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Ask About 10 Years of Free Web Publishing 114

This week's Slashdot questions go to Paul Jones, director of ibiblio.org (formerly MetaLab, before that SunSITE) since it first went live in August, 1992. Ibiblio hosts the world's largest Linux archive (including the LDP), plenty of streamed and downloadable music, the world's longest-running Web cartoon (Dr. Fun), and thousands of texts on topics too numerous to list here. This is truly "the public's library and digital archive," 100% GPL, copyleft, and/or public domain, sponsored jointly by the Center for the Public Domain and UNC. Lots of people talk about free online publishing. Paul Jones just does it, day after day, year after year. Ask him whatever you want; we'll send 10 of the highest moderated questions to him and post his answers as soon as we get them back.
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Ask About 10 Years of Free Web Publishing

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  • Has he figured out how to monetize it yet? Thousands of former, failed Geek Business execs would like to know! Their attempts at "Free Web Publishing" led them to financial failure.
    • Re:Cool, but... (Score:1, Insightful)

      by Anonymous Coward
      sponsored jointly by the Center for the Public Domain and UNC

      That's like asking how libraries stay open.

      FUNDING FUNDING FUNDING.

      Of course its something that SPENDS money, not MAKES money. Hence the FUNDING

      Should I say it again (cause more people are asking).

      OK, one more time.

      FUNDING
  • Two words... (Score:5, Interesting)

    by Anonymous Coward on Monday July 29, 2002 @11:06AM (#3972109)
    DRM? Palladium?
    What's your take on these two technologies?
    Are you afraid they'll ultimately destroy what you have been working for, for the past 10 years? If not, why?
    Optional question: What about the copyright extension we have seen?
    Another optional question: Linux... or BSD? =)
  • How does you keep this thisg going with add revenues on the decline?

    Kal
  • by burgburgburg ( 574866 ) <splisken06NO@SPAMemail.com> on Monday July 29, 2002 @11:07AM (#3972112)
    Simple enough question in two parts:

    Looking back on 10 years of doing this, what would classify as your greatest success, and your greatest failure?

  • by Anonymous Coward on Monday July 29, 2002 @11:10AM (#3972135)
    Personally I'd really like to know what the difference in bandwidth usage, hits, cost, and other boring logistical statistics the site produces are...

    *HOW* many gigs per day, HOW much cost per day, how many people download the latest linux ISO on their cable/dsl just because they can?

    Sunsite (as I'll forever call it) isn't just a measure of the pulse of linux penetration, it's been the heart of it for me over the years. -_-()
  • by kafka93 ( 243640 ) on Monday July 29, 2002 @11:11AM (#3972142)
    What is the center's view on the publishing of material that might be considered "offensive" or "dangerous", and does the center make subjective judgements upon the importance of one piece of intellectual property over another on the basis of 'artistic worth', 'decency', etc.? With only limited resources available to promote the archiving of data, is there the risk that important fringe documents may be left by the wayside, or ignored due to political/social concerns?
    • is there the risk that important fringe documents
      I don't call "Le Marquis de Sade" 's books fringe documents! But otherwise your question is good. The Gutenberg Project has a long list of books and authors published. How do they or you, Mr. Jones, decide on what is not acceptable?
      Would you allow publication of "Mein Kampf" or a copyleft'ed book from Ben Laden?
      Or a book on how to illegally circumvent encryption?
  • Government money (Score:1, Interesting)

    by kilonad ( 157396 )
    Have you ever considered approaching the government for some grant money? If so, would there be icky strings attached that make it counterproductive?
  • Project Gutenberg (Score:3, Interesting)

    by RobotWisdom ( 25776 ) on Monday July 29, 2002 @11:14AM (#3972158) Homepage
    My only experience with Ibiblio is via Project Gutenberg, so maybe you're the wrong person to ask, but I'm troubled by some of PG's design decisions, and wonder if you can throw any light on them:

    - the preference for ascii over html (I've seen a few cases lately where html-versions were offered too-- will this be the future policy?)

    - the annoying pages of smallprint at the start

    - the 'server indirection' that requires a decision *every single time* of which server to use

    - the absence (or obscure placement) of basic bibliographic info like publication-date

    It seems like these choices were made several generations ago, in Internet Time, so I hope they're all being reconsidered?
    • Re:Project Gutenberg (Score:5, Informative)

      by gbnewby ( 74175 ) on Monday July 29, 2002 @11:33AM (#3972263) Homepage
      Project Gutenberg isn't the biggest collection at ibiblio, but it might be the biggest one that is actually based there (as opposed to stuff that's mirrored, such as the Linux distros). You're right that many of these decisions were made awhile ago, I'll try to clarify.

      First, you should know that we're in the midst of a big Web page redesign. We'll be moving our main pages from http://promo.net/pg to http://ibiblio.org/gutenberg (with virtual domains of course: gutenberg.net and friends). We'll be addressing many of your concerns. You heard it here, first.

      Second, I agree our "finding aids" (in library terms) are poor. It's my #1 priority to get this stuff working better, and in fact several people are working right now to put a new database-driven system into place.

      Responses to your questions: ascii over html: We take everything, but also try to make sure we have a plain ASCII file in addition to other formats. Most volunteers give us just text, since that's what comes from their OCR of books. In the near future, we will have automatic conversion on the fly into nearly ANY format, starting with Braille, then adding HTML, XML, PDF and others including PDA eBook formats....text too, of course.

      small print: Since November 2001 the small print at the start is only 35 lines or so, including the title, author, pub date, etc. The long annoying legalese is at the end now. The automatic conversion process mentioned above will enable us to put the most recent header (with the short front part) on all the older content. As to "why do we need the legalese," read the small print itself, it's pretty clear.

      server indirection: this is one of those finding aids problems we'll overcome. A cookie or other configuration would do the trick here...

      bibliogaphic information: All the recent (last year or two) texts include this right up top. Even the older ones include a "release date" or something similar. The improved finding aids will let you search by publication date, by the way.

      We're actively discussing this stuff on the Project Gutenberg Volunteer's Discussion List, see mailing list subscription info [promo.net] for how to subscribe.

      Dr. Gregory B. Newby
      Chief Executive and Director
      Project Gutenberg Literary Archive Foundation
      http://gutenberg.net
      A 501(c)(3) not-for-profit organization with EIN 64-6221541

  • Cost effective (Score:5, Interesting)

    by Jacer ( 574383 ) on Monday July 29, 2002 @11:14AM (#3972160) Homepage
    What do you do for revenue? Most free hosting services are plauged with crappy obtrusive ads and pop up/under windows that annoy me to no end. I try to avoid these sites (ie geocities/angelfire) however you don't have much in the way of ads, how to you have any capital?? (and if you wouldn't mind telling the slashdot editors maybe they can remove some of the larger ads on the site...
    • ummm, no free host will host a site that large, regardless of popup ads...
    • This is [...] sponsored jointly by the Center for the Public Domain and UNC.

      Sounds like they get money from elsewhere, not profitting.
      • Yes, but compared to almost any site (save google and their wonderful views on a user-centric experience) have ads that take most of my screen real estate! on slashdot, the ad behind the main story when i want to look through the comments takes up another large chunk (and i run at a high res, the poor sucker at 800x600 it's probabally full screen)
    • > Most free hosting services are plauged with crappy obtrusive ads
      > and pop up/under windows that annoy me to no end.

      Why don't you do something about it? Download Mozilla [mozilla.org] to get rid of everything that annoys you when performing your daily surfing.
    • Don't totally waste a question ;-)



      ibiblio is a nonprofit internet collaborative supported through the generous
      and enthusiastic contributions of the following partners...

      http://ibiblio.org/partners/ [ibiblio.org]



      • Yes, but that doesn't go into the depth I was looking for. "These guys give us money." I'm very intrested in their operating costs, and also what they recieve in donation! (Mandrake has money to donate? I remember when they were begging for green.)
  • Content requests (Score:3, Interesting)

    by sgtsanity ( 568914 ) on Monday July 29, 2002 @11:15AM (#3972164)
    What's your most requested pieces of content?
  • by Otter ( 3800 ) on Monday July 29, 2002 @11:15AM (#3972165) Journal
    I know ibiblio (I still think of it as SunSite) as a) a repository of Unix software, especially useful for pre-Freshmeat apps and b) a mirror provider. "Free online publisher" wouldn't have made the list, but looking at your main page I see all sorts of things I didn't realized you hosted.

    Which ones get the most traffic?

  • Question of Money (Score:5, Interesting)

    by too_bad ( 595984 ) on Monday July 29, 2002 @11:16AM (#3972166)
    One of the things that people frequently ask about sites like ibiblio.org
    is "They are great. But how long will they be around?"

    Do you see this as a concern (esp. after the LWN announcement) and do you have any
    comments regardning this. Are there any good approaches you suggest (like augmenting
    free usership with voluntary subscriptions, etc) for such free sites in general ?

    Thanks.
  • by Fluid Donkey ( 97587 ) on Monday July 29, 2002 @11:17AM (#3972173)
    In general how supportive have you found the producers of such content to be of your services? Do many if any really believe that something like this will cause them to starve to death?

  • How similar are your efforts to what archive.org [archive.org] is doing?
  • Backups (Score:5, Interesting)

    by Chris Pimlott ( 16212 ) on Monday July 29, 2002 @11:30AM (#3972243)
    What's your backup strategy? I imagine it's hard to deal with both so much data as well being under constant bombardment from clients around the world. How often is data archived? Have you had any major data loss incidents and, if so, how well were you able to deal with them?
    1. Create world's largest open-source library
    2. ???
    3. Profit!

    What's step 2?

  • Time management (Score:3, Interesting)

    by eyeball ( 17206 ) on Monday July 29, 2002 @11:32AM (#3972254) Journal
    From everything I've read, you sound like a very busy person. How do you manage your time? Do you have any time management tips or advice?

  • Donations? (Score:4, Informative)

    by Anonymous Coward on Monday July 29, 2002 @11:33AM (#3972258)
    Where do I send the cheque?
  • Is Doctor Fun the oldest comic on the Internet?

    No. That would be "Where the Buffalo Roam" [shadowculture.com] by Hans Bjordahl. "Where the Buffalo Roam" started in 1991, and had its own Usenet group long before Doctor Fun came along, and is still running on the web.

  • Slack. (Score:4, Funny)

    by dsb3 ( 129585 ) on Monday July 29, 2002 @11:34AM (#3972270) Homepage Journal
    You host a slew of subgenius content, so it must be asked ... do you have slack?
  • by Graymalkin ( 13732 ) on Monday July 29, 2002 @11:36AM (#3972286)
    I've been using ibiblio for a long time, back long ago when it was still SunSITE and now I read through your feature articles which I think many times are top notch. One thing I have noticed about the entire project however is how much support you have from various organizations. That sort of baseline support coupled with the ideals of public domain and free as in speech information are what I think makes ibiblio so awesome. However it this leads to my mainquestion, how replicatable is the ibiblio project.

    I think ibiblio HAS to be as large of a project as it is because it is one of so few projects of a similar nature. How unique is your organization's situation in terms of third party support? Not everyone can exactly plop down and decide to run a massive network dedicated to freedom of information and dissemination. Outside of university CS departments there's little support for the sort of information ibiblio propogates, I think the next largest group in that arena would be the OSDN network. A large part of any organization's focus and drive is going to be the people involved, obviously the people you have have working on your poject aren't replicatable but thereare like minded folk in the world. Besides the personal specifics of your group how replicatable is the ibiblio project? Is it something any dedicated group of individuals could accomplish if they set out to do it or did it require the right people at the right place at the right time with the Sun at a particular angle to happen?
  • As I'm on the BSD side of things nearly all the time, I'd find it fairly interesting to know like, what are your machine stats, download stats, etc. Do you run BSD, Linux, or something else? What hardware? How much trafic?
    • From netcraft [netcraft.com]:

      The site www.ibiblio.org is running Apache/1.3.26 (Unix) mod_perl/1.27 mod_fastcgi/2.2.12 PHP/4.0.6 on Linux.

      No idea of what ftpd daemon ftp.ibiblio.org runs, I get the same response looking up the ftp server in netcraft.

  • If you could do one thing in your live differently what would it be?

    Of course this is a somewhat generic and personal question, but people can have very interesting answers to this question...
  • How are you funded (Score:1, Interesting)

    by patman1 ( 70075 )
    As a webmaster of a few non-profit websites myself, I would like to know how you raise money for all the bandwidth charges you incur. Or if you are recieving bandwidth donations from organizations, how do you go about contacting such people & inquiring about bandwidth donations.

  • by lunenburg ( 37393 ) on Monday July 29, 2002 @11:45AM (#3972338) Homepage
    I noticed that you are one of the founders of the American Open Technology Consortium and/or GeekPAC - the lobbying group that got a bit of fanfare a few months back when it was formed, but has been pretty quiet since then.

    With Congress launching seemingly daily attacks on our technological freedom in order to support the revenue models of a few huge businesses, the need for a voice in Washington is growing urgent. Is the AOTC/GeekPAC working to get our voices heard? Is there a need for an umbrella group to tie together various groups like GeekPAC, Public Knowledge, Digital Consumer, etc.?
  • Since this is such a great archive and service of everything that is free, what would we all do if this service ceased to exist?

  • With all of this material, can you help me find a good question to ask you? I'm sure there has to be a a good source for posting on /. in there somewhere.....
  • Who pays for all that traffic, and why?
  • by bcrawford ( 302664 ) on Monday July 29, 2002 @11:53AM (#3972382)
    When the radio, television, cars and countless other technologies were first developed, anyone with access to the technology could use it for whatever purpose without any hassles aside from those presented by the technology itself. When new, radio/television content was provided by anyone with something to communicate. In time, licencing, increasing costs of use and other factors were introduced that presented barriers to entry for the enthusiast. Radio and television have since become read-only media.

    By fluke or by design, similar barriers are going up around the internet. Bandwidth costs money, overzealous IP lawyers, new laws and a miriade of other factors are starting to inhibit the enthusiasts ability to write on this medium.

    With large business and government seeking to control the internet as it does other media, how long to you anticipate the internet remaining a read-write technology for the home user?
  • iBiblio is hosted at the University of North Carolina. iBiblio's bandwidth used averages over 150Mbit/s [unc.edu] continuously, and the hardware is housed in campus facilities.

    What steps to raise funding have you undertaken in this time of state budget constraints, given the enormous resources that are devoted to running this site?

    • Of course by having iBiblio on campus, the students themselves can have local access, which avoids the REAL cost of bandwidth if they had to use their Internet gateway to get to it. Frankly, 150Mbps is a drop in the UNC bucket, particularly compared with the massive traffic generated from their dorms.

      iBiblio is one of the LEANEST organizations I've ever witnessed, (can you say student labor?). Many commercial IT departments could learn a thing or two. Besides, they pay their way in more appropriate methods than financial. Some of us were lured to the UNC Library School partly because of SunSite's reputation. Likewise, having iBiblio there keeps Paul Jones there, which makes for some very fortunate IS and LS students, which improves UNC's reputation...

      I would ask Paul to talk about the value iBiblio brings to UNC and to North Carolina, value that could be replicated in other places by hosting similar systems. Likewise, is he aware of any up-and-comers DOING similar work in other places, places that might need some volunteer assistance, lobbying, or financial support?

      ~~~~~~~~~
  • Do you see any avenue for cutting cost and improving availability using peer to peer technologies? Particularly, systems which are self-certifying (i.e. filename == md5 checksum of the file) would seem to offer some promise for huge distributed storage, but centralized indexing.

    Is this an area worth persuing, in your opinion?
  • Typical Questions (Score:5, Interesting)

    by suwain_2 ( 260792 ) on Monday July 29, 2002 @12:02PM (#3972455) Journal
    I've downloaded my share of things, and find that the 3 Mbps cap on my cable modem is almost always my bottleneck. So my question is fairly simple (albeit broad) -- can you describe your setup a bit, in terms of bandwidth (both what you have for an Internet connection, and how much traffic you actually use), servers, storage (I'd venture to guess it's to the tune of several terabytes?), etc.
  • by JUSTONEMORELATTE ( 584508 ) on Monday July 29, 2002 @12:22PM (#3972597) Homepage
    Over the past ten years, what has been the most personally rewarding part of your work?
  • What do you think about Slashdot?
  • by RyanMuldoon ( 69574 ) on Monday July 29, 2002 @12:46PM (#3972745) Homepage
    iBiblio stands out as an excellent repository for a wide range of culturally valuable resources. As it and other sites grow in size, the importance of good searching and indexing becomes extremely relevant. Have you given any thought to how you might want to cope with this? Specifically, are there any metadata schemata that you are considering using? I would love to see iBiblio be used more like a content feed to research/cross-referencing applications.
  • The GPL files you store cannot be propriatized.

    What about the files that ibiblo holds the copyright to? Anyone offer money to take them private? Or to take the site private?

  • by Creosote ( 33182 ) on Monday July 29, 2002 @01:05PM (#3972870) Homepage
    I heard you talk at the Southern Presses conference last year about the use of trust metrics (like Slashdot's karma and Advogato's peer certification) as a possible alternative to the "top-down" means of filtering that scholarly and commercial publishers use, namely formal peer review and mass marketing, respectively. Are you more or less optimistic about the long-term viability of this model then you were then? (Especially in light of the powerful efforts to keep control of the gates we're seeing these days from Hollywood, the recording industry, and their political allies...)
  • From its initial inception as SUNsite.unc.edu to the current incarnation as ibiblio.org, what have been the major changes and upgrades the site has seen, with respect to servers, redundancy, architecture, and storage? What were the factors that led to your decisions?
  • Not really a question... Just wanted to express my thanks for your work. I first downloaded linux from sunsite...

    Sometimes I see portage (gentoo [gentoo.org]) hitting ibiblio for source files. Some things never change...

  • Where is the public domain pr0n?
    • Search results for "hot girl on girl action":

      0 Collection Matches

      My question is two-fold: What are you going to do to fix this? Also, would donating the use of my bed help?

  • The philosopher Daniel Dennett put it simply: "Information is the one commodity which can be given away and kept at the same time."

    To what extent is the ibiblio community idealistically motivated towards the future "free-ing" of all published works?

    To what extent is the community motivated by the possibility of future profit?
  • by freality ( 324306 ) on Monday July 29, 2002 @02:05PM (#3973228) Homepage Journal
    I'm trying to build a net radio station [freality.com] that is totally free and redistributable. I use free software (linux, icecast, liveice) to broadcast music, and only broadcast music that is licensed to the public under the EFF's Open Audio License [eff.org], OpenMusic.com's Open Music License [linuxtag.org] or even the GPL. I broadcast 100 songs by 10 artists, 24/7. Not the most exciting playlist, but it's up and running.

    Of course I'd like to find more music to play that is already under these licenses (I've scoured openaudioregistry.org [openaudioregistry.org], but other suggestions welcome), but I'm also trying to convince artists, both friends and strangers, to release the music on these licenses. Usually, a band has a web-site or posts their music to mp3.com and they advertise it as "free!", but after a couple of emails, it's clear that the artists don't use free in the same way I do. Most of the artists that I talk to have either forgotten, or have never encountered, the idea of art truly free to the public. When I describe the ideas of public domain, copyright, licensing, etc. their eyes glaze over (you actually can see it over email!) and they inform me that they hate "lawyer talk".

    Given your experience, maybe you can offer some insight here.

    How do you appeal to an artist to take their hard work and donate it to the public and in a meaningfully legal way?
  • What do you forsee as the likelihood of a subscription model adaptation for most web sites? With companies like ZDNet [zdnet.com], Salon [salon.com] and many other news/article web sites falling under due to lack of money for a) bandwidth and b) writers salary, a subscription model tends to lend itself very favourably since it actually incorporates a source of income beyond advertising - which has proven to be a flop on the Internet. Do you see a subscription model taking reign over many of our favorite [slashdot.org] free sites in the future?
  • by Anonymous Coward
    How do you go about finding and retaining technical people without the promise of high salary or even stock options? Along the same lines, how do you deal with the misanthropic [ibiblio.org] and/or egomaniacal [ibiblio.org] employees that bedevil every IT manager?
  • Ibiblio was around long before most dot com's and has outlived most of them as well. Aside from a few name changes, it has stayed true to its roots.

    Given the way the dot-com bust has changed the Internet landscape, would something like Ibiblio still be possible today? How has the Internet changed since Ibiblio was created?
  • 10 years is a long time for one to understand the intricacies of the trade. You have been associated with ibiblio for so long, you have seen so many transitions in the industry (dot com boom, the growth of linux, M$ and its anti trust, the visa restrictions so on and so forth). ibiblio has continued unfazed, so what do you forsee is the future of web publishing, both in terms of commercial and a personal interest ?
    thank you
  • how would you reform copyright?

As you will see, I told them, in no uncertain terms, to see Figure one. -- Dave "First Strike" Pare

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