Joss Whedon Releases New Film On Demand 137
Rambo Tribble (1273454) writes "Popular director Joss Whedon has taken the film world by surprise by releasing his latest offering, 'In Your Eyes', available for download on the same day it premiered at the Tribeca Film Festival. The new release comes from Whedon's own "micro studio", Bellwether Pictures, and is featured on Vimeo as a $5 rental, (free trailer). Whedon mused, 'It's exciting for us because we get to explore yet another new form of distribution — and we get $5.' Mr. Whedon has a history of pushing the delivery envelope, as with Dr. Horrible's Sing-Along Blog, in 2008."
Looking forward to it! (Score:5, Interesting)
Joss Whedon is just such a fun filmmaker, even if he wasn't the director for this particular movie. Look at Buffy, The Avengers, even Cabin in the Woods, which was a thoroughly enjoyable re-imagining of the tired horror flick. And this one just so happens to be partially filmed in my town; I haven't seen the movie yet, but if you see a gas station with tanks right out of the 50's, that ain't no prop, it's for-real. (Though they stopped pumping gas five or six years ago due to the storage tank needing to be fixed up.) Really excited for this one.
Quality? (Score:3, Insightful)
Can anyone comment about the quality of this film? Is this Cinema quality? Direct-to-Video? SciFi channel? YouTube?
While watching SHIELD the other week, they transitioned seamlessly to a Captain America commercial -- and I wondered if I was still watching SHIELD until 5 seconds later, a actual car crash stunt happened, and I knew the budget for the 30-second commercial was higher than the entire episode of SHIELD that I had been watching.
I'll gladly pay $5 to watch a new movie in this "new model" of distribution.
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You wouldn't pay $5 to download a car, would you?
Allegedly free games (Score:2)
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"While watching SHIELD the other week"
Why? That's the most horrible addition to the superhero universe since Ben Affleck was allowed to debase Daredevil.
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I was nearly ready to give up on SHIELD. The episodes had become fairly stock procedural fantasy/CSI.
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The quality of my entertainment is important to me. There's a big difference between things "filmed" on video and things actually captured on film. You can be better immersed in something if you're not constantly having your suspension of disbelief broken by terrible effects.
I just want to know if I should be expecting A-Team style car crashes where suddenly the car has tinted windows and goes over a ramp behind a bush....
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Video looks better than film?
WUT?!?
Depth of field and dynamic range, and that's just for starters... ....if you honestly believe that video looks better than film, I don't know what to tell you.
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You aren't going to seriously argue that video looks better than film, are you?
Riddle me this then: Why are films shot on... ...film, since video is obviously better and cheaper.
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Why not just watch the trailer?
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Short answer? I'm at work, and we block nearly every video streaming site.
+2.... Flamebait? (Score:2)
As of right now (12:23pm PST, 4/21/2014) the parent post is showing +2.... Flamebait.
I've been here a while but never seen a negative word attached to a positive score (it's always been +3 Informative, or +4 Insightful, or +2 Funny, or whatever). I don't think that my personal 'score adjusters' would give anything enough points to boost a -1 or 0 up to a +2.
I'm assuming it got mod'd up with a couple different modifiers (one insightful, one interesting, etc), then mod'd down with only Flamebait (and so Flam
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Correct.
The post is currently 50% flamebait, 50% underrated, and presumably it picks up another flamebait and/or underrated here and there to keep it in the +2 Flamebait range.
I still have no idea what the overall quality of the $5 movie is though...
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$5 to watch a movie a single time!? Sounds like a huge ripoff. The most expensive cinemas in town cost less than that. The cheap ones cost about a fifth. And I only get to "rent" it, I can't even watch it again later, or with friends, etc.
I'm sorry, but I'm just sticking to thepiratebay until you fix your business model.
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It's a 72-hour rental, so you can watch it yourself and then rewatch it with friends a couple days later if you want. An option to own it would be nice, but I imagine that will come later.
I don't know where you live, but $5 is half the price of a cinema ticket where I live.
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Your town isn't a reference for every town in the entire world. Remember, stuff in countries with strong economies tend to be expensive in the eyes of most of the rest of the world.
Louis CK (Score:4, Insightful)
Louis CK did pretty good with his pay what you want experiment and his own production. If could get a download that plays on any video player tha say day or even month after it came out of the movies I'd be all over it. The last time I went to the movies was to see The Road after spending nearly $50 between me and my son on tickets and popcorn I said fuck it this is enough and haven't been back. At $5 per movie Id' be buying prrtty much any good movies that comes out. Hell even for the price of the ticket $10+ tax each person I'd could buy 4 movies and enjoy them at home.
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I'd be buying it as well for $5. Renting it, on the other hand... no.
That is more that blockbuster.
Louis CK (Score:1)
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Yeah, but anybody would react like that after watching The Road. I only paid a couple of bucks to rent it on bluray and it still put me off of watching movies for a while. If I want that kind of experience again I could sit and poke my self in one eye with a rusty fork repeatedly for two hours until little bits of brain start to fall out.
ps Not my favourite movie of all time. Definitely not top 5.
micro studio (Score:3)
There is no difference between a micro studio and a Giganto Studio. I have the exact same tools in my spare bedroom "micro studio" that they have at MGM. and if I really wanted to shoot with a $190,000 arriflex I can rent it, just like they do.
This is the wonderful thing. a single person with a spare bedroom is equal footing competition to a $100,000,000,000 studio.
Well... no. (Score:4, Insightful)
The *EQUIPMENT* has come huge lengths. You do, however, lack the writers, acting talent, stage hands, etc., etc., etc. If you give me eggs and cheese, I give you cheesy eggs. A French chef gives you a souffle. Having the ingredients is only the first step.
Re:Well... no. (Score:5, Funny)
You do, however, lack the writers, acting talent
Lacking those doesn't seem to have stopped a lot of big studios either.
Re:Well... no. (Score:4, Interesting)
Acting and lighting are what usually really give the no-budget indies away these days, not the FX. The acting, in particular, in most of these homemade movies is fucking godawful. Some things you just have to spend real money on. You can pirate a copy of After Effects, but you can't pirate a real actor.
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Those can be rented as well, just like they do.
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Kickstarter's Hall of Fame movie projects all indies that did not have the money that studios have....
1. "Blue Like Jazz" by Steve Taylor
A feature film based on Donald Miller's New York Times bestselling memoir, directed by Steve Taylor and starring Marshall Allman.
Pledged: $345,992
4,495 backers
2. Minecraft: The Story of Mojang by 2 Player Productions
A feature-length documentary on the first year of Mojang, the studio built upon the runaway success of indie computer game Minecraft.
Pledged: $210,297
3,631 bac
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Well, the single person with a spare bedroom and the camera also features quite prominently on a number of porn video sites.... I hear.
As if thats something special? (Score:1, Flamebait)
If his film is released at Tribeca you can assume its only good in the eyes of people in the industry that love to slobber all over each other about how awesome they are even though its complete crap.
Its been released the same day because all 6 people that are going to watch it already have so he's praying his name will get some sales outside of that because of his history.
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Most likely it's because he shopped it around and couldn't find a distributor. That's usually not a good sign.
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Or, he has enough money so he can experiment with different distribution models.
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I wouldn't be surprised if Whedon would do exactly that. It's not like he needs money at this point, so why not try something new? Especially since after Doctor Horrible, he specifically said that is exactly what he was going to do next time? After being totally screwed by Fox on several occasions, it's not surprising that he would want the thing wherein he exerts basically complete control over the creation and distribution of stuff, and I don't really blame him.
That said, he really does need to work on hi
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Careful! (Score:5, Informative)
The movie was worth the five bucks to watch it on Vimeo, but their Flash-based player (no quick way to switch to an HTML5 version) resulted in such a choppy playback that the constant pauses and buffer attempts added another half hour to the whole thing.
Since it's a 95 minute movie we're talking about a quarter of the time being spent on just waiting for the fucking site to do its job again.
Before anyone asks: The 100MBit connection has never been a problem before and the necessary software was up to date as well.
Hope you'll have more luck. Except for the predictable end it's quite a nice movie.
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Unless you actually know what was going on, shove your assumptions where the sun don't shine.
This was the first bad HD streaming experience in years and the connection has performed without problems throughout the long easter weekend as well (over here that was an extended weekend from Friday to Monday). HD streams by other sites didn't cause any problems either, the problem was reproducible across tabs and browsers and using the web developer tools you could practically watch the stream arrive too late, pi
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Won't work in this case, but thanks for the good intention.
Unlike regular Vimeo, where it's easy to work around the basic methods, the VOD site loads parts of the video in 40 MB or so pieces, tries to stitch them together again and in my case it failed miserably at doing so (despite a proven and more than sufficient downlink),
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I get breakups all the time from home (DSL) on Vimeo but Youtube's Flash Player works, even in hi-def.
Just tried this trailer from work with a 40meg fiber (same telco) and it worked fine. Maybe it's just time of day, maybe Google has better peering, I dunno.
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I used to get lousy performance from Vimeo (and a few other sites, but mainly Vimeo), until I fiddled with the MTU size on my DSL router. After changing it (from 1500 to 1492, but YMMV) all the problems with Vimeo cleared up. Since you mentioned having a 100MBit connection I imagine you aren't using DSL, but I thought I'd mention my experience for what it's worth...
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Your summary still might help some others.
It's a cable modem and regular Vimeo works just fine. It's only the VOD stuff that shows this off behavior (because it loads the video in 40 MB pieces to circumvent most download tools and fails to stitch them back into seamless output).
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If you have to fiddle with your router to make it work well, then Vimeo sucks.
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Except for the predictable end it's quite a nice movie.
Thanks, asshat. Now I know that when I think I can predict the ending, I'm probably right. Just couldn't help yourself, could you.
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Don't get your panties in a bunch, we're talking about Joss Whedon, not Sir Arthur Conan Doyle.
In most of his work you can see the eventual outcome from miles away. It's the ride to get there that makes his work fun.
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Haven't tried disabling the Flash plugin to force the browser to fall back on the HTML5 version (which many of us would probably prefer anyway). Maybe that one will work better for others.
Rent vs own (Score:4, Insightful)
I do not like renting, I prefer to own.
Just put it up on AppleTV so it conveniently becomes part of my iTunes lib.
Also I don't have patience for sloppy flash based players.
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Yes it is (now)... I just bought some music literally yesterday from iTunes, for 99 cents, same price as it's always been. I didn't have to toggle anything, and as soon as it'd finished downloading, where once upon a time I would have to burn it to a virtual cd then rip it back, now I could just immediately convert it to mp3.
I have no idea the status of movies or books, as I don't ever buy those off iTunes, and it's possible not every artist is the same? The dozen or so artists I've bought music from via it
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How many times do you watch each movie? Generally they're $15 and up to own when new, versus $5 to rent, which will be included as a netflix in a year anyway. Sure, I can understand if they kids always watch Lion King every weekend, then owning is a bargain.
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My cost per rental on Netflix is far, far below $5. $5 is a fair price to own a direct-to-video movie, but is vastly overpriced for a rental.
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That's rental when not new. New rentals from amazon and others right after release to DVD, as well as pay-per-view, tend to be $4.99.
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My Netflix DVD comes in the mail same as always, and IIRC Redbox charges the same as always. PPV before release to DVD is different, but that's a premium for stuff with successful theatrical release.
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Normally, I'd agree. But I just skipped the New Captain America movie, even though I wanted to see it, because I simply couldn't put up with the theater experience anymore. I'll wait for the BluRay.
I have no problem paying $5 to watch it 10 feet from a 133" screen at home (first-run), over having to drive down to the theater, a half-hour early, to get a decent seat, sit through endless previews, listen to everyone chatter on and continuously shove food into their mouths, for $10.
It's an even easier (Score:2)
way to watch my favorite character die.
Please justify $5 for one rental (Score:4, Insightful)
Dear Mr. Whedon,
Please justify the $5 cost to rent your film. I can rent your latest superhero blockbuster over the weekend for $2 from Redbox. I can own Louis CK's latest show forever for $5. Why is your content so much more expensive?
Thanks,
a fan
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Dear fan,
I am sure that you can find many other entertainment content options that also cost significantly more than $5, especially among those available on the first day of theatrical release. Many of them also require you to get off your ass and go somewhere, rather than letting you enjoy your entertainment experience in bed, at home, on your tablet.
So, yeah. $5. It costs that much because we think it's worth that much, and because we think that enough people will agree with that assessment to make thi
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Dear fan,
I am sure that you can find many other entertainment content options that also cost significantly more than $5, especially among those available on the first day of theatrical release. Many of them also require you to get off your ass and go somewhere, rather than letting you enjoy your entertainment experience in bed, at home, on your tablet.
That doesn't make sense. Seeing it from home should be cheaper, since they don't need a huge cinema, lots of personel, cleaning people, rent, etc, etc. They just deal with server costs which a way lower.
So, yeah. $5. It costs that much because we think it's worth that much, and because we think that enough people will agree with that assessment to make this business financially viable. In a very real and tangible way "what people will pay" is very much "what something is worth", at least for dollars-and-cents pricing decisions.
Sincerely,
Joss Whedon
P.S.: I'm funnier than Louis CK, so there's that, too.
Cinemas cost less in different parts of the world. Maybe in the US a cinema costs $5, but not everywhere. Heck, even an Imax is around $5 where I live, and Imax is the most expensive one around.
This movie costs $5 even in places where that's more than twice the daily salary.
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Please justify the $5 cost to rent your film. I can rent your latest superhero blockbuster over the weekend for $2 from Redbox. I can own Louis CK's latest show forever for $5. Why is your content so much more expensive?
Because people are willing to pay $5 to watch it now. If Whedon's company is smart, the price will go down over time to pick up the folks who won't pay $5 to watch it out of the gate.
If it goes down to $2 in a year, then to me that's better than 100% RoI in 1 year, so it's a great deal to m
It's starting out as a rental, limited marketing (Score:2)
Also, the thinking is probably along the line of theaters which charge at least $5 to see something immediately instead of waiting for rental. This is competing with theaters not with rentals -- and he must go up against the stigma of direct to rental movies (which are usually crap.)
Movies make their money back BEFORE getting to rental. They spend about 1/3 marketing the things so that they make it back with the theaters or if it's a failure, they can make it back during rentals. Not all, but it seems lik
FAKE! (Score:1)
Summary lacks important details (Score:2)
Like, say, what kind of movie it is. I had to google to find out anything about the movie itself, rather than just its distribution strategy - apparently it's a "supernatural romance" about two people, not currently in a relationship with each other, who realize that they can communicate psychically with each other over any distance.
That, coupled with the Whedon name, does seem interesting enough to give it a shot. It is pretty lame of him to only release it via a streaming-only site, but you know what? I'm
I can solve the mystery for you (Score:1)
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Dr. Horrible sing along is the work of a hack?
Avengers?
Firefly?
You so crazayyyyy
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I'm actually one of the few weird people in my social group who really didn't think The Avengers was that great. It wasn't *terrible*, but it wasn't that great. On the other hand, it wasn't Whedon's movie, he just had a hand in it.
On the other hand, I feel like you are trolling. Firefly, characters you can't possibly care about? Like frack it does.
If by some miracle you aren't trolling, just crazy, though, I would agree - if you don't like Firefly, you probably also wouldn't like any of his other stuff, eit
Re:Can I pay not to have to watch it? (Score:5, Funny)
And he also has this weird fetish for 100-lb. waifs beating up hordes of 250-lb. guys that drives me crazy.
You say that like it's a bad thing.
Re:Can I pay not to have to watch it? (Score:5, Insightful)
Not so bad if that's your fetish. But it just drives me nuts. I prefer my heroines to be at least somewhat grounded in reality. Personally, I always thought the best sci-fi heroine was Ellen Ripley. She had real strength of heart. There was no need to write her as some kind of superman ninja who could alter the laws of physics to beat down everyone and everything around her.
Writing your heroine as a guy with tits isn't "empowering." It's just fucking lazy.
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I should add that, ironically, the last Alien movie was scripted by Joss Whedon. Anyone care to guess what they turned Ellen Ripley into in that installment?
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To be fair, Joss was not happy with the final product either, feeling it greatly differed from his script.
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When it come to a fist fight, or feat of strength, there are few female actors that can be convincing. "Mother Russia" in Kick Ass 2? Totally convincing, but also the exception.
Now the whole "butt-kicking waif" thing works just fine if you make her a robot. That Terminator TV show, or the whole Ghost in the Shell franchise? I'm fine with that.
But I'm just not buying your typical Hollywood female lead in an action role featuring fisticuffs or throwing heavy stuff about. The thing about good fantasy stor
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Buffy and Summer Glau both had superpowers in their Whedonverses. Cordelia is a waif with no superpowers. She couldn't fight her way out of a Nordstrom's.
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What am I missing here? Something from comics or? What superpowers does Summer Glau have? I understand she was very graceful and has heavy martial training, but superpowers?
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The rest of the movie may not have been very good, but it did give us the basketball scene where Sigourney Weaver actually made that shot [youtube.com].
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I know '100' pound women who can kick the ass of 250 pound men. Closer to 120, then 100 but still.
SO lets see:
Buffy: Super human powers is the entire premise
Dollhouse: Brain altered to the mindset and abilities of killing machine.
Firefly: Altered brain.
Serenity. Blech.
So in context those are all plausible, plus they are all psychopaths.
None of those character are masculine, as all.
Maybe equating violence and being fat to masculinity is the issue?
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Yeah, I know Whedon always creates some thin excuse in an attempt to give this ridiculousness the veneer of plausibility. But even his excuses are pretty weak. I doubt there is anything you can "do to the brain" of someone who's 5'1" and 100 lbs. to give them the punching and kicking strength of Ivan Drago mixed with Superman. It's just takes me out of the story.
I can suspend my disbelief for some stuff, but when something is ostensibly set in the real world, I expect to it be somewhat believable. It's like
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I would pay to watch that. A 100lb girl can still kick you in the groin, or gouge out your eyes or rip off your ear. With sufficient training, they will break your nose with their elbow, or crush your throat with a kick.
Sure, if she tried to beat your chest or legs or arms, not a whole lot is going to happen. But with Martial arts training, you are also taught all the sensitive weak spots (not nerve clusters) that you can hit to inflict real pain.
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Firefly was good. Angel and Buffy early seasons were good as well (although I do agree that Angel was at it's best with Tim Minear at the helm.)
Dollhouse was terrible. It was terrible for many reasons but the biggest was because it had so much potential to be more than it was. The TV show Marvel is pretty bad as well.
Cabin in the Woods was clever marketing. It's great to make the type of movie that if someone doesn't like it, you can just say that they didn't get it. I liked it but not the end (and yes,
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The TV show Marvel is pretty bad as well.
...oh god, so boring, so cliche, so stilted, so awful I can hardly believe he's involved...
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Firefly was good, Serenity was good, Avengers was good. Doctor Horrible wasn't just good, it was wonderful. Dollhouse, as you said had great potential that was wasted.
Cabin in the woods wasn't just marketing. I had heard the name, but knew nothing about it when I watched it. It was awesome. I loved how it twisted all the horror tropes and built something funny and yet still horrifying out of it. It isn't to everybody's taste, and that's okay. But I really don't think it is particularly pretentious or mark
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Were the metaphors in question, not enough(read none) multi-megaton nuclear weapons were not emplaced to target the eldritch horrors as a last ditch defense in case the entire elaborate system of sacrifices came crashing down? Cause that was all I really got from the ending.
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Errrr... wat?! (Score:2)
Subject pretty much sums it up.
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He's only Louis when he's being introduced or billed in credits.
His friends call him "Louie," he calls himself "Louie" -- or so I'm lead to believe from all of his interviews and radio appearances.
It'd be no different than saying Bob De Niro or Sam Jackson.
What's next, complaining he didn't say call him Louis Szekely? Cit him some slack.