Netflix is planning a "broad rollout" of the password sharing crackdown that it began implementing in 2022, the company said today in its Q1 2023 earnings report (PDF). MacRumors reports: The "paid sharing" plan that Netflix has been testing in a limited number of countries will expand to additional countries in the second quarter, including the United States. Netflix said that it was "pleased with the results" of the password sharing restrictions that it implemented in Canada, New Zealand, Spain, and Portugal earlier this year. Netflix initially planned to start eliminating password sharing in the United States in the first quarter of the year, but the company said that it had learned from its tests and "found opportunities to improve the experience for members." There is a "cancel reaction" expected in each market where paid sharing is implemented, but increased revenue comes later as borrowers activate their own Netflix accounts and existing members add "extra member" accounts.

In Canada, paid sharing resulted in a larger Netflix membership base and an acceleration in revenue growth, which has given Netflix the confidence to expand it to the United States. When Netflix brings its paid sharing rules to the United States, multi-household account use will no longer be permitted. Netflix subscribers who share an account with those who do not live with them will need to pay for an additional member. In Canada, Netflix charges $7.99 CAD for an extra member, which is around $6. [...] Netflix claims that more than 100 million households are sharing accounts, which is impacting its ability to "invest in and improve Netflix" for paying members.

YouTube TV just won its first Technical Emmy award for its "Views" suite of features, which lets users access sports highlights, key plays, player stats and game scores. TechCrunch reports: At the 74th annual Technology & Engineering Emmy Awards last night, YouTube TV was declared the winner for the category "AI-ML Curation of Sports Highlights." The tech company also announced today that Key Plays reached a notable milestone -- the feature was used in over 10 million watch sessions on the platform. Last year, viewers used key plays the most during the World Cup, regular season NFL games and Premier League matches.

The Key Plays view tracks important plays in a game. Users can tap on the plays to rewatch when it occurs in the game. This is helpful for users that missed a live game and want to catch up on key moments. When YouTube TV launched Views in 2018, it was only available for baseball, basketball, football and hockey. Soccer and golf were added later on. The suite of features was also initially limited to phones and tablets. Today, the feature is available within the YouTube TV app across smart TVs and mobile devices.

In addition to Stats, Key Plays and Scores View, there's also Fantasy Football View, which is a mobile-only feature and lets users link their existing fantasy football account. That way, when a user is watching NFL games on YouTube TV, the feature allows them to see how their team is performing in real time. Plus, there's a "Jump to" function for users to quickly access a segment they want to view, which is especially handy for tennis fans and for users watching the Olympics. "Views came out of a team brainstorm about five years ago and launched about a year after YouTube TV," said Kathryn Cochrane, YouTube TV's group project manager, in a company blog post. "A lot of our viewers are devoted sports fans, and we found that when they watch sports, they aren't just looking at what's on the big screen. They were also actively on their phones, finding more details such as stats for their fantasy football league, updates from other games, and more, all to enhance what they were already watching."

It's been a rollercoaster ride for Korean tech conglomerates LG and Samsung. In 2021, it was reported that they were about to reach a major business deal regarding OLED panels, but in 2022 it seemed like the talks fell through. Now, in 2023, the talks may have resumed. From a report: The Elec reports that Samsung Electronics and LG Display have resumed discussions on a deal that would see LG supplying more than 200,000 white OLED (WOLED) panels to Samsung for a new line of Samsung-branded TVs that could launch as soon as 2024. That number would potentially be just the start of a longer partnership. When news of the negotiations first broke a couple of years ago, it was reported that the conversation was started at the behest of the South Korean government in response to an international situation wherein LCD panel-producing Chinese companies like BOE were driving up the cost of LCD panels, threatening Samsung's TV dominance. At that time, Samsung was all in on LCD technology in its TVs, competing with LG's increasing focus on OLED. Because of those market changes, and because OLED, in general, has achieved a bigger portion of consumers' display spending compared to LCD, Samsung needs to further diversify with OLED to ensure its future success -- at least until Micro LED becomes an affordable OLED alternative.

It's not HBO Max -- soon it's just going to be Max. From a report: Warner Bros. Discovery officially announced Max as the new name of its flagship streamer, lopping off the HBO part of the name as it mixes in a big bucket of new content from Discovery+ and other new original series. The company announced the name change at a press event Wednesday, where it also revealed a slate of upcoming projects. The rebuilt Max (on the web at max.com) is set to launch first in the U.S. on May 23, featuring what the company promises will be an average of more than 40 new titles and TV show seasons every month. "Max is the one to watch," WBD CEO David Zaslav said on stage at the event, featuring thousands of shows and movies on the service for every member of the household.

According to the service's website, Max will be available in three different versions. The first two plans align with the existing HBO Max pricing, and WBD said current HBO Max customers will not see their pricing change (for now) when the new service debuts. The third tier, "Max Ultimate," expands to up to four streams and includes 4K content. The trio of options are:
Max Ad-Lite ($9.99/month or $99.99/year): Two concurrent streams, 1080p HD resolution, no offline downloads, 5.1 surround sound quality
Max Ad Free ($15.99/month or $149.99/year): Two concurrent streams, 1080p HD, up to 30 offline downloads, 5.1 surround sound quality
Max Ultimate Ad Free ($19.99/month or $199.99/year): Four concurrent streams, up to 4K Ultra HD resolution, 100 offline downloads, Dolby Atmos sound quality

For the first time, you can now buy or rent every single Star Trek movie in the latest 4K and HDR standards. That includes all six movies based on the original series cast, all four featuring The Next Generation's cast, and the more recent J.J. Abrams films. Ars Technica reports: On April 4, Paramount released an UltraHD Blu-ray set that included Star Trek: Generations, Star Trek: First Contact, Star Trek: Insurrection, and Star Trek: Nemesis along with several special features. The set marks the first time these films have been available in a 4K and HDR home video release. Alongside the Blu-rays, the films also became available on on-demand storefronts like Apple's TV app.

Last year, the original series films (Star Trek: The Motion Picture, Star Trek II: The Wrath of Khan, Star Trek III: The Search for Spock, Star Trek IV: The Voyage Home, Star Trek V: The Final Frontier, and Star Trek VI: The Undiscovered Country) received the same treatment. The reboot films (Star Trek, Star Trek Into Darkness, and Star Trek Beyond) have long been available in modern formats. So as of this week, all 13 theatrically released Star Trek films are finally available in 4K and HDR. The latest releases also support the Dolby Atmos audio standard in addition to Dolby Vision HDR.

Since launching in 2020, the nonprofit site RestofWorld.org has been covering global tech news from 100 countries, the site announced this week. "But at Rest of World, the story of tech is as big as the world that's using it" — so they just finished their first international photography contest. We asked our readers to send us images of technology's impact in their communities — as seen from their lenses. We received 548 entries from around the world, including from Afghanistan, Mexico, Nigeria, Iraq, and Pakistan. Photographers captured a wide range of issues, from facial recognition software used at gated communities in Brazil to students studying on their phones during a power outage in India.
They recognized 10 photos in all — three winners, and seven "honorable mentions" — including one showing a surgeon implanting a venomous snake with a radio telemetry device in India "to try and mitigate human-snake conflict in the region," as well as a stunning aerial view of a vast solar park in Dubai. There's a solar-powered cooking device in India, and the face of an old man in Nepal using headphones for the first time in his life.

And the #1 photo shows children in rural Palestine watching TV "with electricity generated from solar panels at their home inside a cave," vividly illustrating the point that they'd turned to a decentralized, self-generated power technology. ("For decades, rural Palestinian communities in Masafer Yatta have lobbied for connection to the electric grid, but the Israeli state does not recognize such villages as legitimate and refuses to issue any kind of master plan for their development.")

Apple said that some users are experiencing disruptions of its weather app on Tuesday, citing a data provider issue. From a report: The Cupertino, California-based company said on its website that issues for the app were reported at 11 p.m. New York time Monday and continued Tuesday. Apple said that precipitation forecasts for the next hour may be unavailable in Alaska "due to a data provider outage," but disruptions appear to be across various cities. All other services, such as the App Store, Apple TV and FaceTime, appear to be available and working without issue.

It was exactly 30 years ago that The X-Files began filming in Vancouver. Now X-Files creator Chris Carter tells CBC's On the Coast that the groundbreaking TV series is going to be "remounted" by Black Panther director Ryan Coogler: Carter says he thinks the series would need to be significantly tweaked for current audiences. "We're so steeped in conspiracies now," he said. "The X-Files dealt with a central conspiracy, but now the world is so full of conspiracies that I think that it would be a different show."
The original X-Files series is available for streaming on Disney+. (And Wikipedia notes there was also a six-episode 10th season ran in 2016 and a 10-episode 11th in 2018.) There was also a Lone Gunmen spin-off series in 2001 (co-created by Vince Gilligan, who went on to produce and create Breaking Bad).

The CBC also reports that a documentary about the show will be released this fall. "Superfans Lauren Krattiger and Carly Blake have created The X-Files Fan Retrospective, where they conducted more than 90 interviews with crew members, cast and fans to memorialize the show and its impact."

But don't get your hopes up for an X-Files cartoon. "A few years ago it was announced that Chris Carter was developing an X-Files animated series titled The X-Files: Albuquerque..." writes GeekTyrant, "but unfortunately, it's no longer moving forward at Fox." It was going to revolve around an "office full of misfit agents who investigate X-Files cases too wacky, ridiculous or downright dopey for Mulder and Scully to bother with." It's explained that these agents are basically the X-Files' B-team.
Thanks to Slashdot reader GoJays for sharing the news.

Anti-piracy group CODA is reporting the shutdown of B9Good, a pirate manga site that targeted Japan but was operated from China. In response to a criminal complaint filed by CODA on behalf of six Japanese companies, which were backed by 21 others during the investigation, Chinese authorities arrested four people and seized one house worth $580,000. TorrentFreak reports: Manga piracy site B9Good initially appeared in 2008 and established itself under B9DM branding. SimilarWeb stats show that the site was enjoying around 15 million visits each month, with CODA noting that in the two-year period leading to February 2023, the site was accessed more than 300 million times Around 95% of the site's visitors came from Japan. B9Good had been featured in an MPA submission to the USTR's notorious markets report in 2019. Traffic was reported as almost 16 million visits per month back then, meaning that site visitor numbers remained stable for the next three years. The MPA said the site was possibly hosted in Canada, but domain records since then show a wider spread, including Hong Kong, China, United States, Bulgaria, and Japan.

Wherever the site ended up, the location of its operator was more important. In 2021, CODA launched its International Enforcement Project (CBEP), which aimed to personally identify the operators of pirate sites, including those behind B9Good who were eventually traced to China. Pursuing copyright cases from outside China is reportedly difficult, but CODA had a plan. In January 2022, CODA's Beijing office was recognized as an NGO with legitimate standing to protect the rights of its member companies. Working on behalf of Aniplex, TV Tokyo, Toei Animation, Toho, Japan Broadcasting Corporation (NHK), and Bandai Namco Film Works, CODA filed a criminal complaint in China, and starting February 14, 2023, local authorities began rounding up the B9Good team.

An anonymous reader quotes a report from Ars Technica: As reported by the Agence France-Presse (via CBS News) on Tuesday, five Ecuadorian journalists have received USB drives in the mail from Quinsaloma. Each of the USB sticks was meant to explode when activated. Upon receiving the drive, Lenin Artieda of the Ecuavisa TV station in Guayaquil inserted it into his computer, at which point it exploded. According to a police official who spoke with AFP, the journalist suffered mild hand and face injuries, and no one else was harmed.

According to police official Xavier Chango, the flash drive that went off had a 5-volt explosive charge and is thought to have used RDX. Also known as T4, according to the Environmental Protection Agency (PDF), militaries, including the US's, use RDX, which "can be used alone as a base charge for detonators or mixed with other explosives, such as TNT." Chango said it comes in capsules measuring about 1 cm, but only half of it was activated in the drive that Artieda plugged in, which likely saved him some harm. On Monday, Fundamedios, an Ecuadorian nonprofit focused on media rights, put out a statement on the incidents, which saw letters accompanied by USB-stick bombs sent to two more journalists in Guayaquil and two journalists in Ecuador's capital.

Fundamedios said Alvaro Rosero, who works at the EXA FM radio station, also received an envelope with a flash drive on March 15. He gave it to a producer, who used a cable with an adapter to connect it to a computer. The radio station got lucky, though, as the flash drive didn't explode. Police determined that the drive featured explosives but believe it didn't explode because the adapter the producer used didn't have enough juice to activate it, Fundamedios said. Yet another reporter attempted to access the drive's unknown content. Milton Perez at Teleamazonas' Quito offices might have set off the USB stick's explosives if he had plugged it into the computer properly, according to Fundamedios. Police intercepted a fourth drive sent to Carlos Vera in Guayaquil and performed a "controlled detonation" on one sent to Mauricio Ayora at TC Television, also in Guayaquil, BBC reported. It's unclear what the motive is behind the exploding drives. Ecuador Interior Minister Juana Zapata confirmed that all five cases used the same type of USB device and said the incidents send "an absolutely clear message to silence journalists," per AFP.

In a statement cited by BBC, the Ecuadorian government said, "Any attempt to intimidate journalism and freedom of expression is a loathsome action that should be punished with all the rigor of justice."

A new proposal targeting hidden fees charged by cable and satellite companies could force TV providers to clearly list their "all-in" prices. From a report The proposal announced today by Federal Communications Commission Chairwoman Jessica Rosenworcel would require cable and direct-broadcast satellite providers to "state the total cost of video programming service clearly and prominently, including broadcast retransmission consent, regional sports programming, and other programming-related fees, as a prominent single line item on subscribers' bills and in promotional materials." TV providers generally advertise a low rate that doesn't include charges such as the "Broadcast TV" and "Regional Sports Network" fees. Cable and satellite companies say these fees cover the amounts they have to pay for programming. But paying for programming is part of the cost of doing businessâ"there would be no TV channel lineup without channels, after all. By treating programming costs as separate fees, TV providers advertise rates that aren't even close to what customers actually have to pay. Comcast, for example, adds nearly $40 to monthly TV bills in the form of Broadcast TV and Regional Sports Network fees.

India will not tolerate use of abusive language and display of obscene content in movies and TV shows on on-demand video streaming services, a key minister has warned in a move that illustrates how the nation's IT rules have "handed over direct ministerial power for censorship." From the report: Anurag Thakur, Union Minister of Information Broadcasting and Sports and Youth Affairs, said at a press conference that use of abusive language in the name of creativity will not be tolerated and that the government is receiving a growing list of complaints about increasing abusive and obscene content. Thakur warned that New Delhi will not shy away from "making any changes" in the rules to address this situation.

RockDoctor (Slashdot reader #15,477) writes: A recent paper on ArXiv reports new spectroscopic analyses of the surfaces of 42 asteroids. The main result for space enthusiasts is that there is not one "M" class asteroid (metal-rich) surface in the collection.

The imagery that (many) people grow up with from Hollywood and TV "science" "documentaries" is that the Solar system is full of asteroids which are made of metal ready for mining to produce solid ingots of precious metals. That's Hollywood, not reality. This result is about what you'd expect from the proportion of metallic asteroids — otherwise estimated at about 0.5% of the population.

The asteroid mining fraternity dream of taking apart an M-type asteroid like Psyche, which is fair enough as a dream. Even as a dream for "asteroid mining" metal market speculators. But they are relatively rare asteroids. A realistic "ISRU" (In-Situ Resource Utilisation) plan is going to have to expect to digest around 200 silicate mineral (and clay ("phyllosilicate"), and ice) asteroids for every metallic one they digest.
Here's the home page for the project.

Twitch CEO Emmett Shear is resigning, effective immediately, he announced in a blog post on Thursday. The Verge reports: Shear has been at Twitch since before it was Twitch. He was a co-founder of Justin.tv, the platform where Justin Kan streamed his life 24/7. That became Twitch in 2011 to focus on popular gaming livestreams, and just three years later, the platform was acquired by Amazon for nearly a billion dollars.

"With my first child just born, I've been reflecting on my future with Twitch," Shear wrote. "Twitch often feels to me like a child I've been raising as well. And while I will always want to be there if Twitch needs me, at 16 years old it feels to me Twitch is ready to move out of the house and venture alone."

Shear will be replaced by Dan Clancy, who has been at Twitch for more than three years and was serving as the company's president. Clancy was originally hired in 2019 as the company's executive VP of creator and community experience, according to Variety. Shear will continue at the company in an advisory role. "I've never had more confidence in Twitch's leadership, in all our people, and in our product, than I do today," he wrote. "For many years I truly felt Twitch might die without my guidance and input, but I no longer feel that is true."

YouTube has announced that it's raising the price of its YouTube TV subscription to $72.99 per month. From a report: The new monthly price is an $8 increase from the current $64.99 monthly fee. New members will see the new price starting today, while existing members will see the price change staring on April 18. The Google-owned company blames a rise in "content costs" for the change. To soften the blow, the company announced that it's lowering the price of its 4K Plus add-on from $19.99 per month to $9.99 per month. "As content costs have risen and we continue to invest in our quality of service, we'll be adjusting our monthly cost, after 3 years, from $64.99/mo to $72.99/mo, in order to bring you the best possible TV service," the company said in a tweet.

An anonymous reader quotes a report from Ars Technica: Microsoft announced Tuesday that it has signed a 10-year deal to bring its Xbox PC games to little-known Ukraine-based streaming platform Boosteroid. The move is being positioned in part to "mak[e] even more clear to regulators that our acquisition of Activision Blizzard will make Call of Duty available on far more devices than before," as Microsoft Vice Chair and President Brad Smith said in a statement. "If the only argument is that Microsoft is going to withhold Call of Duty from other platforms, and we've now entered into contracts that are going to bring this to many more devices and many more platforms, that is a pretty hard case to make to a court," Smith told The Wall Street Journal.

Started in 2017, Boosteroid boasts 4 million streaming customers using servers based in nine European countries and six US states. Those customers pay 7.50 euro per month to stream games from those servers to any smartphone, Windows/Mac/Linux-based PC, or Android TV device. Boosteroid currently links to users' accounts on other PC-based platforms -- including Steam, the Epic Games Store, Blizzard's Battle.net, EA's Origin, the Rockstar Game Launcher, and Wargaming -- and lets them play games from those services without having to install them on a local gaming PC. With this new deal, that access will expand to include games available through Microsoft's Xbox app on the PC.

Vivaldi is a browser founded by Opera co-founder Jon Stephenson von Tetzchner and launched in 2016 with a heavy focus on privacy and customizations. As someone who has worked on the internet since 1992, Tetzchner has a lot of thoughts on the state of the internet in 2023, especially when it comes to advertising. XDA spoke with Tetzchner at this year's Mobile World Congress, and it's clear to him that advertisers "stole the internet from us." From the report: For the unfamiliar, Android's Privacy Sandbox can track users by creating an offline profile on them and show relevant advertisements based on that. It's a multi-year initiative to introduce more private advertising solutions to end-users and is made possible thanks to the Topics API and FLEDGE. Its goal is to prioritize user privacy by default but still maintain the mobile ecosystem dependent on advertising to support free and ad-supported apps. This is an exclusive-to-Android solution that uses a standalone SDK, separate from the rest of the application code, with the aim of eventually replacing Ad ID. However, Tetzchner doesn't see a difference between standard tracking and companies using the Topics API.

"For us, how you technically do the tracking, you can say it's a little bit better to do it client-side than server-side, but for me, the idea that your browser is building a profile on you... No, no, no, that's wrong. That's just wrong," he tells me. It's not quite where the data goes that seems to bother him the most, but what that data can be used to achieve. He mentions how this data can be used to influence how people vote, a la Cambridge Analytica. Whether that data is on your device or not is irrelevant; political advertisements will still appear regardless. "They stole the internet from us", he says of advertisers. "The internet is supposed to be open and free, and you shouldn't be afraid of being monitored. The idea that you are collecting data to provide ads... I can understand having access to a lot of data to provide a service, but that's not the same as profiling your users."

[...] Tetzchner is deeply disheartened with the state of it. In fact, he believes the current state of advertising is less profitable for sites now than it was before widespread tracking was in place. He mentions "normal ads," which you may see in a magazine or on TV, were the standard for about a decade, even on the internet. "A lot of sites were more profitable, and people were less worried about having to block ads. The ads were normal, it was kind of like what you were seeing if you were going and reading a magazine. There were ads, but they weren't following you." He points out that paywalls have become commonplace across the internet when that wasn't the case 15 years ago. "How is it then that we needed the change that actually created that situation?" he asks. He argues that advertisements are less profitable as a whole thanks to widespread tracking. Advertisers previously paid more because they knew exactly where their advertisements were going. Now with algorithms and Google Ads, not everything is high quality, even if those algorithms try to scan pages for quality content.

Dish Network must pay $469 million for infringing two patents held by parental-control technology maker ClearPlay related to filtering material from streaming video, a jury in U.S. federal court in Utah has decided. From a report: The jury in Salt Lake City reached its decision on Friday in ClearPlay's lawsuit against Dish, finding that Dish's AutoHop feature for skipping commercials on its Hopper set-top boxes is covered by ClearPlay's patents. While jurors found that Dish's technology violated ClearPlay's patent rights, they rejected ClearPlay's contention that Dish copied its technology intentionally. A Dish spokesperson said on Monday that the company was disappointed in the jury's decision and will contest the verdict, potentially through an appeal. Representatives for ClearPlay did not immediately respond to requests for comment on Monday.

On March 1st, a European Union regulation went into effect that effectively bans 8K TVs. This is because they exceed the new lower Energy Efficiency Index (EEI) limit that set the maximum power consumption level for all TVs at 90W, which is significantly lower than the 190W that new 8K TVs can consume. According to Tom's Guide, Samsung "seems to have already developed a workaround for this 8K TV ban." From the report: The ban is specifically based on the EEI power consumption numbers, so if you can manufacture an 8K TV that consumes less than 90W then you are in the clear. Because of this loophole, Samsung has decided to ship its 8K TVs with low-powered default settings. According to AV Magazine, the new Samsung 8K TVs will come out of the box with a "brightness-limiting eco mode" as the default brightness setting. This will allow the TVs to still meet the EEI limit while maintaining their 8K resolution.

But does this mean that Europeans will be limited to low brightness settings if they want 8K resolution? Turns out, the answer to that is, no. The E.U. regulation requires that the TVs be energy efficient out of the box, but once users have them set up, they can change to a higher brightness setting and watch to their heart's content, even though their 8K TV will now consume more power than the 90W limit set by the EEI. Other manufacturers will likely find workarounds for the E.U. regulations if Samsung's workaround is successful [...].

Broadcasters are betting that antennas and modern DVRs will help them stay relevant. But a stalled transition to ATSC 3.0 and massive growth of linear streaming services could throw a wrench into those plans. From a report: Antenna television is back. In recent years, millions of cord-cutters have rediscovered antennas as a reliable way to watch broadcast networks like ABC, NBC, and FOX, all for free -- and now, broadcasters are eager to get the rest of us hooked. They've been marching ahead with the deployment of ATSC 3.0, a next-generation broadcast format that supports 4K, HDR, Dolby Atmos audio, and even interactive apps over the air, no cable or streaming subscription required.

A little over a year ago, one of the country's biggest broadcasters made an unexpected acquisition to help bolster the transition: The E.W. Scripps Company, which operates dozens of ABC, NBC and Fox stations as well as a handful of nationwide broadcast networks, quietly bought Nuvyyo, a Canadian startup best known for its Tablo DVR devices for cord-cutters. The acquisition, which hasn't been previously reported, is part of Scripps' multibillion-dollar bet on acquiring stations, networks, and spectrum for an ATSC 3.0-powered antenna TV future. But the transition to ATSC 3.0 has been anything but smooth. Five years after its launch, the format is still not available in many major markets. Support from TV makers has been limited, and some of the promised features likely won't be available for years to come. Meanwhile, free streaming TV channels are growing by leaps and bounds and are quickly becoming a viable alternative to both cable and antenna TV. As it stands, the future of broadcast TV is looking remarkably fuzzy.