Nom du Keyboard points out an Ars Technica report that the Sony Video Store on the Playstation Network is running some rather restrictive DRM. When purchasing movies, users are allowed just one download — even if they delete the movie to make space and want to download it again on the same machine. A Sony representative told Ars that users could be issued an extra download as a "one-time courtesy" with help from customer support. Quoting: "When we're discussing a system that seems to release new hardware configurations every few months and a company that actively encourages you to swap hard drives yourself, it appears users are going to run into problems if they ever decide they want to switch out their hard drive or even upgrade into a larger system; the information on the back-up utility makes it clear that video content can't be moved over to new system, although new hard drives should be safe. Sony claims that the PS3 is operating on a 10-year timeline: is one extra download, which you need to contact customer service to apply for, good enough for the next decade?"

Strudelkugel writes "The LA Times and others are reporting the music industry is working with SanDisk to try unrestricted music files on microSD memory cards to improve sales of physical media: 'In addition to music, the slotMusic cards will come pre-loaded with other things, such as liner notes, album-cover artwork and sometimes video.' The important part: 'The music on slotMusic comes without copyright protection, so it can be used on almost all computers, mobile phones and music players — but it won't play on an iPod, which doesn't have a micro-SD memory slot. It has one gigabyte of memory, and the music tracks are played back at high quality.' Could it be the labels have finally recognized that providing features and convenience to customers is preferable to suing them?" Most computers also don't have microSD slots; according to EMI's press release, there will be a "tiny USB sleeve" packaged with each card, and the "high quality" format means up to 320kbps MP3. From the given description, it seems like it would be no harder to transfer the tracks to an iPod (via a computer) than to most other players.

recoiledsnake writes "Another submission has been rejected from the iPhone App Store, this time for 'duplicating the functionality of the iPhone Mail application.' The author claims that his application allows the user to log into their multiple web email accounts and that Apple seems to be confusing Gmail and Mail.app. This comes on the heels of Apple rejecting an application for competing with iTunes and rejecting other silly but harmless apps as being of 'limited utility.'" ComputerWorld has an update to the rejected Podcaster app mentioned above. It seems the developer has used Apple's "Ad Hoc" service to begin distributing the software despite the fact that they blocked it from the App Store.

EA has released the first patch for Spore, the purpose of which is to fix a number of bugs and tweak some gameplay settings to be more entertaining. Some of the visual effects were upgraded as well. They've also officially responded to the complaints about Spore's DRM, stating their intention to increase the number of allowed installations to five and to set up a system to "de-authorize" systems in order to reclaim the installation credit. They plan to allow multiple screen names per account, which was an issue for many families trying to play the game. This comes not long after EA made similar changes to the DRM of upcoming RTS Red Alert 3, and after Spore's DRM protest spread to in-game creature designs. Reader SoopahMan notes that users in EA's Spore tech support forum are reporting a number of new issues caused by the patch.

Earlier this month you asked Harald about VIA's open source strategy and his work with gpl-violations.org. Here are his well-thought-out, informative answers.

jriding writes to mention that a new effort, headed by Sony Pictures' CTO, will attempt to allow customers to stream video content seamlessly on any device that they own. One has to wonder how successful or "all encompassing" it will be without Apple, TiVo, and Amazon, some of the major players in the space. "It's all very much in the future, however. The press release is peppered with confidence-wilting phrases such as "will define and build a new media framework" (something this complex hasn't even been defined yet?), "we are developing," and "over time." Without even a spec in place, there's no way we will see working products for at least a year, quite possibly longer. And, if the strategy document we discussed in August remains accurate, new DECE-ready devices will be needed to make the whole scheme work. By the time video stores adopt the tech, electronics firms implement it, movie studios support it, and consumers purchase all the pieces to make it work, will it still matter?"

Crazy Taco writes "The heavy Amazon.com protest of Spore's DRM appears to have caught the attention of executives at EA. IGN reports that DRM for the upcoming C&C: Red Alert 3 will be scaled back. Unlike previous Command and Conquer games, the CD will not be required in the drive to play. The online authentication will be done just once (rather than periodic phone calls home), and up to five installations will be allowed, as opposed to three for Spore. While I still think five installations is too few (I've probably re-installed Command and Conquer: Generals 20 times over the years for various reasons), EA says they will have staff standing by to grant more installations as necessary on a case by case basis. So, while this still isn't optimal, at least we are getting a compromise. Hopefully, if the piracy rate for the game is low, perhaps EA will get comfortable enough to ship with even less DRM in the future."

theodp writes "Nicholas Carr is not pleased that Apple has applied for a patent to extend DRM to tennis shoes and other articles of clothing. Apple apparently views tennis-shoe DRM as a way to head off a potential plague of sneaker hacking. 'Some people,' the patent application observes, 'have taken it upon themselves to remove the sensor from the special pocket of the [iPod-linked] Nike+ shoe and place it at inappropriate locations (shoelaces, for example) or place it on non-Nike+ model shoes.'"

An anonymous reader points out news that the music and movie studios are attempting to develop a new type of DRM that would allow customers more flexibility in playing content on multiple devices. The Digital Entertainment Content Ecosystem (DECE) would establish a list of devices in your personal "domain" (unrelated to web domains), and minimizes or removes restrictions within that domain. TechCrunch summarizes DECE and notes that many of the big corporations have decided to support it. "The ecosystem envisioned by Singer et al revolves around a common set of formats, interfaces and other standards. Devices built to the DECE specifications would be able to play any DECE-branded content and work with any DECE-certified service. The goal is to create for downloads the same kind of interoperability that's been true for physical products, such as CDs and DVDs. Where it gets really interesting, though, is the group's stated intention to make digital files as flexible and permissive as CDs, at least within the confines of someone's personal domain. Once you've acquired a file, you could play it on any of your devices -- if it couldn't be passed directly from one DECE-ready device to another, you'd be allowed to download additional copies. And when you're away from home, you could stream the file to any device with a DECE-compatible Web browser."

IceDiver writes "I used to be an avid PC gamer. However, I have only bought 1 game in the last 18 months because I am sick and tired of the problems caused by the various intrusive, and sometimes damaging DRM schemes game publishers insist on forcing upon their customers. Once burned, twice shy! The EA announcement that upcoming releases will include SecuROM, along with verification requirements and major restrictions on installations left me wondering which recently released or upcoming games (particularly major titles) are being released without DRM? Are there any? How has DRM affected your game purchasing? Will EA be negatively affected by their DRM decision?" The ongoing DRM controversy was stirred by the recent launch of Spore. We discussed the public outcry from Amazon's reviews (which were subsequently taken down and then re-posted). EA's response to the outcry was to say that only one percent of accounts tried to activate the game more than three times, which is the limit without help from their customer service. Meanwhile, their efforts to find a "balance" between preventing piracy and not hampering legal users may not have been as successful as they hoped. According to Forbes, a P2P research firm found that illegal copies of Spore had been downloaded over 170,000 times already. So, is it time to create a whitelist for game publishers and developers?

The hype leading up to Spore was excessive. But then, so is the scope of the game; following the growth of a species from the cellular level to galactic domination was an ambitious goal, to say the least. Bringing evolution into the realm of entertainment was something Will Wright hoped and gambled he could do after the success of the Sim franchise. But rather than evolution, Spore became more about creation — creation that allows a single-player game to include the community, as well. It ties the various parts of the game together to make Spore very entertaining as a whole. Read on for my thoughts.

A few weeks ago, we discussed Stardock CEO Brad Wardell's "Gamer's Bill of Rights," a proposal for removing some of the PC gaming industry's more obnoxious characteristics, such as annoying DRM and no-return policies. Shacknews sat down with Wardell for a lengthy interview in which he discussed his reasons for starting the project, how it's being received by game companies, and how he wants the gaming community to help. Quoting: "I've already gotten calls from Microsoft, from Take 2, and other publishers who are interested in moving forward on this. Obviously the first step is we have to really define these items. And I've had other developers and publishers who have come back and said, 'No, because it's not flexible enough.' For example, what happens if someone wants to do a policy where there's CD copy protection, but after the first month [consumers] can download a patch that gets rid of it. So obviously that's a perfectly good solution too, but our thing eliminates the ability to do that."

AC Dude writes "Will an anti-DRM flash mob that's determined to give EA's latest sim game Spore a rock bottom rating on Amazon.com sink the game, or will Spore evolve and shed the DRM? Is this the beginning of the end for DRM-laden games? 'Over the past few years we've focused a lot on the music industry and how it has attempted to use DRM to control distribution. While DRM in this market segment has been unpopular, anti-DRM campaigns have largely fallen flat when it comes to attracting widespread public attention because of the fragmented nature of music. Games are a much easier target given the monolithic nature of their release — campaigners only need to spread the word on a handful of specific online outlets to reach a wide audience. A quick read through the Amazon reviews of Spore seems to suggest that the negative comments are already putting people off from buying the game.'"

langelgjm writes "The New York Times reports that RealNetworks will begin selling RealDVD today, a software program designed to make copying DVDs a trivial task for the average user. Unlike free alternatives, which generally require some technical knowledge and make it difficult to copy an entire DVD with extras, etc., RealDVD claims to be able to copy the entire DVD, menus and all. While sure to raise the ire of Hollywood, the program does have significant limitations: the DVDs it makes will only be playable on the computer where they were created; or, users can pay $20 per computer to play the DVDs on up to five additional computers."

g0dsp33d writes "Amazon opened the doors on its new video on demand service. Some promotional videos are free and the quality seems to be good. You can preview the first 2 minutes of any of the offerings. Episodes of TV shows cost $1.99 and movies are $14.99. Movies can also be 'rented' for 24 hours for $3.99. Purchasing allows download to two machines and unlimited viewing online. The service claims 14.5K movies and 1,200 TV shows including pre-purchasing the rights to upcoming seasons. Considering alternative, ad-based, free online video sites such as Hulu, is Amazon's service too pricey?"

An anonymous reader writes "Crafty criminals are increasingly using the remote wipe feature on the Apple iPhone and other business handsets, such as RIM's BlackBerry, to destroy incriminating evidence, the head of the UK's Serious Fraud Office Keith Foggon has warned. Foggon told silicon.com that the move away from PCs towards using mobile phones was causing a headache for crime fighters who were struggling to keep up with the fast pace of new handsets and platforms churned out by the mobile industry."

arcticstoat writes "Are you the USB keymaster? You could be soon if you pick up PNY's new 2GB USB flashdrive, which comes pre-loaded with Ghostbusters. A spokesperson for PNY explained that it comes with a form of DRM that prevents you from copying the movie. 'They have DRM protection,' explained the spokesperson, 'so customers can download the movie onto their laptop or PC if they wish, but they have to have the USB drive plugged in to watch the movie, as the DRM is locked in the USB drive.' The music industry has been playing around with USB flash drives for a few years now, but it hasn't been a massive success yet; will USB movies fare any better?"

Gamasutra is running a feature from Game Developer magazine in which Bioshock's project leader writes about what went right and what went wrong making last year's award-winning shooter, Bioshock. He talks about what the developers learned from fans and focus groups, how long it took them to firmly define what the game was supposed to be, and how they tried to reconcile their ideas with their capabilities. Quoting: "...just after the first beta, the entire design team plus a contingent of 2K producers headed off to see how a group that knew nothing about our company or BioShock would react to the first level. It was brutal. The first level, they said, was overly dense, confusing, and not particularly engaging. Players would acquire new powers but not know how to use them, so they stuck to using more traditional weapons and became frustrated. They didn't interact with the Big Daddies, and they didn't understand (or care) how to modify their characters. They were so overwhelmed by dialogue and backstory that they missed key information. A few of the players did start to see the possible depth of the game, but even they were frustrated by the difficulty of actually using the systems we had created."

Edge Magazine is running a piece by Brad Wardell, CEO of game developer Stardock, in which he presents a "Gamer's Bill of Rights." Stardock teamed up with Gas Powered Games to develop a list of ideals they think all game publishers should follow. Some are rather basic operational guidelines (not requiring a disc to play, minimum requirements that make sense), and some are aimed at repairing the damaged relationship between game companies and customers ("Gamers shall have the right to not be treated as potential criminals by developers or publishers"). Wishful thinking or not, it will be interesting to see if they manage to get other publishers to sign on.

Barence takes us to PCPro for a look at the failures of DRM and a discussion of its impending death. Quoting: "Luckily, DRM is dying, at least in the download sphere. Napster's Dan Nash believes that DRM-free is 'the general way things are going.' In his opinion, record companies 'have no choice but to adapt;' those that 'stick to DRM on a pay-per-download basis will not remain competitive.' In the US, Napster has joined Amazon in selling DRM-free content in MP3 format from all the major labels. ... Going DRM-free makes sense not just for consumers, but for the industry. Deutche Telekom says three out of four technical support calls its Musicload service had to deal with were the result of DRM. And when it offered a DRM-free option to artists they saw a 40% increase in sales."