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Sony Boss Urges Theaters To Stop 30 Minutes of Trailers and Ads Before Movies (variety.com) 152

Sony Pictures chief Tom Rothman urged theater owners to cut down the roughly 30 minutes of trailers and ads before movies. "Get off the ad crack," Rothman told the audience at CinemaCon this week. "Get rid of the endless advertising and substantially shorten the long pre-shows." Variety reports: He noted that frequent moviegoers now show up a half hour late to avoid all the spots (something that reserved seating has made easier than ever before). Rothman said that means many people "don't even see the trailers," which results in "enticements gone to waste." Rothman predicted that the 2026 box office, which has already benefitted from hits like "Super Mario Galaxy Movie" and "Project Hail Mary," will rebound in a big way. But he acknowledged that attendance still trails pre-pandemic levels.

Rothman has been a vociferous defender of the big screen, pushing studios to embrace longer windows so that movies will stay in cinemas longer. That was a theme that Rothman returned to at CinemaCon, pressing exhibitors to hold strong and agree not to show movies that quickly appear on streaming services or on-demand platforms. "Enforce longer windows," Rothman said. "Yes, even if that means you cannot play every film."

In addition to stumping for exhibition, Rothman has practically begged Hollywood to invest in new stories along with all the franchise fare. In a recent New York Times op-ed, for instance, Rothman, the longest-serving studio chief, wrote, "For all the success of films driven by existing intellectual property, originality is essential to movies. Neither movie theaters nor the art form itself can survive without at least some originality. After all, you can't make a sequel to nothing."

Sony Boss Urges Theaters To Stop 30 Minutes of Trailers and Ads Before Movies

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  • paying the bills (Score:5, Insightful)

    by Anonymous Coward on Wednesday April 15, 2026 @07:01AM (#66094570)
    Well they probably could get off the Ad crack if companies like Sony stopped arse raping them on prices for their movies.
    • Re:paying the bills (Score:4, Interesting)

      by flibbidyfloo ( 451053 ) on Wednesday April 15, 2026 @11:33AM (#66094986)
      Do theaters still get 0% of the box office and rely solely on ad revenue and dwindling sales of overpriced concessions for all their income? If so, it's easy for this kind of greedy idiot to complain about it, but ultimately meaningless.
      • Re:paying the bills (Score:5, Informative)

        by nightflameauto ( 6607976 ) on Wednesday April 15, 2026 @12:07PM (#66095032)

        Do theaters still get 0% of the box office and rely solely on ad revenue and dwindling sales of overpriced concessions for all their income? If so, it's easy for this kind of greedy idiot to complain about it, but ultimately meaningless.

        Last I checked, it was a changing percentage. First release, 0% for the theater. Second or third week it goes to something like 10% for the theater. As the weeks go on, it continues to climb until you get to the third-run theaters where the percentage is somewhere in the 75-90% theater take, but that's typically after the movie has been out for months already.

        • Which is interesting given what he said about longer windows. If a movie goes to streaming before the theaters can start taking a cut, the theaters are getting screwed. From their perspective, they should refuse to run any movie that will go streaming before they can make their money back. Then again, Sony may be the only big studio that isn't directly tied to a streaming service.
    • Re:paying the bills (Score:5, Informative)

      by Local ID10T ( 790134 ) <ID10T.L.USER@gmail.com> on Wednesday April 15, 2026 @01:21PM (#66095150) Homepage

      Well they probably could get off the Ad crack if companies like Sony stopped arse raping them on prices for their movies.

      /thread

      You nailed it. The theaters cannot cover operating costs without all of the advertising revenue. The vast majority of the ticket sales money goes to the studios. The theaters used to make their money on concessions, but most people don't spend much at the concessions anymore -the exorbitant prices have driven people to other options (bring-from-home or do-without). Theaters are caught in a catch-22 of doing things customers don't want in order to make enough money to operate, but doing these things is lowering attendance.

      If studios want theaters to keep showing movies, then studios need to find a way to subsidize theaters. Either lowering their share of ticket sales, or buying theater chains outright. Otherwise the future will be streaming ONLY.

      • Or, theaters could lower concession prices until they find the point where revenue is maximized. If you're right that their prices are now driving customers away, that's a solution.

        We could also try allowing them to sell beer.

        • by kellin ( 28417 )

          AMC sells beer and alcohol. Several other "dinner theaters" like iPic also sell alcohol as well

  • by Anne Thwacks ( 531696 ) on Wednesday April 15, 2026 @07:03AM (#66094576)
    Maybe not ...

    But you can sure as hell die trying!

  • The volume of ads (Score:5, Insightful)

    by Fudoka ( 1831404 ) on Wednesday April 15, 2026 @07:08AM (#66094582)
    And turn down the volume of the ads. Last time I went to the cinema I damn near walked out because the ads were downright deafening - louder that the movie soundtrack. Paying to see a movie is one thing but I strongly object to having to pay to watch a bunch of adverts.
    • I have to wear earplugs to see movies because they are so loud. I think it's because the dynamic range is too broad. The very loud things are so much louder than the very quiet things you're supposed to hear. You can hear the quiet things fine but then the loud things are way too loud.

      If they compressed the audio they wouldn't need to crank it up so high and you could hear both the quiet and loud things at a volume that is pleasing, with no need for painful excess loudness.

      • It's funny how we validly complain about overly-compressed music but the film industry is dramatically underutilizing compression. Many times I miss a word or phrase in a movie or show because the background music gets loud for a second during a quiet part of dialog. The music industry has numerous techniques for improving clarity when there's lots of competing tracks (just ask anyone who mixes heavy metal), so there's really no excuse. I see reports about more people enabling captions when watching cont
  • Product placement (Score:3, Insightful)

    by mikeymikec ( 8253876 ) on Wednesday April 15, 2026 @07:16AM (#66094584)
    Hey Sony / Apple, how about getting rid of your adverts inside movies?
  • by svx ( 764251 ) on Wednesday April 15, 2026 @07:21AM (#66094590)
    why?
    • 4DX. Also, the ones that bring a meal to your seat are fun.
    • why?

      There are some films for which a true 70mm IMAX screen cannot be equaled (Nolan is a fanatic about filming for 70mm IMAX). Sure, there are only (about) three dozen of those theaters in the world (I happen to live close enough to one of them), but watching some films in them can be a really enjoyable experience. For a lot of films, watching them on a 6" phone screen is more than sufficient (nothing to see there anyway).

    • I only go on 1.43:1 giant IMAX presentations. I am fortunate to have one near me (Manchester UK) that can play both 70mm and the full 1.43:1 format with their dual laser on a huge screen. Other cinemas (including all but very select IMAX) - except maybe 4DX - don't offer a better experience than home IMHO...

    • Do you not do the classic date night: dinner and a movie? I guess this just shows my age more than anything else.

      I guess these days all activities must be contained within the walls of suburban McMansions, according to some people.

  • If they won't play ads before the movie, then that means they will play them DURING the movie, and nobody wants that.
  • Advertising (Score:5, Insightful)

    by ledow ( 319597 ) on Wednesday April 15, 2026 @07:48AM (#66094618) Homepage

    I don't use companies that try to monetise my use of them, especially if I'm paying for their service.

    On that note...

    Why the fuck am I seeing huge ads on Slashdot now for "bolt.new" and other shite when I paid many years ago to "Disable Advertising"?

    • by necro81 ( 917438 ) on Wednesday April 15, 2026 @08:37AM (#66094680) Journal

      when I paid many years ago to "Disable Advertising"?

      I am altering the deal. Pray I don't alter it any further.

      Sounds like a job for small claims court.

    • Why the fuck am I seeing huge ads on Slashdot now for "bolt.new" and other shite when I paid many years ago to "Disable Advertising"?

      I seem to remember that Slashdot subscriptions lasted a specific number of page views before expiring. Slashdot stopped offering them a couple acquisitions ago. Yours probably expired.

    • Why the fuck am I seeing huge ads on Slashdot now for "bolt.new" and other shite when I paid many years ago to "Disable Advertising"?

      Crypto grifters DGAF about keeping promises or the law, and grifters gonna grift.

    • Re:Advertising (Score:5, Insightful)

      by DarkVader ( 121278 ) on Wednesday April 15, 2026 @09:41AM (#66094818)

      There are ads on Slashdot?

      I think I saw one years ago. I used to have a checkbox that was labeled "disable advertising" up under my username, but that seems to have disappeared, never saw any ads either way.

      Time to switch adblockers if you're seeing them.

    • by HiThere ( 15173 )

      I hadn't realized that was an ad...actually, I hadn't noticed it until you mentioned it. At least the MongoDB as has gotten less obnoxious. (I though MongoDB was free software, but maybe all the entries in the Debian repository are for drivers or interfaces.

    • I tried to block it and that somehow broke my comments feed. Thanks a lot /dicks.
  • It will never change (Score:4, Informative)

    by Maavin ( 598439 ) on Wednesday April 15, 2026 @07:50AM (#66094624)
    The who ad industry is a big house of cards, built on lies and statistics. It's a circlejerk of one MBA gobbling down the lies of another. But in the end, there seems to be money piling up somewhere. So, nothing will ever change.

    If we're lucky, the ad industry will drift completely into the virtual world, were AI bots serving ads that other AI bots klick and consume, so humans don't have to be part of the game anymore.

    I'd really be interested in how many "interactions" with ads are real humans conciously clicking or reading the bs, let alone "triggering a purchase decision".
    • In an unhelpful sense we know that advertising works by how much is spent on it. What we do not know is whether advertisers justify their cost by influencing consumer behavior as they allege they do; or whether they are exceptionally effective at targeting the people who set ad budgets. Or potentially a mix of the two. Someone is definitely having their behavior influenced in a big way though.
  • In other news, (Score:5, Insightful)

    by mjwx ( 966435 ) on Wednesday April 15, 2026 @07:54AM (#66094630)
    Theatres tell Sony to lower their licensing fees so they can afford to run their operations without having to have 30 minutes of ads.
  • by ucho ( 1458291 )

    Don't movie studios take almost all money from tickets making theaters depend on overpriced food&drinks and those crazy long ad segments as primary sources of income?

    • by fuzzyfuzzyfungus ( 1223518 ) on Wednesday April 15, 2026 @09:26AM (#66094784) Journal
      Yes. This is a pretty straightforward "Guy demands that sellers of complimentary goods accept smaller margins in way that sounds like he cares about user experience".

      It may be true that studios and theatres have fallen into a counterproductive trap: there's an obviously self defeating race to the bottom if theatres keep getting squeezed and responding by making the theatre experience worse which then reduces ticket sales and makes their fixed costs even less supportable so they make the experience yet worse; but the studios hold far more of the cards than the theatres do here.
  • If I were one of these theaters, I would ask Sony what they are prepared to do to replace that revenue....
  • downward spiral (Score:5, Insightful)

    by v1 ( 525388 ) on Wednesday April 15, 2026 @08:24AM (#66094670) Homepage Journal

    it's a classic downward spiral. Like when the local mall is losing stores, instead of enticing new stores with lower rent, they raise rent to make up for their income loss, which drives out more stores.

    But here they're getting lower attendance so instead of doing something to entice people to come to the theaters, they're raising ticket prices and piling long ads at the start of the movie, which drives away more patrons.

    Are they stupid? With the malls, it's usually a case of the anchor stores having left, which triggers contract clauses that are going to kill the mall in a few years, so it's just a (somewhat) understandable last-minute cash grab before the doors close. But I don't know of any silimar issue with the theaters that would encourage them to press the self-destruct button? Anyone have any good ideas?

  • by gary s ( 5206985 )
    I buy my tickets online. I have a guaranteed seat, I have no interest in seeing Maria Menounos do little mini interviews and tell me to enjoy the show then set through 30 minutes of adds. I just show up late and be there when the show I paid for is ready.
    • by cruff ( 171569 )
      I decided long ago that I can wait until the movies hit streaming and avoid the poor theater experience altogether.
    • But you can never be sure when the movie actually starts.

      The stated time should be when the movie actually begins. If I feel like watching previews and ads, I'll arrive early.

  • Does Sony demand 100% of ticket sales for the first two weeks like LucasFilm was reported to do? Harry Potter via WB too IIRC and other big properties?

    Without asking why these ads run and why a popcorn and soda is $11, nothing will change and more theaters will go under.

    I just learned that my local theater now has free refills on both popcorn and soda . This is a good idea as the goal is to get the $11 and if materials cost is $0.50 or $2 that doesn't really matter vs. no sale.

    FWIW that theater ran two tra

  • ....and have ourselves a snack.

    Intermissions used to be a thing. Being able to take a leak and grab another snack/drink halfway through the film used to be a thing.

    Hell. For longer films like Titanic or Lord of the Rings, that would be a blessing. Even the "cheap" theater in my hometown is all-digital now so it's not even a matter of splicing more film in. Maybe concession prices could even be lowered since volume would go up?

    I'd still probably sneak snacks in, though... as if I even went to theaters anymor

    • Intermissions are still a thing in concerts, plays, theater, musicals, and in many types of Indian cinema.

      The break lets the audience stretch, visit a toilet, talk about what they've seen, and buy the high-priced concessions. Run for about an hour, have a break, finish it up. Or a 3-act, with two breaks.

      It makes a change for the writers, with a one-act movie there is a continuous momentum from beginning to end, with breaks the writing can be more episodic. Neither is really going to be right or wrong, jus

      • "intermissions" at concerts are actually a requirement between bands. They need that 10-15min to break down the previous band's setup and move the next bands setup into place. Probably the only way to get around this would to be have a stage that had to halves and rotated. Have the active band on one half, next band setting up on the other half. When one is done, drop the curtain for 30 seconds, rotate the stage, raise the curtain and on with the show.
  • by atomicalgebra ( 4566883 ) on Wednesday April 15, 2026 @08:56AM (#66094716)
    I saw Project Hail Mary at smaller movie theater chain. 3 trailers and then the movie started. It was great.
  • It is not rocket science

    - Reduce prices on weeknights to get people in the door.

    - When things feel over-priced, it greatly harms the experience and results in less return visits. Reduce margins on snacks. The prices are insane right now and literally out of reach for many families. Two parents and their kids with basic popcorn are looking at like $150+ to see a movie right now in some markets it is INSANE. If prices were more reasonable, then a lot more people would go and you'd make it up on volume, more i

    • If prices were more reasonable, then a lot more people would go and you'd make it up on volume, more importantly they would leave with a POSITIVE experience.

      They'd also have to kick out phone fuckers and people who won't shut the fuck up ("why did he do that?") and also actually adjust the volume to avoid both distortion and blowing out people's eardrums. The last couple times I went to movies in normal theaters they failed at both things.

      • One does not make money by kicking out paying customers.

        If I'm going to watch a movie, I want it in an environment where I control the lighting, the food, the temperature, and the sound level, and I can hit pause if I want to grab a fresh drink. So I'm probably never going to a movie theater again. The "phone fuckers" (whatever that means) and people who have no interest in you wanting them to shut up are their paying customers now.

        Let it go, watch movies at home.

  • Reduce copyright to 10 years. Maybe we will be spared the low-effort sequels, spin-offs and remakes. I mean, how much can you squeeze out of Star Wars, Marvel and Oceans nn?

  • Let them show ads to empty theaters and those who haven’t figured out the game. The theater basically charge you $3-$5 per ticket in fees to pick your seat before the show. Which you are pretty much forced to pay these if don’t want to sit on the edges or are with a group and don’t want to make two trips to the theater. If I’m going to be social engineered into paying extra “ convenience” fees, then I’m not going to step into the theater until the show is about to s
  • by rsilvergun ( 571051 ) on Wednesday April 15, 2026 @09:23AM (#66094778)
    If Sony wants fewer ads they're going to have to pay the theaters for fewer ads. And if consumers want fewer ads they're going to have to stay home because it's very very profitable to sell those ads. We see that same behavior with cheap TVs where most of the profit these days are coming from deals made by the TV manufacturers.

    As a consumer though honestly you're just going to show up 20 minutes late for showing and browse on your phone until the ads stop.

    But you are still the closest to an old school captive audience and AD man can get. That's the real problem with television ratings dropping traditional advertising is looking for a place they can just kind of force people to watch their ads for a bit. Internet ads just don't work unless it's a influencer pretending to be your friend.
  • 30 Minutes of ads and moviegoers showing up late? That was something I started about 20 years ago. Then theaters stopped selling tickets as soon as show times (with ads) started, so now you either watch the ads or wander the theatre lobby. I'd like a little more light during the ads so I can write down the movie titles I might like to see since I'm not going to remember any of the ads after the movie completes.

  • There are so many other problems that theaters have:

    • Overpriced tickets.
    • Overpriced snacks (for the same price as a bucket of popcorn I can feed my family for a week).
    • Employees that are basically children.
    • Don't deal with rowdy patrons.
    • Often situated in areas that used to be safe but have changed into locations I don't want to be alone at night.

    At this point it has to be a really big movie for me to go see it in a theater, otherwise it is just way better to wait a few weeks and rent it or stream it to watch a

  • I just want the trailers to be consistent in total length. Thirty years ago, when I was living in Europe, movie theaters listed two times for every showing. The time the lights went down, and the time the feature started showing. Iâ(TM)ve wanted that in the US ever since but never seen it.

    When I went to see Hail Mary the biggest surprise was the feature starting 12 minutes after the scheduled time instead of the usual 25 to 28 minutes. If Iâ(TM)d been expecting the longer time I might have missed

    • I see more movies than most people I know, and have been disappointed that thereâ(TM)s been nothing Iâ(TM)m interested in seeing released since Hail Mary, so itâ(TM)s been several weeks since Iâ(TM)ve been in a theater.

  • The Super Mario movie as a cornerstone or revival.

    And I wonder, how many of the movies in the 30 minute ad block are Sony movies?

  • by Somervillain ( 4719341 ) on Wednesday April 15, 2026 @10:54AM (#66094942)
    Full disclosure, I am a former Sony Pictures employee. I took a brief contract shortly after graduating to write logistics software for them. I thought it was a dream come true as a movie fan. It was a fucking nightmare, easily the worst-run place I've seen or even heard of. I've worked for the federal gov. state gov, academia, big banks, big corporations, and the software industry. For all the shit people give academia and the gov, they can't hold a candle to movie studio dysfunction. In fairness, it makes sense. Their profits are based more on choosing a great script or franchise moreso than day-to-day operations. It's a legacy business with a ton of execs getting paid way too much for diminishing market share. I don't consider them a serious business...at least 25 years ago when I worked for a few studios.

    However, back on topic, Sony is historically one of the worst abusers of product placement. Never in my fucking life have I seen a Sony laptop in the wild, but they're in every movie...same with Sony phones. It's weird and jarring, but I don't honestly care too much...if the movie is good enough, I barely notice. It's especially obnoxious when they frame the shot to ensure that Sony logo is visible on protagonist's computer monitor and laptop...like when the soda companies would ensure the actors had the soda can perfectly framed, centered, and they endured to mention it a few times.

    I'm a grown up and know that you have to pay millionaire producers salaries somehow...as well as the massive crews needed to make a traditional movie. But you're charging theaters massive and unsustainable fees....and then putting ads in your movies....as well as mostly releasing dogshit in the last 25 years...lame unoriginal blockbuster attempts...that just keep flopping.

    So you're not wrong....30 min of ads suck...but hearing it from Sony is like hearing Mark Zuckerberg calling to respect user privacy and have corporations stop meddling in elections.
  • Both ran without preceding ads. At both, just before the films started, I was thinking the theaters were awfully empty. Then, about 20 minutes in, people started coming in.

  • You've made exactly two good movies since 2010 and are one of the main reasons theaters need ads to survive on top of already being the most expensive way to watch a movie.

  • I laughed...I haven't been to a movie theater in a decade or more and I have zero intention to ever go to one again.

    It's too expensive, too crowded, too many people yelling and jabbering non-stop, and it'll cost me at least $5 just to drive there and back.

    No thanks, I'll pass.

  • Erm, we mean our trailers. -Sony
  • If there's live theater available where you live, it's almost certainly so, SO much better. The content, whether an old favorite or a new play, is superior. The performers, amateur or professional, really invest themselves in their work -- and so does everyone else, from set design to lighting. The audiences, and I know this is shocking, actually pay attention rather than talking or playing with their phones. There's no 30 minutes of ad torture, the theater's at a sensible temperature, the volume is ap
    • 100% This. I (re)discovered local theater years ago and would highly recommend it. The quality of the product is typically really fantastic. Even the seemingly smaller, theater productions leave me wondering why the leads aren't on Broadway or Hollywood already. As the OP noted, this is a place for adults, so the viewing atmosphere is 100x better than going to the Cineplex. There aren't that many productions every year, sadly a lot of companies permanently closed after pandemic.

      I'm not much into

  • Perhaps Sony can supply the theaters with free thumb drives to hand out to patrons that contain the ads. As a bonus you'll get a free rootkit installed on your computer.

  • Trailers I don't mind so much, because it helps me plan out future trips to the cinema, if any.

    The ads have to go.

    Remember the forced ads we had to contend with on DVDs? I wonder what happened to those.

  • 20 Minutes after the supposed "Start Time"

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