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Businesses Technology

Why is Tech Illustration Stuck on Repeat? (protocol.com) 52

You may not have heard of "Corporate Memphis," but you've almost certainly seen it. From a report: The illustration style can be found in the trendiest direct-to-consumer subway ads, within the app you use to split restaurant tabs or on the 404 page that attempts to counter your frustration with cutesiness. In fact, Corporate Memphis has become so synonymous with tech marketing that some illustrators simply know it as the "tech aesthetic." But Corporate Memphis has also become a victim of its own success. The once-whimsical, fresh style now feels safe and antiseptic. More conspicuous iterations of it get roasted online, if they get noticed at all; one popular tweet asks, "Why does every website landing page look like this now?" Illustrators are just as often tired of Corporate Memphis, but tech companies continue to commission it.

So why can't tech wean itself off of Corporate Memphis? Part of it has to do with the practical aesthetic considerations that gave rise to the style. But Corporate Memphis has primarily stuck around because tech executives continue to overlook the value of illustration, according to several of the illustrators interviewed for this story. Illustration work is increasingly awarded to the lowest bidder on gig platforms, using tools designed to standardize output. For the few companies that recognize the value of illustration, however, investing in creative talent has paid considerable dividends -- just not in ways that are easily measured.

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Why is Tech Illustration Stuck on Repeat?

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  • Name (Score:3, Informative)

    by Anonymous Coward on Wednesday August 11, 2021 @03:12PM (#61681521)

    I heard it referred to as "alegria." link [aiga.org]
    It's cheap, it's "hip", it's inoffensive, and it's somehow both bland and quirky at the same time. Last year I urged artists to parody and mock the art style to hasten its death. You're welcome.

    • by PPH ( 736903 )

      It's cheap

      Mostly this I'd guess. Web devs don't want t answer to management about why they spent so much on an arty 404 page.

      • Well, and with the ultra-easy offended and victims seekers everywhere....this type of art can depict humanoids without too much fear of someone complaining and slapping a pronoun on them.

        Geez, how did we get to where we are so screwed up so quickly?

        This wasn't even a problem only what 3 years ago?

        I keep waiting for the pendulum of common sense to swing back hard again....but, what's taking so long?

        • Re: Name (Score:4, Insightful)

          by JonnyCalcutta ( 524825 ) on Thursday August 12, 2021 @03:33AM (#61683287)

          Maybe I don't get around enough, but the offended by the easily offended seem much more prevalent today than the easily offended themselves.

          I mean there's always been the easily offended. When I was growing up they were usually led by old women who spent all their time writing to newspapers and complaining to TV regulators. They were always on TV panels when anything moral was being discussed and always seemed to have undue influence for what seemed like a crackpot minority. What seems new are the people who hijack every conversation to moan about some cancel culture strawman, usually with partisan undertones (or blatant overtones)

          • Society has changed so that the easily offended have an out-sized influence today than in the past. In the past, the easily offended were told "suck it up" and dismissed. Now, dictionaries are changing definitions, grammar rules are being changed, laws are being made, and everyone is expected to cater to the small segments of society that are the easily offended.

            moan about some cancel culture

            Cancel culture is an example of the out-sized influence and how it is used. Someone is offended by something, gets on social media where their foll

          • The primary difference is: Then: we ignored the easily offended Now: we allow the easily offended to promote their belief and accept it, or else.
      • Alternatve hypothesis: For the same reason that most OS UI has turning into a ghastly pastel-toned mess of lines and squares with nondiscoverable functionality and text in razor-thin fonts barely discernable from the background, so everything is becoming Corporate Memphis because a bunch of latte-sipping hipsters with the combined creative intelligence of a lobotomised flatworm are busy copying each other while complaining over their decaf soy latte gatochinos that no-one understands them.
    • by Cinder6 ( 894572 )

      It really is an abomination. I've hated it since I first saw it, and it's only become more prevalent. It's supposed to make companies feel more "fun" and "quirky", yet it accomplishes the opposite: using it makes a brand feel utterly soulless.

      • I'd use a different adjective: to me, it makes a brand feel frivolous. But yeah, it is awful.

  • by RightwingNutjob ( 1302813 ) on Wednesday August 11, 2021 @03:13PM (#61681529)

    My favorite is when the former looks like it came from a manual typewriter with a few misaligned levers, the latter like it was done by hand on a drafting table, and both with that slightly splotchy mimeographed/blueprinted look.

    Everything else is too Hollywood to be a product of a mind focused on communicating the most important bits and not wasting time on needless extravagances like color or fill.

    LaTeX comes close to this look, and Gnuplot can be made to produce output of this form with careful settings and font package curation.

    Now get off my lawn.

    • Now get off my lawn.

      This was already implicit from the rest of your post.

    • by k6mfw ( 1182893 )

      My favorite is when the former looks like it came from a manual typewriter with a few misaligned levers, the latter like it was done by hand on a drafting table, and both with that slightly splotchy mimeographed/blueprinted look.

      Reminds me of the days when graphics was difficult to do, so what graphics used had to be well thought on how to convey the subject of the article.

      Now get off my lawn.

      You mean because it hasn't been watered for months and don't want the kids kicking up dirt causing dust?

  • Not many are liable to care as long as the feature set stays up to date?

    Style goes in and out all the time. Ever looked at movie posters over the last 10-12 years? They look cookie cutter as hell with too much blue and random posing by the actors.
    • Yeah you have two options: Pay $30,000 for a "unique" library of branded illustration. Download a pack of perfectly serviceable illustrations.

      The point of ads isn't to entertain users, it's to make money. Why spend $30k on illustration when 99% of the customers just want something that looks professional and delivers the information needed.

      I say that as a commercial artist. The ROI on art always feels a little questionable to me and my job depends on companies deciding it's worth it.

      • by sjames ( 1099 )

        Some people barely notice the artwork. Others will look at the cookie cutter art and assume the company will do the bare minimum in everything else as well.

  • by bill_mcgonigle ( 4333 ) * on Wednesday August 11, 2021 @03:17PM (#61681539) Homepage Journal

    It appears they think this design won't offend anybody and it'll appeal to overgrown children who have some spending money.

    Perfect for Corporate America.

    • It appears they think this design won't offend anybody and it'll appeal to overgrown children who have some spending money.

      Perfect for Corporate America.

      You have a pretty good point.

      Especially the part about not offending. And it's sticking around because it's the latest version of conform or be cast out.

      Might there be a bit of the concept that people believe that you buy a software, and you suddenly become a design genius as well?

      Sample one - Adobe Illustrator splash screen - you'd think the biggie program would have a really impressive splash screen. Nope, basic Memphis corporate. A androgynous - possibly a woman - wearing sunglasses with stran

      • by AmiMoJo ( 196126 )

        TFA says there is some kind of app for generating this crap. It's the lowest possible effort that avoids paying someone to design something.

        If you see it on a corporate website then it's probably a scam.

        • TFA says there is some kind of app for generating this crap. It's the lowest possible effort that avoids paying someone to design something.

          If you see it on a corporate website then it's probably a scam.

          I mean it's right there every time I open Illustrator. First thing you see when you open while program as it is loading. Artwork done by a person named Jade Purple Brown, who is an actual person. https://jadepurplebrown.com/ [jadepurplebrown.com] .

          Art is always subjective of course, but I can certainly say that the work is derivative, and can't imagine why a person would choose Memphis corporate derive their own work from.

    • Re: (Score:1, Funny)

      by Anonymous Coward

      Ambiguous? Like Brenda's Beaver Needs a Barber [youtube.com]?

    • For more examples of what it looks like, see Google Images [google.com].

      Flat? Yes. Gross? Yes. Looks like it was done by the lowest bidder? Yes. Sadly, most examples include unattractively-rendered human figures.

      "Illustration" doesn't have to be this way. Norman Rockwell considered himself an "illustrator," for pete's sake.

  • I had to Google this since the article had no link to an example but once I did, I immediately thought of the Google Fi phone TV commercials which I find annoying and perhaps dated. Did Google think this was a good way to sell the product or did they not want to spend money on live actors (or perhaps COVID prevented them from doing so).

    • by BKX ( 5066 )

      The article did have "examples" in the form of a quoted tweet bitching about the style with an image of made-up examples of the style strewn about a light green canvas. I almost missed it too.

  • Cost. Risk. (Score:4, Insightful)

    by spaceyhackerlady ( 462530 ) on Wednesday August 11, 2021 @03:59PM (#61681669)

    Of course. Why spend money when you don't have to?

    And risk. Nobody is going to try anything that's different. If it's not a dead cert, it's not happening. Look at music, movies, just about anything these days. All bland, formulaic, inoffensive. No fun.

    ...laura

  • So why can't tech wean itself off of Corporate Memphis? Part of it has to do with the practical aesthetic considerations that gave rise to the style. But Corporate Memphis has primarily stuck around because tech executives continue to overlook the value of illustration, according to several of the illustrators interviewed for this story. Illustration work is increasingly awarded to the lowest bidder on gig platforms, using tools designed to standardize output. For the few companies that recognize the value of illustration, however, investing in creative talent has paid considerable dividends -- just not in ways that are easily measured.

    Why invest a lot of resources in developing a new visual aesthetic (of which 90% will be crud), when in the event that you do find the next new hotness it will just be ripped off by everyone else who invested nothing and just buys the work from the lowest bidder on gig platforms?

  • Everyone knows you only need three design elements per page:

    1. Papyrus for headlines
    2. Comic Sans for body text
    3. The first piece of public domain clip art that comes up in an image search on the topic

    Why overthink design when you could spend the time learning the latest hot language or framework to get you the next gig when this one implodes?

  • by 93 Escort Wagon ( 326346 ) on Wednesday August 11, 2021 @04:17PM (#61681723)

    If you search for "Corporate Memphis", you find a wikipedia page that was only created a few months ago - and a number of bloggy posts, all made the last several months. This smells suspiciously like a marketer's attempt to push a phrase into the vernacular for which they can claim some sort of creator credit... trying to jump start their own 15 minutes of fame, in other words.

  • Based on what I just found with a quick google search, it looks like some guy has a "humaans" database that you can download for free and use to create these graphics for private or commercial use.

    https://pablostanley.gumroad.c... [gumroad.com]

    I didn't look any further than that since I have no need for this stuff, but it appears that any idiot can download this library and create trendy graphics. Therefore, any idiot is probably downloading this library to create his trendy graphics.

  • This has been going on since the 1970s. I blame computers and hippies working at Adobe.
  • never saw those crap page illustrations anywhere and never heard of those illustrator companies.

    fake news. and fugly art.

  • that will almost certainly go away in a few years but has been around about 6 months later than I think it should not gone yet.

    Hard hitting article you got there.

  • I usually see this style being called "globohomo", short for "globalized homogenization".

  • by lpq ( 583377 ) on Wednesday August 11, 2021 @08:05PM (#61682413) Homepage Journal

    If you click through to one of the design houses that uses the modern diversity
    style, I was struck by their examples of diversity and if you want to work with them, their instruction is to "Tap on Accept".

    Interesting how the tech-style doesn't include the 50% of people who don't have smartphones (recent demographics tout that 50% of "people" (?US?) have smart phones now -- the converse being that 50% don't. I probably wouldn't have noticed the discrepancy had they not been emphasizing the importance of diversity and their implicit exclusion of the 50% of the people who don't have smart phones.

    I doubt many readers here care, but I spend most my time at home on a desktop computer (another outdated concept), where I don't get great cell reception. Being able to look at sites and watch movies on 5-6" screen just doesn't interest me compared to 9.2 sound and a wall mounted screen...

    The Memphis style is appealing, partly, it seems, due to the low-detail in images that are boring in a larger format, but well situated on a hand-held.

  • Okay, here's a style intended to be racially/ethnically neutral, to avoid liberal complaints about biased imagery. Trying to avoid such biases has become a Western ideal. So, naturally, at least one liberal has decided that is bad because it's "Western-centric", and needs to be replaced with race-explicit imagery? That is what a revolution eating itself looks like on a small scale. It is more than a little insane.

    Not that long ago. Jennifer Hom's work would have been labeled as racist because those a

  • People are hyper-sensitive to anything offensive these days, this style is safe and effective, which means it's cheaper in the long run. The return on too much originality could well be negative.
  • The article talks about Humaaans, Alegria and a bunch of other tools that produce images like this, but I did not see any explanation of why it is being calle "Corporate Memphis". In fact the only person using the term "Corporate Memphis" in the piece is the author. Not a single person quoted uses the term. The author seems to be just dropping this term in from nowhere.

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