An anonymous reader quotes a report from Ars Technica: Sports leagues are urging the US to require "instantaneous" takedowns of pirated livestreams and new requirements for Internet service providers to block pirate websites. The Digital Millennium Copyright Act of 1998 requires websites to "expeditiously" remove infringing material upon being notified of its existence. But pirated livestreams of sports events often aren't taken down while the events are ongoing, said comments submitted last week by Ultimate Fighting Championship, the National Basketball Association, and National Football League.

The "DMCA does not define 'expeditiously,' and OSPs [online service providers] have exploited this ambiguity in the statutory language to delay removing content in response to takedown requests," the leagues told the US Patent and Trademark Office in response to a request for comments on addressing counterfeiting and piracy. The leagues urged the US "to establish that, in the case of live content, the requirement to 'expeditiously' remove infringing content means that content must be removed 'instantaneously or near-instantaneously' in response to a takedown request." The leagues claimed the change "would be a relatively modest and non-controversial update to the DMCA that could be included in the broader reforms being considered by Congress or could be addressed separately." They also want stricter "verification measures before a user is permitted to livestream."

The UFC separately submitted comments on its own, urging the US to require that ISPs block pirate sites. The UFC said that a "significant and growing" number of websites, typically operated from outside the US, don't respond to takedown requests and thus should be blocked by broadband network operators. The UFC wrote: "Unlike many other jurisdictions around the world, the US lacks a 'site-blocking' regime whereby copyright owners may obtain no-fault injunctions requiring domestic Internet service providers to block websites that are primarily geared at infringing activity. A 'site-blocking' regime, with appropriate safeguards to prevent abuse, would substantially facilitate all copyright owners' ability to address piracy, including UFC's." Website-blocking is bound to be a controversial topic, although the Federal Communications Commission's now-repeated net neutrality rules only prohibited blocking of "lawful Internet traffic." While the UFC said it just wants "websites that are primarily geared at infringing activity" to be blocked, a site-blocking regime could be used more expansively if there aren't strict limits.

An anonymous reader quotes a report from Ars Technica: Dolby Laboratories today announced Dolby Atmos FlexConnect, a feature with the potential to add flexibility and simplicity to home theater audio setups. The company says FlexConnect allows supporting TVs to optimize Dolby Atmos audio output among the TV's speakers and paired wireless speakers. Currently, Dolby is only announcing the feature with upcoming TCL TVs, but it could expand elsewhere. FlexConnect, which will work with Atmos, 5.1, and stereo sound, is about adapting to people's audio setups, with considerations for things like speaker count and placement. The upcoming feature aims to bolster Atmos audio in situations where speaker placement is limited due to obstacles like room size, furniture, or outlet locations.

According to Dolby, FlexConnect will mean users can hear the same experience regardless of where they're sitting in the room, and that audio is tweaked based on each speaker's location and capabilities. Ars Technica asked Dolby to elaborate on this, and a company spokesperson told us: "After each speaker is placed, the TV will undergo an automatic calibration using acoustic mapping, [using TV microphones], to understand the location of each speaker. The TV then intelligently and seamlessly optimizes the sound image after analyzing this data combined with information the TV can gather on each speaker's acoustic capabilities. Together, this information allows the TV to adjust the rendering of each speaker to optimize the sound to ensure listeners are enjoying a great audio experience."

An example of how FlexConnect could adapt audio based on speaker capabilities is with low frequencies, which many TVs struggle with. If there's a more capable speaker connected, the TV's speakers could "offload the bass to these speakers, which frees up power to allocate to other parts of the frequency spectrum," Dolby's spokesperson said. "This could allow the TV speakers to allocate more power to dialogue, ensuring the best combination of bass and intelligibility," the rep said. Dolby also provided an example of how FlexConnect could adapt audio based on speaker location. If a user puts two wireless speakers in the back of the room, FlexConnect "will put more of the audio load onto the TV speakers so that the TV speakers cover the front soundstage and the dialogue." But if the wireless speakers were in the front of the room, the TV/center speakers would focus on dialogue.

The number of titles on streaming services jumped 39% over the past two years to 2.35 million, according to a report released Monday by market researcher Nielsen. From a report: Add in traditional broadcast and cable channels and the number of individual viewing options climbed to 2.7 million. The figures reflect movies and shows available in the US, Canada, the UK, Mexico and Germany. Netflix and Disney+ are among 167 streaming providers, up from 118 two years ago. The average time it takes someone to find something to watch has risen to more than 10 minutes from a little over seven minutes in 2019, Nielsen said.

An advertising watchdog has recommended that YouTube TV, Google's growing pay-TV streaming service, drops an ad claim that the service is "$600 less than cable." The recommendation from the National Advertising Division (NAD) stems from a complaint lodged by Charter Communications. From a report: NAD, which used an expedited process for single-issue advertising cases in making this decision, found that YouTube TV's pricing claim, which identifies "comparable standalone cable" as the basis of comparison, doesn't hold up. NAD noted that the price calculation underlying the challenged claim includes the cost of two set-top boxes per household for "standalone cable" services," but argued that such a comparison isn't a good fit because operators such as Charter offer pay-TV streaming options that may not require a set-top box. In Charter's case, its Spectrum TV app, billed as a platform that can "stream outside the cable box," is compatible with iOS and Android mobile devices along with several retail streaming devices and/or integrated connected TVs from companies such as Apple, Roku, Google and Samsung. "In the context of the 'cable' comparison, NAD found the claim reasonably conveys the cost of YouTube TV is compared to all cable services," the organization explained.

Kitty Oppenheimer: Can you explain quantum mechanics to me?

J. Robert Oppenheimer: Well, this glass, this drink, this counter top, uhh.. our bodies, all of it. It's mostly empty space. Groupings of tiny energy waves bound together.

Kitty Oppenheimer: By what?

J. Robert Oppenheimer: Forces of attraction strong enough to convince us [that] matter is solid, to stop my body passing through yours.

— IMDB quote from Oppenheimer


Flash forward to 2023, where Mario Barbatti is a theoretical chemist and physicist researching light and molecule interactions. He's also a professor of chemistry at Aix Marseille University in France. Writing this week for Aeon, Barbatti argues that "there are no empty spaces within the atom.

"The empty atom picture is likely the most repeated mistake in popular science." It is unclear who created this myth, but it is sure that Carl Sagan, in his classic TV series Cosmos (1980), was crucial in popularising it. After wondering how small the nuclei are compared with the atom, Sagan concluded that "[M]ost of the mass of an atom is in its nucleus; the electrons are by comparison just clouds of moving fluff. Atoms are mainly empty space. Matter is composed chiefly of nothing." I still remember how deeply these words spoke to me when I heard them as a kid in the early 1980s. Today, as a professional theoretical chemist, I know that Sagan's statements failed to recognise some fundamental features of atoms and molecules...

Misconceptions feeding the idea of the empty atom can be dismantled by carefully interpreting quantum theory, which describes the physics of molecules, atoms and subatomic particles. According to quantum theory, the building blocks of matter — like electrons, nuclei and the molecules they form — can be portrayed either as waves or particles. Leave them to evolve by themselves without human interference, and they act like delocalised waves in the shape of continuous clouds. On the other hand, when we attempt to observe these systems, they appear to be localised particles, something like bullets in the classical realm. But accepting the quantum predictions that nuclei and electrons fill space as continuous clouds has a daring conceptual price: it implies that these particles do not vibrate, spin or orbit. They inhabit a motionless microcosmos where time only occasionally plays a role...

A molecule is a static object without any internal motion. The quantum clouds of all nuclei and electrons remain absolutely still for a molecule with a well-defined energy. Time is irrelevant... Time, however, comes into play when a molecule collides with another one, triggering a chemical reaction. Then, a storm strikes. The quantum steadiness bursts when the sections of the electronic cloud pour from one molecule upon another. The clouds mix, reshape, merge, and split. The nuclear clouds rearrange to accommodate themselves within the new electronic configuration, sometimes even migrating between molecules. For a fraction of a picosecond (10-12 seconds or a billionth of a millisecond), the tempest rages and reshapes the molecular landscape until stillness is restored in the newly formed compounds.

Five-time world champion, Magnus Carlsen, has defeated Praggnanandhaa Rameshbabu in a tiebreak to become Chess World Cup champion. Chess.com reports: The five-time world champion won his first World Cup crown by defeating GM Praggnanandhaa Rameshbabu 1.5-0.5 in the rapid tiebreaks of the 2023 FIDE World Cup for a match victory of 2.5-1.5. In the third-place playoffs, GM Fabiano Caruana convincingly defeated GM Nijat Abasov in both rapid tiebreaks for a 3-1 victory and third place. It was a heartbreaking defeat for the Indian youngster, who had the initiative in the first game until Carlsen fought back and won in a tense endgame. In the second game, the world number-one allowed no chances, and Praggnanandhaa's impressive World Cup run came to an end as hundreds of thousands of fans watched the tense battle. You can watch the 2023 FIDE World Cup broadcast on Twitch and YouTube.

Amazon has filed a lawsuit against a group of online stores that sell pirated DVDs of key titles such as "The Lord of the Rings: The Rings of Power" and "The Peripheral." TorrentFreak reports: In a complaint filed at a California federal court, Amazon accuses seven websites of selling pirated discs. These sites, including dvdshelf.com.au, dvds.trade, and dvdwholesale.co.uk, are presumably operated by the same group, using a variety of companies. For the public at large, it may not be immediately obvious that these discs are pirated. However, since Amazon doesn't produce or sell DVDs for these Prime Video series, there is no doubt that they are created from illicit sources.

The piracy operation consists of at least seven websites and these all remain online today. According to Amazon, the sites ship to customers in the U.S. and abroad, twenty-four hours a day, seven days a week, resulting in mass copyright infringement. Before going to court, investigators conducted more than twenty test purchases of pirated DVDs. After these orders arrived, Amazon sent the discs to the Motion Picture Association which independently confirmed that they were all pirated.

The complaint lists Yangchun Zhang as a key suspect. This person presumably resides in China and obtained the 'DVD Shelf' trademark in Australia. In addition, Zhang is also listed as the registrant of several of the domain names involved. The complaint accuses Zhang and the others of both copyright and trademark infringement. Through the lawsuit (PDF), Amazon hopes to recoup damages, which can run in the millions of dollars. Another key priority is to shut the sites down and Amazon asks the court for an injunction to stop all infringing activity.

Hollywood studios have presented a new proposal to writers that includes the highest wage increase in 35 years, protections against the impact of artificial intelligence, and other provisions. CBS News reports: Writers have been picketing outside major studios for over 100 days, surpassing the 2007-2008 strike. One of the major sticking points between the two sides was their stark differences in wage increases and residuals. The proposal sent to the Writers Guild of America on Aug. 11 includes a 5% increase in the first year of the contract, then 4% the next year, and 3.5% in the third, totaling a compounded 13% increase. Before the WGA went on strike on May 2, the AMPTP offered writers 4%-3%- 2% in the respective years, or 9% over the duration of the contract. The recent offer does not match the WGA's demand of 6%-5%-5% in the respective years but does bring them from $9,888 a week to $11,371 a week for guarantees of up to 9 weeks.

They also moved to guarantee writers a minimum of 10 weeks of employment, a proposal they initially refused before the strike. AMPTP also increased the total domestic and foreign residuals for writers from $72,067 to $87,546 per episode over three years. Additionally, the union seemed to cave on the WGA's proposal to implement a viewership-based streaming residuals model. "For the first time, viewership data in the form of quarterly confidential reports is to be provided to the WGA that will include total SVOD view hours per title. This increased transparency will enable the WGA to develop proposals to restructure the current SVOD residual regime in the future," AMPTP wrote in the offer. Previously, the studios flat-out rejected the proposal and refused to make a counter, according to the WGA.

Studios also included a tenet regarding artificial intelligence protections in the proposed deal. "The Companies confirm that because [Generative Artificial Intelligence] is not a person, it is not a 'writer' or 'professional writer' as defined in this MBA and, therefore, written material produced by GAI will not be considered literary material under this or any prior MBA," the AMPTP wrote in the offer. The union continued: "The proposal provides important safeguards to prevent writers from being disadvantaged if any part of the script is based on GAI-produced material, so that the writer's compensation, credit and separated rights will not be affected by the use of GAIproduced material." Before the writers went on strike, the studios rejected the proposal and countered by "offering annual meetings to discuss advancements in technology," according to the WGA.

Amazon has launched a new Fire TV Channels app, giving Fire TV customers access to over 400 free ad-supported TV (FAST) channels, including ABC News, CBS Sports, Fox Sports, MLB, Martha Stewart and more. From a report: Alongside the app launch, the company also announced new content providers, such as Variety, Rolling Stone, The Hollywood Reporter, Billboard, GameSpot, Looper and Funny or Die, among others. Amazon will continue adding more FAST channels over time, the company wrote in the press release. First introduced in May, Fire TV Channels are available on Fire TV-branded smart TVs and streaming devices. The new app offers a single destination for users to quickly access thousands of live and on-demand titles across sports, news, entertainment, cooking, gaming and more. Customers can find the Fire TV Channels app via the "Your Apps and Channels" section, the Free icon in the navigation bar or labeled content rows throughout the Fire TV user interface. They also can ask Alexa to "Play Fire TV Channels." No downloads are required to watch FAST channels on Fire TV.

An anonymous reader shared this report from IGN: A demo for the unofficial fan game Twin Peaks: Into the Night has been released, allowing players to explore the weird and wonderful world of David Lynch and Mark Frost's '90s TV show in a PS1-style adaptation... developed by Jean Manzoni and Lucas Guibert of the Blue Rose Team. The game is now available to download on PC via itch.io, with its creators welcoming feedback on the gameplay experience... "We hope you'll enjoy playing it. As a quick reminder, this is a free fan game made by a very small team of two on our free time. Please take this into consideration... The demo is intended to show you the direction we're taking, and we've put our hearts at it. We're already working on the next release."

Although the game shares no affiliation with the show or its creators, it promises an "experience that will immerse you directly into the unique atmosphere of the show" by offering players the opportunity to step into the shoes of Cooper to solve the mystery while enjoying a slice of cherry pie and a damn fine cup of coffee.
More details from Engadget: The graphics are retro and decidedly PS1-flavored, which makes sense given how the show premiered in 1990. The gameplay looks to be full of exploration, complete with conversations with the town's many oddball residents, though there's a survival horror element reminiscent of the original Resident Evil titles. This is also an appropriate design choice, as the show pits Agent Cooper against foes both physical and supernatural...

The creators have announced that the game will be free when it launches, so that should clear up any potential legal hurdles moving forward.

Nearly seven decades after he died, James Dean "has been cast as the star in a new, upcoming movie," reports the BBC: A digital clone of the actor — created using artificial intelligence technology similar to that used to generate deepfakes — will walk, talk and interact on screen with other actors in the film...

This is the second time Dean's digital clone has been lined up for a film. In 2019, it was announced he would be resurrected in CGI for a film called Finding Jack, but it was later cancelled. Travis Cloyd, chief executive of immersive media agency WorldwideXR (WXR), confirmed to BBC, however, that Dean will instead star in Back to Eden, a science fiction film in which "an out of this world visit to find truth leads to a journey across America with the legend James Dean". The digital cloning of Dean also represents a significant shift in what is possible. Not only will his AI avatar be able to play a flat-screen role in Back to Eden and a series of subsequent films, but also to engage with audiences in interactive platforms including augmented reality, virtual reality and gaming.

The technology goes far beyond passive digital reconstruction or deepfake technology that overlays one person's face over someone else's body. It raises the prospect of actors — or anyone else for that matter — achieving a kind of immortality that would have been otherwise impossible, with careers that go on long after their lives have ended. But it also raises some uncomfortable questions. Who owns the rights to someone's face, voice and persona after they die? What control can they have over the direction of their career after death — could an actor who made their name starring in gritty dramas suddenly be made to appear in a goofball comedy or even pornography? What if they could be used for gratuitous brand promotions in adverts...? Dean's image is one of hundreds represented by WRX and its sister licensing company CMG Worldwide — including Amelia Earhart, Bettie Page, Malcolm X and Rosa Parks...

Voice actors, in particular, have been leading the conversation and working across acting guilds to form a unified front in protecting the rights and careers of actors... Cloyd acknowledges the potential for fewer acting opportunities but offers a "glass-half-full" perspective toward employing dead actors. "At the end of the day, it creates lots of jobs," he says, referring to the other technical and film industry jobs the technology could generate. "So even though it could be jeopardising one person's role or job, at the same time, it's creating hundreds of jobs in regards to what it takes to do this at a high level."

If the dead — or rather, their digital clones — are damned to an eternity of work, who benefits financially? And do the dead have any rights? Simply put, the rules are murky and, in some regions of the world, non-existent.
In June Rolling Stone published this advice from Samuel L. Jackson. "Future actors should do what I always do when I get a contract and it has the words 'in perpetuity' and 'known and unknown' on it: I cross that shit out. It's my way of saying, 'No, I do not approve of this.'"

To one-up Valve's Steam Deck, Lenovo's handheld gaming device, the "Legion Go," will have "Switch-style detachable controllers," reports Ars Technica" The Legion Go wouldn't be the very first portable PC gaming device with removable controllers; the crowd-funded OneXplayer sported a similar design last year, for instance. But few other PC-based portables have similarly mimicked the Switch Joy-cons in their ability to slide smoothly off from the main screen of the system for detached play.

Combined with a nice, wide kickstand shown in the leaked images, you should be able to give your arms a rest by setting the bulky-looking Legion Go's screen on a tabletop. The slide-off controls also mean you don't need to purchase and/or drag out a separate controller when docking the device to a TV or monitor (which we assume will be a main use case of the device's two USB-C ports). And completely detachable controls for each hand means you can keep your hands as far apart as you want while you hold each "half-controller" separately (one of our favorite unique use cases on the Switch)... The Legion Go also reportedly sports an 8-inch diagonal screen, which is 1 inch larger than Valve's and ROG's devices.

The Legion Go leaks come just months after Lenovo abandoned its button- and cooler-packed Legion line of Android-based gaming phones as part of what it said was a "gaming portfolio consolidation." The Windows 11-based Legion Go — which Windows Central says will be based on AMD's Phoenix processors — should have the high-end PC gaming support that the Legion phones lacked, as well as a more market-proven form factor.
Windows Report believes Lenovo "is preparing to launch an entire gaming ecosystem alongside the Legion Go."

"Among the accessories is a new pair of Legion AR glasses specifically tweaked for gaming." Based on the images we have, the glasses should be small enough to wear through long gaming sessions, with only one USB cable connecting them to any device (most likely for power, which means no standalone battery). The Legion AR Glasess could also feature a high refresh rate and other gaming-specific features, as the Legion branding implies they're made specifically for that...

Microsoft will close its Xbox 360 digital store next July, though anything purchased will still be accessible. From a report: On 29th July 2024, Xbox 360 users will no longer be able to purchase new games, DLC, or other entertainment content from either the console store or the web-based marketplace. In addition, the Microsoft Movies & TV app on the Xbox 360 will no longer function. Of course, the store will continue as normal until that date next July. After that time, any games purchased will still remain playable and deleted purchases can still be re-downloaded. Online multiplayer will also remain accessible for games already purchased (digitally or physically), as long as the publisher supports the servers. Further, users will still be able to play Xbox 360 games on Xbox One and Xbox Series X/S consoles via backward compatibility, and hundreds of games will remain available to purchase on those consoles.

Powered by shows like "Suits" on Netflix, streaming's share of U.S. viewing time grew to a new high in July, while television viewing fell below 50% for the first time, according to new Nielsen data. From a report: The milestone is the latest sign of the rapid erosion of the cable-TV bundle, which has lost about a quarter of its subscribers over the past decade, as more Americans cut the cord in favor of streaming services like Netflix, Google's YouTube and Disney's Hulu. Cable television accounted for 29.6% of total U.S. viewing time in July, while broadcast attracted 20%, Nielsen said in a release published Tuesday.

Streaming services, meanwhile, captured 38.7% of Americans' viewing time, while a category labeled "Other" -- which Nielsen says includes usage such as DVD playback and gaming -- accounted for the remaining 11.6%. The growth of streaming platforms at the expense of cable and broadcast TV networks has accelerated in recent years, as most entertainment conglomerates introduced their own direct-to-consumer services to take on industry leader Netflix. As they sought to rapidly grow their subscriber bases, many of them chose to make their highest-profile and costliest content available exclusively on streaming. While original content helps reel in subscribers and build streaming brands, the most-watched programs are sometimes older TV shows. Last month, the show Americans spent the most time watching was "Suits," a legal drama starring Meghan Markle made for cable TV that made its debut more than a decade ago.

Ford has hired former Apple executive Peter Stern to help build new high-margin digital and subscription services. Reuters reports: Stern, who previously oversaw Apple TV+, iCloud and Apple News+, will report to Ford CEO Jim Farley. In his new role, Stern will focus on integrating hardware, software and services across the company's Ford Blue, Model e and Ford Pro units. Like other U.S. automakers, Ford is looking to expand beyond its traditional wholesale-to-dealer business model and build recurring revenues from services connected to its vehicles, much as Apple has built on its hardware products.

Stern joins an executive team at Ford that includes another Apple alumnus, Doug Field, who is chief advanced product development and technology officer. [...] Stern said Ford plans to create "bundles of services" that will provide "safer, more convenient and more productive experiences." "The basis for differentiation is shifting from the vehicles alone to the integration of hardware, software and services," Stern said.

One of Stern's first tasks is to help expand Ford's BlueCruise hands-free driving package, which is being extended to more vehicles in the 2024 model year. Ford will install BlueCruise hardware on another 500,000 vehicles next year, while giving customers the option of activating the subscription package at any point during ownership, rather than just at time of purchase. The automaker plans to offer BlueCruise in a wider variety of Ford and Lincoln models, including F-150, F-150 Lightning, Expedition, Navigator, Nautilus and Corsair.

Netflix is officially bringing its games to more devices. So far, the company's impressive library of games has only been available on iOS and Android. Now, though, Netflix is starting to use its streaming tech to publicly test its titles on TVs and computers. From a report: "Our goal has always been to have a game for everyone, and we are working hard to meet members where they are with an accessible, smooth and ubiquitous service," Mike Verdu, Netflix's vice-president of games, wrote in a blog post. "Today, we're taking the first step in making games playable on every device where our members enjoy Netflix." The test appears to be very limited for now. Just two games will be available at the outset: Oxenfree. The beta is only open to a small number of Netflix subscribers in the UK and Canada on Amazon Fire TV streaming media players, Chromecast with Google TV, LG TVs, NVIDIA Shield TV, Roku devices and TVs, Samsung smart TVs and Walmart ONN. The company will add support for more devices later.

Why aren't more people using Linux on the desktop? Slashdot reader technology_dude shares one solution: Jack Wallen at ZDNet says establishing an "official" version of Linux may (or may not) help Linux on the desktop increase the number of users, mostly as someplace to point new users. It makes sense to me. What does Slashdot think and what would be the challenges, other than acceptance of a particular flavor?
Wallen argues this would also create a standard for hardware and software vendors to target, which "could equate to even more software and hardware being made available to Linux." (And an "official" Linux might also be more appealing to business users.) Wallen suggests it be "maintained and controlled by a collective of people from users, developers, and corporations (such as Intel and AMD) with a vested interest in the success of this project... There would also be corporate backing for things like marketing (such as TV commercials)." He also suggests basing it on Debian, and supporting both Snap and Flatpak...

In comments on the original submission, long-time Slashdot reader bobbomo points instead to kernel.org, arguing "There already is an official version of Linux called mainline. Everything else is backports." And jd (Slashdot user #1,658) believes that the official Linux is the Linux Standard Base. "All distributions, more-or-less, conform to the LSB, which gives you a pseudo 'official' Linux. About the one variable is the package manager. And there are ways to work around that."

Unfortunately, according to Wikipedia... The LSB standard stopped being updated in 2015 and current Linux distributions do not adhere to or offer it; however, the lsb_release command is sometimes still available.[citation needed] On February 7, 2023, a former maintainer of the LSB wrote, "The LSB project is essentially abandoned."
That post (on the lsb-discuss mailing list) argues the LSB approach was "partially superseded" by Snaps and Flatpaks (for application portability and stability). And of course, long-time Slashdot user menkhaura shares the obligatory XKCD comic...

It's not exactly the same thing, but days after ZDNet's article, CIQ, Oracle, and SUSE announced the Open Enterprise Linux Association, a new collaborative trade association to foster "the development of distributions compatible with Red Hat Enterprise Linux."

So where does that leave us? Share your own thoughts in the comments.

And should there be an "official" version of Linux?

In the unfortunate event that Amazon cancels Good Omens, a British fantasy comedy series created by Neil Gaiman, the New York Times bestselling author says a novel would be written to continue where the show left off. For those unaware, Good Omens recently launched season two on Amazon Prime and follows various characters all trying to either encourage or prevent an imminent Armageddon, seen through the eyes of the angel Aziraphale and the demon Crowley. According to Gizmodo's Linda Codega, it "ends on an absolutely devastating cliffhanger. Emotionally speaking." From the report: Neil Gaiman, the co-author of Good Omens (the book) alongside Terry Pratchett and the lead writer on Good Omens (the show), has always been active on Tumblr. Naturally, people have been asking him about that ending -- mostly because Good Omens, for all the hype, hasn't yet been renewed for a third season, and I will reiterate, the ending of season two is heart-wrenching. Gaiman had a lovely answer for one fan [poohbear0915] who asked: "In the unfortunate event that Good Omens is not renewed for a season three, would you consider releasing a script book of what would have happened for the fans to read?" Neil Gaiman responded: "No, I'd write a novel."

You're either a subtitles person or you're not. But increasingly, people are. From a report: Preply followed up on its subtitle-use survey of Americans from 2022 and found a 5% rise, to 58%, in how many people use captioning more than they used to. Now, just over half (51%) of those surveyed say they use subtitles most of the time. If you're thinking this habit could be the purview of older folks who are having a hard time hearing -- well, 96% of Gen Z survey respondents said they impose words over what they're watching.

Netflix watchers are using captioning the most; 52% of survey respondents say they turn the feature on while they're watching. Subtitles help 81% of people better comprehend what they're watching. A significant part of the time (70%), people use subtitles to understand foreign accents, particularly if a speaker is Scottish, which poses a problem for Outlander fans. Preply found that Americans have a hard time understanding their own language when someone has a Scottish accent (47%), an Irish accent (20%), a British accent (13%), a South African accent (12%), an Australian accent (5%), and even a Southern US accent (3%). So those who watching Derry Girls, Downton Abbey, and Ozark are adjusting their settings to follow along.

Disney is raising prices on almost all of its streaming offerings as it looks to accelerate profitability for the business. CNBC reports: Commercial-free Disney+ will cost $13.99 per month, a 27% increase, beginning Oct. 12. Disney+ with ads will remain $7.99 per month. Disney will also expand its ad-tier offering to select markets in Europe and in Canada beginning Nov. 1. Disney is increasing the price of Hulu without ads to $17.99 per month, a 20% price hike. Hulu with ads will also stay the same price, at $7.99 per month. The decision to price Disney+ nearly as high as commercial-free Netflix and Max, and charge even more for Hulu, signals Disney believes its content library can compete with both of those services.

Disney is now betting consumers will pay more for its streaming services even as the Hollywood writers and actors strikes threaten its content pipeline in the coming months. For consumers who want both Disney+ and Hulu without commercials, they can pay $19.99 per month in a new "premium duo" offering -- a $12 per month savings. The Disney+ and Hulu bundle with ads will not change from its $9.99 per month price. Disney also increased the price of its bundle of Disney+ (no ads), Hulu (no ads) and ESPN+ (with ads) to $24.99 per month from $19.99 per month. The bundle of all three products with commercials will be $14.99 per month, an increase of $2 per month. Disney is also increasing the price of Hulu + Live TV with ads to $76.99 from $69.99 per month. The commercial-free Hulu + Live TV will jump to $89.99 per month from $82.99 per month.