An anonymous reader quotes a report from Variety: Edward Saatchi isn't totally sure people will flock to Showrunner, the new AI-generated TV show service his company is launching publicly this week. But he has a vote of confidence from Amazon, which has invested in Fable, Saatchi's San Francisco-based start-up. The amount of Amazon's funding in Fable isn't being disclosed. The money is going toward building out Showrunner, which Fable has hyped as the "Netflix of AI": a service that lets you type in a few words to create scenes -- or entire episodes -- of a TV show, either from scratch or based on an existing story-world someone else has created.

Fable is launching Showrunner to let users tinker with the animation-focused generative-AI system, following several months in a closed alpha test with 10,000 users. Initially, Showrunner will be free to use but eventually the company plans to charge creators $10-$20 per month for credits allowing them to create hundreds of TV scenes, Saatchi said. Viewing Showrunner-generated content will be free, and anyone can share the AI video on YouTube or other third-party platforms. [...] Fable's Showrunner public launch features two original "shows" -- story worlds with characters users can steer into various narrative arcs. The first is "Exit Valley," described as "a 'Family Guy'-style TV comedy set in 'Sim Francisco' satirizing the AI tech leaders Sam Altman, Elon Musk, et al." The other is "Everything Is Fine," in which a husband and wife, going to Ikea, have a huge fight -- whereupon they're transported to a world where they're separated and have to find each other. [...]

Showrunner is powered by Fable's proprietary AI model, SHOW-2. Last year, the company published a research paper on how it built the SHOW-1 model. As part of that, it released nine AI-generated episodes based on "South Park." The episodes, made without the permission of the "South Park" creators, received more than 80 million views. (Saatchi said he was in touch with the "South Park" team, who were reassured the IP wasn't being deployed commercially.) [...] Out of the gate, Showrunner is focused on animated content because it requires much less processing power than realistic-looking live-action video scenes. Saatchi said Fable wants to stay out of the "knife fight" among big AI companies like OpenAI, Google and Meta that are racing to create photorealistic content. "If you're competing with Google, are you going to win?" Saatchi said. "Our goal is to have the most creative models," he said.

Smartphone maker Nothing's $799 Phone 3 has been "mired in controversy among the same customers who rallied behind the company's past products" since its July launch, Bloomberg reported on Wednesday. Tech enthusiasts have "lambasted the company for the phone's peculiar industrial design and what they perceive to be an unreasonable price."

The Android device lacks the most performant Qualcomm processor chip found in premium Android phones and the camera performance "falls short of other handsets in this price bracket," the publication wrote in a scathing review. The phone costs $200 more than its predecessor and matches pricing with Apple's iPhone 16, Samsung's Galaxy S25, and Google's Pixel 9.

Critics across Reddit and social media have attacked Nothing for removing the signature Glyph Lights from previous models. Comments on Nothing's YouTube channel have been "bruising," focusing on the phone's oddly positioned camera array. "At its current price, the handset is too expensive for what it offers," the review concludes.

Google will soon cast an even wider net with its AI age estimation technology. From a report: After announcing plans to find and restrict underage users on YouTube, the company now says it will start detecting whether Google users based in the US are under 18.

Age estimation is rolling out over the next few weeks and will only impact a "small set" of users to start, though Google plans on expanding it more widely. The company says it will use the information a user has searched for or the types of YouTube videos they watch to determine their age. Google first announced this initiative in February. If Google believes that a user is under 18, it will apply the same restrictions it places on users who proactively identify as underage.

YouTube is rolling out age-estimation technology in the U.S. to identify teen users in order to provide a more age-appropriate experience. TechCrunch reports: When YouTube identifies a user as a teen, it introduces new protections and experiences, which include disabling personalized advertising, safeguards that limit repetitive viewing of certain types of content, and enabling digital well-being tools such as screen time and bedtime reminders, among others. These protections already exist on YouTube, but have only been applied to those who verified themselves as teens, not those who may have withheld their real age. [...]

If the new system incorrectly identifies a user as under 18 when they are not, YouTube says the user will be given the option to verify their age with a credit card, government ID, or selfie. Only users who have been directly verified through this method or whose age has been inferred to be over 18 will be able to view the age-restricted content on the platform. The machine learning-powered technology will begin to roll out over the next few weeks to a small set of U.S. users and will then be monitored before rolling out more widely, the company says. [...]

YouTube isn't sharing specifics about the signals it's using to infer a user's age, but notes that it will look at some data like the YouTube activity and the longevity of a user's account to make a determination if the user is under 18. The new system will apply only to signed-in users, as signed-out users already cannot access age-restricted content, and will be available across platforms, including web, mobile, and connected TV.

Satirical singer-songwriter Tom Lehrer died Saturday at age 97. The Associated Press notes Lehrer had long ago "largely abandoned his music career to return to teaching math at Harvard and other universities." Lehrer had remained on the math faculty of the University of California at Santa Cruz well into his late 70s. In 2020, he even turned away from his own copyright, granting the public permission to use his lyrics in any format without any fee in return.

A Harvard prodigy (he had earned a math degree from the institution at age 18), Lehrer soon turned his very sharp mind to old traditions and current events... He'd gotten into performing accidentally when he began to compose songs in the early 1950s to amuse his friends. Soon he was performing them at coffeehouses around Cambridge, Massachusetts, while he remained at Harvard to teach and obtain a master's degree in math. [Lehrer also "spent several years unsuccessfully pursuing a doctorate..."]

He cut his first record in 1953, "Songs by Tom Lehrer"... After a two-year stint in the Army, Lehrer began to perform concerts of his material in venues around the world. In 1959, he released another LP called "More of Tom Lehrer" and a live recording called "An Evening Wasted with Tom Lehrer," nominated for a Grammy for best comedy performance (musical) in 1960. But around the same time, he largely quit touring and returned to teaching math, though he did some writing and performing on the side. Lehrer said he was never comfortable appearing in public...

He did produce a political satire song each week for the 1964 television show "That Was the Week That Was," a groundbreaking topical comedy show that anticipated "Saturday Night Live" a decade later. He released the songs the following year in an album titled "That Was the Year That Was"... [Lehrer's body of work "was actually quite small," the article notes, "amounting to about three dozen songs."] He also wrote songs for the 1970s educational children's show "The Electric Company." He told AP in 2000 that hearing from people who had benefited from them gave him far more satisfaction than praise for any of his satirical works...

He began to teach part-time at Santa Cruz in the 1970s, mainly to escape the harsh New England winters. From time to time, he acknowledged, a student would enroll in one of his classes based on knowledge of his songs. "But it's a real math class," he said at the time. "I don't do any funny theorems. So those people go away pretty quickly."

California researchers planned a multimillion-dollar test of salt water-spraying equipment that could one day be used to dim the sun's rays — over a 3,900-square mile are off the west coasts of North America, Chile or south-central Africa. E&E News calls it part of a "secretive" initiative backed by "wealthy philanthropists with ties to Wall Street and Silicon Valley" — and a piece of the "vast scope of research aimed at finding ways to counter the Earth's warming, work that has often occurred outside public view." "At such scales, meaningful changes in clouds will be readily detectable from space," said a 2023 research plan from the [University of Washington's] Marine Cloud Brightening Program. The massive experiment would have been contingent upon the successful completion of the thwarted pilot test on the carrier deck in Alameda, according to the plan.... Before the setback in Alameda, the team had received some federal funding and hoped to gain access to government ships and planes, the documents show.

The university and its partners — a solar geoengineering research advocacy group called SilverLining and the scientific nonprofit SRI International — didn't respond to detailed questions about the status of the larger cloud experiment. But SilverLining's executive director, Kelly Wanser, said in an email that the Marine Cloud Brightening Program aimed to "fill gaps in the information" needed to determine if the technologies are safe and effective.âIn the initial experiment, the researchers appeared to have disregarded past lessons about building community support for studies related to altering the climate, and instead kept their plans from the public and lawmakers until the testing was underway, some solar geoengineering experts told E&E News. The experts also expressed surprise at the size of the planned second experiment....

The program does not "recommend, support or develop plans for the use of marine cloud brightening to alter weather or climate," Sarah Doherty, an atmospheric and climate science professor at the university who leads the program, said in a statement to E&E News. She emphasized that the program remains focused on researching the technology, not deploying it. There are no "plans for conducting large-scale studies that would alter weather or climate," she added.
"More than 575 scientists have called for a ban on geoengineering development," according to the article, "because it 'cannot be governed globally in a fair, inclusive, and effective manner.'" But "Some scientists believe that the perils of climate change are too dire to not pursue the technology, which they say can be safely tested in well-designed experiments... " "If we really were serious about the idea that to do any controversial topic needs some kind of large-scale consensus before we can research the topic, I think that means we don't research topics," David Keith, a geophysical sciences professor at the University of Chicago, said at a think tank discussion last month... "The studies that the program is pursuing are scientifically sound and would be unlikely to alter weather patterns — even for the Puerto Rico-sized test, said Daniele Visioni, a professor of atmospheric sciences at Cornell University. Nearly 30 percent of the planet is already covered by clouds, he noted.
Thanks to Slashdot reader fjo3 for sharing the news.

From the Adafruit blog: Greg Technology (aka Greg Sadetsky) on YouTube demonstrates a version of Chocolate Doom where opponent characters can be cut, copied, and pasted at will to add a bit more fun to the game.
Obviously this means you can paste in your attackers multiple times. ("They're kind of not really happy if you do that..." Greg says at one point in the video. "But then, you can also cut them... like, vaccuum them out.")

In response to a comment on YouTube, Sadetsky explained that "It stores a reference to the kind of monster (every monster has a unique type number).

"So yeah, you could paste them across games!"

At this weekend's Comic-Con, "Excitement has been high over the sneak peeks at Tron: Ares and Predator: Badlands," reports CNET. (Nine Inch Nails has even recorded a new song for Tron: Ares .)

A few highlights from CNET's coverage:

• The Coyote vs. Acme movie will hit theaters next year "after being rescued from the pile of scrapped ashes left by Warner Bros. Discovery," with footage screened during a Comic-Con panel.

• The first episode of Alien: Earth was screened before its premiere August 12th on FX.

• A panel reunited creators of the animated Avatar: The Last Airbender for its 20th anniversary — and discussed the upcoming sequel series Avatar: Seven Havens.

• A trailer dropped for the new Star Trek: Starfleet Academy series on Paramount+ ("Star Trek Goes Full Gen Z..." quips one headline.)

To capture some of the ambience, the Guardian has a collection of cosplayer photos. CNET notes there's even booths for Lego and Hot Wheels (which released toys commemorating the 40th anniversary of Back to the Future and the 50th anniversary of Jaws).

But while many buildings are "wrapped" with slick advertisements, SFGate notes the ads are technically illegal, "with penalties for each infraction running up to $1,000 per day," (according to the San Diego Union-Tribune). "Last year's total ended up at $22,500."

The Union-Tribune notes that "The fines are small enough that advertisers clearly think it is worth it, with about 30 buildings in the process of being wrapped Monday morning."

AMD CEO Lisa Su said that chips produced at TSMC's new Arizona plant will cost 5-20% more than those made in Taiwan, but emphasized that the premium is worth it for supply chain resilience. Bloomberg reports: AMD expects its first chips from TSMC's Arizona facilities by the end of the year, Su said. The extra expense is worth it because the company is diversifying the crucial supply of chips, Su said in an interview with Bloomberg Television following her onstage appearance. That will make the industry less prone to the type of disruptions experienced during the pandemic. "We have to consider resiliency in the supply chain," she said. "We learned that in the pandemic."

TSMC's new Arizona plant is already comparable with those in Taiwan when it comes to the measure of yield -- the amount of good chips a production run produces per batch -- Su told the audience at the forum.

An anonymous reader quotes a report from Ars Technica: Donald Trump vowed to save TikTok before taking office, claiming only he could make a deal to keep the app operational in the US despite national security concerns. But then, he put Vice President JD Vance in charge of the deal, and after months of negotiations, the US still doesn't seem to have found terms for a sale that the Chinese government is willing to approve. Now, Trump Commerce Secretary Howard Lutnick has confirmed that if China won't approve the latest version of the deal -- which could result in a buggy version of TikTok made just for the US -- the administration is willing to shut down TikTok. And soon.

On Thursday, Lutnick told CNBC that TikTok would stop operating in the US if China and TikTok owner ByteDance won't sell the app to buyers that Trump lined up, along with control over TikTok's algorithm. Under the deal Trump is now pushing, "China can have a little piece or ByteDance, the current owner, can keep a little piece," Lutnick said. "But basically, Americans will have control. Americans will own the technology, and Americans will control the algorithm." However, ByteDance's board has long maintained that the US can alleviate its national security fears -- that China may be using the popular app to manipulate and spy on Americans -- without forcing a sale. In January, a ByteDance board member, Bill Ford, told World Economic Forum attendees that a non-sale option "could involve a change of control locally to ensure" TikTok "complies with US legislation" without selling off the app or its algorithm.

At this point, Lutnick suggested that the US is unwilling to bend on the requirement that the US control the recommendation algorithm, which is viewed as the secret sauce that makes the app so popular globally. ByteDance may be unwilling to sell the algorithm partly because then it would be sharing its core intellectual property with competitors in the US. Earlier this month, Trump had claimed that he wasn't "confident" that China would approve the deal, even though he thought it was "good for China." Analysts have suggested that China views TikTok as a bargaining chip in its tariff negotiations with Trump, which continue to not go smoothly, and it may be OK with the deal but unwilling to release the bargaining chip without receiving key concessions from the US. For now, the US and China are enjoying a 90-day truce that could end in August, about a month before the deadline Trump set to sell TikTok in mid-September.

Thingiverse, a popular 3D printing file repository, has agreed to remove downloadable gun designs following pressure from Manhattan DA Alvin Bragg, who is pushing for stricter moderation and voluntary cooperation across the 3D printing industry. "However, it's unlikely to slow the proliferation of 3D printed weapons, as many other sites offer downloadable gun designs and parts," reports The Register. From the report: Earlier this year, Bragg wrote to 3D printing companies, asking them to ensure their services can't be used to create firearms. On Saturday, Bragg announced that one such company, Thingiverse, would remove working gun models from its site. The company operates a popular free library of 3D design files and had already banned weapons in its terms of use, but is now promising to improve its moderation procedures and technology. "Following discussions with the Manhattan District Attorney's Office about concerns around untraceable firearms, we are taking additional steps to improve our content moderation efforts," Thingiverse said in a statement. "As always, we encourage our users to report any content that may be harmful." [...]

At any rate, while Thingiverse may be popular among 3D printing mavens, people who like to build their own guns look to other options. [...] Bragg's approach to 3D printing sites and 3D printer manufacturers is to seek voluntary cooperation. Only Thingiverse and YouTube have taken up his call, others may or may not follow. "While law enforcement has a primary role to play in stopping the rise of 3D-printed weapons, this technology is rapidly changing and evolving, and we need the help and expertise of the private sector to aid our efforts," Bragg said. "We will continue to proactively reach out to and collaborate with others in the industry to reduce gun violence throughout Manhattan and keep everyone safe." But it seems doubtful that the sites where Aranda and other 3D gun makers get their files will be rushing to help Bragg voluntarily.

An anonymous reader quotes a report from The Guardian: During his latest trip to Washington, OpenAI's chief executive, Sam Altman, painted a sweeping vision of an AI-dominated future in which entire job categories disappear, presidents follow ChatGPT's recommendations and hostile nations wield artificial intelligence as a weapon of mass destruction, all while positioning his company as the indispensable architect of humanity's technological destiny. Speaking at the Capital Framework for Large Banks conference at the Federal Reserve board of governors, Altman told the crowd that certain job categories would be completely eliminated by AI advancement. "Some areas, again, I think just like totally, totally gone," he said, singling out customer support roles. "That's a category where I just say, you know what, when you call customer support, you're on target and AI, and that's fine." The OpenAI founder described the transformation of customer service as already complete, telling the Federal Reserve vice-chair for supervision, Michelle Bowman: "Now you call one of these things and AI answers. It's like a super-smart, capable person. There's no phone tree, there's no transfers. It can do everything that any customer support agent at that company could do. It does not make mistakes. It's very quick. You call once, the thing just happens, it's done."

The OpenAI founder then turned to healthcare, making the suggestion that AI's diagnostic capabilities had surpassed human doctors, but wouldn't go so far as to accept the superior performer as the sole purveyor of healthcare. "ChatGPT today, by the way, most of the time, can give you better -- it's like, a better diagnostician than most doctors in the world," he said. "Yet people still go to doctors, and I am not, like, maybe I'm a dinosaur here, but I really do not want to, like, entrust my medical fate to ChatGPT with no human doctor in the loop." [...] At the fireside chat, he said one of his biggest worries was over AI's rapidly advancing destructive capabilities, with one scenario that kept him up at night being a hostile nation using these weapons to attack the US financial system. And despite being in awe of advances in voice cloning, Altman warned the crowd about how that same benefit could enable sophisticated fraud and identity theft, considering that "there are still some financial institutions that will accept the voiceprint as authentication".

For the first time ever, a CCTV camera in Myanmar captured real-time footage of a supershear strike-slip earthquake moving at 3.7 miles per second. According to seismologists at Japan's Kyoto University, the analysis has "led to new findings based on real-time visual evidence of tectonic motion," reports Popular Science. From the report: The magnitude 7.7 event took place on March 28 along the Sagaing Fault with an epicenter near Myanmar's second-largest city, Mandalay. Although the initial rupture process lasted barely 80 seconds, it and numerous aftershocks were ultimately responsible for 5,456 confirmed deaths and over 11,000 injuries. Later evaluations indicated the quake was the second deadliest in modern history, as well as the most powerful to hit Myanmar in over a century. According to a separate group's paper published in the same journal, the southern portion of the rupture occurred at an astonishing 3.7 miles per second -- fast enough to qualify as "supershear velocity."

Amid the catastrophe, an outdoor CCTV camera about 74.5 miles south of the epicenter recorded a visceral illustration of its power. Over just a few moments, what at first looks like a single chunk of the ground appears to suddenly divide and horizontally shift past one another in opposite directions. Completely by accident, the camera recorded a direct look of a strike-slip fault, something previously analyzed by remote seismic instruments. To researchers at Kyoto University, the clip wasn't just a jaw-dropping scene -- it was an opportunity to study a strike-slip fault using visual data. You can watch the footage on YouTube.

Fast Company's tech editor Harry McCracken (also harrymccSlashdot reader #1,641,347) writes: As part of Fast Company's "1995 week", I wrote about IBM's ThinkPad 701, the famous model with an expanding "butterfly" keyboard [which could be stretched from 9.7-inches to 11.5 inches]. By putting full-sized keys in a subnotebook-sized laptop, it solved one of mobile computing's biggest problems.

IBM discontinued it before the end of the year, and neither it nor anyone else ever made anything similar again. And yet it remains amazing.
Check out this 1995 ad for the keyboard! The article calls the butterfly ThinkPad "one of the best things the technology industry has ever done with moving parts," and revisits 1995's race "to design a subnotebook-sized laptop with a desktop-sized keyboard." It's still comically thick, standing almost as tall as four MacBook Airs stacked on each other. That height is required to accommodate multiple technologies later rendered obsolete by technological progress, such as a dial-up fax/modem, an infrared port, two PCMCIA expansion card slots, and a bulky connector for an external docking station... Lifting the screen set off a system of concealed gears and levers that propelled the two sections of keyboard into position with balletic grace... A Businesweek article cited sales of 215,000 units and said it was 1995's best-selling PC laptop. Yet by the time that story appeared in February 1996, the 701 had been discontinued. IBM never made anything like it again. Neither did anyone else...

As portable computers became more popular, progress in display technology had made it possible for PC makers to use larger screens. Manufacturers were also getting better at fitting a laptop's necessary components into less space. These advances let them design a new generation of thin, light laptops that went beyond the limitations of subnotebooks. Once IBM could make a lightweight laptop with a wider screen, "the need for an expanding keyboard was no longer essential," says [butterfly ThinkPad engineer] George Karidis. "It would have just been a novelty."
The article notes a fan's open source guides for repairing butterfly Thinkpads at Project Butterfly, and all the fan-community videos about it on YouTube, "from an excellent documentary to people simply being entranced by it.

"As a thing of wonder, it continues to transcend its own obsolescence."

Twitter co-founder/Block CEO Jack Dorsey isn't just vibe coding new apps like Bitchat and Sun Day. He's also "invested $10 million in an effort to fund experimental open source projects and other tools that could ultimately transform the social media landscape," reports TechCrunch," funding the projects through an online collective formed in May called "andOtherStuff: [T]he team at "andOtherStuff" is determined not to build a company but is instead operating like a "community of hackers," explains Evan Henshaw-Plath [who handles UX/onboarding and was also Twitter's first employee]. Together, they're working to create technologies that could include new consumer social apps as well as various experiments, like developer tools or libraries, that would allow others to build apps for themselves.

For instance, the team is behind an app called Shakespeare, which is like the app-building platform Lovable, but specifically for building Nostr-based social apps with AI assistance. The group is also behind heynow, a voice note app built on Nostr; Cashu wallet; private messenger White Noise; and the Nostr-based social community +chorus, in addition to the apps Dorsey has already released. Developments in AI-based coding have made this type of experimentation possible, Henshaw-Plath points out, in the same way that technologies like Ruby on Rails, Django, and JSON helped to fuel an earlier version of the web, dubbed Web 2.0.

Related to these efforts, Henshaw-Plath sat down with Dorsey for the debut episode of his new podcast, revolution.social with @rabble... Dorsey believes Bluesky faces the same challenges as traditional social media because of its structure — it's funded by VCs, like other startups. Already, it has had to bow to government requests and faced moderation challenges, he points out. "I think [Bluesky CEO] Jay [Graber] is great. I think the team is great," Dorsey told Henshaw-Plath, "but the structure is what I disagree with ... I want to push the energy in a different direction, which is more like Bitcoin, which is completely open and not owned by anyone from a protocol layer...."

Dorsey's initial investment has gotten the new nonprofit up and running, and he worked on some of its initial iOS apps. Meanwhile, others are contributing their time to build Android versions, developer tools, and different social media experiments. More is still in the works, says Henshaw-Plath.

"There are things that we're not ready to talk about yet that'll be very exciting," he teases.

"I vibe coded a little game called Coldplay Canoodlers," reads the X.com post by gaming enthusiast/songwriter Jonathan Mann. "You're the camera operator and you have to find the CEO and HR lady canoodling. 10 points every time you find them."

Mann's post includes a 30-second clip from the game, which is playable here.

Forbes notes that the TikTok video of the couple's reaction has drawn more than 100 million views — and that the married-to-someone-else CEO has now tendered his resignation from his dataops company Astronomer (which was accepted). The company is now searching for a new chief executive, according to a statement posted on LinkedIn. ("Comments have been turned off on this post...")

"Our leaders are expected to set the standard in both conduct and accountability, and recently, that standard was not met."

But songwriter Mann saw a chance to have some fun, writes Forbes: Mann used ChatGPT to make the "Coldplay Canoodlers" game, inputting such prompts as: "Can you generate an 8-bit pixel image of a stadium concert viewed from the stage" and "there should be a large jumbotron somewhere up in the stadium seats." He also entered rough drawings of the visual style he envisioned... The response to the game, Mann said in an interview, has been unexpected. "I have gone viral many times with my songs," he said. It's "very strange to have it happen with a game I made in four hours."
Songwriter Mann has been sharing an original song online every day for over 17 years. Last summer Slashdot also covered Mann's attempts to sell NFTs of his songs, and his concerns about SEC regulations. (This led him to file a real-world legal challenge — and to write a song titled "I'm Suing the SEC".) So with all the attention this weekend to his instant game, there was nothing to do but... write a new song about it.

And minutes ago on X.com, Mann also posted a new update about his game.

"I turned it into an NFT."

"Took some time," Mann explained later. "But I vibe coded my own ERC-721 contract and minted the game as a playable NFT. (Plays great on OpenSea)."

"Commodore has returned from a parallel timeline where tech stayed optimistic, inviting, and human," explains the official web site for "the first real Commodore computer in over 30 years..." You can check out an ad for it here. "Not an emulator. Not a PC... Powered by a FPGA recreation of the original motherboard, wrapped in glowing game-reactive LEDs (or classic beige of course)."

Fast Company calls it "a $299 device that its makers claim is compatible with over 10,000 retro games, cartridges, and peripherals." In a YouTube video posted last month, "Peri Fractic" said he'd purchased the company for "a low seven-figure sum," and said he'd recruited several former Commodore employees to help relaunch the brand. The new C64s are expected to begin shipping as early as October, though that date could slip... There are three models to choose from, all with the same internal components. If you were expecting a vastly outdated machine, however, you're in for a surprise. The Commodore 64 Ultimate will include 128 megabytes of RAM and 16 megabytes of flash memory. It connects to modern monitors via HDMI in high-definition 1080p resolution and features three USB-A ports and one USB-C port. Beyond the computer itself, the power source, and HDMI cable, your $299 also gets you a spiral-bound user guide, a 64-gigabyte USB drive featuring over 50 licensed games, a quick-start guide, and stickers.

Aesthetically, the Commodore 64 Ultimate is available in the original beige or in premium variants: the Starlight Edition, with a clear case and LED lights ($249), or the Founder's Edition, which includes 24-karat gold-plated badges, satin gold keys, and a translucent amber case ($499). Just 6,400 units of the Founder's Edition will be produced, according to the company. The preorder setup resembles a Kickstarter campaign, though it doesn't use that platform. Commodore says all preorders come with a money-back guarantee, but it chose to skip the service's fees. Buyers should be aware that accounts are charged at the time of preorder...

The product will come with a one-year limited warranty, and Commodore says most parts are already in production, including the updated motherboard, the case, and the keycaps that recreate the blocky keys that early users remember.

The Independent notes a remarkable-if-true figure that's being bandied around this week.

Meta "started making these, like, giant offers to a lot of people on our team," OpenAI CEO Sam Altman told his brother Jack on his podcast. "You know, like, $100 million signing bonuses, more than that [in] compensation per year... I'm really happy that, at least so far, none of our best people have decided to take him up on that."

Previous reports have also suggested that Meta is targeting employees at Google DeepMind, offering similar levels of compensation. Some of these efforts appear to have been successful, with DeepMind researcher Jack Rae joining Meta's 'Superintelligence' team earlier this month...

During the podcast, which was published on Tuesday, Mr Altman also gave details about future AI products that OpenAI is hoping to build, claiming that they will enable "crazy new social experiences" and "virtual employees". The most important breakthrough over the next decade, he said, would involve radical new discoveries powered by AI. "The thing that I think will be the most impactful in that five-to-10 year timeframe is AI will actually discover new science," he said.
The Washington Post notes that Zuckerberg "responded to recent reports of his compensation offers in an interview posted by the Information on YouTube on Tuesday, saying that 'a lot of the numbers specifically have been inaccurate" but acknowledging there is "an absolute premium for the best and most talented people." Zuckerberg's recent hires and other comments this week suggest he's not taking any chances of being left behind. He announced plans for a giant data center campus large enough to obscure Manhattan to power future AI projects by his superintelligence team.

An anonymous reader quotes a report from Android Authority: Italian YouTuber Once Were Nerd covers a variety of retro gaming topics, but his reviews of ANBERNIC devices appear to be the straw that broke the camel's back. According to the video [here], customs enforcement officers from the Guardia di Finanza showed up at his home and office on April 15 with a search warrant to investigate promotion of pirated copyrighted materials. They seized a variety of ANBERNIC, Powkiddy, and TrimUI gaming handhelds from his collection. In total, more than 30 consoles were taken. The creator, assuming he didn't do anything wrong, complied with demands, providing full transcripts of his conversations and chats with gaming handheld manufacturers. The officers also took his phone, promising to return it in a few days. It was returned two months later, on June 15.

According to the video, officials are not required to disclose what exactly the charges are or who has brought them until the initial investigation is complete under Italian law. At that point, the case is either dismissed or goes to trial. The complaint specifically mentions reproduction of copyrighted material from Nintendo and Sony, but the case may originate from the agency itself. However, in the meantime officials have the option to shut down his channel, even before proving any wrongdoing. This is a scary prospect for any creator who has spent years building a channel, and unlike YouTube copyright strikes, there's likely no remedy.

Currently, officials contest that his reviews of ANBERNIC devices like the RG Slide, which often, but not always, ship with microSD cards filled with copyrighted ROMs, are punishable under Article 171 ter of the Italian Copyright Law. This law, which was originally written in 1941, allows for a maximum punishment of 15,000 euros (or 30 million Italian Lira, since the law pre-dates the Euro) and three years of jail time.

Bruce66423 shares a report from The Guardian: They went viral, amassing more than 1m streams on Spotify in a matter of weeks, but it later emerged that hot new band the Velvet Sundown were AI-generated -- right down to their music, promotional images and backstory. The episode has triggered a debate about authenticity, with music industry insiders saying streaming sites should be legally obliged to tag music created by AI-generated acts so consumers can make informed decisions about what they are listening to. [...]

Several figures told the Guardian that the present situation, where streaming sites, including Spotify, are under no legal obligation to identify AI-generated music, left consumers unaware of the origins of the songs they're listening to. Roberto Neri, the chief executive of the Ivors Academy, said: "AI-generated bands like Velvet Sundown that are reaching big audiences without involving human creators raise serious concerns around transparency, authorship and consent." Neri added that if "used ethically," AI has the potential to enhance songwriting, but said at present his organization was concerned with what he called "deeply troubling issues" with the use of AI in music.

Sophie Jones, the chief strategy officer at the music trade body the British Phonographic Industry (BPI), backed calls for clear labelling. "We believe that AI should be used to serve human creativity, not supplant it," said Jones. "That's why we're calling on the UK government to protect copyright and introduce new transparency obligations for AI companies so that music rights can be licensed and enforced, as well as calling for the clear labelling of content solely generated by AI."

Liz Pelly, the author of Mood Machine: The Rise of Spotify and the Costs of the Perfect Playlist, said independent artists could be exploited by people behind AI bands who might create tracks that are trained using their music. She referred to the 2023 case of a song that was uploaded to TikTok, Spotify and YouTube, which used AI-generated vocals claiming to be the Weeknd and Drake. Universal Music Group said the song was "infringing content created with generative AI" and it was removed shortly after it was uploaded.

Aurelien Herault, the chief innovation officer at the music streaming service Deezer, said the company uses detection software that identifies AI-generated tracks and tags them. He said: "For the moment, I think platforms need to be transparent and try to inform users. For a period of time, what I call the "naturalization of AI', we need to inform users when it's used or not." Herault did not rule out removing tagging in future if AI-generated music becomes more popular and musicians begin to use it like an "instrument." At present, Spotify does not label music as AI-generated and has previously been criticized for populating some playlists with music by "ghost artists" -- fake acts that create stock music. Bruce66423 comments: "Artists demand 'a warning' on such material. Why? If it is what the people want..."