A large section of the destroyed space shuttle Challenger has been found buried in sand at the bottom of the Atlantic, more than three decades after the tragedy that killed a schoolteacher and six others. CBC.ca reports: NASA's Kennedy Space Center announced the discovery Thursday. "Of course, the emotions come back, right?" said Michael Ciannilli, a NASA manager who confirmed the remnant's authenticity. When he saw the underwater video footage, "My heart skipped a beat, I must say, and it brought me right back to 1986 ... and what we all went through as a nation." It's one of the biggest pieces of Challenger found in the decades since the accident, according to Ciannilli, and the first remnant to be discovered since two fragments from the left wing washed ashore in 1996.

Divers for a History Channel TV documentary first spotted the piece in March while looking for wreckage of a Second World War plane. NASA verified through video a few months ago that the piece was part of the shuttle that broke apart shortly after liftoff on Jan. 28, 1986. All seven on board were killed, including the first schoolteacher bound for space, Christa McAuliffe. The underwater video provided "pretty clear and convincing evidence," said Ciannilli. The piece is more than 4.5 metres by 4.5 metres, and likely bigger because part of it is covered with sand. Because there are square thermal tiles on the piece, it's believed to be from the shuttle's belly, Ciannilli said.

The fragment remains on the ocean floor just off the Florida coast near Cape Canaveral as NASA determines the next step. It remains the property of the U.S. government. The families of all seven Challenger crew members have been notified. "We want to make sure whatever we do, we do the right thing for the legacy of the crew," Ciannilli said.

The Bloomberg Terminal has updated its estimate of FTX CEO Sam Bankman-Fried's net worth on Nov. 8 to $991 million, down from $16 billion the day before. CryptoSlate reports: The reduced estimate that takes away SBF's billionaire status comes as the native token of the FTX exchange, FTT, fell over 83% to a low of just $2.67 from a daily high of $20.47. A large percentage of SBF's wealth is tied to his business activities with both FTX and Alameda Research, meaning a reduction in the price of FTT tokens would directly affect his personal wealth.

The crypto community on Twitter, never to shy away from adding comedy to tragedy, shared memes and anecdotes comparing SBF to Mark Zuckerberg and the fictional Russ Hannemann from the TV show Silicon Valley. Hannemann had a similar experience losing his "3 commas" status, becoming "just" a multimillionaire. In addition, many users commented that SBF's fall from grace outweighs most retail investors' 2022 losses.

Lauren Forristal writes via TechCrunch: Disney reported (PDF) results for the final quarter of its 2022 fiscal year today, revealing a total of 164.2 million Disney+ global subscribers, an increase of 12 million subs from 152.1 million in Q3. The flagship streaming service was only expected to gain 9.35 million subs. Across Disney's streaming services, Disney+, Hulu and ESPN+ had a combined total of 235.7 million subscribers, up from 221 million in the third quarter. The company beat expectations of 233.8 million. [...] However, the company fell short of expectations for total revenue, which was reported to be $20.15 billion. Wall Street estimated that Disney would report a 15% year-on-year jump in revenue to $21.3 billion. The direct-to-consumer division lost $1.5 billion. Disney+ is also set to launch a cheaper ad-supported version on December 8th as it looks to find more ways to earn revenue. The company also increased subscription prices for Disney+, Hulu, Hulu Live TV bundles and ESPN+ plans.

"An Apple archivist has had his YouTube account disabled after Apple filed multiple takedown requests against his account," reports the blog Apple Insider: Brendan Shanks, owner of the Apple WWDC Videos channel on YouTube, tweeted that Apple had filed a series of copyright removal requests against his channel. The videos in question were decades-old recordings of WWDC events.
"I still have all the original files (and descriptions, which were a lot of work!), and I'll be moving things over to the Internet Archive," Shanks posted on Twitter. "It'll take time though, and unfortunately videos get a lot less visibility when you're not on YouTube.

"I wasn't super surprised this happened (there were a few takedowns a couple years ago)," Shanks mused in an earlier tweet. "I'm honestly more annoyed that it wiped out my personal YoutTube account and even YouTube TV, which I was just billed real money for.

"A cease and desist in the mail would be much friendlier."

Slashdot reader thedarklaser writes: A chemical engineering professor at Utah's BYU has created a nuclear reactor design that could produce enough energy for 1000 homes in the space of 4 feet by 7 feet. And there's a bonus: potentially no nuclear waste or risk of melt down.

They use molten salt that bonds with the dissolved fuel. Then, very valuable Molybdenum-99 (as in $30 million per gram) can be extracted from that salt and sold for use in medical imaging.

Additionally, this system is very inexpensive, at a cost of around 3 cents per kilowatt hour.
The professor (who led a larger team on the project) tells a local TV station it's important because nuclear energy is "the only baseload or controllable, 100% on-power that has no emissions at all."

And since all the radioactive byproducts are dissolved into molten salt with this technique, he believes it's "a system that's impossible to melt down. There's nothing to melt, and it's not likely to cause any release problems because there's no pressure and there's nothing to push it out."

According to the Hollywood Reporter, HBO has "switched off Westworld" after its recent fourth season. From the report: It's an unexpected fate for a series that was once considered one of HBO's biggest tentpoles -- an acclaimed mystery-box drama that racked up 54 Emmy award nominations (including a supporting actress win for Thandiwe Newton). Last month, co-creator Jonathan Nolan said in an interview that he hoped HBO would give the series a fifth season to wrap up the show's ambitious story, which has chronicled a robot uprising that changed the fate of humanity. "We always planned for a fifth and final season," Nolan said. "We are still in conversations with the network. We very much hope to make them." Co-creator Lisa Joy likewise said the series has always been working toward a specific ending: "Jonah and I have always had an ending in mind that we hope to reach. We have not quite reached it yet."

Yet linear ratings for the pricey series fell off sharply for its third season, and then dropped even further for season four. Westworld's critic average on Rotten Tomatoes likewise declined from the mid-80s for its first two seasons to the mid-70s for the latter two. Fans increasingly griped that the show became confusing and tangled in its mythology and lacked characters to root for. Looming over all of this is the fact Warner Bros. Discovery CEO David Zaslav has pledged aggressive cost cutting mandate, though network insiders maintain that saving money was not a factor in the show's cancelation. HBO said in a statement: "Over the past four seasons, Lisa and Jonah have taken viewers on a mind-bending odyssey, raising the bar at every step. We are tremendously grateful to them, along with their immensely talented cast, producers and crew, and all of our partners at Kilter Films, Bad Robot and Warner Bros. Television. It's been a thrill to join them on this journey."

Hawaii is implementing one of the most ambitious electronic waste recycling plans in the country, but some Hawaii retailers are afraid it will mean higher prices and less selection. From a report: Ironically, Hawaii has no ability to recycle electronic devices. Instead, the material has to be collected and shipped to processing centers elsewhere. The goal of the new law is to have manufacturers collect and ship out more and more of the used-up products. But industry lobbyist Walter Alcorn, with the Consumer Technology Association, said the law sets goals that cannot be met. "On the industry side, it's been a scramble." Alcorn said. "Particularly for the computer and printer manufacturers that previously did not have to have this type of a program."

State Rep. Nicole Lowen, chair of the Energy and Environmental Protection Committee, was among the lead advocates for the law. She said putting the full responsibility on the manufacturers will incentivize them to pay more attention to the waste their industry is generating. "We are pushing them to rethink the design packaging, distribution systems of their products and create more efficiency, for the reuse and recycling of those products or the materials that they contain," Lowen said. The law required 49 manufacturers, from Apple to Samsung, to report how much product has been shipped in by weight and how they would set up systems to collect discarded devices and ship them to recycling locations. There are none in Hawaii so all the products would have to be shipped out.

Charter is raising prices on Spectrum home Internet service by $5 a month starting today, a company spokesperson confirmed to Ars. Standalone broadband prices are rising to $79.99 a month for 300Mbps download speeds, $99.99 a month for 500Mbps, and $119.99 a month for 1Gbps. 300Mbps is the advertised download speed for Charter's entry-level tier. From a report: The price increase takes effect today in most of Charter's 41-state territory, the company said. It affects broadband-only customers and broadband users who also subscribe to a Spectrum streaming TV package, but not cable TV customers. "The price for Spectrum Internet reflects the cost of delivering the best value in broadband for your family: 300Mbps starting speeds with no modem fees, data caps or contracts," the company said. Charter also said this is its first price increase on standalone broadband since December 2020. Customers currently on a promotional rate will keep paying that rate until the promotion expires. They'll pay the new, higher regular rate after that.

"Four times a week on average, an e-bike or e-scooter battery catches fire in New York City," reports NPR: Sometimes, it does so on the street, but more often, it happens when the owner is recharging the lithium ion battery. A mismatched charger won't always turn off automatically when the battery's fully charged, and keeps heating up. Or, the highly flammable electrolyte inside the battery's cells leaks out of its casing and ignites, setting off a chain reaction.

"These bikes when they fail, they fail like a blowtorch," said Dan Flynn, the chief fire marshal at the New York Fire Department. "We've seen incidents where people have described them as explosive — incidents where they actually have so much power, they're actually blowing walls down in between rooms and apartments."

And these fires are getting more frequent.

As of Friday, the FDNY investigated 174 battery fires, putting 2022 on track to double the number of fires that occurred last year (104) and quadruple the number from 2020 (44). So far this year, six people have died in e-bike-related fires and 93 people were injured, up from four deaths and 79 injuries last year.

The animated series "Star Wars: Tales of the Jedi" premiered this week on Disney+, witih all six 15-minute episodes released on Wednesday.

CNN calls it a slick and well-produced "kind of super-service for the Star Wars faithful, rekindling old flames, and comfortably submerging them in the past." But they also add that animation "has also become a vehicle for greater experimentation, as witnessed in the Star Wars: Visions anime shorts that premiered last year." It's hardly a surprise that this latest addition to the mythology comes courtesy of producer Dave Filoni, who oversaw such series as The Clone Wars and Rebels before throwing his fertile mind for all things Star Wars into The Mandalorian and other live-action fare. Filoni wrote five of the six shorts, which are split between Ahsoka Tano (again voiced by Ashley Eckstein), soon to be featured in her own live-action spinoff; and Count Dooku (played in the movies by Christopher Lee, and voiced by Corey Burton).

Beyond a glimpse of a baby Ahsoka (just in time for holiday gift-giving, kids), in an episode that illustrates her home planet and its warrior streak, the episodes leap around in time. That includes additional insights into Dooku and his abandonment of the Jedi order to embrace the dark side and Darth Sidious (Ian McDiarmid). The anthology format creates the opportunity to drop in at different inflection points scattered across the "Star Wars" timeline.
"Fans will likely be particularly intrigued by some of the gradations surrounding Ahsoka, her relationship to Anakin Skywalker and the aftermath of the Clone Wars," the article teases...

According to Protocol, Amazon and Google have struck a deal in recent months that allows Fire TV models to be produced by Android TV partners. From the report: As a result of that deal, Amazon has been able to work with a number of consumer electronics companies -- including not only TCL, but also Xiaomi and Hisense -- to vastly expand the number of available smart TVs running Fire TV OS. All of these companies were previously barred from doing so under licensing terms imposed by Google. The agreement may also alleviate some of the pressure Google has been feeling as regulators around the world have investigated its Android platform. However, some experts are skeptical a singular deal will address the overarching concerns with Google's operation and licensing of Android to third parties.

The deal between Amazon and Google resolves a yearslong dispute over licensing restrictions Google imposes on hardware manufacturers that make Android-based phones, TVs, and other devices. In order to gain access to Google's officially sanctioned version of Android as well as the company's popular apps like Google Maps and YouTube, manufacturers have to sign a confidential document known as the Android Compatibility Commitment. The ACC prevents manufacturers from also making devices based on forked versions of Android not compatible with Google's guidelines. The ACC, which was previously known as the Anti-Fragmentation Agreement, had long been an open secret in industry circles. Its full impact on the smart TV space became public when Protocol reported terms of the agreement in March of 2020 and outlined how the policy effectively barred companies like TCL from making smart TVs running any forked version of Android, including Amazon's Fire TV OS.

Google has been justifying these policies by pointing to the harmful consequences of Android fragmentation, positing that the rules assured developers and consumers that apps would run across all Android-based devices. However, the crux of Google's requirements is that they apply across device categories. By making a Fire TV-based smart TV, TCL would have effectively risked losing access to Google's Android for its smartphone business -- a risk the company, and many of its competitors that develop both smartphones and TVs, weren't willing to take. At the time, both Google and Amazon declined to comment on the dispute. However, Amazon was a lot more forthcoming when it talked to Indian regulators for a wide-ranging probe into Google's Android policies. "Given the breadth of the anti-fragmentation obligations, Amazon has also experienced significant difficulties in finding [original equipment manufacturer] partners to manufacture smart TVs running its Fire OS," the company's Indian subsidiary told regulators in a submission that was included in last week's report. Amazon told regulators that "at least seven" manufacturers had told the company they weren't able to make Fire TV-based smart TVs because of Google's restrictions.

"In several cases, the OEM has indicated that it cannot work with Amazon despite a professed desire to do so in connection with smart TVs," Amazon said in its submission. "In others, the OEM has tried and failed to obtain 'permission' from Google."

"On October 8th, PayPal updated its terms of service agreement to include a clause enabling it to withdraw $2,500 from users' bank accounts simply for posting anything the company deems as misinformation or offensive," reports Grit Daily. "Unsurprisingly, the backlash was instant and massive," causing the company to backtrack on the policy and claim the update was sent out "in error." Now, after the criticism on social media died down, several media outlets are reporting that the company quietly reinstated the questionable misinformation fine -- even though that itself may be a bit of misinformation. From a report: Apparently, they believed that everyone would just accept their claim and immediately forget about the incident. So the clause that was a mistake and was never intended to be included in PayPal's terms of service magically ended up back in there once the criticism died back down. That sounds plausible, right? And as for what constitutes a "violation" of the company's terms of service, the language is so vaguely worded that it could encompass literally anything.

The term "other forms of intolerance" is so broad that it legally gives the company grounds to claim that anyone not fully supporting any particular position is engaging in "intolerance" because the definition of the word is the unwillingness to accept views, beliefs, or behavior that differ from one's own. So essentially, this clause gives PayPal the perceived right to withdraw $2,500 from users accounts for voicing opinions that PayPal disagrees with. As news of PayPal's most recent revision spreads, I anticipate that the company's PR disaster will grow, and with numerous competing payment platforms available today, this could deliver a devastating and well deserved blow to the company. UPDATE: According to The Deep Dive, citing Twitter user Kelley K, PayPal "never removed the $2,500 fine. It's been there for over a year. All they removed earlier this month was a new section that mentioned misinformation."

She goes on to highlight the following:

1.) [T]he $2,500 fine has been there since September 2021.
2.) PayPal did remove what was originally item number 5 of the Prohibited Activities annex, the portion that contained the questionable "promoting misinformation" clause that the company claims was an "error."
3.) [T]he other portion, item 2.f. which includes "other forms of intolerance that is discriminatory," which some have pointed out may also be dangerous as the language is vague, has always been there since the policy was updated, and not recently added.

PayPal's user agreement can be read here.

An anonymous reader shares a report: Last week, the Competition Commission of India published a damning report, alleging that Google was preventing major TV manufacturers from adopting Amazon's Fire TV operating system. This Thursday, Amazon announced that TCL, one of the manufacturers at the center of the dispute, is releasing two TV sets running its Fire TV software in Europe this fall. The unveiling of the two TV models is the direct result of a deal Google and Amazon struck in recent months, Protocol has learned from a source close to one of the parties involved in the agreement. As a result of that deal, Amazon has been able to work with a number of consumer electronics companies -- including not only TCL, but also Xiaomi and Hisense -- to vastly expand the number of available smart TVs running Fire TV OS. All of these companies were previously barred from doing so under licensing terms imposed by Google.

Apple snuck a nice little surprise in its round of Mac, iPhone, iPad, and Apple TV updates yesterday with the addition of support for Nintendo's updated classic game controllers. From a report: As spotted by developer Steve Troughton-Smith and confirmed by MacStories, Nintendo's modern SNES and N64 controllers now work with updated Apple devices with macOS 13, iOS 16, and tvOS 16 and up, whether using a wired or Bluetooth connection. While neither MacStories nor Troughton-Smith was able to test whether the Sega Genesis and NES controllers work with Apple's devices, we're assuming Apple added the same functionality.

Apple is increasing the prices across its services, including Apple Music, Apple TV Plus, and its overarching Apple One subscription, according to a report. This marks the first time the company has raised the prices of these services in the US. From a report: Here's a breakdown of the new pricing: Apple Music for individuals will increase by $1 a month to $10.99, or by $10 for the annual plan, which will now cost $109 a year. Apple Music for families is going up by $2 a month to $16.99. Apple TV is going up by $2 a month to $6.99 or $20 annually to $69.

Amazon says over half a dozen hardware vendors have indicated that they cannot enter into a TV manufacturing relationship with the e-commerce group over fear of retaliation from Google, escalating tension with the search giant with whom it competes on several businesses. From a report: The revelation, officially shared by Amazon for the first time, was made by the company's unit in India to the Competition Commission of India as part the antitrust watchdog's years-long investigation into Google over claims that it abuses the dominant position in Android. Google does abuse its dominant position in Android, the regulator said Thursday in a statement, slapping a $162 million fine on Thursday.

An anonymous reader quotes a report from Bloomberg: A good fall TV run comes to an end on Sunday when HBO airs its House of the Dragon season one finale, a week or so after Amazon wrapped up the first season of The Lord of the Rings: The Rings of Power. The shows aren't done yet providing content, though. Both Amazon and HBO offer companion podcasts to keep fans engaged, and both devised wildly different approaches for their audio. The podcasts offer behind-the-scenes chats with cast and crew and strive to become the definitive place to hear conversations around their respective programming. The shows' similarities end there, however.

HBO, for example, released three episodes of The Official Game of Thrones Podcast: House of the Dragon before the actual TV series aired, choosing to hype listeners up for the debut through an interview George R.R. Martin, as well as an "everything we know"-style show. Since then, the program has been released weekly alongside new episodes of the series on Sunday evenings. Michael Gluckstadt, director of podcasts for HBO and HBO Max, says the podcast will continue even after the series breaks between seasons. "There's no end date for this in sight," he said, which is atypical for podcasts the network has released in the past, including for Succession and The Gilded Age. [...] The podcast is available on all platforms, as well as on YouTube and the HBO Max app.

Meanwhile, Amazon didn't release any episodes of its The Official The Lord of the Rings: The Rings of Power Podcast until the season finale. Marshall Lewy, chief content officer at Amazon's Wondery, said the team wanted the streaming series to "speak for itself." Wondery has created companion podcasts before, namely for its own podcasts that were adapted for streaming, like Dr. Death and WeCrashed, but this marks the first time the team has worked in coordination with an Amazon series. "This is really our first opportunity to do a partnership like this connected to Prime Video," Lewy said. The podcast now receives front-and-center promotion ahead of each streaming video episode, which is the first time the coveted space has promoted something other than a Prime video series, he said. A promotion for The Official The Lord of the Rings: The Rings of Power Podcast that surfaces on Prime Video. The podcast is only available on Amazon Music, the Wondery app and Audible, a critical difference from HBO's strategy. Lewy said this decision made sense given that anyone watching the show is a Prime subscriber and can freely access Amazon Music. "The effort put into these podcasts not only speaks to the need to increase fan engagement with the programming but to create an ongoing dialogue with viewers so they don't drop off from season to season," writes Bloomberg's Ashley Carman. "A person's podcast time likely differs from their streaming time, which in theory minimizes the risk of cannibalizing the hours that viewers could be spending on other Amazon or HBO series."

"The video services want more than just sixty minutes of their viewers' attention once a week -- they want to be a part of their day and part of their conversations with friends for as long as possible."

The Apple TV HD (also called the fourth-generation Apple TV) is no longer available in Apple's US store after the addition of an updated Apple TV 4K yesterday. Ars Technica reports: The Apple TV HD debuted in 2015, and it was the first Apple TV to run tvOS, with its own App Store. Up until its discontinuation this week, it included a now-aging A8 chip (the one from the iPhone 6). By contrast, the new Apple TV 4K has the A15 chip found in the iPhone 13; it's dramatically faster. The 2015 model was also the first to introduce Apple's controversial touch-based remote, which was radically redesigned in response to user feedback in recent years.

Apple introduced the first iteration of the Apple TV 4K in 2017, but the company continued to offer the Apple TV HD alongside it in its store as a cheaper option compared to the 4K model, which currently starts at $129 -- still much more expensive than the dongles and set-top boxes most people use to stream to their TVs. At present, you can't even find the Apple TV HD in Apple's refurbished store, so this appears to mark the end-of-life for the non-4K Apple TV. It's not too surprising, though; 4K TVs have been a hit. More than half of United States households had a 4K TV as of last summer, and the percentage has been growing substantially year over year.

Inside Netflix's movie studio, top executives lobbied Ted Sarandos, the company's co-chief executive, for much of this year to experiment with releasing more Netflix original movies broadly in theaters WSJ is reporting. From the report: They outlined their case in a memo shared in June on the company network. Some argued that Netflix is leaving hundreds of millions in box-office receipts on the table with its current strategy of showing only select movies in a few hundred theaters for at most a few weeks before streaming them, according to people familiar with the matter. Other executives thought showing movies in more theaters would create valuable buzz for the streaming service. Soon after, in an internal meeting, Mr. Sarandos told Netflix studio leaders that he had doubts, and still felt that streaming is the future of entertainment, movies included. Instead, he suggested that studio chief Scott Stuber and other executives meet with their counterparts at Sony Pictures Entertainment to see if they would agree to let Netflix stream Sony's movies just four to six weeks after they came out in theaters, instead of after six to eight months, as spelled out in a partnership the two studios reached last year.

If a new deal could be struck, some executives said, it would help Netflix understand how the company might benefit from streaming a movie shortly after it had been shown on thousands of big screens across the country. The debate inside Netflix over how best to distribute its films -- details of which haven't been previously reported -- is one that is playing out across an entertainment industry that has been rapidly upended by the rise of streaming video. Every major company in Hollywood is facing some version of the same question: What is the best way to release a movie? Is it in a cinema, with stadium seating, popcorn and digital surround sound? Or is it at home, streamed on a flat-screen TV or a laptop? Should movies go to theaters first, then to streaming, or should they be released at the same time? How long should a studio wait between theatrical and streaming release? How many theaters should show a film? Should all movies go to the big screen, or just splashy action thrillers?

Netflix wants to extend its nascent gaming efforts to PCs and TVs, and it's looking to launch its own cloud gaming service to do so, VP of game development Mike Verdu confirmed at TechCrunch Disrupt on Tuesday. Protocol reports: "We're very seriously exploring a cloud gaming offering," Verdu said. "We'll approach this the same way as we did with mobile -- start small, be humble, be thoughtful -- but it is a step we think we should take," Verdu added. "The extension into the cloud is really about reaching the other devices where people experience Netflix."

Verdu didn't share many additional details, but suggested the company was looking to launch more than just casual games on TVs. He declined to say whether Netflix would build its own game controllers like Google has done for its failed Stadia service, but he said the titles wouldn't rely on TV remotes for input. [...] Verdu called Netflix's expansion into gaming a pivotal moment for the company, but admitted that it was a slow and deliberate multiyear effort. However, the company may already be seeing some rewards from those efforts. "We're seeing some encouraging signs of gameplay leading to higher retention," the company wrote in its letter to investors Tuesday. The report notes that Netflix has released a total of 35 games for mobile devices thus far, with an additional 55 games in its pipeline. "Fourteen of those games are being built by Netflix's own studios, Verdu said, adding that the company was going to launch an additional studio in Southern California soon."

Further reading: Netflix Password-Sharing Crackdown Will Roll Out Globally In 'Early 2023'