your boss' signature. Don't claim it to be the original, just a copy you made on the inkjet-based fax machine. Or, pick up one of those photo printers, and digitally stick your ex-wife's head on Hillary's body.

    For that matter, think about those psychic hotline ads. People believe them all the time, even though it seems painfully obvious that they don't have to be psychic, they just have to have a copy of the script. And yet, they make money hand over fist.

    Never underestimate the power of human stupidity.

  • yeah it is pretty neat to be able to take a shot across, say, a baseball diamond and replace one of the local hardware stores ads on the fence with, say, "AOL" or whatever, seamlessly. I haven't beleived anything or anyone in years - like Hindu theology, everything is just a grand illusion.

    Boojum
  • is that this technique will probably go thru the same trajectory as the "colorizing old B&W films" flap of many years ago - it'll all blow over and people will, like spam, just accept it and the media companies will continue to do whatever the fsck they want to do, in the name of free speach.

    Boojum
  • The use of this device to display the first-down line is the best innovation in TV coverage of football since the instant replay. Forget reverse-angle views. Forget goalcam and helmetcam and all those other cameras. Forget all those other gimicks and gadgets. The virtual first-down line is something that adds real value and enjoyment to watching football.

    But its use to alter news coverage is fraud. It's misleading for CBS to think they alter Times Square just because they want it to be their "studio".

    --Jim
  • The electronic first-down line used in this year's NFL games is done by Princeton Video Image [pvi-inc.com]. The web site says they're expanding the technology to do things like a 20-yard red zone at each end of the field, "virtual strike zone" for baseball, etc. They're also starting to do logo insertion (e.g., VISA).

    Their web site doesn't say anything about how the first-down line technology works; I've been wondering how they place the line, and whether any technology is needed on the field to make it work. Anyone have more details?

    --

  • by account_deleted ( 4530225 ) on Tuesday January 11, 2000 @03:44AM (#1383410)
    Comment removed based on user account deletion
  • by Detritus ( 11846 ) on Tuesday January 11, 2000 @05:50AM (#1383411) Homepage
    I don't think the connection is entirely unfair. Goebbels was extremely cynical and was willing to manipulate the public for causes that he was indifferent towards. The modern media delights in manufacturing controversies and exploiting tragedy, not for moral goals, but for rating points. The question in the television news producer's mind is not "is it news?", but "is it good television?".
  • Wow, so we'll have to actually read the source code for the evening news to be sure of it. Not only of it's accuracy or lack of spin, but also it's reality. Interesting.

    Well, maybe the proliferation of internet access and connected wireless devices will be good in this resepect as well. We'll be able to take advantage of omnipresence, and draw our own conclusions. For example,

    It was priceless to me to hear directly from people in Seattle (via /.) about what was happening during the WTO 'riots'. I have a much better understanding that I would have from the evening news.

    The military actions in Bosnia were heard of through the people there, on usenet. People who had bombs going off down the street were writing about it, and the world on-line had the option of knowing things first hand.

    The dissemination of the truth, by private individuals, is not foolproof. There's bias and ignorance and assumption. But I suspect that it will/does work much like the opensource development process. You just can't tell a lie when there are other people, who know the truth, listening and able to speak. Just like you can't sneak a virus, or a back door, into a piece of open source code.
  • by jabber ( 13196 ) on Tuesday January 11, 2000 @05:24AM (#1383414) Homepage
    Goebbels was a brilliant propagandist. All that the reference implied to me was that this is a brilliant tool for propaganda.

    Being able to distort reality towards any means is very impressive. For example, showing a local businesses logo on one of the boards of an international soccer match would make the company appear larger than life. Putting a M.A.D.D. logo in place of a Budweiser one would raise the cause to a higher status. Being able to elevate any agenda to a more prominent position than it holds, and thereby really placing it in the forefront of people's minds, is very Goebbels.

    Goebbels was one of the greatest marketting geniuses of history. He managed to sell genocide to the masses, he justified it and made people believe it was the right thing. He made it into something people rooted for, or at least wouldn't speak out against. Not even Microsoft has been more successful. Goebbels did his job, right or wrong is not at issue. Much like Johnny Cochran did his job defending O.J., right or wrong was not at issue.

    If anything, the Goebbels reference is a warning, and as such, it's the most effective reference that could be found.
  • by jabber ( 13196 ) on Tuesday January 11, 2000 @06:00AM (#1383415) Homepage
    I know everyone realizes this fact, but nobody seems to have mentioned it yet.

    It costs a lot of money to do (national and local) broadcasting. This is where advertising revenue comes in. All the customer has to pay for is the TV set, and the electricity. If it were not for advertising, we would have 15 minutes per hour of pledge breaks, or worse yet, we'd have to pay a premium (over cable or satellite service fees) to the broadcasters.

    A different system, where we are billed for time spent watching a particular station, might be better. First off, content might be better, since it would actually be 'our' money paying for what we spend our time watching, and we'd be more discriminating. Second, products might actually be cheaper and better, since they wouldn't carry the cost of advertising in the price tag, and would have to sell themselves on their actual merrits instead of cute or cleaver advertising (Bud, Weis, Errrr). Third, we'd spend less time watching TV, since it would cost money to do so, so we would do more valuable things, like reading, coding, and actually raising our kids. There's also the fringe benefit of not leaving the TV running when you leave the room.
    The whole face of marketting would be different, since merit and value would be the predominant sales point, instead of image...

    But that's not the system that is in place. It's not the system that has been shown to work well for those who are in control of it and who benefit by it.

    My SYSTEM (tm) :), can be implemented with existing technology. Telephone or ISP style billing at a rate near that of electricity, with ReplayTV functionality, with possibly different price points for HDTV and old-style quality. Maybe we could get to the point of giving away TV sets with a three year subscription...

    I sure hope AOL Time Warner doesn't read this post before I file for a patent... [sigh]
  • by StarFace ( 13336 ) on Tuesday January 11, 2000 @04:44AM (#1383417) Homepage
    There is something here that bothers me. No, it is not the fact that people are doing real-time adverts, nor is it the fact that we can now do real-time manipulation[0]. The thing that is bothering me, actually, is the response to this issue.

    You see, this is nothing new. Every since the first monkey[1] picked up a bone and thought to itself, "tool." We have had trickery, backstabbing, conning, and deception. Humanity suffers from an incredible amount of want, the want of more possessions. Humanity will do just about anything, including defacing his/her personal reputation and good worth, simply for a few more possessions. Not all is bad of course, ever since deception, we had the ones seeking out the deceptors and uncovering them for what they are.

    It has been a game of tag since day one. What we are seeing now is the very evident cycle where the greedy have found ways to circumvent what used to be an unstoppable barrier of truth: Namely, photographs and the moving picture. For years these two technologies bared life for what it really was, and could even be used as evidence in courts of law.

    What we are seeing is essentially no different than a gang of crackers circumventing new software bugs, and the developers coming up with new patches to fix the bugs, albeit at a much slower pace. We are already to the point where everybody looks twice at a picture. Simply everything is run through a computer now, and sometimes it is getting very tricky to spot the evidence of computer tampering[2]. Now we just need to readjust to the fact that video, even live video, is becomming just as vulnerable to dupery as a pre-shot film. Nobody has placed truth in pre-shot film for a very long time now[3], and soon people won't place so much validity in live film.

    This isn't a bad thing, nor is it a good thing, it simply is the way things are. We had, for about 60 or 70 years, a very good medium for 'prooving' things. Before that there was just paintings, sketches, and word of mouth. We may have to go back to that, we may come up with something new and revolutionary, who knows! Times change, people just need to realize that change is not evil.

    With all of that being said, I'm going to go back a tad and state my opinion. I think this is excellent news. The ability to manipulate moving pictures in real time brings us one step closer to an entirely new, and interactive form of entertainment. Sure, it will bring along with it the sleazy car salesmen and whatnot...as do all new technologies. I prefer to look at how such developments will aid humanity instead of dwelling on the abuse, the abuse can be ignored. Turn off your television and do something constructive for a change[4]. It isn't that difficult.

    .:. Starface
    ------------------

    [0] There seems to be two arguments going on. One against advertising in general which is a tad bizarre if you ask me, the other is pro/con real-time manipulation.
    [1] Or, perfect, wonderfully created being. Whatever your cup of tea is.
    [2] I worked at a job where it was my description to 'fix' photographs. I know the tricks of the trade, there are alot of adverts and photos out there that are tampered.
    [3] See here [hollywood.com], for an excellent demonstration of that.
    [4] Try literature and a cup of Earl Grey.

  • The reason we have TV is because of advertising. No advertising, no TV. That being said, why are there so many advertisements? Because TV shows can be extremely expensive. It is not uncommon to see some stars get 1 million dollars per episode. At a minimum, to break even, the network needs to sell 1 million in advertising. (This is ignoring the inner workings of how bookkeeping is done with respect to syndication). Most likely, that show is a bread winner show which makes up for shows which have production costs more than advertising revenue.

    With the advent of:

    • the remote control
    • 5 billion channels
    • internet access
    • technology which can alert you when a commercial is over
    we are not watching commercials and the marketing people know this. Why pay for commercial time that people won't watch? This is why we see split screens during the credits or ads embedded into the stadium or even some TV shows themselves.

    Which may bring us back to why do companies advertise? To get the name out to the people and sell an image. People are busy and sometimes do not have the time to compare quality or price. During these times, who do you buy from? A name which is familiar. Why is AOL so popular? Because people know you can get on the internet with it easily. At least that is what they say.

    Why buy any pain medication such as tylenol or advil when the generics work exactly the same and are cheaper? You may not, but millions do.

  • How can society cope with a world where seeing can not equal believing?

    Listen to what your mother said; Don't believe everything you see on TV. And the same goes with photos.

    The only way in todays world to believe what you see, if you are an extreme skeptic, is to see and touch it yourself. I recently went to Madam Tusades(sp) and realized that seeing alone isn't enough :). But even seeing and touching may not be enough. (Fakes of famous pieces of art for example) Actually, its pretty much impossible to be 100% completly sure of something if you are an extreme enough of a skeptic.

    To adapt a quote "Reality is in the eye of the beholder".

  • That this technology came to be was inevitable. Chroma Key has been around for decades, making it possible to composite live analog video images. I believe the Princeton digital system has been used to create virtual billboards in baseball broadcast coverage for a couple of years now.

    I hate it.

    It should be illegal for anyone to altar in any way an image used to portray a real event. I don't even like having the TV weather reporter superimposed on the map -- I prefer a simple voice over. Even cropping photographs is skirting a fine line of propriety. The only exception I would make is for markups conspicuously added for illustation after the raw image is shown (e.g., during football game replays).

    I hope it isn't too late to stuff this genie back in its bottle. As we have been shown ad nausemu, the maintstream press will pick a quick buck over the unvarnished truth every time. Because we cannot afford a tyranny of corporate thought police any more than we can a governmental one, we must not allow any altered images in news or event reporting.

    And if it takes a ruling by the FCC or even the Supreme Court to force the media to give us the complete picture, then make it so!



    P.S.

    RE: the Netherlands, that includes showing billboards in news broadcasts. Those advertisers paid good money to have their ads put in plain sight. If that's what the scene looks like, that's what it looks like. Showing us the whole truth includes showing the ads that decorate the scene.

  • by emj ( 15659 ) on Tuesday January 11, 2000 @06:07AM (#1383427) Journal
    What you see isn't always the real thing, Steve Mann [toronto.edu] wrote an article in LJ [linuxjournal.com] about something i he called mediated reality. Where you would wear a pair of glasses which could filter out things you didn't want to see (ads), you should go read the article in LJ instead, I don't remmember much about it.

    It seems like Mann has done pretty much research in WearComp, If some want to know more just visit his homepage, or Unv. Toronto.

  • They're not thick, they're lawyers.

    Pope
  • Exactly. How else are we gonna find Kendall Square??! :)

    Pope
  • I remember reading a brilliant essay by Oliver Wendell Holmes about photography and the way it can "skin the world" and be used to make a "currency" of images and how it divorces image from reality and so on and so on.

    He rather brilliantly foresaw many of the issues that would arise from this and none of his prescience is diminished by our ever increasing faculties for making the real false and the false seem real.

    Does anyone here know the essay I'm talking about? I cannot remember the title, so I'm finding it hard to locate. In particular, if anyone knows of an on-line source and can provide a link, that would be great. You simply would not believe how "on the money" he was, and he wrote it over 100 years ago now.
  • Speaking as an F1 fan I can imagine this, but...

    It doesn't seem to work as an idea. Cigarette advertising can't appear on TV in Britain, but that doesn't mean we've blanked out the logos of all these cars for the last few years. It just means that when the cars are within our jurisdiction - as in the British GP - the cars run with different branding. Winfield became Williams, Mild Seven became Moto Sport, West once memorably became East :)

    The different markets justification I can certainly see, but the cigarette advertising one doens't seem to hold water. And this is VERY expensive...

    Greg
  • That could have merit. I've heard of people being sued over photographing certain buildings without permission, because apparantly some form of copyright law covers architecture. Placing ads on the buildings certainly invalidates any claim of fair use from the news people.

    Or, from a different angle, the owners of the building could sue on the grounds that by placing a false ad on their building, the news organization is implying that the building owners are endorsing the product/show/whatever, when in fact they are not.

    Then again, IANAAC*, so don't take my word on it.

    *I Am Not An Ambulance Chaser [freedomforum.org]
  • Goebbels was a great propagandist, but he wasn't as cutting edge at the time as people make him out to be. (Take a look at the American propaganda during WWII.) His work was built off of the work that the American government did in World War I, and the books of Edward Bernays, the man who is considered the grandfather of public relations.

    I highly recommend reading the books "PR: A Social History of Spin" and "Toxic Sludge is Good for You: Lies, Damn Lies, and Public Relations."

  • by GauteL ( 29207 ) on Tuesday January 11, 2000 @03:38AM (#1383458)
    We may not have had this kind of technology, but people doing propaganda has always been able to cheat in other ways than pure technological.
    Remember the Gulf-war? A lot of what was presented through CNN was in fact pure propaganda.
    A kuwaitian girl crying, saying that soldiers from IRAQ defiled an orphanage.. pure propaganda, not true.
    Of course, IRAQ did it to an even greater extend.

    The same happend in Yugoslavia. People were shown all the monstrous acts by NATO.
    Of course there were some horrible things that happened. But when you only present the worst acts of war, on none of the more gentle, you have already fooled your people.

    Of course.. this technology could leed to an even greater abuse of "reality". Seeing opposition do things they never really did. Scary...

  • I was just thinking the same thing. Companies pay big money to put up billboards especially near the ball drop on New Years eve because it get's plastered on every TV around the world. Same goes for billboards at tennis, soccer, and football sporting events. If the TV stations refuse to show these ads, it makes them significantly dimished in value. Who cares about a crowd of 50,000 when there are millions watching on TV.

    However, this technology won't work with animated billboards and it may force the companies spring for that. Another thought, you can buy ad space on the boxer's shorts for some prize fights. The ad is constantly moving and changes shape in regard to the boxer's movement. It is impossible for the near fututre to remove something like this.
  • Living in an age where people know they can't believe anything they see might finally get people to realise just how much the media has been lying to them for years.

    Perhaps not outright lying but subtle truth bending has been going on for as long as newspapers then radio then newsreels then television existed. Yet people still blindly assume that these things are reported "as fact" or that they're unbiased renderings of "the truth".

    Maybe once everyone can see that the pictures on their telly in the corner don't even match up with the view they get when they drive to walk down the same street they'll start to seek other points of view on a story. Maybe people will start to WAKE UP.

    Pre....
  • And media companies (or gov't) can make up their own news, alter the stuff that does happen, ignore it, or, gob forbid, just report it. With the AOL,TW merger it is just becoming too difficult to trust large media outlets. Almost every story they report on now will have some facet that effects the company in some way. Who can be honest when talking about themselves? Esp, when such talk can move stock and change billions of dollars. Just hope the 'Net can give us some form of news worth trusting.
  • by garver ( 30881 ) on Tuesday January 11, 2000 @04:31AM (#1383464)

    While this sucks, it doesn't change the base problem: we are at the mercy of the media to report the truth. This has always been the case. A reporter can write and cut all they want to make the story sound as they please. The studio can further enhance and cut to fit their agenda. They can also choose which stories to run.

    Every reporter is biased; they are only human. A good reporter keeps the bias out of the report as much as possible, but they may not file a report for a story they don't think is important, may report with an unintended tone of voice that projects their opinion upon the listener, etc.

    Editors have the same bias problems; in addition, they are under pressure to keep viewer's interest so that advertising can be sold. Therefore, they have a tendency to report shocking or glamorous stories that keep people glued, but may not be representative of what is really going on in the world.

    In the end we have to simply trust them or not trust them. Everyone has certain news sources that they trust and others that they don't trust.

    Hopefully people will always want a trustworthy news source and there will always be an entreprenour willing to fill the niche.

  • by CrudPuppy ( 33870 ) on Tuesday January 11, 2000 @03:16AM (#1383469) Homepage
    maybe next they will show spoofed footage of the
    mars polar lander. "see, NASA isn't all that bad
    after all".

    bah!

    where will this stop? why not just have max
    headroom report the news from the surface of
    Neptune? we rely on news to be REAL and in NO
    PART FAKED.

    i guess it's time to start wondering about the
    validity of everything *except* that which we
    behold with our own eyes...
  • by Skwirl ( 34391 ) on Tuesday January 11, 2000 @03:45AM (#1383470) Homepage
    "CBS News' internal standards prohibit digital manipulation or other faking of news footage, but Genelius said this new technology was not yet covered by the guidelines. 'There is nothing specific in CBS News standards,' she explained. 'We're just beginning to use this.' "
    The really sick thing is that, as a journalism student, this doesn't surprise me. More than once during in-class ethics discussions I've seen my peers talk about having no qualms about unethically tampering with a story as long as they could do so without getting in trouble. But, then again, most broadcasters I've seen are morons anyways, so maybe they just don't understand this right and wrong stuff. =)
  • Anybody who still believes what's on TV, I got a bridge to sell ya.
    ---
  • Of course an ad can't convince you to buy a product you don't want -- I never said that. The purpose of an ad is to fix that. The purpose of an ad is to make you want the product.

    They show clear-skinned teenagers using noxema; beautiful women playing volleyball and drinking beer; People off-roading in their SUVs... it's all to make you want the product. And it works.

    No one is ascribing magic powere to advertisers here. They're just doing their part to make products look glamorous to consumers, so that they'll want to buy them. It's not mind-control, it's suggested incentive.

    -----------

    "You can't shake the Devil's hand and say you're only kidding."

  • I think you're underestimating the power of advertisement. Yes, getting the consumer to *remember* the product is crucial, but the most important role an advertisement plays is getting the consumer to *want* the item.

    Look at just about any modern ad-campaign. Commercials portray people who are better-looking than you, having more fun than you, with cooler friends than you'll ever have (I'm not making fun of you in particular, it's just the point of perception in advertising). By association, people subconsciously feel that if they buy this product, they too will be better-looking, have more fun, and get to hang out with really cool people.


    -----------

    "You can't shake the Devil's hand and say you're only kidding."

  • Here's my knowledge of the Zapruder film:

    The film has undergone significant doctoring. Frames have been removed, altered, and made into composites, and the film speed has been tampered with in some places.

    The lesser known Orville Nix film, taken the same day, shows the exact same footage (from across the street). However, a frame-by-frame comparison makes the doctoring of the Zapruder film quite obvious -- they do not follow each other in parallel at all.

    Check out Bloody Treason by Noel Twyman and Assassination Science by James Fetzer. To see the Orville Nix film, get a copy of The Assassination Tapes from New Frontier Productions.

    -----------

    "You can't shake the Devil's hand and say you're only kidding."

  • by Foogle ( 35117 ) on Tuesday January 11, 2000 @03:33AM (#1383483) Homepage
    You don't seem to believe in the power of advertisements; you're not alone. One of the greatest things about ads is that people say to themselves, "I don't let stupid television commercials make up my mind for me". Unless they don't watch television at all, anyone who says that is just plain wrong. AFAIK it's a mostly subconcious process.

    -----------

    "You can't shake the Devil's hand and say you're only kidding."

  • by ajs ( 35943 ) <[ajs] [at] [ajs.com]> on Tuesday January 11, 2000 @06:04AM (#1383485) Homepage Journal
    The idea of television people (including news reporters) doctoring footage is old. This is just new tech for doing it. Take a look at any sit-down interview on a nightly news program. You will notice subtle background changes between the shots that show the interviewer and the shots that show the interviewee. This is because the interviewer footage is shot later on a sound stage in order to make the reporter look as good as possible. In many cases, it's not even the same reporter.

    Babylon 5 (a science fiction show that aired in syndication and later on TNT) did an interesting take on this where a reporter interviewed various people on the show, and they actually used the same technique as a subtle que that the news company was not on the level (this later turned into a plot point when the same news company was under the thumb of an oppressive Earth government).

    Same here. This technology will be used for ads first, but the much more valuable tool will be doctoring the news so that it's "acceptable" for mass consumption. Yahoos in the background of street footage will be edited out. Protesters in a rally that have nothing to do with the main story will be removed. These things will all seem reasonable at first (unless you think about it too hard)

    The danger is that once the mechanism exists, it will tend to be over-used. The news we see already feeds on itself, downing out events that don't fit the demographics. What happens when the drive is to have the news look more and more like what you're expecting after having switched channels from another station? One edit feeds another, and eventually you'll have "a dramatization" tags at the bottom of every news screen. Or maybe you won't even have that....
  • by BigTom ( 38321 ) on Tuesday January 11, 2000 @03:17AM (#1383486) Homepage
    I believe formula 1 bosses were looking at something like this so that the car sponsorship logos would be added on digitally, broadcaster by broadcaster.

    That way they could bypass national anti-smoking regulations and each team could sell more space per car.

    Tom
  • > the same technology used to digitally add a
    > Yellow strip across the field to show where the
    >first down yardage is during the real time broadcast.

    And is that super cool or what? It just knocks me out to see guys walking around on that line, with the camera moving and everything. Luv it!

    RP

  • i guess it's time to start wondering about the validity of everything *except* that which we behold with our own eyes...

    Except that studies have shown that human memory is incredibly inaccurate. First, people tend to draw instant conclusions about what they are seeing and then edit their own memories to fit their conclusions. Second, studies have shown that a skilled interviewer can cause a person to alter their own memories, either adding or removing information, or changing information. In the case of false memory syndrome it has been shown that people can become convinced that events happened to them that never happened, or that things didn't happen which actually did.

    In a frightening short period of time, what a person believes they saw happen and what actually happened can become incredibly different.

    I suspect that we are going to start seeing the need for embedded signatures in video and still photos - say, a hash code at the end of each frame, signed by the camera that created the video or photograph. Even that wouldn't be foolproof (I edit a video, then play it into a second camera which re-records it, and writes it's own signature onto it.) It would be a big step forward.


    --
  • Personnal I believe it is wrong to change the image in that way. An advertiser pays money to have their advert in a location, particularly in sports stadiums, and they pay an high price based on the fact that their sign will be shown in media broadcasts. This basically allows the media company to resell slots that are rightly that of the stadiums. Also if a advertiser lost out to a competitor, the could get a media company to replace the add. Coke and Pepsi spring to mind.

    The problem is not knowing if it will or will not happen. If Advertisers knew it would happen, they would not pay so much for stadium adds, and the stadium would probably charge more for coverage, which seems fair.

    I have noticed for a while my cable TV company replaces some of the add breaks between shows with there own. I have oftain wondered if the advertiser knew they would lose coverage... or if the station knew....

    It could however be claimed it was a good thing... as media companies can localise the ads for say the super bowl to each state it was broadcast in. However advertisers buy slots knowing that they will get national/international coverage.

    Probably this is a thing that requires some regulation, as it seems at the moment its buyer beware!

    James
  • Bravo was recently (they may still be) rerunning the old Max Headroom series on Sunday afternoons. It's scary how well it holds up. (Well, except for the very 80's costumes - but then again, even the mohawk haircut is making a comeback...)

    "Have you any idea how successful censorship is on TV? Don't know the answer? Hmm. Successful, isn't it?"

  • How's this in other countries (particularly USA)?
    On standard US network TV, on an hour program there will be about 15 minutes of commercials - three commercial interruptions duing the program, and one between it and the next show.
  • Actually, I believe the philosophers wondered that without the help of modern movie making...
    "I do not know whether I was thena man dreaming I was a butterfly, or whether I am now a butterfly dreaming I am a man." -- Chuang-Tzu
  • "News director suggests that a good, ethical use of this technology would be 'blocking out objectionable signs or covering up a competitor's logo'."

    They have another word for this...

    Jazilla.org - the Java Mozilla [sourceforge.net]
  • I can think of a better use for this technology!
    Just like Junkbuster: an Open Source system to bust all the ads.

    On the other hand: Half(+) of my screen would be blank during many shows...
  • I've always felt that when grade schools try to introduce students to the news paper in grade four or so they should also teach them the power of critical thinking.

    This is one of the most importent changes we could make to our culture. They do make some attempts to teach critical thinking now, but it is gernerally too little too late.. it would be especially great if you could teach critical thinking to children in that preschool ultragulable phase where they believe anyhting there parents say.. and learn religion.

    The big question is "how do you teach critical thinking?" I don't know much about the real research on this, but Caral Sagan says that the solution should be for science to be taught as a history of mistakes and correections instead of a collection of facts. It wouldn't hurt to teach people quantum mechanics at a younger age since quantum really pushes you to accept the experemental method (at least it did for me). Unfortunatly, I don't know that any of the above are useful for teaching kids since they require a lot of additional information, but I still think that it should be possible to develope a program to teach the scientific method to preschoolers.

    It is worth mentioning that you can teach preschool kids a hell of a lot (improve memory, increase creativity, etc.), but you must maintain the teaching as they grow up of the benifits are lost. Head start for example brings inner city kids up to the preformance level of subberban kids, but if the other inner city schools do not continue to foster the program then they slip back. This means that we need a critical thinking program installed at all levels of education.

    Jeff
  • This technique is in heavy usage on the Global Television Network [globaltv.com] here in Canada during their NFL feeds from CBS or Fox. Between commercials (Canadian ones--the original network commercials are not used) and the beginning of action, the screen will show a shot of the stadium, usually focussing on the JumboTron with billboard ads around it. Those billboards are changed on the fly to Global's own advertisers. For example, I doubt a local pizza chain would be able to afford to advertise in Miami's NFL stadium, let alone want to (there goes the 'thirty minutes or free' delivery guarantee). :-)

    Furthermore, they are starting to superimpose fake blimps, with logos for Canadian companies, in sky shots of the stadium. My mother thought it was so cool that an auto insurance place had their own blimp at a recent game. She was shocked to find it was computer-generated.

    I cannot simply escape this by watching the CBS or Fox network versions on cable, because CRTC (Canada's version of the FCC) rules regulating a certain percentage of Canadian content mean that when I switch to the CBS or Fox station, they are replaced with the Global feed! This means we can't get any of the American commercials when both a Canadian and American network are broadcasting the same show. When commercials are the only aspect of programming that some people will watch (e.g. most of the women in my family do watch the commercials during the Super Bowl), we have to haul in an old TV, hook up the antenna, and tune to a poor broadcast signal simply to see Bud Bowl XXXVIII.

    I have been thinking of creating a Boycott Global Web site all about this--they also received some pretty negative press last year about the billboard replacement stunt. Any Canadians in with me?
  • ofcourse this doesn't completely apply to sports, where advertisements run loose. Not to mention the sponsored sides of the field, on players' shirts etc.
    but to blot out 'objectionable' signs ETHICAL? jeez.. it looks like censorship, it smells like censorship.. and it probably is. Actually, the rule is a little more complicated and since I am not a lawyer I cannot explain it much further. But indeed in most programs you cannot prominently show a product name, and this is actively enforced. You want a commercial as a company, then you buy a commercial, not some guy who makes your favourite soap-series.

    //rdj
  • There are several billboards at Turner Field here in Atlanta that could not possibly be of interest to someone in, say, Seattle. Ads for local grocery and hardware stores, for example. So would anybody have a problem if when NBC broacasts next season's World Series (of which I'm sure at least two games will be played in Atlanta, troll troll) they replace those boards with ones for national brands?

    How about this: Just as they do national / regional / local TV commercials, they can replace the local Atlanta boards with U.S. / northwest / Seattle boards in broadcasts seen in the metropolitan Seattle area? They may as well, since Seattle will be watching the series on TV instead of at their fancy new stadium, troll troll).

    Or even better: Now that TimeWarner Cable has access to everything its AOL subscribers have bought on-line for the last year (and every website they've visited), sooner or later maybe they can start replacing those bulletin boards with ones of interest to your household! Imagine visiting Ford's website [ford.com] one afternoon, then that weekend settling down to watch a ballgame only to see ads for Explorers and Tauruses (or Jimmy's and Bonnevilles and auto insurance companies) plastered all over the stadium. Hell, they could do that for the regular advertising, too! Ghod help you if you're watching the game with your S.O. and ads for divorce lawyers, escort services and rubber fetish 1-900 numbers start showing up.

    Just a paranoid raving. Or I'd think it was, if stuff like this didn't actually start happening every time I turned around...

    --

  • No, I did not mean unethical, but maybe I am using the word in the wrong way, anyway. In my understanding, for something to be called ethical, it must serve some higher purpose, not just one person or company (i.e., something is not ethical only because it is not unethical ... if you get my drift ;-).

    I agree with your points about advertising getting more complicated - but OTOH it might also be good for small companies, because the ad space in stadiums, etc. would get cheaper if fewer people would see these ads.

    What I meant (and how I understood this sentence about competitors) was different: Often, you see news coverage where many people point microphones at some politician. These often have logos on them, and thus serve as ads for radio or tv stations. So tv station a could decide to block out all logos of other tv stations that appear in any footage they make themselves. Or even replace the logo. This is what I think would not be such a big deal - but it would be pretty annoying to those other stations. And I wouldn't call that ethical ...

    And on the second point: I was thinking more about weekly magazines (and tabloids) than magazines like National Geographic. And (at least here in Austria) they do change pictures. No important stuff ("this picture is proof that ..."), but they do it anyway.
  • The problem is, of course, that of finding a way between extracting the interesting stuff and changing what was said. Such an interview probably takes several hours, it takes some time for the interviewee to "warm up", there are misunderstanding, question have to be rephrased, etc.

    So the problem is not so mucht *that* they change stuff (which they have to), but *what* they change, and if you can trust them not to change the meaning.
  • by ghoti ( 60903 ) on Tuesday January 11, 2000 @03:13AM (#1383516) Homepage
    First, I don't understand how blocking out a competitor's logo could be ethical. It might not be a big deal, but ethical?

    Second, I think most of us know that pictures cannot be trusted, anyway. This has been true for a long time for photographs (especially on magazine covers), and is also true for most media reports (they can be edited without you being able to tell). And one thing that has been possible in TV since the beginning --- and which is much more effective --- is to reorder parts of an interview, for example, or to leave stuff out.

    So I think this boils down to the old question of trust: Do I trust the media (or certain tv stations, papers, etc) to not manipulate the facts? It's now possible to do more stuff, but that doesn't mean we were safe from manipulation until yesterday.

    (and I apologize for my troll posting yesterday - I was in a very, very bad mood.)
  • by Our Man In Redmond ( 63094 ) on Tuesday January 11, 2000 @03:48AM (#1383518)
    I find it highly unlikely that, given the rising costs of sports these days, any sporting venue would decide not to sell any advertising space it possibly could. In fact it's a lot more likely that the same space will be sold several times over. Take the prime ad space behind home plate, for instance (I'll use Safeco Field as an example, a Mariners vs. Yankees game). The stadium would sell that space to local merchants like Starbucks, Eagle Hardware and Eddie Bauer (as it is now). The Mariners broadcast team would rent the rights to digitally alter the same area for their sponsors, like State Farm, Fletchers and Pepsi. The Yankees would likewise rent the space to advertise Mobach's and The Wiz (or whoever sponsors the Yankees games). And, if the game is picked up nationally by ESPN they could use the same space for national sponsors like Chevrolet, The Gap and Budweiser.

    Multiply this by the scoreboard, outfield fence, facades and other vertical surfaces and you can begin to see that there's too much potential money to be made for anyone to leave this alone. Not that I think it's a good thing, but I think it's the way things are.
    --
  • I don't think they're trying to fool you, they're just trying to help you figure out the game.

    It's obvious that they aren't trying to make it look like part of the field, for example, when the ball is intercepted and the line promptly fades away.
    --
  • One instance of the advertising being the news around here, was when a computerized billboard went buggy. The billboard is for the New York Lottery, and it has numbers that can change to reflect the current jackpot. Anyway, at one time it started enthusiastically displaying that the jackpot was 0 MILLION DOLLARS! All the local news mentioned it.

    However, I'd suppose that anti-advertising rules have exceptions for things like that. They sound like a really good idea to me, except that they'd be almost impossible to introduce in the USA.
    --
  • The ubiquidous link to "Le Vrai Journal" [cplus.fr]

    Later...
  • Wouldn't digitally blocking out competitors logos on display in public places be considered anti-competative? If not... then the billboard owners will soon find themselves out of pocket cos no-one would need to bother paying to post the bills... just add them to your show later...
  • This is why we have problems as technology advances. Instead of using common sense and applying the current guidelines to this new technology, they jump the loophole and claim, "well it didn't say we couldn't alter LIVE coverage".

    idiots

  • "And one thing that has been possible in TV since the beginning --- and which is much more effective --- is to reorder parts of an interview, for example, or to leave stuff out."

    Ever watch 60 Minutes? I swear, every damned interview they show.. Cut to interviwerer, cut to interviewee, etc.. The way they shoot it practically implies they've gone and rededited it for content. The same for most ads that involve testimonials. Gah, this is why I don't watch TV anymore. People feel that they can get away with manipulation of information to further their own ends.

    Prove that they are wrong. Ignore ads. Buy only what you need, and rarely buy "wants" unless it would really help you. Become a human being, not just some advertising or "prolfeed." (plug Adbusters [adbusters.org] culture jammer headquarters, or here [adbusters.org] for a direct to their homepage without mouse-over intro version)
    ---
  • "I have noticed for a while my cable TV company replaces some of the add breaks between shows with there own. I have oftain wondered if the advertiser knew they would lose coverage... or if the station knew.... "

    The thing is you pay to get cable TV into your home. What does this buy you? The channels comming in are often subsidised by the local retailiers paying the local cable monopoly to stick in their ads. In the case of a local TV station and a remote one (like CanWest Global and a US Fox affiliate), they just duplex the Global broadcast to both channels. So clearly the cable people are making money from this...
    So why are we paying? We're paying for advertisements!

    I wish an ultimate subscriber based system would finally appear. I'm betting that the 40$ I pay per month for Cable TV would be reduced to 20$ if I just paid Space [spacecast.com] for the rights to watch Babylon 5, and some of their movies, as well as the Comedy network for some of their shows. The only problem is that the cable company's monopoly would disapear, as they would receive zero adveninue. Sigh.
    ---
  • Let's call it the way it is. The news is supposed to be an honest, although not necessarily unbiased reporting of the important events of the day. If the footage has been manipulated, we can't trust it. The obvious answer is to build a mechanism for disseminating information about the media's reputation. A database containing information about the integrity of the news media (and possibly others) could be quite valuable.

    Oh, and CBS, if you're reading this, I'll be getting my news somewhere else tonight.
  • Television dead oh boy, how wonderful. I think it's great that technology has got to where people will no longer trust their TV screens.

    There never has been ANY reason to believe that video told truth - it's just like an eye witness, only one totally biased point of view. And now an eye witness with selective /editable recall!
  • by PurpleDragon ( 79028 ) on Tuesday January 11, 2000 @03:48AM (#1383539) Homepage

    I'm not sure how advertisement laws in the US work, but here in the Netherlands, it is illegal for stations to show footage that contains advertisements.

    Signs of Coca-Cola and other brands have to be made unreadable (Pixillated). The technique used here is just a bit more subtle, making it appear as if it never was there in the first time.

    As for advertisers not getting their 'paid' room, I disagree. They have their spots on buildings and billboards, and paid for the people there to see them - not for the chance that they /might/ appear on tv, sometime.

    One last thought - Anyone remember seeing Arny in 'The Running Man'? Near the end of the movie, the outcome of the fight is altered, digitally, to make it appear as if he lost, by altering the live feed to the viewers... The next step? :)
  • You're talking about television, a medium which is:
    a) almost entirely owned by a handful of individuals and corporations
    b) entirely biased to the agenda of whatever corporation is represented, which can chage at a moment's notice
    c) so entirely filtered for content and reality by the time it gets to us that the vast majority of its meaning is already lost.

    We're not just watching what's happening, we're being told what's happening, and we're seeing it through the eyes of the controlling corporation and the individual they've sent out to report back to us what is happening.

    There is so much crap on TV these days approaching TV *with* a critically thinking mind is almost too much work for the minor bits of usefulness you can glean out of all of the marketing and bullshit.

    The question for the 21st Century should not be "What is art?" but "What is news?" Welcome to newsertainment, the opiate of the future.
  • by mlesesky ( 81453 ) on Tuesday January 11, 2000 @06:56AM (#1383543)
    I guess it can tell the Jets from the grass.

    How it Works

    The central computer in the 1st & Ten system examines every frame of video in real time (i.e. 30 times per second) and determines which pixels to change to yellow. These are all the points in the image where an actual painted-on-the-field first down line would be visible, such as grass along the line that is not obscured by a player or referee. It determines which pixels to change based on very precise information about the camera's view, a 3D model of the field, which camera is on air, and a palette of colors for the field and another palette for players.

    Pixels along the line with colors from the field palette are changed to yellow unless that color is also in the palette for players. Player colors and other colors not on the field palette are left unchanged. This makes the virtual line visible where the field is visible and hidden where the field is obscured, just as a real line would be.

    Each camera in the 1st & Ten system, is instrumented with very precise encoders for pan, tilt, zoom, focus and extender (1x or 2x doubler). A computer at each camera reads the encoders and transmits these readings to the Sportvision production truck 30 times per second. Another computer in the truck gathers readings from all the cameras and transmits a consolidated data stream to the central computer. These readings and the 3D field model go into a geometrical calculation that determines which pixels in the video frame would be in an unobstructed view of a real first down line.

    Yet another computer determines, also 30 times per second, which camera is tallied (on air). It does this by comparing the video streams from each of the 1st & Ten cameras to the program video. This computer allows for graphics, such as the constant time and score box, that are not in the camera view but are introduced into the program video. The result, camera 1, 2, 3 or none of them, is transmitted to the same computer that is consolidating data from the three cameras, and it adds tally to the data stream going to the central computer.

    The final computer has only one simple but crucial task, draw the yellow line in video 60 times per second (every field, not just frame) and send that to a linear keyer to superimpose the yellow onto the program video.


    Need more [sportvision.com]
  • I've always felt that when grade schools try to introduce students to the news paper in grade four or so they should also teach them the power of critical thinking. This would of course go against the normal school systems agenda, so I doubt it'll ever happen.

    I totally agree. I think in Canadian high schools, you are required to take some sort of class on "reading media" (any Canadians care to comment?). We could really use something like this is the US. That really goes into the category of learning to think for yourself, which our school system most definatly does not support. Those in power certainly don't want a bunch of young people becoming politically concious.

    It's too bad that most people think we truly have a free press. That in itself really helps those who run the media to be able to control public opinion.
  • by Hermetic ( 85784 ) on Tuesday January 11, 2000 @03:26AM (#1383549)
    I think it is more interesting to note that this allows broadcasters to edit images on the fly. Silly things like billboards or advertising are not goiing to change the world, but there are further ramifications to this sort of tampering.

    What would JFK's assisination look like with a shooter added in?

    What would the missle strikes in Africa look like with incriminating evidence added in?

    Or maybe a president and some young woman?

    I know these sorts of images are already present to some degree, with many people believing in faked images or others believing images have been faked (the moon landing and Mars faces come to mind), but technology such as this has the potential of allowing someone like Ted Turner or the military to wield power over what we know.

    Yes, I am paranoid. But I know what I can do, and I am not as smart as they are.

  • >> no uniform is green in the NFL
    The Philadelphia Eagles, The Jets?
  • Actually, one interesting effect that might occur if on-the-fly modification of images becomes common place - even the "average" person will stop believing ANYTHING the mass media produces, and will only believe things where they have received independent confirmation from other sources that they trust. In a way, this will destroy the ability of mass media to manipulate the general populace. What will they do then? :)
  • Think about it. Photography has only been around since 1840 (or so.) Before then, you had to trust the artists, story tellers, and historians to tell you the truth. Their biases are apparent (and sometimes blatently obvious) in the history we are all taught.

    (For purposes of this discussion: "Photography" includes the eventual addition of film and videotape.)

    Some of us have become complacent in a world where we believe the absolute truth conveyed by photographs. Yet for years photographs have been cropped and retouched. I work with a lady who has spent the last 30 years doing pen and airbrush retouching wedding photography. Her work has gone way beyond simple blemish removal, to the point of simple cousin removal. ^_^

    What we are really doing in looking back on an era. For a short time human civilization could rely on photography as a permanent unbiased record of events. That era is over now.

    It was nice while it lasted.


    --

  • by TopShelf ( 92521 ) on Tuesday January 11, 2000 @03:18AM (#1383559) Homepage Journal
    At least this will allow some sporting venues (ballparks, in particular) to cut back on tacky signs hanging all over the place. In that case, this technology could help those who wouldn't see it (fans who actually go to the game).
  • wow, this is both exciting and very scary.

    I think I think that the networks should do this stuff all they want, 'cuz it's cool and will lead to a more fun Matrix...

    But they should simultaneously lose "freedom of the press" protection. It is time to stop treating them like they are the defenders of truth since now they are just doing with video backdrops what they have been doing all along with the content: creating myth and crass commercial entertainment, good things, but not worthy of high-falutin' principled philosophy.

    Instead, they should have to label their packages like Twinkies:

    • Fiber (filler): 80%
    • Fat (will kill you): 18%
    • Protein: 1%
    • Preservatives: 1% (not enough; by next week you will forget all about it)
    • Active ingredients: T&A, truth stretching
    • Inert ingredients: Sam Donaldson

    Oh yeah, and cable operators should be allowed to mask their ads over the networks', and then if somebody wants to give me a free TV, it should be allowed to put their ads over the cable operators', then my free "active" contact lenses could put... why not? :)

  • by death weasel ( 111001 ) on Tuesday January 11, 2000 @06:54AM (#1383578) Homepage

    There has been a great deal of commentary dealing with the fact that the alteration of images is not a new idea, but very little on how society will deal with the new technology that allows real-time video alteration. And though no historical scholar of merit, I believe we can already see precedents in past technological advances.

    When The Great Train Robbery was first shown, people were alarmed when a man on the screen turned towards them and shot a pistol. Reportedly, certain men in certain theaters actually drew their weapons and shot back. This was a new technology, new trickery of the eyes; unused to it, people were gullible, and some could not separate reality from technology's alteration of reality.

    Flash forward. We have many many movies with guns. Yet the news is not full of stories about people whipping out semi-automatic weapons and shooting back at the screen. Why? Because we have become accustomed to the technology.

    With every technological advancement there is an initial "wide-eyed acceptance" that takes place. "Ooh! Shiny!" But luckily (?) people have short attention spans, and they adapt to their situations. Dishwashers do not illicit comments like "What is that thing? It does WHAT?" Simple line drawing animation no longer fools people into thinking that dinosaurs are actually still alive. And, given time, not only will people not believe the little digital ads inserted into live broadcasts, but bunches of slackers will sit on couches and make fun of them for being poorly rendered.

  • The story here is nothing new. A new technology comes along and some wonder how it can be abused. Cryptography, DVD, and genetic engineering have all had concerns about their misuse associated with them. The fact is that any tool can be abused for evil. The blunt tool that Grog made to kill dinner can also be used to kill Og. The encryption technology I use to keep my personal information private can be used by a terrorist to communicate plans for an attack to accomplices across the globe.

    Americans have already seen the technology in question put to excellent use. How else would we know how far our favourite football team has to go for a first down? Of course, this same technology can completely alter the "reality" of a picture. This is especially questionable for news events. From the description in this article, it seems like CBS is seriously walking the line for a couple of reasons:

    1. They are establishing that their news organization will use this technology in its footage. Even if it has not altered the meaning of the action in this case, it now means we have to question anything done by CBS news. I think as a rule, news organizations should agree not to use this technology in their broadcasts.
    2. While this is not the same as digitally inserting a joint into Al Gore's mouth, it is still a news event, one that is recording our history. I think as such even in this instance the use of the technology was questionable.
  • by 348 ( 124012 ) on Tuesday January 11, 2000 @03:27AM (#1383586) Homepage
    This could be interesting ground for the networks. They actually used "Luma" sampling a couple of years ago and got in trouble. I believe it was Dianne Sawyer, Supposedly at the white house or the capital building.

    Once the virtual images are superimposed over the actual live picture, whether of a football game or in a news story, the virtual images appear to viewers at home to be as real as anything at the scene. People who walk in front of landmarks replaced by virtual billboards appear to television viewers to have walked in front of the electronic billboard, making it appear completely real.

    Just like the above, she wasn't really there, she was standing in front of a blue screen in a studio in New York. The networks put a spin on the practice and called it " Look Live", It got some attention for a couple of weeks. In one camp they had the ethical journalists stating that it was not right and on the other they had the execs saying that it added flavor the news.

    This is not too much different. Placing any kind of "Look Live" or "Look Anything" behind a live news broadcast is misleading. As far as placing the first down marker etc. on sporting or entertainment programming would more than likely be ok.

    But is the news entertainment??

  • If this kind of thing gets used on a regular basis, it might prove beneficial :

    We all know that seeing is hardly believing (seen any "war" news lately?), but we naturally tend to believe in images anyway, particularly if they are moving and in color.

    If the images get tweaked all the time, our level of confidence might drop to a more reasonable level...

To be awake is to be alive. -- Henry David Thoreau, in "Walden"

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