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Banksy Artwork Self-Destructs At Auction Right After Being Sold For $1.3 Million (cbsnews.com) 290

OpenSourceAllTheWay writes: Elusive street artist Banksy's famous "Girl With Balloon" artwork was on sale at a Sotheby's auction in New York inside what looked like a normal, if slightly old fashioned painting frame. As soon as the auction concluded — the artwork was sold to a bidder for a cool $1.3 Million — a whirring noise started coming from the artwork hanging on the wall, and "Girl With Ballon" started moving down inside its frame, coming out the bottom of the frame in shredded strips. In what must be an art world first, the artwork suddenly self-shredded in front of hundreds of stunned auction attendants. It appears that — somehow — Banksy or some other prankster installed a battery powered paper shredding mechanism in the bottom of the artwork's frame that can be remotely triggered. In a tweet on his Twitter account, Banksy posted an image of the destructed artwork and wrote "Going, gone, gone...", potentially mocking the practice of auctioning famous artworks off for large sums of money. The question now is precisely what — if anything — the buyer of the artwork gets for his or her money, and whether "Girl With Balloon" is worth more or less than before now.
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Banksy Artwork Self-Destructs At Auction Right After Being Sold For $1.3 Million

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  • by JoeyRox ( 2711699 ) on Saturday October 06, 2018 @10:39AM (#57437606)
    Which tells you everything you need to know about how specious and capricious the valuation model is for the art market.
    • by Anonymous Coward on Saturday October 06, 2018 @10:56AM (#57437666)

      Which tells you everything you need to know about how specious and capricious the valuation model is for the art market.

      Capricious yes, specious not entirely. Art is about things like communicating ideas and finding new ways to express them. I can't see much that is newer art than doubling the value of a work by shredding it in public. It says so much about the arbitrary way that people value things. There can have been no greater shock than having just bought a new work and watching it apparently disappear before you. Being so rich you can own and take away something that was originally given to the public by being put out as graffiti and yet not being able to own it because the artist (maybe? - he seems to have been at least tipped off) manages to control and change the presentation of his own work.

      IMHO being able to arrange something like this shows that Banksy actually is worth the money.

      • by gweihir ( 88907 )

        Capricious yes, specious not entirely. Art is about things like communicating ideas and finding new ways to express them.

        More like giving the finger to people with too much money in ways they do not get....

    • by mykepredko ( 40154 ) on Saturday October 06, 2018 @11:00AM (#57437680) Homepage

      This is art that the artist, presumably, updated after being sold.

      He's publicly updated it especially for the buyer. You don't know if it was specific to this buyer or if there were other options to the shredding depending on the mood of the artist.

      I think it's fair to say it's now worth more.

      • by crunchygranola ( 1954152 ) on Saturday October 06, 2018 @12:53PM (#57438190)

        Some other factors to consider:

        If you look at photos of the post-shredded picture, you see that it is only half shredded (the upper part with the balloon is unshredded) which holds the picture together, and that the image of the girl is still intact, just hanging together in strips. So any claim that is is "destroyed" is factually false. At worst it is "damaged". If the buyer wanted to they could reframe it, with the strips carefully glued down and only close inspection would tell the difference.

        Bansky has used this image many times. This is not his only "Girl with Balloon" image, but it is now his most famous one. How can that not add to its value, even if you dismiss the high end art world as pretentious gits? Fame has always been associated directly with value in art.

        Looking at the post-shred state it does look like a modern conceptual art installation piece (whether you respect that or not is irrelevant). This piece now has a story: the piece of art is what Banksy intended it to be, a dynamic object that changed its state upon be acquired (but without the acquirer knowing about the state change in advance). If the buyer decides they are upset about the final state of the piece, they might be able to get the purchase contract rescinded on the grounds that what they were buying was not fully disclosed, but that depend on the fine print of what they agreed to when they registered to bid. But I bet if they are upset they can resell it for more than they just paid. Famous, you know.

        Last I checked there did not seem to be any statement by the new owner.

        Several posters have asserted here that high end art is a hobby for people and organizations with more money than they know what to do with. And this is true pretty much (give or take a few value-laden terms) [artsy.net].

        • by thegarbz ( 1787294 ) on Saturday October 06, 2018 @02:19PM (#57438564)

          So any claim that is is "destroyed" is factually false. At worst it is "damaged".

          If this was actually the work of Bansky himself the artwork is now not so much "destroy" or "damaged" as it is "completed".

        • As Banksy is alive and active, he's still in control of the valuation of his works. If he's upset that his art is being sold for millions of dollars, all he has to do is crank out a metric ton more art. The widespread availability of his art will then cause the value of each individual work to drop, essentially shredding the investment art collectors have put into his works, without physically damaging his art.
    • by AmiMoJo ( 196126 ) on Saturday October 06, 2018 @11:10AM (#57437712) Homepage Journal

      Meh, nerds will pay a fortune for used, damaged stuff that is somehow famous. Props from movies and TV shows, stuff that's been in space, parts of famous machines, letters written by notable people, classic cars etc.

      • That moment I realized the HTC One M7 and HTC One Max phones I bought "like-new" a while ago classify as self-destructing art due to the camera getting purple haze due to hear soak and the device being unrepairable, and for being the most striking phones ever made (this is were the 'art' part comes into play) Though I didn't buy them as daily drivers so the purple haze hasn't happened to me yet...
    • by hey! ( 33014 ) on Saturday October 06, 2018 @11:45AM (#57437860) Homepage Journal

      Well, that's true of the market for everything. The most precious commodity there is for human survival is air, but there is nonetheless the cliche "Free as air."

      Market prices in an ideal economy reflect efficient distribution of resources like paint, canvas and skilled labor, without passing any ethical or aesthetic judgment on the use to which they are put. Take for example, this item [amazon.com]. It has no utility value, and it's taste is questionable, but the fact that it can be sold for $90 justifies putting the resources into making it rather than, say, medical prosthetics or water purification equipment for some poor village.

      The great virtue of the market economy is that it works, not that it makes any sense. It only makes sense in a circular fashion; if you define what is sensible by what the market economy chooses to do.

    • by rsilvergun ( 571051 ) on Saturday October 06, 2018 @11:54AM (#57437912)
      just an excuse for rich folks with too much money to spend a day out? Crap like this is what makes me wish for the glory days of a 90% marginal tax rate. If you're gonna shred your money anyway might as well spend it on roads and schools.
    • by gweihir ( 88907 )

      So if he also had set the shredded paper on fire in addition, it would be worth, say, 5x now? The mind boggles.

    • I sort-of agree with the experts. It looks like a standard Banksy picture, which is cute, but nothing special. The shredding of it is part of the message, and shows that the artist actually put some thought into it.

      The thought is contempt for the person who spent so much on a run-of-the-mill painting--but I sort-of agree with that too.

    • I had to shake my head and grin as I read the story - hadn't heard of it before /. - surreal! Whether it's worth more or less (I suspect more) is irrelevant. It's just like, you know, really cool! Made my weekend. Maybe modern art, whatever that is has something more to say - post-art? Meta-art?
    • by irving47 ( 73147 )

      Every time I read something like this, I can't help but think of Frasier.

  • Same newsfeeds (Score:2, Insightful)

    by Anonymous Coward

    How come news sites all cover the same jackass stories. Don't they realise we see the very same content on every site we go to? Why don't I just go direct to AP?

    • by Knuckles ( 8964 )

      How come news sites all cover the same jackass stories. Don't they realise we see the very same content on every site we go to? Why don't I just go direct to AP?

      Visitors and hence the ensuing discussion is different on each site

  • at $1.3 Million they have the funds to sue in court

    • Banksy gets the $1.3M (minus seller fees), so she's got the funds to defend a suit in court.

      • by irving47 ( 73147 )

        My Armani will be representing itself, thank you very much.

    • Sue for what?

      The action house had no reasonable way of knowing and the item was as described, but actions are caveat emptor. And Banksy didn't device the buyer: someone else owned it.
      One could also quite reasonably argue that it was part of the artwork.

      And what a phenomenal piece of performance art it was!

      • by mysidia ( 191772 )

        The action house had no reasonable way of knowing and the item was as described

        Nevertheless, the action house or seller would be responsible for any loss that happens to the item before the buyer takes possession of it. Bids in an auction aren't UNconditional: they're offers to buy based on the viewing of the item and representations made by the seller --- even if the seller agreed a certain bid one: if the item gets stolen by a robber running in and grabbing it from display or destroyed by a sudde

        • by sjames ( 1099 ) on Saturday October 06, 2018 @12:10PM (#57438000) Homepage Journal

          Was it lost? They sold a work of art from Banksey. That is, a work of art as Banksey intended for it to be. They just didn't know Banksey intended for it to be shredded. Nevertheless, it is still what it was represented to be.

          According to at least some in the art world, it is worth MORE now than it was, so the buyer can't claim lost value.

          The buyer wanted a piece of art depicting a child losing a balloon. The work turned out to be evocative enough that he actually feels at a visceral level like a child that has just lost a balloon.

          • Nevertheless, it is still what it was represented to be.

            How can you claim that?

            It was represented as a complete & undamaged painting. It was sold as a complete and undamaged painting. The paper shredder embedded in the frame was hidden, and thus not part of how it was represented. If you buy a priceless vase and then the sculptor walks on stage and smashes it with a hammer, you don't think that's an issue?

            The buyer should absolutely be able to reject the item, as materially different from what they b

            • by sjames ( 1099 )

              It IS undamaged. The shredder functioned just like it was built to function. The paper is shredded just as the artist intended for it to be shredded. Sometimes, art is surprising. It is supposed to provoke thought and make us question what we know. As such, this piece has proven fit for purpose.

              Interestingly, the more legal action the new owner might take, the more he proves that the work functioned as intended.

              You cannot apply utilitarian criteria to something that is not utilitarian in nature.

              • by Cederic ( 9623 )

                The paper is shredded just as the artist intended

                That's the bit that impressed me. Damn thing actually worked. He should go into business selling shredders.

        • Nevertheless, the action house or seller would be responsible for any loss that happens to the item before the buyer takes possession of it.

          What loss? The work was and remains a Banksy artwork. The built in shredder was clearly always a part of it and it worked as designed. Auctions are caveat emptor and as long as the auction house doesn't fail to reveal anything they could reasonably have known about.

          if the item gets stolen by a robber running in and grabbing it from display or destroyed by a sudden natu

  • I need total disdain for my profession and those surrounding it?
  • Amazing part (Score:5, Interesting)

    by religionofpeas ( 4511805 ) on Saturday October 06, 2018 @10:55AM (#57437658)

    What I find amazing is that there doesn't seem to be a video showing actual shredding. Just the aftermath.

  • by mykepredko ( 40154 ) on Saturday October 06, 2018 @10:56AM (#57437662) Homepage

    While a very cool hack and worthy of banksy, I have to question as to whether or not Sotheby's was surprised.

    For this to have worked, the frame must be quite heavy to allow the shredder mechanism to be hidden within a hollowed out area and not be noticed by being heavier at one end. Along with that, the canvas must have seemed to be mounted in an atypical fashion so that the feed and guides were invisible. Finally, I presume that the shredder was controlled by something like a cell phone - I presume there would be a big honking battery in there because I would have to think would be days/weeks between receiving the art, having it on display and then starting the auction.

    As I said, very cool hack, but I can't believe that Sotheby's was surprised by it.

    • by jythie ( 914043 )
      I had a similar thought. The people in the audience might have been stunned by a bit of performance, but I have a hard time believing the auction house itself was surprised.
    • I'm more surprised to learn that battery-powered paper shredders exist. What kind of workaholic super lawyer needs to shred documents while on a beach? It seems about as incriminating to be caught with as a spray can or crowbar would.
    • Maybe the top and sides were filled with batteries, with the shredder and maybe some lead shot at the bottom to balance it out?

      Heavy and bulky frames are the norm for expensive artworks, they don't just stick these things in a frame from Ikea.

    • by dj245 ( 732906 ) on Saturday October 06, 2018 @12:46PM (#57438152)

      Finally, I presume that the shredder was controlled by something like a cell phone - I presume there would be a big honking battery in there because I would have to think would be days/weeks between receiving the art, having it on display and then starting the auction.

      As I said, very cool hack, but I can't believe that Sotheby's was surprised by it.

      Apparently it was in storage for some time, but it was authenticated a short time ago by Pest Control [pestcontroloffice.com]. That would have given them the opportunity to change or charge batteries. Whether or not Sotheby's knew is anyone's guess. I suppose it is possible that Pest Control shushed up the Sotheby's people responsible for supervising them, and perhaps the auctioneering staff didn't know.

    • by Zocalo ( 252965 ) on Saturday October 06, 2018 @01:12PM (#57438288) Homepage
      I dunno, some frames are pretty heavy, especially the wooden ones, so it wouldn't be too difficult to put the shredder in the bottom and some batteries in the top and sides to balance it all up. Having the frame cover the guides wouldn't be too unusual either; it's quite common for the outer edge of a canvas or print to be behind the frame - usually it's wrapped all the way around and fixed on the rear. There are any number of release mechanisms that don't suck much juice either; you just need to think beyond the couple of days of your typical smartphone with all feature enabled - a modified camera remote could work very well for instance.

      That said, I'm pretty sure that Sotheby's was aware to at least expect *something* out of the ordinary, if not exactly what was going to happen. Note also it appears to have stopped shredding with the image partially intact and still in the frame in a manner that still allows for display, probably by design so that the buyer is going to be upset either. Quite the opposite in fact; they now have an extremely famous piece of art that is now an extremely famous piece of performance art as well - instant appreciation in value, for those that are into that kind of thing.
    • Finally, I presume that the shredder was controlled by something like a cell phone

      Why? What a waste of battery. A simple 433MHz receiver sitting idle would do it. The battery would last for years. Banksy was in the room at the time of the auction and videoing the process, so at the very least if it WAS a cell phone based system then it wasn't triggered by the phone Banksy was holding.

      I agree on the weight though.

    • by serviscope_minor ( 664417 ) on Saturday October 06, 2018 @04:25PM (#57438982) Journal

      For this to have worked, the frame must be quite heavy to allow the shredder mechanism to be hidden within a hollowed out area and not be noticed by being heavier at one end. Along with that, the canvas must have seemed to be mounted in an atypical fashion so that the feed and guides were invisible. Finally, I presume that the shredder was controlled by something like a cell phone - I presume there would be a big honking battery in there because I would have to think would be days/weeks between receiving the art, having it on display and then starting the auction.

      I disagree.

      First hardwood frames are REALLY heavy, like surprisingly so. The shredder mechanism isn't going to be an office-type shredder which can handle 6 sheets at once and has a service life of thousands of sheets. It had to shred half a thing once ever. So, it could be of a much lighter construction; it's not like banksy had to worry about it getting blunted through use.

      For the power source, a stack of primary lithium AAs would be more than adequate. And they have a very long shelf life (95% after 20 years).

      http://data.energizer.com/pdfs... [energizer.com] (page 14)

      Triggering is an interesting one. Banksy was clearly there or sent someone there since he's subsequently posted a video of the shredding. So, the triggering could have been local either by RF or infra-red. That leads to a lot of interesting options. Sensors based on those are much, much lower power than a cell phone. And you could do something like wake up for a second every hour to listen for a signal, then either deep sleep or stay alert depending.

      It would take some decent EE nouse to design that to last for a long time, but then again a smoke alarm can last a decade off a lithium PP3, and this thing could have had a lot more battery power in it.

  • by BigDukeSix ( 832501 ) on Saturday October 06, 2018 @11:02AM (#57437684)
    As an erstwhile collector of art, a nerd, and a wannabe evil genius, I am simultaneously appalled, amused, and envious. Bravo, sir. Well played.
  • So what the buyer got for 1.3 million dollars was unique first-of-its-kind performance art....

    • Not only this, since it only shreddered the paper half, it can still be used as wall art, showing the process of the first ever self destructing art. Therefore the price should be much higher now than before shreddering.
  • For this action to be considered "art" it would have to be performed by the artist. If someone else had triggered the shredding it is just vandalism. That implies that Banksy was controlling the action and so it would be reasonably to assume that he / she / it / them was in the room at the time.

    It makes you wonder if they were the winning bidder?

  • Each strip is now worth 1.4 million
  • by Applehu Akbar ( 2968043 ) on Saturday October 06, 2018 @02:28PM (#57438616)

    There has always been a prank element in modern art. Remember those Warhol pieces that were nothing but giant stenciled prices? What are those going for today, if indeed they are still being traded?

    There has also been art that was intended to be ephemeral, like Christo’s shrouded landforms. Those were not for purchase, though. Did the buyer of this piece know it was about to self-destruct.

  • But I know what I like and I like that.

  • Sotheby's had to be in on it.

    - Works up for auction are inspected beforehand, primarily to authenticate. A frame with a shredder mechanism should have been noticed.

    - Auctions usually place works on an easel or stand. This was the only one hung on a wall.

    - It was the last piece to be auctioned that day.

  • Sotheby's knew (Score:4, Interesting)

    by NimbleSquirrel ( 587564 ) on Saturday October 06, 2018 @05:58PM (#57439284)

    I find it impossible to believe that Sotheby's didn't know a thing about this. Any real art curator would have noticed something odd with the frame immediately. I also do not believe that the thing sat there for months/weeks standing by to be triggered (especially cellular trigger) and maintained enough charge to shred anything. This would mean the art curator would have to have been complicit in this too. This would be career ending for an art curator, so it is far more likely that Sotheby's knew about this the whole time.

    I expect that the buyers will sue Sotheby's pretty quickly after this. Even if the remains are now worth double, the work that was sold has been irreparably damaged/destroyed. It can easily be shown that Sotheby's knew or should have known about this. If the buyers don't sue, either Sotheby's buried a clause in their buyer Terms & Conditions, or the buyer was in on this too.

    Either way, this is an elaborate stunt that reveals Banksy as a sellout...

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