Harnessing the Power of P2P, Looking Back 86
brajesh writes "It has been seven years since Napster, the first widely-used peer-to-peer music sharing service, was released, and it made a major impact on how people, used the Internet. NY Times has an article about Napster and how it quickly grew into an Internet phenomenon - not to mention the music industry's bête noire until it was shut down by the courts four years ago. The article also mentions Shawn Fanning, the creator of Napster and his new venture, along with other efforts like new version of Grokster, Apple's iTunes, trying to cope up with growing concerns of Copyright Violations and corresponding backlash against P2P file-sharing."
Re:Wow (Score:1, Informative)
Sure it did... (Score:2, Insightful)
Sure it did. From that day on, people using the new protocol were all guilty before proven guilty. All people hear today are 'cutting sales', 'innovation', 'rootkit' for that matter. This is a new age I guess. And if you're not one of the 'big guys', it's not really fun...
Re:Sure it did... (Score:2)
And "hypocrisy", but that exists on both sides so I think it cancels out.
Like Moop? (Score:1)
Re:Like Moop? (Score:2)
The REAL artists, those who take pride in their music (whatever genre it may be) and who care about their fans have a hard enough time as it is.
Re:Like Moop? (Score:1)
But I agree,... the real musicians seldom get enough attention. Then again, a great example of a talented contemporary composer/musician can be found here [songstowearpantsto.com].
The change is in distribution, not the product (Score:2)
Hmm I wonder (Score:2)
Re:Hmm I wonder (Score:3, Informative)
Like a sellout [business2.com], perhaps?
Re:Hmm I wonder (Score:2)
Summaries quality? (Score:5, Funny)
Re:Summaries quality? (Score:1, Funny)
Look up "irony".
Re:Summaries quality? (Score:3, Funny)
Re:Summaries quality? (Score:2)
Its just, you.
Not entirely their, fault, this time... (Score:1)
The University of Michigan has announced, that as many as 60,000 commas have escaped from, a campus laboratory, some time late, Saturday night or early Sunday, morning. University officials are still, unsure, at this time how, the escape happened. They are currently, working together with surrounding communities, to control, the spread of the outbreak.
Napster never lost his case, justice did. (Score:4, Insightful)
Re:Napster never lost his case, justice did. (Score:1, Informative)
Re:Napster never lost his case, justice did. (Score:2)
Or rather, the way courts work. The combination of (1) spending more on lawyers increases your chances of winning, (2) the winning party still has to pay their own legal fees, and (3) court cases can be extended and extended again seemingly without bounds makes it very difficult for those with little money to win a case.
Re:Napster never lost his case, justice did. (Score:2)
no reason to set caps on civil cases, since they're just about money, but for federal courts and criminal cases there really should be some kinda salary cap on legal fees.
depending on h
No, napster was wrong (Score:2)
No, it's in the way they set it up. iTunes worked with the labels to get a deal satisfactory for both parties. Napster ignored the label's wishes until the labels dragged Napster to court. Twist it how you will, but Napster shutting down and iTunes thriving is exactly how it should be.
Re:No, napster was wrong (Score:1)
I'd say that the success of iTunes has a lot more to do with Apple's savy marketing and the quality of the product than the legal woes of the first incarnation of Napster.
Re:No, napster was wrong (Score:2, Informative)
Re:No, napster was wrong (Score:1)
The small margins forces the online sellers to consolidate, until there is decent profit margin. This ultimately works out for the big companies.
Captain Kirk? (Score:5, Funny)
Is that you?
Re:Captain Kirk? (Score:2)
What a waste -- I used up all my moderator points about 15 seconds before I saw this, but it's the funniest I've seen all day.
New idea for Slashdot: ability to "borrow" against future moderation points -- if you see something that really deserves moderation, you can do it, but you have to pay "interest" on what you use -- using one point ahead of time takes up two points (or whatever) when you next get them -- and of course there's a limit on how far in debt you can go a
Re:Captain Kirk? (Score:1)
-pf
Napster had the most impact on the Net since WWW (Score:4, Interesting)
I think SETI@Home would have been the biggest thing since sliced bread if they found a way to search for alien music online while looking for alien signals in space. And the Voltrons don't even have obscure earth copyright laws for downloaders to worry about, although their tenors do make your head explode if you crank the volume.
Re:Napster had the most impact on the Net since WW (Score:2, Funny)
That's one for The Onion:
Furious lawyers representing the Recording Industries Association of Neptune arrived on planet earth today to initiate litigation in response to the latest internet file-sharing phenomenon - Search for Extra-Terrestrial Music @ Home ...
"12-years old or not", snarled Zgilrolivolgh, "this little pipsqueak is leeching off our deprived artists who can barely
Re:Napster had the most impact on the Net since WW (Score:1)
Am I the only one in the world who didn't use Napster because I'd already discovered that other service and it was so much freakin' better? Does anyone know what I'm talking about? I can't remember the name of it, but it wasn't iMesh or any of the current P2P networks. No, these guys got shut down shortly before Napster did. They had a really nice client, and all kinds of content, not just MP3s.
If I remember correctly, they cached the files on their servers, so if you had broadband, you got blazing fast do
Re:Napster had the most impact on the Net since WW (Score:2)
Isn't it funny? (Score:4, Insightful)
Re:Isn't it funny? (Score:2)
The same development for Napster. When Napster came along, people started massively pirating music. The
Re:Isn't it funny? (Score:2)
Also, I take issue of the term "pirate" as applied to people who are not doing anything for profit. For instance, was I a pirate when I made a mix-tape for the girl I liked in 6th grade? I'd like to think not, but now I'm just arguing semantics - which side-steps the issue.
I believe that laws should protect the interests of the electorate. The only people I heard
Re:Isn't it funny? (Score:2)
He was quite pleased, and kept asking me what I thought of different parts, different effects, and the like.
Re:Isn't it funny? (Score:3, Interesting)
It depends on the law. In the Netherlands, for example, you are allowed to make a copy for personal use, and you're also allowed to lend your CDs etc. to friends (who are also allowed to make a copy for personal use). You are even allowed to make a copy on behalf of someone you know; this makes your mix tape perfectly le
Re:Isn't it funny? (Score:1)
Re:Isn't it funny? (Score:2)
Is whistling a tune you heard okay? Do you have permission to "copy" or "perform" it?
Copyright is a simple matter of trying to encourage artists to produce - there is no natural right to an emitted sound wave, photon, or idea.
Presenting someone else's work as your own - that is a moral issue, but that is not what we are talking about here.
Re:Isn't it funny? (Score:2)
Please explain how constantly killing people with car- and other bombs is not "massively lawless" ?
Re:Isn't it funny? (Score:2)
I said "massive lawlessness", not "massively lawless". Killing people is lawless, but it's not massively happening; not as massively as the plundering was, anyway.
``And while you're at it, please explain what this has to do with Napster''
Plundering, terrorizing the neighborhood, and killing are illegal, and spreading music you don't have the rights to is illegal. The plundering, the terrorizing the neighbo
Re:Isn't it funny? (Score:2)
Re:Isn't it funny? (Score:2)
Please, I know you are trying to make a parallel to something concrete and physical, but Napster did not subjugate anyone, deprive anyone of the use of anything, or physically harm anybody.
Re:Isn't it funny? (Score:2)
The fact that I like doing something illegal doesn't mean that it should be legal.
Re:Isn't it funny? (Score:2)
The fact that YOU like doing something illegal - as you say - means squat. However, w
Re:Isn't it funny? (Score:2)
It's not, actually.
A majority that enjoyed owning slaves, segregating schools, etc. had those things taken away from them by a legally empowered minority. A minority chooses to get tattoos, but that doesn't mean we make tattoos illegal. The laws are determined based on larger realities and principles, not just what the population votes on. The fact that the majority of the people
Re:Isn't it funny? (Score:2)
I made it clear in my last post that my argument is that most people think that sharing music is okay. Consider my "Everyone who used Napster" quote to be poorly phrased - my mistake.
I am well aware of the deficiency of democracy, and will be happy to discuss alternatives that give minorities more voice. This web site [condorcet.org] has a number of voting methods that we could discuss. However, in this case we are not talkin
Hmmmm (Score:5, Insightful)
Re:Hmmmm (Score:2, Interesting)
But P2P is a hassle. As easy as Limewire is, it's not as easy as I'd like it to be. (Although it is easier than going to a store and finding what I'm looking for).
The napster
Re:Hmmmm (Score:4, Insightful)
This would only make sense if the music industry really wanted to serve their customers -- and based on their actions, that's quite apparently not the case at all.
First of all, I'm pretty sure that while the recording industry makes lots of noise about how much revenue they're losing due to P2P, they also have good enough financial analysts that when they're being honest with themselves, they realize that the real loss is essentially zero.
First of all, the ability to actually search and find what you want to a large extent makes the recording companies irrelevant. Until recently, bands fell into two discrete categories: those with recording contracts, and those without. Anybody without a contract remained essentially a nonentity. Many bands were quite willing to sign virtually any possible recording contract, because even if they realized it was horribly unfair, they still ended up far better off than without it.
Most of this derived from two things: distribution and promotion.
With P2P, both of those are largely nullified. The P2P network provides absolutely anybody with essentially instant, worldwide distribution. Likewise, searching means people can find what they really want instead of depending on the record company promotions to tell them what they want.
Now, it's true that the majority of what has been distributed over P2P networks has been material copyrighted by the record labels. Frankly, I doubt that's what they really cared about though -- what they cared about was the fact that if Napster (for example) had been allowed to survive for very long, there would have been a migration away from "their" music, and they would have faced utter irrelevancy.
For them, this isn't a matter of boosting sales by an extra few percent -- it's a matter of outright survival. They probably also realize that it's really a losing battle. As an industry they're currently providing no value, and despite attacks on their intelligence, they're smart enough to realize that if they provide no value, they'll die.
What they're doing right now is (I suspect) mostly a delaying tactic, trying to maintain some degree of relevance until they can figure out how to put themselves back onto the mainstream.
I suspect iTunes (and its ilk) will be a large part of that. Contrary to implication elsewhere, while iTunes is certainly a way for people to download music, it's most assuredly not a p2p network. iTunes is a perfectly average centralized network where you're downloading music from ITMS' servers. It's centralized and controlled in almost exactly the same way as traditional music publishing was. In fact, in the long run it probably creates a situation even MORE favorable to the recording industry.
With traditional brick and mortar distribution, the big distributors (Best Buy, Sam Goody's, etc.) had quite a bit of power over the recording companies. Most of this power derived from the fact that building thousands of record stores was expensive and difficult, so the supply of national distributors was fairly limited. The Internet and non-P2P record distribution like iTunes changes that: it takes virtually nothing to set up a reasonably usable international recording distribution network. ITMS is way out in front right now, but I'm pretty sure Apple realizes that there are thousands of other people with the capability and resources to put together a reasonably competitive offering in a matter of months.
This means ITMS has virtually not power when they bargain with the record labels. Previously the record labels probably had something like 80% control over the music stores. I'd guess with Yahoo! Music, ITMS, MP3.com, etc., they see a chance to have more like 95% control, and they like that idea a whole lot.
ITMS (for one) may seem a lot like Napster in a
Re:Hmmmm (Score:3, Insightful)
That depends on who you listen to -- according to the RIAA (i.e. representing only the largest labels) sales are going down. NARM (representing record stores) disagrees -- they claim that although it's slow, there is actually growth in record sales.
IOW, much of what's happening is that independent labels are growing at the expense of the major labels. The assertion that ill
Re:Hmmmm (Score:1)
Re:Hmmmm (Score:2)
The New Napster... (Score:5, Informative)
The subscription model is good. I still don't trust buying something digital that I can't copy. I also tend to have tastes that change all the time. For $10 per month I get "everything". Even if the DRM is crackable, why would I bother doing it? I'm still going to want to get new music and $10 per month isn't going to break the bank.
Napster downloads fast and it's simple. Limewire and the like are cheaper, but they're slightly more of a hassle and my time is worth something to me.
It does have a few problems though...
Re:The New Napster... (Score:2)
1) too much clicking. this shouldn't have to be done period, only on signup of the service.
2) crashes. having to use system restore to get back your computer and it's still acceptable (wtf???)
3) having to use their DRM -bs enabled player and it's still acceptable (again, wtf???)
This is not a service, based on your own review, that I would ever be willing to get into. Perhaps if they had a plugin
To each their own.. The New Napster... (Score:2, Insightful)
About the DRM. If you don't like it, that's your beef, but I see no problem in principle. Their DRM lets me download my music to a player and take it with me. I see no problem. iTMS lets you download your music to a player and take it with you. Again, no problem. I just prefer subscription to a la carte.
I DO see problems with DRM in an iTMS style purchase model. If I buy a song I want to actually be able to
Re:The New Napster... (Score:1)
If they screw it up badly, then Limewire and all the networks like it will continue to thrive and they lose. I really hope they don't screw it up.
About the foreign mu
Re:The New Napster... (Score:2)
I'm sure it's a solvable problem, I'm just guessing that the number of foriegn tracks that people would purchase would be so low that Apple/Napster/etc. don't consider it worth the trouble.
And history repeats itself (Score:4, Informative)
Before Napster, people downloaded music from websites, and usually paid for it.
Then Napster came, and it was a revolution. Suddenly, downloading music got big. Unfortunately, the widespread illegal practices on the network were used to force Napster to shut down.
Many people have tried to set up services similar to Napster in spirit. Virtually all of these get attacked by the **AA sooner or later, usually resulting in them shutting down. That's the short cycle.
In the meantime, many people have gone back to downloading music from websites. That's the long cycle.
Don't forget BitTorrent y'hear! (Score:1)
Damn, it's the best transmission system full stop, for the fully legal use I put it to as well! *cough*
Files on P2P are NOT EXACT copies of the CDs (Score:1, Insightful)
Re:Files on P2P are NOT EXACT copies of the CDs (Score:1)
Since the copyright was never about exact copies, proving that they're not exact bit for bit copies is irrelevent. (And just adds noise to the conversation).
Dont have to be exact copies. (Score:2)
It can bite you even if you played all the instruments yourself, and had nothing to do with 'copying'. Remember they are licensing content for 'private performances', not the medium/encoding formats.
P2P (Score:2, Interesting)
Re:P2P (Score:2)
MOD PARENT UP (Score:1)
p2p is more than file sharing (Score:1)
MOD PARENT UP (Score:1)
I don't get it... (Score:1)
So, I get to pay for low bitrate, inconsistantly labled and unorganized music? What a steal!
Is it just me or does it seem like this new venture hasn't a snoballs chance in hell of success?
td
I for one plan on continuing its use (Score:1, Informative)
Time to Unify P2P into a Module or Layer, yet? (Score:2)
- SKype's VoIP...
- (etc.)
There must be some commonality between
the many P2P protocols out there, yes?
Isn't it time, now, to handle P2P
as a unified "layer" in Linux, etc.?
There must be a way to make all the
P2P programs run more efficiently,
in less memory space than they do
today...
My 2 cents... hopefuly not -too- far
Off-Topic to be considered by dev'rs.
A real problem (Score:2)
The question I really have is how does it make any sense to be prosecuting kids and blackmailing parents for file sharing for free. When adults are making thousands every weekend selling the content. I would guess people prepared to fork cash over for a pirate copy might be leg