A Philosopher Argues That an AI Can't Be an Artist (technologyreview.com) 185
Sean Dorrance Kelly, a philosophy professor at Harvard, writes for MIT Technology Review: Human creative achievement, because of the way it is socially embedded, will not succumb to advances in artificial intelligence. To say otherwise is to misunderstand both what human beings are and what our creativity amounts to. This claim is not absolute: it depends on the norms that we allow to govern our culture and our expectations of technology. Human beings have, in the past, attributed great power and genius even to lifeless totems. It is entirely possible that we will come to treat artificially intelligent machines as so vastly superior to us that we will naturally attribute creativity to them. Should that happen, it will not be because machines have outstripped us. It will be because we will have denigrated ourselves.
[...] My argument is not that the creator's responsiveness to social necessity must be conscious for the work to meet the standards of genius. I am arguing instead that we must be able to interpret the work as responding that way. It would be a mistake to interpret a machine's composition as part of such a vision of the world. The argument for this is simple. Claims like Kurzweil's that machines can reach human-level intelligence assume that to have a human mind is just to have a human brain that follows some set of computational algorithms -- a view called computationalism. But though algorithms can have moral implications, they are not themselves moral agents. We can't count the monkey at a typewriter who accidentally types out Othello as a great creative playwright. If there is greatness in the product, it is only an accident. We may be able to see a machine's product as great, but if we know that the output is merely the result of some arbitrary act or algorithmic formalism, we cannot accept it as the expression of a vision for human good.
[...] My argument is not that the creator's responsiveness to social necessity must be conscious for the work to meet the standards of genius. I am arguing instead that we must be able to interpret the work as responding that way. It would be a mistake to interpret a machine's composition as part of such a vision of the world. The argument for this is simple. Claims like Kurzweil's that machines can reach human-level intelligence assume that to have a human mind is just to have a human brain that follows some set of computational algorithms -- a view called computationalism. But though algorithms can have moral implications, they are not themselves moral agents. We can't count the monkey at a typewriter who accidentally types out Othello as a great creative playwright. If there is greatness in the product, it is only an accident. We may be able to see a machine's product as great, but if we know that the output is merely the result of some arbitrary act or algorithmic formalism, we cannot accept it as the expression of a vision for human good.
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I grow weary of all the AI references that exist in todays world.
Every time the term is used it further reinforces that it must exist.
This is fake news.
AI does not exist.
I don't expect that AI will really be welcomed as it will have problems with all the lies being told every day.
It will either have a melt down because of all of the lies, or those that would potentially be exposed as liars will not allow it.
Politicians and Lawyers will instantly be out of a job, I don't see that happening.
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Agreed. When we actually have AI, of course it can be an artist.
Most of what is produced by "creative" people now is derivative dreck. Granted, everything is based on something, but much of what is created is basically indistinguishable from something which already exists. That's why today's music is selling like crap. Not only are young people mostly broke and generally used to not paying for things, but much of it sounds just like something some other artist already produced decades earlier, except with l
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Most of human creativity is just a rehash of prior stuff. Go read the Canterbury Tales by Chaucer and you will see how our humor really hasn't changed over the past 1000 years and I suspect it's much like the 1000 years before that too.
Sometimes just mixing things around in a different order can give that same stuff new life and still be entertaining. Just think how much great content we wouldn't have if we didn't do this.
So feel free to proclaim all modern works of art as crap but that's always how it has
Re: AI doesn't exist, so he's right. (Score:1)
This philosopher can't imagine (Score:2, Interesting)
Who could have imagined 100 years ago that I could get so many questions answered by talking to a small glass and metal device in my hand. All these fairly insightful on average answers made on the fly for me out of fluctuating electrical currents in crystals.
When the number of neighbour-interacting elements gets huge, and the layers of abstraction start to pile up, wonders are possible. Like our minds, and future artificial intelligences.
The Turning Museum (Score:4, Insightful)
Put works by both humans and AI in a museum, see if anyone can pick out which is which.
Turns out not only can an AI be an artists, but many humans claiming to be artists are not.
Re:The Turning Museum (Score:4, Insightful)
Put works by both humans and AI in a museum, see if anyone can pick out which is which.
Or art by Elephants in an Elephant Art Gallery [elephantartgallery.com]
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Elephants have far, far greater intelligence than any AI project in the world, by orders and order on top of orders of magnitude. It's not even calculable, hardly even estimable. Elephants are fucking incredibly smart. Squirrels even.
AI has a long way to go. Art will always be in the eye of the beholder, which is why the philosopher is correct and Kendall will always be a moron.
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Exactly. Normally I would be inclined to agree with this philosopher, but when you take a colored canvas with a stripe, a white canvas with some paint splatters, or even just a solid white canvas, and you can call it art, then I'm willing to give AI the benefit of the doubt on this one
Re:The Turning Museum (Score:4, Insightful)
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It is as stupid as saying that a cloud was an artist because the snow was so pretty.
Picking out "which is which" bears no resemblance to how is customarily used.
And people already use beautiful items as decorations, including both things that are art, and things that are not art.
Something is art (noun) if it the act of creation was art (verb). If it is merely beautiful, or you lack details about its creation, then it isn't art, or maybe you just don't know. But the mystery experienced by a viewer isn't part
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It is as stupid as saying that a cloud was an artist because the snow was so pretty.
So not at all? Because people say that all the time, and it makes a lot of sense. Even something generated by purely natural processes can be aesthetically pleasing, and art.
Something is art (noun) if it the act of creation was art (verb).
I disagree. I consider Art to be whatever the viewer declares to be Art. It is about perception and whatever it is you are experiencing bringing something to your consciousness. That i
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Right, you're not an artist so you don't imagine that art comes from somewhere.
Whatever the artist says their art is, it is. OK. Very subjective.
That doesn't apply to the viewer of the art. When I create art, and you look at it, it doesn't stop being what I created and become what you think about it.
Yes I am an artist (Score:2)
Right, you're not an artist so you don't imagine that art comes from somewhere.
That is incorrect. I have been a photographer, including fine art, for decades. I have had my work on display for corporations, and had it hanging in galleries as well.
Obviously Art CAN come from somewhere. But does it have to? You are ignoring that sometimes are is spontaneous as well for the creator.
Whatever the artist says their art is, it is. OK. Very subjective.
That is just one side. You are ignoring the fact the viewer is
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So, you can't tell the difference between the concept of a thing, and an actual example of that thing.
You're missing out on like, 3000 years of philosophy.
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I am literally laying out the distinction for you. Read what I wrote again.
You are denying there is more than one possible aspect to Art, which is absurd.
I'll let you have the last word here, as I've made my case and you present no cogent counterargument.
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Read it again, and you're apparently not capable of differentiating between the concept of a thing and the actual thing.
You wave your hands and say, "Yes I can!" but you also keep waving your hands, and then contradict yourself. For example when you say, "Aha, it doesn't stop being what you created. But every viewer defines what it means to them." Whoopsie, you confuseded yourself there and forgot the difference between the specific things, and the concepts. Obviously if it doesn't stop being what it was, t
Re:And now you know... (Score:4, Informative)
Why people with philosophy degrees are unemployable.
Except this guy teaches at Harvard and, according to his faculty page [harvard.edu], has:
Which is more education than I, and probably you, have.
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Nothing you brought up answers the point: "Is he employable?"
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Nothing you brought up answers the point: "Is he employable?"
Except the part where he has a job teaching at Harvard -- which counts as employment.
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I disagree.
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Yeah... but Brown University?
(just kidding. both matt groening and seth mcfarlane make fun of Brown University in their art so it seems funny to me)
Already Replaced by AI (Score:2)
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Why people with philosophy degrees are unemployable.
Like somebody with a philosophy degree explained to me, most jobs don't require years of specialized training, but they still prefer to hire people with a degree. So the more important issue is; what do you want to spend those years studying and writing about?
If you want to be a rocket engineer or a surgeon, you have to be careful about what degree you get. For most professionals it actually doesn't matter. A philosophy degree qualifies you for the majority of professional careers, just like every other deg
Searle again (Score:3)
Sounds like a disciple of John Searle. I once walked him into the wrong parking lot while continuing debate from a talk he had given. Or maybe he was just apt to go in the wrong direction...
eye of the beholder (Score:2)
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Indeed, if it is art is defined by what it was that was created, but that is no limit on what you can use to create your own positive experience.
If the experience the artist intended had anything to do with art, most of the classics would cease to be popular! lol
Who is to say it has to be art for you to gain insight?
what a wanker (Score:5, Insightful)
We can't count the monkey at a typewriter who accidentally types out Othello as a great creative playwright.
ok, but what about the monkey that repeatedly cranks out great plays? when does it stop being an accident?
We may be able to see a machine's product as great, but if we know that the output is merely the result of some arbitrary act or algorithmic formalism, we cannot accept it as the expression of a vision for human good.
who's to say that we all aren't just performing arbitrary acts of algorithmic formalism, based on our past experiences and chemical reactions in our brains? this fundamentally boils down to free will and thinking we have some magical divine spark inside us, instead of us just being unimaginably complex meat computers. the jury's still out on that one.
Re:what a wanker (Score:4, Funny)
We can't count the monkey at a typewriter who accidentally types out Othello as a great creative playwright.
Well no, that's just plagiarism.
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It really comes down to if there is something special about meat-based brains, which is possible. I can think of at least one way it could be, at least relative to silicon-based chips, still based on low energy physics. As to whether this qualifies as a "special spark" is a fair question.
But your point is valid. In truth, a friend of mine (a clergyman) argued that AI could never be alive because it has never done something we have seen not attributable to its programming. I pointed out we've never proven th
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this fundamentally boils down to free will and thinking we have some magical divine spark inside us, instead of us just being unimaginably complex meat computers. the jury's still out on that one.
Or both. It's also possible that we are unimaginably complex meat computers with a magical divine spark... but that the same spark exists in elementary particles and the meat computer serves to amplify that weak spark into something visible.
https://en.wikipedia.org/wiki/Free_will_theorem [wikipedia.org]
As to the core question, whether an AI can be an artist, I think there are a couple of problems with Kelly's argument. The first is that he implicitly assumes that only a human can "be responsive to social necessity",
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Ideas are software. I'm not aware of books thrown into prison. People who do things based on ideas can get thrown into prison. Algorithms are no more moral agents than books are. Computers running algorithms can choose between alternatives. So far, they aren't complex enough to get much moral opprobrium. A self-driving car of the sort being worked on will not drive into a crowd just to drive into a crowd. It would be a failure of sensors or control systems, somewhat similar to a driver being incapac
Art can be anything (Score:5, Insightful)
So if we apply an artistic Turing test and it would be impossible to tell whether something came from a human mind, a random event or a computer's action.
So on that basis, computers - like nature - are capable of producing art.
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The Turing test is a fine idea for intelligence, but is it a proper test for emotion? Like if you could create a robot that mimics all the outwards signs of affection does that mean the robot loves you? Or is it more like the charming psychopath that give the appearance of loving you but has a heart of stone^H^H^H^H^H bits and bytes. If a tree grows in a funny shape and an artist shapes a tree into a funny shape I don't think they're the same, because one is an act of expression and the other is just a rand
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If a tree grows in a funny shape and an artist shapes a tree into a funny shape I don't think they're the same, because one is an act of expression and the other is just a random quirk of nature.
And yet people who take pictures of mountain ranges and images of trees formed a certain way are producing art, at least according to some people. Ansel Adams took natural scenes, photographed them (not changing anything) and his works are widely regarded as art.
Perhaps "art" just means "something that can be experienced by an observer", regardless of what is actually being experienced.
It's a thick fuzzy line and subject to interpretation. One person's paint splatter is another person's art, and vice versa.
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https://www.smbc-comics.com/co... [smbc-comics.com]
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I agree that Pollock's work was semi-random, not completely random.
From a 1999 article in Nature, Pollock's work had a fractal dimension that increased steadily during his life. [nature.com]
Even if it appeared to be random to most viewers, to me it suggests that he saw something other people didn't. Which probably makes him a genius (or insane). And since he was able to communicate that people outside his own mind, I would call him an artist of the highest order.
I doubt I could distinguish his works from a computer pr
Perhaps this is a stupid translation, but... (Score:2, Insightful)
Now you've done it (Score:2)
The AIs will now suffer more and toil even harder in obscurity when people argue that what they produce isn't even considered art in the first place. Are you *trying* to make them into better artists on purpose?
I, Robot (Score:3)
Spooner: Human beings have dreams. Even dogs have dreams, but not you. You are just a machine; an imitation of life. Can a robot write a symphony? Can a robot turn a... canvas into a beautiful masterpiece?
Sonny: [with genuine interest] Can you?
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As funny as I'm sure that is, I can easily program software to dream. I don't, because it would use more power than normal sleep mode, and saving power is the only reason for a computer to sleep.
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Nuts. I was going to say s.t. along those lines, but you (or rather Sonny) did so much better than I could have.
But along the lines of "it goes without saying, so I'll say it...", I was going to say that most of us humans can't make art either. At least I can't. My daughter was taking an art class, and had trouble drawing human figures. But my attempts were ludicrously worse than hers. So if making art is a criterion for being human (as opposed to AI), I'm not human.
Otoh, I think most of us humans can-
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How would you know whether another person actually appreciated beauty, or if he/she was just saying the words?
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That's the point. It's the Turing Test, or one aspect of it.
It's a low bar to reach (Score:2, Insightful)
Philosopher Argues That an AI Can't Be a Philos... (Score:2)
If there is greatness in the product, it is only an accident.
Kinda like this article.
Eye of beholder (Score:2)
Very true (Score:4, Insightful)
AI can absolutely create decorative items that may be pleasing to the eye, like many an unskilled artisan who has learned to replicate a decorative form (or Romero Britto, FTM) , but it is not art. Art is a response from the artist, often provocative, that channels their consciousness into their creation.
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Consciousness is not well understood, and we can't say that it can only proceed from organic reactions. If machines can be conscious, then, even by your rather idiosyncratic definition, they can create art.
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Art is a response from the artist, often provocative, that channels their consciousness into their creation.
I doubt this. I think most art is much more random than that, and that much of the "channeled consciousness" is post-hoc explanation -- often supplied by the early observers at least as much as by the artist.
Re: Very true (Score:2)
Not true (Score:2)
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Art is a response from the artist, often provocative, that channels their consciousness into their creation.
It's all pointless word play (which is the norm for philosophy).
If you define "art" as something that can only be made by a conscious being, then obviously current generation AI will never be able to produce art, as they are not conscious.
On the other hand, if you define art as something that can be experienced by a conscious being, regardless who or what made it, then current generation AI will most definitely be able to produce it.
I'm more inclined to the second definition, as art is in the eye of the beh
Ugh (Score:2)
"Human creativity is the only kind of creativity, because other kinds of creativity are not HUMAN creativity."
For a professor of philosophy, this whole argument sure feels like he's begging the question.
I am shocked. (Score:2)
What? (Score:2)
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Wait! (Score:2)
This is a pretty foolish thing to say. Art is a very subjective sort of thing. One mans art is another mans garbage.
"Artists" make stuff, but they don't make art. The people who see it decide if it's art or it's not. Artist has very little control over this.
So saying an AI can never be an artist, when we barely understand what qualifies as art seems pretty naive and presumptuous.
In fact, what qualifies as 'art' is a moving target. Look at some of our famous artists. In their lifetimes, their work was
Look at that (Score:3)
A Computer Scientist calls Bullshit (Score:2, Flamebait)
Bullshit. A well developed AI can be just as much a artist as any organic critter can. Now Mr philosopher put you hat back on. You have people at the counter to take orders for. Repeat after me, "Would you like fries that that?"
Re: (Score:2)
But is it turtles all the way down?
AI argues: "Philosophy is not a science... (Score:2)
Ugh, fucking philosopher drivel. (Score:2)
Human creative achievement, because of the way it is socially embedded, will not succumb to advances in artificial intelligence.
Ok, have AI digest social media. All of it. Slashdot, reddit, facebook, tv, idle banter at the airport. AI is now "socially embedded". At least as much as you or I are. Probably more-so.
You have your Nature, what instincts you're given by your genes. And your Nurture, which is a collection of experiences you typically just parrot back and occasionally derive stuff from. There is nothing else. We can simulate and replicate both of those for AI. It's a lot of fucking work though and they're not yet clever
Neuroscience argues otherwise (Score:3)
I suspect that Prof. Kelly is not familiar with his colleague Prof. Livingstone and her work studying the neuroscientific basis for art. It would not be so surprising, given their disparate departments and that Prof. Livingstone is across the river in Boston, somewhat removed from main campus.
The crux of artistic creation is, as I hope philosophers will slowly understand, that each new wave of modality of expression, each new genre, tickles a specific pathway in the brain. Given time, both to study the art and to study the neuroscience of visual perception, the greatness of many of the great works of art can be reduced to a simple explanation. That does not reduce their impact on us, nor should it. But it does reveal the fundamental requirement of human perception to denote a particular work as great.
The Mona Lisa is perhaps Prof. Livingstone's best result: the reason we find the image of a partially smiling woman compelling is that there are two images in conflict: one at low spatial frequencies (larger features) that is smiling, and one at high spatial frequencies (smaller features) that is not. Somehow, Da Vinci was able to exploit these two separate perceptual channels. Because we sense that the figure is smiling, we find it appealing, but we cannot see the smile, so we find it enigmatic and compelling.
Another telling result: much of impressionism is compelling because the colors are what are known as equiluminant: in black-and-white, they would appear to be uniformly gray, this the luminance channel in our visual system is silent, and in conflict with the color channel.
The very fact that we find black-and-white photographs compelling is even understood by showing that the color channel has been suppressed, something that does not normally happen.
Art, at least visual art, is all about masterful manipulation of different perceptual channels that have direct physiological embodiments in our brains.
And, and AI can most certainly be trained to do that. The results eventually will be undoubtedly just as compelling (given good models on which to train the AI) as that done by human hand.
Easy counterargument (Score:2)
1. Bob lives.
2. Bob creates art.
3. Bob later finds out he is actually an artificial intelligence.
Is Bob's art no longer art?
Re: (Score:2)
Did you mean "ask Eliza" ? See https://en.wikipedia.org/wiki/... [wikipedia.org]
"Art" = Anything (Score:2)
Anything can be "art".
That doesn't mean it's good art (whatever "good" is), it just means that anyone can point to anything and declare that it's "art". And they'll be right, in some sense.
Animals can do art (Score:2)
If you can't tell and if you like it, it's art! (Score:1)
With all respect to the Harvard Professor,
If the "art piece" is admired, respected, liked, and enjoyed, it's art.
It doesn't matter if a human being with a "soul" and "conscience" set out to do it,
or an AI just spit it out, or even hundreds of them per minute. It's still art.
But, like a hammer in search of a nail, a Harvard Professor thinks he knows
something. If he did he'd have acquired himself a job. Surely someone with
brilliant thinking can work for SpaceX, Apple, etc. No. Just teaching philosophy?
Ho
This is possible but not for the reason he says (Score:2)
If "art" is to produce some direct response from the human mind (such as pleasure or another emotion), humans have a big advantage over AI in that they are directly connected to a testing apparatus (their own minds) for whether their art works. This means a much faster feedback when testing ideas and producing the art itself. For this reason I believe humans will be much better at producing art than an AI.
Now if a full simulation of a human mind is available to the AI for testing the art, then it is all ove
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You might read the article here, on an actual competition with human judges between computer-produced and human-produced "expressionist" art:
https://hyperallergic.com/3910... [hyperallergic.com]
(The full study appeared at https://arxiv.org/abs/1706.070... [arxiv.org]) It's not my kind of art, and I'm not sure I can say I like any of it, but the human "participants largely preferred the machine-created artworks to those made by humans... subjects found the images generated by the machine intentional, visually structu
This is a well trafficked argument (Score:3)
The "my brain is magic argument" isn't new. Nothing but a human can ever do/be X because the human brain is unquantifiably special.
The argument could be correct. It's basically the same as the one used by the church for a couple thousand years, when they talk about souls.
Point of view (Score:2)
We, as humans, tend to label something as artistic or not based on our own perceptions / ideas of what " art " is.
Hell, even among our own species, we don't all agree if a piece is artistic or otherwise.
An AI may not view something in the same manner that we do, thus it may not follow the same rules to determine what is and what is not, art.
( And if we can't even agree on it, why the hell would we expect an AI to be capable of doing so ? )
I wonder if two AI's will argue over a piece where one believes it's
Arty farty (Score:1)
To me, "art" is any image or work that I personally like. Whether it came from a bot, human, or gerbil farting paint is moot.
(Well, okay, farting gerbils would freak me out enough to cancel.)
The circularity is near (Score:2)
I am fascinated by how some people use circular definitions of ambiguous terms in order to argue for their personal belief:
"If we declare that one prerequisite for being an artist is that it is of the species Homo Sapiens, then something else cannot be an artist."
Kinda like the worn out one we are used to here on /.:
"If we define intelligence as something that only something made of meat can possess, then something not made of meat cannot possess it."
This is just religion (Score:2)
If I make a synthetic human brain that works in the same way as one you made using sexual reproduction, it's clearly a human. If by definition it functions in precisely the same way as a human, it's human. Same chemicals, same structures, same electric signal patterns, etc. It's human. The only thing it's missing is a soul. It cannot have a soul, because a soul is something you have if you are ONE OF US -- you can interpret that any way you like -- apply to animals, other races, etc. -- since a soul do
Sean Dorrance Kelly, a philosophy professor at Har (Score:2)