An anonymous reader shares a report: Adobe is bringing its video editor Premiere to iPhone, promising "pro-level" editing on the go for free. The app will launch later this month, with an Android version also under development.

The Premiere app features a familiar multi-track timeline, with support for an unlimited number of video, audio, and text layers. There's automatic captioning, 4K HDR support, and one-tap exporting to TikTok, YouTube Shorts, and Instagram -- including automatic resizing that frames content for each platform.

The iOS version of Premiere will be free to download and use, though Adobe says there will be charges for additional cloud storage and generative AI credits. Speaking of, it includes support for Adobe's generative sound effects and AI-powered speech enhancement, plus a wider range of AI assets generated through Adobe Firefly. If you'd rather not use AI content, there's a selection of Adobe fonts, along with images, sounds, music, and video assets that are free to use.

An anonymous reader quotes a report from 404 Media, written by Jason Koebler: As I do most nights, I was listening to YouTube videos to fall asleep the other night. Sometime around 3 a.m., I woke up because the video YouTube was autoplaying started going "FEEEEEEEE." The video was called "Boring History for Sleep | How Medieval PEASANTS Survived the Coldest Nights and more." It is two hours long, has 2.3 million views, and, an hour and 15 minutes into the video, the AI-generated voice glitched. "In the end, Anne Boleyn won a kind of immortality. Not through her survival, but through her indelible impact on history. FEEEEEEEEEEEEEEEE," the narrator says in a fake British accent. "By the early 1770s, the American colonies simmered like a pot left too long over a roaring fire," it continued. The video was from a channel I hadn't seen before, called "Sleepless Historian." I took my headphones out, didn't think much of it at the time, rolled over, and fell back asleep.

The next night, when I went to pick a new video to fall asleep to, my YouTube homepage was full of videos from Sleepless Historian and several similar-sounding channels like Boring History Bites, History Before Sleep, The Snoozetorian, Historian Sleepy, and Dreamoria. Lots of these videos nominally check the boxes for what I want from something to fall asleep to. Almost all of them are more than three hours long, and they are about things I don't know much about. Some video titles include "Unusual Medieval Cures for Common Illnesses," "The Entire History of the American Frontier," "What It Was Like to Visit a BR0THEL in Pompeii," and "What GETTING WASTED Was Like in Medieval Times." One of the channels has even been livestreaming this "history" 24/7 for weeks.

In the daytime, when I was not groggy and half asleep, it quickly became obvious to me that all of these videos are AI generated, and that they are part of a sophisticated and growing AI slop content ecosystem that is flooding YouTube, is drowning out human-made content created by real anthropologists and historians who spend weeks or months researching, fact-checking, scripting, recording, and editing their videos, and are quite literally rewriting history with surface-level, automated drek that the YouTube algorithm delivers to people. YouTube has said it will demonetize or otherwise crack down on "mass produced" videos, but it is not clear whether that has had any sort of impact on the proliferation of AI-generated videos on the platform, and none of the people I spoke to for this article have noticed any change. "It's completely shocking to me," Pete Kelly, who runs the popular History Time YouTube channel, told Koebler in a phone interview. "It used to be enough to spend your entire life researching, writing, narrating, editing, doing all these things to make a video, but now someone can come along and they can do the same thing in a day instead of it taking six months, and the videos are not accurate. The visuals they use are completely inaccurate often. And I'm fearful because this is everywhere."

"I absolutely hate it, primarily the fact that they're historically inaccurate," Kelly added. "So it worries me because it's just the same things being regurgitated over and over again. [...] It's worrying to me just for humanity. Not to get too high brow, but it's not good for the state of knowledge in the world. It makes me worry for the future."

An anonymous reader shares a report: If you're sharing an ad-free YouTube Premium or YouTube Music account with friends or family who live outside of your home, you could lose your premium privileges. Customers who lose these can still watch YouTube or listen to music with ads -- but let's be real, it's not the same.

Multiple reports have shown people who have the service have been receiving notices that their premium service will be paused for 15 days due to violating a policy that's been in place since 2023. On its support page, YouTube says that an account manager can add up to five family members in a household to their Premium membership. But, the post says, "Family members sharing a YouTube family plan must live in the same household as the family manager."

"I'm still teaching at Princeton," 83-year-old Brian Kernighan recently told an audience at New Jersey's InfoAge Science and History Museums.

And last month the video was uploaded to YouTube, a new article points out, "showing that his talk ended with a unique question-and-answer session that turned almost historic..." "Do you think there's any sort of merit to Rust replacing C?" one audience member asked... "Or is this just a huge hype bubble that's waiting to die down...?"

'"I have written only one Rust program, so you should take all of this with a giant grain of salt," he said. "And I found it a — pain... I just couldn't grok the mechanisms that were required to do memory safety, in a program where memory wasn't even an issue!" Speaking of Rust, Kernighan said "The support mechanism that went with it — this notion of crates and barrels and things like that — was just incomprehensibly big and slow. And the compiler was slow, the code that came out was slow..."

All in all, Kernighan had had a bad experience. "When I tried to figure out what was going on, the language had changed since the last time somebody had posted a description! And so it took days to write a program which in other languages would take maybe five minutes..." It was his one and only experience with the language, so Kernighan acknowledged that when it comes to Rust "I'm probably unduly cynical. "But I'm — I don't think it's gonna replace C right away, anyway."
Kernighan was also asked about NixOS and HolyC — but his formative experiences remain rooted in Bell Labs starts in the 1970s, where he remembers it was "great fun to hang out with these people."

And he acknowledged that the descendants of Unix now power nearly every cellphone. "I find it intriguing... And I also find it kind of irritating that underneath there is a system that I could do things with — but I can't get at it!"


Kernighan answered questions from Slashdot readers in 2009 and again in 2015...

In 2017 Rick Beato streamed "Rick's Rant Episode 2" — and just received a copyright claim this month. And days after jazz pianist Chick Corea died in 2021, Beato livestreamed a half-hour video which was mostly commentary, but with several excerpts from Corea's albums (at least one more than three minutes long). He also received a copyright claim for that one this August — just minutes after the claim on his 2017 video.

These videos "are all fair use," Beato argues in a new video, noting it's also affected other popular YouTube channels like The Professor of Rock: Rick Beato: Universal Music Group [UMG] has continued to send emails about copyright content ID claims — and now copyright strikes — on my channel. As a matter of fact, I have three shorts — these are under a minute long — that if they go through in the next four days, I'll have three strikes on my channel! Now if you don't fight these things, those three strikes would actually remove my channel from YouTube.
Five months ago Rick Beato had posted a clip from his interview with singer-songwriter Adam Duritz (founder of The Counting Crows) on YouTube. After 250,000 views, he'd earned a whopping $36.52 — and then Universal Music Group also claimed that video violated their copyright. (In the background the video played Duritz's song as he described how he wrote it.) "So they're gonna take my channel down over less than a hundred bucks — for using a small segment from an interview with him, on a song he sang on," Beato complained on YouTube. "That video is 55 seconds long!"

"You need to play people's music to talk about it," Beato argues. "That is the definition of fair use. These are interviews with the people about their careers." (And the interviews actually help promote the artists for the record labels...) Rick Beato: The next one has me in it — it's an Olivia Rodrigo song — that I played maybe 10 seconds of the song on, and the short is 42 seconds long. Who did it? UMG. The third copyright strike is from a Hans Zimmer short. It's also UMG — it's from the Crimson Tide soundtrack.

Now, what do these things say...? "Your video is scheduled to be removed in four days and your channel will get a copyright strike due to a removal request from a claimant. If you delete your video before then, your channel won't get a copyright strike." [And there's also emails like "After reviewing your dispute, UMG has decided that their copyright claim is still valid..."] I've had probably 4,000 claims, over the last 9 years — from things that are fair use. [When he interviewed producer Rick Rubin, that video got 13 separate copyright claims.]

That's when I hired a lawyer to fight these. [Full-time, Beato says later.] And what he's done is he fought every single claim... We have successfully fought thousands of these now. But it literally costs me so much money to do this. Since we've been fighting these things — and never lost one — they still keep coming in... They're all Universal Music Group. So they obviously have hired some third party company, that are dredging up things, they're looking for things that haven't been claimed in the past — they're taking videos from seven or eight years ago!
Slashdot reader MrBrklyn (Slashdot reader #4,775) writes on the "New York's Linux Scene" site that video bloggers like Beato "have been hounded by copyright pirates like UMG," arguing that new videos of support are a "rebellion gaining traction". (Beato's video drew 1,369,859 views — and attracted 24,605 Comments — along with videos of support from professional musicians like drummer Anthony Edwards, guitarist Justin Hawkins, and bassist Scot Lade, as well as two different professional music attorneys.)

"Since there's rarely humans making any of these decisions and it's automated by bots, they don't understand these claims are against Universal Music's best interests," argues the long-running blog Saving Country Music (first appearing on MySpace in 2008). On YouTube videos, creators can freely filch copyrighted photos and other people's videos virtually free of ramifications. You can take an entire 2 1/2 hour film, impose it over a background, and upload it to YouTube, and usually avoid any problems. But feature a barely audible 8 1/2-second clip of music underneath audio dialogue, and you could have your entire podcast career evaporate overnight... People continue to ask, "Why doesn't Saving Country Music has a podcast?" Because what's the point of having a music podcast when you can't feature music? In fact, after over a decade of refusing to start one, I finally did, music free. What happened? About a dozen episodes in, someone took out a claim, and not only were all the episodes deleted, so was the entire account, even though no music even appeared on any of the episodes. I was given absolutely no recourse to fight whatever false claim had been made...

The music industry continues to so colossal fail the artists and catalogs they represent, and the fans they're supposed to serve with this current system of how podcasts are handled. If everything changes today thanks to the Rick Beato rant, it would still be 15 years too late. But at least it would happen.
Instead, they write, "Music labels have been leaving major opportunities to promote their catalogs and performers on the table with their punitive copyright claims that make it impossible to feature music on music podcasts and other platforms...

"You aren't screwing podcasters. You're screwing artists who could be using podcasts to help promote their music. "

After Will Smith uploaded a video of an adoring crowd, blogger Andy Baio "conducted a detailed analysis that suggests Will Smith's team might have used AI to turn photos from his recent concerts into videos," writes BGR. But there's more to the story: Google recently ran an experiment for YouTube Shorts in which it used AI (machine learning) to improve the quality of Shorts without asking the creator for permission. People complained the videos looked like they were AI generated. It seems that Will Smith's YouTube Shorts clip that attracted criticism from fans this week might have been a victim of this experiment... The signs are real. The man who claimed Will Smith's song helped him cure cancer was there. The woman in front of him was holding the sign with him. The "Lov U" sign appeared in photos the singer posted on his social media channels before the clip was shared.
"Will Smith has not denied the use of AI in these promotional clips," the article adds.

But the Hollywood Reporter also calls it "just the beginning of AI chaos," noting that "influencers and spinmeisters have been using AI upscaling for years, if quietly, the way you might round up your current salary in a job interview." It's only going to grow more popular as the tools get better. (And they will — you just need some tweaks to the model and increases in compute to erase these hallucinations.) In fact, when the chapter on the early AI Age is written, the line about this moment is less likely to be, "Remember when Will Smith did something cringily AI?" and more, "Remember when AI was still seen as so cringe that we made fun of Will Smith for it?" Experts differ on the timeline, but everyone agrees it's just years if not months before we'll stop being able to spot an AI video. [Will Smith's video] had the particular misfortune of coming out at this interregnum moment: good enough for someone to use but not so good we can't spot it.

That moment will be over soon enough, and, I suspect, so will our pearl-clutching. The main effect of this new age of the synthetic is that video will stop being a meaningful measure of truth. We have long stopped believing everything we read, and AI image-generators have killed what photoshop wounded. But video until now has been the last bastion of objectivity — incontrovertible evidence that an event took place the way it seemed to....

But there is an upside. (Really.) Without a format that can telegraph objectivity, we'll need to (if we care to) turn to other ways to assure ourselves of the facts: the source of the video. That could mean the human-led content creator will matter more. After years of seeing news brands take a beating in the trust department, they'll soon become the only hope we have of knowing whether something happened. We no longer will be able to trust the medium. But we may newly believe the media.

"From a side project in Amsterdam to powering AI at the world's biggest companies — this is the story of Python," says the description of a new 84-minute documentary.

Long-time Slashdot reader destinyland writes: It traces Python all the way back to its origins in Amsterdam back in 1991. (Although the first time Guido van Rossum showed his new language to a co-worker, they'd typed one line of code just to prove they could crash Python's first interpreter.) The language slowly spread after van Rossum released it on Usenet — split across 21 separate posts — and Robin Friedrich, a NASA aerospace engineer, remembers using Python to build flight simulations for the Space Shuttle. (Friedrich says in the documentary he also attended Guido's first in-person U.S. workshop in 1994, and "I still have the t-shirt...")

Dropbox's CEO/founder Drew Houston describes what it was like being one of the first companies to use Python to build a company reaching millions of users. (Another success story was YouTube, which was built by a small team using Python before being acquired by Google). Anaconda co-founder Travis Oliphant remembers Python's popularity increasing even more thanks to the data science/macine learning community. But the documentary also includes the controversial move to Python 3 (which broke compatability with earlier versions). Though ironically, one of the people slogging through a massive code migration ended up being van Rossum himself at his new job at Dropbox. The documentary also includes van Rossum's resignation as "Benevolent Dictator for Life" after approving the walrus operator. (In van Rossum's words, he essentially "rage-quit over this issue.")

But the focus is on Python's community. At one point, various interviewees even take turns reciting passages from the "Zen of Python" — which to this day is still hidden in Python as an import-able library as a kind of Easter Egg.
"It was a massive undertaking", the documentary's director explains in a new interview, describing a full year of interviews. (The article features screenshots from the documentary — including a young Guido van Rossum and the original 1991 email that announced Python to the world.) [Director Bechtle] is part of a group that's filmed documentaries on everything from Kubernetes and Prometheus to Angular, Node.js, and Ruby on Rails... Originally part of the job platform Honeypot, the documentary-makers relaunched in April as Cult.Repo, promising they were "100% independent and more committed than ever to telling the human stories behind technology."
Honeypot's founder Emma Tracey bought back its 272,000-subscriber YouTube channel from Honeypot's new owners, New Work SE, and Cult.Repo now bills itself as "The home of Open Source documentaries."

Over in a thread at Python.org, language creator Guido van Rossum has identified the Python community members in the film's Monty Python-esque poster art. And core developer Hugo van Kemenade notes there's also a video from EuroPython with a 55-minute Q&A about the documentary.

U.S. Commerce Secretary Howard Lutnick announced that the Department of Commerce will begin publishing GDP statistics on the blockchain, touting it as part of President Trump's push to make America a "crypto government." CoinTelegraph reports: Lutnick made the announcement during a White House cabinet meeting on Tuesday, describing the effort as a move to expand blockchain-based data distribution across government agencies. Speaking to US President Donald Trump and other government officials, he said: "The Department of Commerce is going to start issuing its statistics on the blockchain, because you are the crypto president, and we are going to put our GDP on the blockchain so people can use it for data and distribution." Lutnick said the initiative will begin with GDP figures and could expand across federal departments after the Commerce Department finishes "ironing out all of the details" for the implementation.

An anonymous reader quotes a report from TechCrunch: SpaceX has long marketed Starship as a fully and rapidly reusable rocket that's designed to deliver thousands of pounds of cargo to Mars and make life multiplanetary. But reusability at scale means a space vehicle that can tolerate mishaps and faults, so that a single failure doesn't spell a mission-ending catastrophe. The 10th test flight on Tuesday evening demonstrated SpaceX's focus on fault tolerance. In a post-flight update, SpaceX said the test stressed "the limits of vehicle capabilities." Understanding these edges will be critical for the company's plans to eventually use Starship to launch Starlink satellites, commercial payloads, and eventually astronauts.

When the massive Starship rocket lifted off on its 10th test flight Tuesday evening, SpaceX did more than achieve new milestones. It purposefully introduced several faults to test the heat shield, propulsion redundancy, and the relighting of its Raptor engine. The heat shield is among the toughest engineering challenges facing SpaceX. As Elon Musk acknowledged on X in May 2024, a reusable orbital return heat shield is the "biggest remaining problem" to 100% rocket reusability. The belly of the upper stage, also called Starship, is covered in thousands of hexagonal ceramic and metallic tiles, which make up the heat shield. Flight 10 was all about learning how much damage the ship can accept and survive when it goes through atmospheric heating. During the tenth test, engineers intentionally removed tiles from some sections of the ship, and experimented with a new type of actively cooled tile, to gather real-world data and refine designs. [...]

Propulsion redundancy was also put to the test. The Super Heavy booster's landing burn configuration appeared to be a rehearsal for engine failure. Engineers intentionally disabled one of the three center Raptor engines during the final phase of the burn and used a backup engine in its place. That was a successful rehearsal for an engine-out event. Finally, SpaceX reported the in-space relight of a Raptor engine, described on the launch broadcast as the second time SpaceX has pulled this off. Reliable engine restarts will be necessary for deep-space missions, propellant transfers, and possibly some payload deployment missions. [...] The next step is translating Flight 10 data into future hardware upgrades to move closer to routine operations and days when, as Musk envisioned, "Starship launches more than 24 times in 24 hours."

After the Tea dating-advice app leaked information on its users, the BBC found two online maps "purporting to represent the locations of women who had signed up for Tea... showing 33,000 pins spread across the United States." The maps were hosted on Google Maps. (Notified by the BBC, Google deleted the maps, saying they violated their harassment policies.)

"Since the breach, more than 10 women have filed class actions against the company which owns Tea," the article points out, noting that leaked content is also spreading around social media: Since the breach, the BBC has found websites, apps and even a "game" featuring the leaked data... The "game" puts the selfies submitted by women head-to-head, instructing users to click on the one they prefer, with leaderboards of the "top 50" and "bottom 50"... [And one researcher calculates more than 12,000 posts on 4Chan referenced the Tea app over the three weeks after the leak.]

It is unsurprising that the leak was exploited. The app had drawn criticism ever since it had grown in popularity. Defamation, with the spread of unproven allegations, and doxxing, when someone's identifying information is published without their consent, were real possibilities. Men's groups had wanted to take the app down — and when they found the data breach, they saw it as a chance for retribution.
They weren't the only ones with a gripe against Tea. Back in 2023 the fiance of Tea's CEO founder approached the administrator of a collection of Facebook groups called "Are We Dating the Same Guy?" to see if she'd be the "face" of the Tea app, reports 404 Media. But they add that after Tea failed to recruit her, Tea "shifted tactics" to raid her Facebook groups instead: Tea paid influencers to undermine Are We Dating the Same Guy and created competing Facebook groups with nearly identical names. 404 Media also identified a number of seemingly hijacked Facebook accounts that spammed the real Are We Dating The Same Guy groups with links to Tea app.
Reviews for the Tea app show several women later thought the app was affiliated with their trusted Facebook groups, the reporter said this week on a 404 Media podcast.

And they add that founder Sean Cook took over the "Tara" personna that his fiance has used for technical support. "So he's on the app pretend to be a woman, talking to other women who are on the app in order to weed out men who are being deceptive..."

Thanks to Slashdot reader samleecole for sharing the article.

The Atlantic reports some YouTube users noticed their uploaded videos have since "been subtly augmented, their appearance changing without their creators doing anything..."

"For creators who want to differentiate themselves from the new synthetic content, YouTube seems interested in making the job harder." When I asked Google, YouTube's parent company, about what's happening to these videos, the spokesperson Allison Toh wrote, "We're running an experiment on select YouTube Shorts that uses image enhancement technology to sharpen content. These enhancements are not done with generative AI." But this is a tricky statement: "Generative AI" has no strict technical definition, and "image enhancement technology" could be anything. I asked for more detail about which technologies are being employed, and to what end. Toh said YouTube is "using traditional machine learning to unblur, denoise, and improve clarity in videos," she told me. (It's unknown whether the modified videos are being shown to all users or just some; tech companies will sometimes run limited tests of new features.)

While running this experiment, YouTube has also been encouraging people to create and post AI-generated short videos using a recently launched suite of tools that allow users to animate still photos and add effects "like swimming underwater, twinning with a lookalike sibling, and more." YouTube didn't tell me what motivated its experiment, but some people suspect that it has to do with creating a more uniform aesthetic across the platform. As one YouTube commenter wrote: "They're training us, the audience, to get used to the AI look and eventually view it as normal."

Google isn't the only company rushing to mix AI-generated content into its platforms. Meta encourages users to create and publish their own AI chatbots on Facebook and Instagram using the company's "AI Studio" tool. Last December, Meta's vice president of product for generative AI told the Financial Times that "we expect these AIs to actually, over time, exist on our platforms, kind of in the same way that [human] accounts do...."

This is an odd turn for "social" media to take. Platforms that are supposedly based on the idea of connecting people with one another, or at least sharing experiences and performances — YouTube's slogan until 2013 was "Broadcast Yourself" — now seem focused on getting us to consume impersonal, algorithmic gruel.

The Washington Post looks at the rise of low-effort, high-volume "AI slop" videos: The major social media platforms, scared of driving viewers away, have tried to crack down on slop accounts, using AI tools of their own to detect and flag videos they believe were synthetically made. YouTube last month said it would demonetize creators for "inauthentic" and "mass-produced" content. But the systems are imperfect, and the creators can easily spin up new accounts — or just push their AI tools to pump out videos similar to the banned ones, dodging attempts to snuff them out.
One place where they're coming from... Jiaru Tang, a researcher at the Queensland University of Technology who recently interviewed creators in China, said AI video has become one of the hottest new income opportunities there for workers in the internet's underbelly, who previously made money writing fake news articles or running spam accounts. Many university students, stay-at-home moms and the recently unemployed now see AI video as a kind of gig work, like driving an Uber. The average small creator she interviewed did their day jobs and then, at night, "spent two to three hours making AI-slop money," she said. A few she spoke with made $2,000 to $3,000 a month at it.
But the article provides other examples of the "wild cottage industry of AI-video makers, enticed by the possibility of infinite creation for minimal work"

• A 31-year-old loan officer in eastern Idaho first went viral in June "with an AI-generated video on TikTok in which a fake but lifelike old man talked about soiling himself. Within two weeks, he had used AI to pump out 91 more, mostly showing fake street interviews and jokes about fat people to an audience that has surged past 180,000 followers..." (He told the Post the videos earn him about $5,000 a month through TikTok's creator program.)

• "To stand out, some creators have built AI-generated influencers with lives a viewer can follow along. 'Why does everybody think I'm AI? ... I'm a human being, just like you guys,' says the AI woman in one since-removed TikTok video, which was watched more than 1 million times."

• One AI-generated video a dog biting a woman's face off (revealing a salad) received a quarter of a billion views.

AI-powered salespeople are outperforming their human counterparts on Chinese e-commerce platforms, working around the clock without fatigue to sell products ranging from printers to wet wipes. Shanghai marketing firm PLTFRM has deployed 30 virtual avatars across Taobao and Pinduoduo using Baidu video models and DeepSeek language models. Brother's AI avatar generated $2,500 in printer sales within two hours and increased livestream revenue 30 percent. The company now checks overnight AI sales data each morning as routine.

Livestreaming drives over one-third of China's e-commerce sales, with half the population shopping via broadcast in 2024. Baidu's June livestream featuring an AI version of influencer Luo Yonghao drew 13 million views and generated $7.7 million in sales. American and European companies have expressed interest, Wired reports, after PLTFRM successfully tested English-language avatars on YouTube, TikTok, and Facebook.

WIRED identified 120 YouTube channels creating AI-generated celebrity confrontation/rage-baiting videos using still images and artificial voiceovers (rather than deepfake technology). One channel, Talk Show Gold, accumulated 88,000 subscribers with a fake Mark Wahlberg and Joy Behar confrontation that drew 460,000 views. YouTube removed 37 flagged channels following WIRED's inquiry, including Celebrity Central and United News.

The platform updated its policies on July 15 requiring disclosure when content shows real people doing things they didn't do. University of Bristol cognitive psychologist Simon Clark characterized the videos as "cheapfakes" that exploit emotional triggers despite their unsophisticated production. Most channels operate from outside the United States and display signs of coordinated content farming operations.

The next version of Windows will become "more ambient, pervasive, and multi-modal" as AI transforms how users interact with computers, Microsoft's Windows chief Pavan Davuluri said in a company video. Davuluri, Corporate Vice President and head of Windows, said that voice will emerge as a primary input method alongside keyboard and mouse, with the operating system gaining context awareness to understand screen content and user intent through natural language.

Windows interfaces, he said, will appear fundamentally different within five years as the platform becomes increasingly agentic. The transformation will rely on both local processing power and cloud computing capabilities to deliver seamless experiences where users can speak to their computers while simultaneously typing or inking.

An anonymous reader quotes a report from The Verge: Google is rolling out an update for Gemini that will allow the AI chatbot to "remember" your past conversations without prompting. With the setting turned on, Gemini will automatically recall your "key details and preferences" and use them to personalize its output.

This expands upon an update that Google introduced last year, which lets you ask Gemini to "remember" your personal preferences and interests. Now, Gemini won't need prompting to recall this information. As an example, Google says if you've used Gemini to get ideas for a YouTube channel surrounding Japanese culture in the past, then AI chatbot might suggest creating content about trying Japanese food if you ask it to suggest new video ideas in the future. [...]

Google will turn on this feature by default, but you can disable it by heading to your settings in the Gemini app and selecting Personal Context. From there, toggle off the Your past chats with Gemini option. Google will roll out this feature to its Gemini 2.5 Pro model in "select countries" starting today, before eventually bringing it to more locations and its Gemini 2.5 Flash model. Google will also rename its "Gemini Apps Activity" setting to "Keep Activity," which will use "a sample" of your file and photo uploads to Gemini to "help improve Google services for everyone" starting on September 2nd. If you've disabled the previous setting, the new "Keep Activity" setting will be disabled too.

There's also a new "temporary chats" feature in Gemini to preserve privacy. "Temporary chats won't appear in your recent chats or your Keep Activity setting," notes The Verge. "Gemini also won't use these chats to personalize future conversations, nor will Google use them to train its AI models. Google will only save these conversations for 72 hours."

Pebble has unveiled the final design of its rebooted Pebble Time 2 smartwatch, featuring a stainless steel body, color accents, knurled buttons, a flat glass display, customizable RGB backlight, and a built-in compass. 9to5Google reports: In a new episode of his podcast "Tick Talk," original Pebble founder Eric Migicovsky discusses the progress being made on the revival. This time around, the main topic is Pebble Time 2 and its "final design," which sees a considerable redesign compared to what was shown off earlier this year. The new look has some added curves, color accents, knurled buttons, and a stunning overall look.

It'll be available in black and silver colors, as opposed to the black and white previously shown off. In between the metal portions of the build, a polycarbonate layer will allow the radios to work properly, while also adding a blue or red accent to the design. Apparently, there are four total color options on the table, but they're not final just yet. Anyone who has placed a pre-order will get the choice of what color they want.

The new Pebble Time 2 will be made from stainless steel, in particular the same steel material that the original Pebble Steel was built from. It also has transitioned to a flat glass panel versus the curved finish that was used on prior Pebble watches, lessening reflections. The backlight on this model is also more advanced, with an RGB LED that allows the user to control the backlight color so it's not always "blue-ish." Migicovsky says that this will allow the color temperature to change through the day. The Pebble Time 2 is available to pre-order for $225.

Young listeners are accelerating audio and video consumption, with an Economist/YouGov poll finding 31% of Americans aged 18-29 using faster-than-1x playback versus 8% among those 45 and older, as Apple, Spotify, newspapers' audio, Netflix, and YouTube expand speed controls, including YouTube's 4x for premium users.

YouTube reports more than 900 years saved per day from fast playback; a meta-analysis led by University of Waterloo researchers finds minimal test-score change up to 1.5x and declines near or past 2x.

In 2020 a YouTube video used video footage of Steve Wozniak in a scam to steal bitcoin. "Some people said they lost their life savings," Wozniak tells CBS News, explaining why he sued YouTube in 2020 — and where his case stands now: Wozniak's lawsuit against YouTube has been tied up in court now for five years, stalled by federal legislation known as Section 230. Attorney Brian Danitz said, "Section 230 is a very broad statute that limits, if not totally, the ability to bring any kind of case against these social media platforms."

"It says that anything gets posted, they have no liability at all," said Wozniak. "It's totally absolute."

Google responded to our inquiry about Wozniak's lawsuit with a statement from José Castañeda, of Google Policy Communications: "We take abuse of our platform seriously and take action quickly when we detect violations ... we have tools for users to report channels that are impersonating their likeness or business." [Steve's wife] Janet Wozniak, however, says YouTube did nothing, even though she reported the scam video multiple times: "You know, 'Please take this down. This is an obvious mistake. This is fraud. You're YouTube, you're helping dupe people out of their money,'" she said.

"They wouldn't," said Steve...
Today is Steve Wozniak's 75th birthday. (You can watch the interview here.) And the article includes this interesting detail about Woz's life today: Wozniak sold most of his Apple stock in the mid-1980s when he left the company. Today, though, he still gets a small paycheck from Apple for making speeches and representing the company. He says he's proud to see Apple become a trillion-dollar company. "Apple is still the best," he said. "And when Apple does things I don't like, and some of the closeness I wish it were more open, I'll speak out about it. Nobody buys my voice!"

I asked, "Apple listen to you when you speak out?"

"No," Wozniak smiled. "Oh, no. Oh, no."
Wozniak answered questions from Slashdot readers in 2000 and again in 2012.

And he dropped by Slashdot on his birthday to leave this comment for Slashdot's readers...

"What happens when cybercriminals stop thinking small and start thinking like a Fortune 500 company?" asks a blog post from Koi Security. "You get GreedyBear, the attack group that just redefined industrial-scale crypto theft."

"150 weaponized Firefox extensions [impersonating popular cryptocurrency wallets like MetaMask and TronLink]. Nearly 500 malicious executables. Dozens of phishing websites. One coordinated attack infrastructure. According to user reports, over $1 million stolen." They upload 5-7 innocuous-looking extensions like link sanitizers, YouTube downloaders, and other common utilities with no actual functionality... They post dozens of fake positive reviews for these generic extensions to build credibility. After establishing trust, they "hollow out" the extensions — changing names, icons, and injecting malicious code while keeping the positive review history. This approach allows GreedyBear to bypass marketplace security by appearing legitimate during the initial review process, then weaponizing established extensions that already have user trust and positive ratings. The weaponized extensions captures wallet credentials directly from user input fields within the extension's own popup interface, and exfiltrate them to a remote server controlled by the group...

Alongside malware and extensions, the threat group has also launched a network of scam websites posing as crypto-related products and services. These aren't typical phishing pages mimicking login portals — instead, they appear as slick, fake product landing pages advertising digital wallets, hardware devices, or wallet repair services... While these sites vary in design, their purpose appears to be the same: to deceive users into entering personal information, wallet credentials, or payment details — possibly resulting in credential theft, credit card fraud, or both. Some of these domains are active and fully functional, while others may be staged for future activation or targeted scams...

A striking aspect of the campaign is its infrastructure consolidation: Almost all domains — across extensions, EXE payloads, and phishing sites — resolve to a single IP address: 185.208.156.66 — this server acts as a central hub for command-and-control, credential collection, ransomware coordination, and scam websites, allowing the attackers to streamline operations across multiple channels... Our analysis of the campaign's code shows clear signs of AI-generated artifacts. This makes it faster and easier than ever for attackers to scale operations, diversify payloads, and evade detection.

This isn't a passing trend — it's the new normal.
The researchers believe the group "is likely testing or preparing parallel operations in other marketplaces."