Google To Resume Scanning Books 257
SenseOfHumor writes "The Wall Street Journal is reporting that Google will resume scanning copyrighted books from Stanford and Univ of Michigan libraries. Let the battle resume!" From the article: "It isn't known just what percentage of library holdings fall into the category of being in copyright but out of print. About 18% of the books held by the libraries working with Google were printed prior to 1923 and are therefore in the public domain, according to an analysis by the Online Computer Library Center, a Dublin, Ohio, nonprofit library cooperative. An unknown percentage of the rest still are protected by copyright, depending on whether it was renewed. Google's resumption of its scanning of copyrighted works comes amid heated debate in the library community over participation in the program."
How exactly are they doing this? (Score:5, Interesting)
How do they verify that the items being scanned are being scanned properly?
Re:How exactly are they doing this? (Score:3, Informative)
http://www.rod-neep.co.uk/books/production/scan/ scanning.htm
If you notice that it requires someone to turn the pages. While tedious it would protect some of the much older books google will be scanning. If there is a automated soltion I do not know ....
Re:How exactly are they doing this? (Score:2, Informative)
http://www.imageware.de/ [imageware.de]
Re:How exactly are they doing this? (Score:2)
Corrected, live link (Score:3, Informative)
Re:How exactly are they doing this? (Score:2, Informative)
http://kirtas-tech.com/ [kirtas-tech.com]
Re:How exactly are they doing this? (Score:2)
Re:How exactly are they doing this? (Score:5, Interesting)
"Scanning" is done with a camera and cradle (Score:5, Informative)
"Scanning" of old books is typically done with a camera photographing a book lying in a cradle (to not split the binding). One image is taken of each page or every two pages (the latter is faster, but has focus problems).
Once photographed, OCR software grinds away. There are errors. Some projects proof-read the errors (this is very expensive), but with Google's volume they cannot. Even when not proof-read, however, the OCR'ed text has high value in search engines.
For examples of the resulting product, see U of Michigan's Making of America [umich.edu] or the Library of Congress American Memory [loc.gov].
New, in-print books can be scanned destructively. That is, saw off the binding and feed into a sheet feed scanner. This works with publishers who have extra copies they can expend.
Out of print - fair game (Score:5, Interesting)
It might be their intellectual property but it's my culture, dammit. If they won't keep it in print and sell me a copy, which I'm willing to pay for, then they should keep their mouths shut when I go and find one for myself.
Anybody got a DVD of Dance of the Vampires they can let me copy then?
Re:Out of print - fair game (Score:2, Informative)
F*** that, I'll copy.
Re:Out of print - fair game (Score:3, Insightful)
The saddedst stories are the ones about silent-era films left practically rotting in the studio vaults. If the studio doesn't think they'll get any money
Re:Out of print - fair game (Score:2)
However, they could start selling it at any point in the future - at which point the pre-existing unauthorized copies would potentially interefere with their making a profit, thus that factor would not help him in making a fair-use defense.
Re:Out of print - fair game (Score:2)
Yep. I, personally, would in most cases buy the official copy even if I had a bootleg. But how many people would do so, and how often? And what happens when the bootlegs start to rival the official copies in quality?
It's the anime fansub debate, generalized.
Re:Out of print - fair game (Score:3, Interesting)
Disney does this or rather did do this with it's movies, they would go on moratorium for a while and you couldn't buy it. Snow White, sleeping beauty etc. I only know this from my experience with working at a video rental store, If someone left the tape in the back of their car in sunny Fl it would get all melted/warped a
Re:Out of print - fair game (Score:2)
It's laughable to say "You won't sell me your first edition Catcher in the Rye, so I'm going to take it." That's out-and-out theft. It would be if the book in question were in the public domain.
It's a bit different to say "You won't sell me a copy of this book, so I'm going to make my own copy." That's where the copyright infringement as theft metaphor breaks down -- he still has his copy of t
Re:Out of print - fair game (Score:2)
Umm yeah, that's what I was talking about. The put a movie on moratorium and when they re-release it again people will buy it because they don't know when it will be avalible again. That's their business model, so they could argue that people selling bootleg copies when it is on moratorium would impact future earnings.
They could get around this need if they'd just start PRODUCING decent products again,
Why does it have to have anythi
Re:Out of print - fair game (Score:2)
Re:Out of print - fair game (Score:3, Insightful)
It might be their intellectual property but it's my culture, dammit.
Ah, but the owners of the Disney Vault disagree... and it so happens that they also own some key lawmakers.
They like creating artificial scarcity in order to raise the asking price. It pleases them. The law of supply and demand is a lot of fun when you controll the supply.
People always forget (Score:5, Interesting)
What I find funniest about the entire copyright debate is how so few people are actually aware of what a flimsy basis copyright rests on. Intellectual property rights are not property, nor rights. They're grants (a decidedly un-libertarian form of state monopoly), given by the government, with the explicit intent of promoting the public good. Copyright holders are created for the good of society, not the other way around. The way I see it, once copyright starts being used to limit the creation and propagation of information and culture rather than encourage it, copyright might as well just not exist
Re:Out of print - fair game (Score:2)
Re:Out of print - fair game (Score:3, Informative)
They remove their movies from the market for 10 years in order to create artificial demand.
Re:Out of print - fair game (Score:5, Funny)
Actually, since according to IMDB [imdb.com] this movie is just the Fearless Vampire Hunters by another name, you are in luck as it was recently released to DVD [amazon.ca]
Mechanik
Re:Out of print - fair game (Score:2)
Obviously I haven't checked for a while - thanks!
Re:Out of print - fair game (Score:2, Insightful)
It might be their intellectual property but it's my culture, dammit.
I think I've figured out to how win the intellectual property wars... recast the battle as a culture war and you've got the support of knee-jerk conservative bush-apologists everywhere!
Re:Out of print - fair game (Score:3, Informative)
Suppose that you have bought a car and are making regular monthly payments on it. After five years you have one more payment to make and the ownership of the car is completely yours. The finance company bribes a politician, who puts a rider int
Re:Out of print - fair game (Score:2)
Re:Out of print - fair game = ABSOLUTE NONSENSE (Score:2)
You should NOT be able to obtain material for the purposes of personal entertainment that is out of print but nevertheless covered by copyright. Why? because there is a compelling public interest to encourage the creation of novel works. To put things into persepctive: EA (I thin) made LHX attack chopper, a PC game that is virtually impossible to find these days. It can still theoretically provide entertainment, however,
Intellectual Property is Neither (Score:3)
There is a re
I can not wait (Score:5, Insightful)
Index! (Score:3, Informative)
Re:Index! (Score:2)
Re:Index! (Score:2)
Re:Index! (Score:2)
Re:Index! (Score:2)
Using the style palette, you can just double-click on the instance and then click on the style you want. When creating indices in pagemaker I have created a style that was Body Text + add to index. This is not very difficult and can easily be done at the end of the
Re:Index! (Score:2)
If you don't know the audience and the topic, you probably shouldn't be writing the book...
implications (Score:2)
Yes... and you'd think this'll prove so attractive that any copyright-holder will be loath to forego it. And you'd then think that some sort of legal/other rights-management will quickly emerge that does allow such functions, but that still makes it at least damned inconvenient to read/copy an entire text.
Good. (Score:5, Insightful)
Would Google be allowed to store scanned copies of books even if the authors opt out? Someday, those print copies are going to be destroyed or deteriorate to the point of uselessness, which means that Google could be archiving works that might otherwise be lost forever.
I still don't get the uproar over the scanning, because it's not like the entire book is made available for free. The search is so crippled that it makes me think the people who are upset have never used it before.
Re:Good. (Score:2, Insightful)
Books are fragile. They need to be preserved somehow /.../ which means that Google could be archiving works that might otherwise be lost forever.
Nonsense. Books are far less fragile than any of this digital crap. Drop a book, and nothing bad happens to it (unless you drop it into water). Drop a hard drive, and it's dead. All in all, it is more likely that digitally stored information will be lost forever than a book.
Re:Good. (Score:2)
Nonsense.
Digital information is far less fragile.
A distorted one or zero, as long as it can still be recognized as a one or a zero, can be reproduced as a perfectly formed new one or zero onto a new media.
Just how many copies
Re:Good. (Score:3, Informative)
On the other hand, anyone who has visited the US National Archives [archives.gov] can see the efforts needed to preserve the original US Constitution and Declaration of Independence. We have zillions of copies, but the originals are kept in sealed vaults with limited lighting. Exposure to air damages the paper. Exposure to light fades the ink. They've struck a careful balance to make sure that people
Re:Good. (Score:2)
Re:Good. (Score:2)
the big difference is we can read the ones and zeros on a hard drive with an error rate that can be considered to be effectively zero (partly due to error correction systems built into the drive) whereas we cannot recognise the letters in a book
Re:Good. (Score:3, Insightful)
Re:Good. (Score:2)
It's not easy to backup a printed book.
Re:Good. (Score:2)
In a dry environment, both paper and stone carvings have been known to last over 6000 years.
But for all the documents we have found that are this old, in many cases there is only one copy
and with words or the ends missing.
Having a digita
Re:Good. (Score:2)
Re:Good. (Score:2)
Re:Good. (Score:2, Informative)
Most modern books will be printed on acidic wood pulp paper (as apposed to acid free hemp, cloth (cotton based paper) or more expensive acid free wood pulp). Over a period of time the acid will erode the paper until between 20-60 years later all your left with is crumbs.
Modern print is crippled by paper tech that means you'll never have a copy survive until it's out of copyright, just like modern digital is crippled by DRM and can never be released into the public domain
Re:Good. (Score:2)
I agree. It's realy cool to have the latest technology, but everything depends on the ability to read it. But what the hell, technology is so cooool.
Digital information is just too volatile (Score:2, Insightful)
Have you ever thought about how much more effort it takes to destroy a book in comparison to the effort it takes to destroy its digital copy?
It's the same thing with all digital data: in a few centuries this era will be called the dark ages of information - most of the historical data (text, images, sound) will be lost because it was stored on media that just couldn't hack it. People are just too eager to store precious data in a digital form just because it is convenient.
Re:Good. (Score:2)
We have pieces of paper whose age can be best measured in millenia. Do you honestly think that Google's hard drives will be readable in AD 3005?
The information is more copyable once digitized, which makes it potentially durable, as long as someone is interested enough to keep copying it. But that's a far cry from the real durability afforded by books.
Re:Good. (Score:2)
That's true today, because it takes a special effort to preserve digital data. However, we seem to be heading for a world where all digital data is stored in multiple archives unless a special effort is made *not* to preserve it, as it's cheaper to keep all archived data on disk forever than to figure out what's safe to delete.
The real threat is encryption. Once archived data becomes encrypted by default, poor key management could doom most data, desp
It's mostly not the authors (Score:2)
Many (most?) authors are supporting Google in this.
The resistance comes from the publishers, who either feel that they have to prevent a precedent, or are being pressured by other entites with a vested interest in "protection copyrights".
Once a work is in digital form, it may not only be copied perfectly, but it may also be easily modified. It's easy for us to stand back and say there is vastly more benefit than downside. They won't see our side for a long time
Funny how things change... (Score:5, Interesting)
A lot of folks are going mental about the "copyright implictions" of google books, and I'm just laughing. On my bookshelf is a first-edition colleciton of George Bernard Shaw plays, printed in the UK in 1911. There's a legend on the inside cover that is a reference to the U.S.'s lack of copyright laws at the time: (paraphrasing from memory:)
Re:Funny how things change... (Score:2)
Wrong: US Copyright Laws existed since 1790 (Score:2)
The difference back then was neither the US or the UK recognized each other's copyright laws back then.
Hmm. (Score:5, Insightful)
FTA: "I feel that this is a potential disaster on several levels," said Michael Gorman, president of the American Library Association and university librarian at California State University, Fresno. "They are reducing scholarly texts to paragraphs. The point of a scholarly text is they are written to be read sequentially from beginning to end, making an argument and engaging you in dialogue."
The sad thing is, scholarly texts are so abundant nowadays that it's neigh impossible to keep oneself current with all the new things published. Already there are magazines that only (or mostly) contain abstracts or reviews of new dissertations and articles. I fail to see how Google Print is a greater disaster than this. If anything, it'll only improve the situation.
Re:Hmm. (Score:2, Insightful)
In reality, readers will actually just locate the texts pertaining to their search, and then read those texts in their entirety outside of the search results page -- inasmuch as they choose to. Presumably, scholarly readers would choose to read the entire texts more often than others.
Following his reasoning, we would all ha
Re:Hmm. (Score:2)
Did I miss something? (Score:5, Insightful)
Seriously, though, I feel like I'm missing something here. What is it?
Re:Did I miss something? (Score:3)
Re:Did I miss something? (Score:2)
For example, let's take the company I work at. If we have 5 different employees that want an O'Reilly book, the company is required to purchase 5 different copies of the book. If my company were to buy one book, scan it, and put the digital data on 5 computers, that would be blatant copyright infringement.
Re:Did I miss something? (Score:2)
Maybe, maybe not. It might very well be fair use, though not useful to your company.
Ask yourself the following questions:
1. Does copying the scanned text onto several computers benefit you? (Ignore anything other than the act of copying the book.)
2. Does it harm the copyright holder?
3. Is it educational?
4. Are you copying the whole book, or part of it?
The answers a
Re:Did I miss something? (Score:2)
There are a couple of differences between television programs. 1) timeshifting usually does not involve creating a new copy. 2) creating a new copy of a show and giving it to a friend is sometimes considered to be within fair use. However, US fair use law [wikipedia.org] calls out f
What you missed (Score:4, Interesting)
It's a question of how far fair use rights extend. Fair use does not prohibit you from making a profit from exercising your rights (the NY Times Review of Books can excerpt content in a review and profit from selling ads on that page). The publishers argue that Google's use of their material goes beyond fair use, particularly because they're copying the entire work and not just an excerpt.
It will be up to a court to weigh the many factors involved and come up with a ruling. The obvious question is, if Google loses the lawsuits, what then happens to web search engines that spider and cache copyrighted text without the author's explicit permission? Will they be held to the same standard, and will plain old Google, Yahoo!, MSN Search and their ilk become "opt in" only search engines?
Re:What you missed (Score:2)
A lot of authors think this is a brilliant idea. Wil Wheaton loves the idea. Search for "holy shit" and you'll see why.
Intellectual Property Taxes (Score:5, Interesting)
As a recognition of this debt to society, intellectual property that is not in the public domain should be taxed. Just as our other physical property is taxed, why not intellectual property?
And the taxes can be used to invest in new science, technology, and the arts.
This has the added benefit of also moving a bunch of stuff into the public domain.
If the taxes aren't paid within two years, then the item moves into the public domain. If you aren't sure on the status of an item, see if it has had IP taxes paid in the last two years. If not, then it's free!
Re:Intellectual Property Taxes (Score:2)
Are you serious? (Score:2)
This idea is wrong on so many levels that I can't begin to express how bad it really is... Just the thought of government agency charged with the
Re:Intellectual Property Taxes (Score:2)
Book Tablets (Score:4, Insightful)
1.Connect to google.
2.Download a rare book only found in a handfull of libraries.
3.Go read it....
You forgot 4 (Score:2, Funny)
1923 - 1990: the gap years (Score:4, Insightful)
In 75 years, give or take, the gap will close for oldest years on. But for a while the internet will not have as much on a wide array content on pre-digital topics.
It's a shame... (Score:3, Interesting)
Re:It's a shame... (Score:2, Interesting)
Ultimately, a "whole earth" attitude toward information and learning is going to shift increasingly away from paper, so it is a matter of time before it is going to be more efficient for libraries to hold server banks in "the stacks", than actual paper copies, of which they can only have a very very limited small % of the works out there.
Time to get in with the new era, and actually, these recalcitr
Libraries will become "book warehouses" (Score:2)
My guess on the librarian complaint has to do with research. Someone commented here the other day that "Researchers" have become "Googlers". In some cases this might be true. It also means that someone sitting in their living room using Google ( or other search engine ) and the 'Net can gain access t
I love the fact (Score:4, Insightful)
Correction (Score:3, Interesting)
Lessig's Tough Call (Score:5, Interesting)
I think she makes some compelling points about the problems with Google's plan...
-------------
Lessig's Tough Call
In defending Google Print ("Google's Tough Call," issue 13.11), Lawrence Lessig and others overlook one thing. If the publishers and authors have no rights to prevent this, what rights does Google have to protect its own extensive efforts in creating this database? By their own arguments, the answer must be: none. Google does not own the raw data. In almost talking point fashion, Google, Lessig and others describe this as nothing more than a "card catalog." This description could come back to haunt Google, as the only thing they own is their original presentation of the data itself. And the image of a card catalog does not bring to mind "originality."
If the Google DRM is broken and I create my own "Jamie Print" index on the web... without Google's ads... what basis would Google have to argue? Google can scan a million books and by Lessig's arguments, that investment is irrelevant. If I find a way to download those million books from Google, store the data and use my own search engine, Google's supposed benevolence in creating this project will be hard to swallow amidst a flurry of lawsuits against my superior ad-free index. Google would have little basis to sue except under the DMCA, a statute whose very existence is vilified by Lessig and the very people defending Google Print as progress (and I don't care for it either).
If Google's investment in the project cannot be protected, they may have little incentive to create this and other projects. Isn't this much the same for the publishers and authors seeking protection for the right to control their work? Lessig defends Google Print in the name of progress, but progress is a careful balance of reward and public benefit. Google might not create Google Print if it cannot profit from the ads it inserts and publishers may lose out if they cannot choose how to profit from their properties.
It is almost inevitable that Google Print will be subverted and Google will seek the very same protections that it claims the publishers should not have.
Jamie Cole
New York, NY
Re:Lessig's Tough Call (Score:2)
I doubt if this matters much to Google. This is closer to a philanthropic project than a money making endeavor for Google. The only thing Google really gets out of it is a boost to its public profile and its image at the portal to all things searchable. Neither would be diminished by somebody producing a competitive database. Indeed, Google is so well entrenched that people would prob
Re:Lessig's Tough Call (Score:2)
It is almost inevitable that Google Print will be subverted and Google will seek the very same protections that it claims the publishers should not have.
While Google's investment in scanning is certainly worthwhile, it is by no means the only one of its kind and some of the others are freely available. Take a look at the EU's project to do the same with the libraries of Europe. No, the real advantage Google has and has always had over its competitors is not content, but the ability to rapidly, and cheap
Re:Lessig's Tough Call (Score:4, Insightful)
Re:Lessig's Tough Call (Score:2)
Re:You missed the truck she drove thru Google stan (Score:3, Insightful)
Yes, owners of copyrighted works CAN be forced into depending on the discretion of a third party to protect their works. That's life. If copyright holders are really so scared of their works being copied, they can lock them all up in a vault and never sell them to anyone. Then the
spread information (Score:5, Insightful)
Increase your Google Page Rank! (Score:3, Funny)
Google[black]mail (Score:3, Insightful)
A law suit against Google is very bad publicity, and they could subtly drop your page rank and you'd never notice until the visitors stopped coming.. or even remove you completely.
Re:Google[black]mail (Score:4, Informative)
hough I personally believe what Google are doing is not ethically/morally wrong, they are most probably 'breaking' our unjust (injust?) copyright laws.
My research into the subject suggests the opposite. Although the laws are somewhat vague, Google appears to meet all four criteria for fair use and every single district has filed supporting briefs supporting a case with significant precedent, except the district in which the case against google has been filed. I suspect this is because the lawyers involved know they will be unlikely to prevail in the end, but are hoping to win the initial case and force the issue to the supreme court, possibly with an injunction in place. This is because they hope to delay and possible temporarily stop Google's actions while they try to get laws pushed through the courts to make what Google is doing illegal.
The only reason they are 'getting away' with it is because they are the most powerful domain on the net. No-one dares mess with Google.
I think you are overstating Google's influence by a lot. First, the people suing Google don't care if they are findable by Google as they are not a consumer facing body. Second, they are a bunch of middle men, what do they care about publicity? Will you stop buying books from those publishers and hurt the authors (who mostly support Google's actions)? No I think you have this backwards. Google is legally going to prevail, and these publishers are just delaying while trying to pass some laws to avoid the future possibility of being cut out of the deal. They fear for their position as middle men and are fighting hard to stop anything that might be progress.
Re:Google[black]mail (Score:2, Interesting)
About 18% of the books held by the libraries working with Google were printed prior to 1923 and are therefore in the public domain
From what I gather, these books printed prior to 1923 are considered public domain and
What % are from (Score:2)
"An unknown percentage of the rest still are protected by copyright, depending on whether it was renewed. Google's resumption of its scanning of copyrighted works comes amid heated debate in the library community over participation in the program."
It's not the % that are in copyright thats important, because the "Association of American Publishers" doesn't represent *copyright* holders, it represents a tiny subset, and not even its full membership.
Out-of-print books (Score:5, Interesting)
I would make copyright dependent upon making the copyrighted material available for the duration of the copyright. If it falls out of publication for a year and a day, then the copyright lapses. Making the material available online would be a cheap and easy way to maintain your copyright. Those that don't like that notion are free to publish and warehouse physical copies. In order to close an obvious loophole, I would further require that the copyrighted material be available at no more than the original cost, adjusted each year for inflation.
Flaunt/Flout--From TFA (Score:4, Insightful)
Gatekeepers (Score:4, Interesting)
Many librarians I have met (not all, or even most, but some) have this weird mentality of "I am the gatekeeper of knowledge, you must have my leave to access the wisdom of the ages." The basically believe that knowledge is so sacred (it is) that only they are fit to gaurd it and distribute it (very not true).
When I was younger (elementry school, early-mid 90s) and you needed to research something you had to goto the library (either your schools or the public one), use a computer to look up a book (if you knew what it was) or (more often) ask a librarian to help you find books that would be useful for your topic. This gave the librarians great power because it allows them to deturmine all the information you are going to be using. When you learn and retain something, it becomes a part of you, by deciding what you learn they are in essense chaning you.
Now (for me, ever since middle school), you want to know more about ancient egyptian art? Google it and find 100s of pages of information (well, realistically you will only likely use about 10 of those pages but you get the idea). Want to know more about the 2000 US election? Google it. Before, if you wanted to find out information about certain topics (primarily recent or highly specific) then you were out of luck because often the libraries didn't have it. However, with things such as google and wikipedia, you now have access to almost any information you want from anywhere you have a computer with an internet connection.
(Beware, point soon approaching. Be prepared to duck)
Taking all this into account, it is not suprising that many librarians are reacting so harshly to this. They are all for making information more accesible but not if it doesn't go through them. Its like a company with a monopoly that it has had for ages: They've become used to the power and don't want to give it up.
The world has been slowly changing. It has become more and more difficult to control information. And as the cliche goes: Knowledge is power.
Re:Gatekeepers (Score:2)
flouting, not flaunting says diction police of ALA (Score:2, Funny)
Shouldn't that be "flouting"?
Compilation works have mixed copyrights (Score:2)
The collection has a collection copyright and each story/song/poem has its own.
If a story's copyright has lapsed, will Google make that entire story available in the same way it does public-domain volumes?
Re:Compilation works have mixed copyrights (Score:3, Interesting)
The Kelly v. ArribaSoft argument (Score:3, Insightful)
Both the district and appeals courts stressed the service that Arriba was providing to everyone by linking to web sites where an artist/photographer had made his art available online. The thumbnail itself, the court noted, was of such poor quality as to be of no value, something that isn't always true of a quote. (And one of the worst ways to treat an author is to quote them out-of-context, a practice Google's scheme will encourage.) The artist/photographer had also chosen to post his work online, thus putting it on the market. The Arriba link took interested parties to a site where they could pay the artist/photographer for the rights to a usable image. Arriba was creating a win/win situation for everyone and, once the image was thumbnailed, the full version no longer existed at Arriba's web site. All those factors taken together were sufficient to make what ArribaSoft was doing legal.
But the Ariba/Google parallel only exists for books that are in print, being marketed online, and paying royalties to the copyright holder. Out of print, books that are only available used or through libraries do not parallel the AribaSoft case. What Google is much more like sending someone with a digital camera to art galleries and museums, ignoring any wishes of the artist. Owning a copy isn't owning the copyright. That's why the "approval" Google has from the libraries is so silly, as are its claims that it is simply making a 'really big' card catalog.
The reader may benefit. Google and whoever profits from Google's linking may benefit, but no royalties flow to the author due to the linking, nor has the author chosen (present tense) to place the book online or in the marketplace. He may, in fact, consider the earlier work so dreadful, he intends to use copyright laws to their full extent to keep down his embarassment. And despite the squawks of some posting here, we have no legal right to get easy access to what someone else has published. A copyright bestows the right to say, "No more copies will be published." That's why, for instance, an author can prevent anyone from making a movie derivative.
Arriba is a marvelous case for defending unauthorized linking and for indexing the web itself, as Google does. And as a Ninth Circuit appeals decision for someone living in the Ninth Circuit, it was "controlling" in my successful battle with Tolkien estate lawyers over whether my chronology of a fictional work was fair use--the law in that matter having been corrupted by some dreadful Second Circuit court actions in 1998.
But Arriba is weak precisely where Google is being challenged most strongly by authors and publishers--Google's right to scan and index the entire text of books that are in library collections but are, for the most part, are out of print. For those books, Google cannot link to a website where the purchase of the book will result in income for the copyright holder. That's the key issue. Google Print may be a winning situation for Google and readers, but the copyright holder doesn't get a cent. Indeed, the very point of Google's action is to blast ahead, not bothering to even look for authors because that would be too much trouble. Authors, on the other hand, are expected to go to the enormous trouble of tracking down every instance of the use of their material by Google and a thousand Google-clones, and opt-out of each individually.
And I might add that I say this as a "one Mac mini" author/editor/publisher who's placed virtually every
Unfortunately this is the way the system works! (Score:5, Interesting)