For the first time, Netflix has released a comprehensive report of what people watched on the platform over a six month period. It includes hours viewed for every title, the premiere date for any Netflix show and movie, and whether a title was available globally. From the Hollywood Reporter: The list includes worldwide viewing for more than 18,000 movies and seasons of TV (18,214, to be exact) between January and June. Those 18,214 titles all had at least 50,000 hours of viewing over those six months, encompassing about 99 percent of all viewing on Netflix, vp strategy and analysis Lauren Smith told reporters during a presentation of the data on Tuesday. It is the deepest dive into viewing that Netflix (or any other streamer) has ever made public.

Among the highlights: The Night Agent was the biggest title on Netflix in the first half of 2023, racking up 812.1 million hours of viewing. Season two of Ginny & Georgia was second at 665.1 million hours, followed by Korean drama The Glory (622.8 million hours). Wednesday ranked fourth at 507.7 million hours of viewing, despite being released in November 2022. The company is using total hours viewed in this report as a way to measure engagement by its users rather than the "view" formula (total viewing hours divided by running time) it employs to compare titles in its weekly top 10 lists.

Original series and movies dominate the top of the chart, but Smith said the split between original and licensed titles was more even: About 55 percent of viewing was for originals and 45 percent was for licensed shows and films. Suits, which dominated the Nielsen U.S. streaming charts for much of the summer and fall, had a combined 599 million hours of viewing worldwide on Netflix across all nine seasons. The show's first season ranked highest, coming in 67th place with 129.1 million hours. At the other end, a little more than 20 percent of the titles on Netflix's list (3,813 in all) had very little viewing. The company rounded them to 100,000 hours but they would fall between 50,000 and 149,999 hours -- barely a drop in the streamer's more than 100 billion total hours of viewing for the six months. The full "What We Watched: A Netflix Engagement Report" can be downloaded here.

Google Play Movies & TV will be replaced with Google TV on January 17, 2024. 9to5Google reports: Since the 2020 launch of the Google TV platform, that branding has replaced Play Movies & TV in areas such as mobile apps, but that's also led to the choice to do away with Play Movies & TV branding basically everywhere else. In October, that decision also made its way to Android TV, and the app has not been working ever since. Despite some confusion over the past few days, the app currently just redirects to Android TV's "Shop" tab, which has been widely available for months.

In a new post, Google explains that it will do away with the last parts of Google Play Movies & TV in January 2024: "With these changes, Google Play Movies & TV will no longer be available on Android TV devices or the Google Play website.* However, you'll still be able to access all of your previously purchased titles (including active rentals) on Android TV devices, Google TV devices, the Google TV mobile app (Android and iOS), and YouTube."

On January 17, Play Movies & TV will officially cease for good on Android TV. For anyone who does still have the app working -- again, most users cannot use the app already -- the "Shop" tab will become the only option. Similarly, Google says that Play Movies & TV will cease on other remaining platforms that same date. Any cable boxes with the app integrated will also lose it, and in turn pushed to the YouTube app for continued access to purchased content. Web access via play.google.com/movies will also go away, with youtube.com/movies becoming the alternative.

All those original shows on streaming services brought us "peak TV." But the New York Times reports on the flipside: back in the cable universe, they're experiencing "zombie TV": In 2015, the USA cable network was a force in original programming. Dramas like "Suits," "Mr. Robot" and "Royal Pains" either won awards or attracted big audiences. What a difference a few years make. Viewership is way down, and USA's original programming department is gone. The channel has had just one original scripted show this year, and it is not exclusive to the network — it also airs on another channel. During one 46-hour stretch last week, USA showed repeats of NBC's "Law & Order: Special Victims Unit" for all but two hours, when it showed reruns of CBS' "NCIS" and "NCIS: Los Angeles."

Instead of standing out among its peers, USA is emblematic of cable television's transformation. Many of the most popular channels — TBS, Comedy Central, MTV — have quickly morphed into zombie versions of their former selves. Networks that were once rich with original scripted programming are now vessels for endless marathons of reruns, along with occasional reality shows and live sports... Advertisers have begun to pull money from cable at high rates, analysts say, and leaders at cable providers have started to question what their consumers are paying for. In a dispute with Disney this year, executives who oversee the Spectrum cable service said media companies were letting their cable "programming house burn to the ground...."

The media companies that own the channels are in a bind. The so-called cable bundle was enormously profitable for media companies, and more than 100 million households subscribed at the peak. But subscribers are rapidly declining as people migrate toward streaming. Now roughly 70 million households subscribe to cable. As a result, most media companies are pulling resources from their individual cable networks and directing investment toward their streaming services. Peacock, which is owned by NBCUniversal, also the parent of USA, has begun making more and more original scripted shows over the last three years.

However, most streaming services are hemorrhaging cash. (An NBCUniversal executive said this week that Peacock would lose $2.8 billion this year.) Cable, although it is getting smaller, remains profitable.
Media analyst Michael Nathanson believes last year was saw a "tipping point" when cable advertising decreased — by double-digit percentages — in five consecutive fiscal quarters. "Advertisers are starting to realize that there's really nothing on here and they shouldn't pay for it."

One consultant who works with entertainment companies and used to run marketing at the Oxygen cable network tells the newspaper that cable channels "are being stripped for parts." The article calculates that in 2022 there were 39% fewer scripted programs on basic and premium cable than there were in 2015.

"Reruns are filling the hole."

To celebrate the 30th anniversary of Doom, both John Romero and John Carmack are appearing now on a special 30th anniversary stream on Twitch. (Right now they're talking about people who got into professional networking careers because of what they'd learned from setting up multiplayer deathmatches...)

And earlier this morning, Romero shocked the gaming world by posting six words on X.

"Free WAD for SIGIL II is up"

The official page for the long-awaited new Doom episode promises a 2 megabyte file "packed with some hardcore classic DOOM punishment — beware of Ultra-Violence mode!" There's nine new maps with names like "Wrathful Reckoning" and "Vengeance Unleashed". And the site is also selling an upgrade with a THORR soundtrack — priced at €6.66 — along with t-shirts, boxed editions of the original game Sigil, and a "Megawad Beast Box" that's "individually numbered and signed personally by John Romero and featuring the artwork of Christopher Lovell" (including a signed art print).

Besides sundry extras including a t-shirt, stickers, and a Sigil-themed coin, it also comes with a pewter statue of John Romero's head on a spike...

Launched in the Nordics, BeneLux, Ireland, and the UK, the ads insist that HP printers are "made to be less hated." From a report: Which may come as news to HP's long-suffering users who still, for whatever reason, need to brand mushed-up trees with corporate nonsense despite this alleged digital age. The three ads run touch upon a spectrum of negative emotions that will be highly relatable to those who have ever tried to print something at home or work -- sorrow, anger, despair -- and all end with extreme and cathartic human-on-printer violence.

CNN reports on a new German-based project called WindCORES that operates data centers inside existing wind turbines, making them almost completely carbon neutral. "If you look at the sustainability pyramid, the highest form of sustainability is using things that already exist," said Fiete Dubberke, managing director of windCORES, which was founded in 2018. From the report: The concept uses existing wind turbines to power data centers on site, while fiber optic cables provide a constant internet connection. Planning for a project like this began 10 years ago, Dubberke said, when WestfalenWIND realized the electricity grid was too weak to handle the huge capacities of electricity being produced by its wind turbines during peak wind hours, resulting in their windfarms being switched off due to grid security issues. WindCORES estimates that the unused electricity generated during this period could power one-third of all German data centers.

Its solution was to bypass the "middleman" (the grid) altogether, and instead, power IT servers from directly inside the large concrete wind turbine towers. Each tower is 13 meters wide and could potentially hold server racks up to 150 meters high. As the area is mostly empty space, Dubberke calls the concept a "no-brainer." According to Dubberke, an average of 85-92% of the power needed to sustain a windCORES data center comes directly from the host turbine. When there is no wind, electricity is obtained from other renewable sources, including solar farms and hydroelectric power plants, via the electricity grid. "The German data center average is 430 grams of CO2 released per kilowatt hour," he said. "For windCORES, it is calculated at just 10 grams per kilowatt hour."

Since launching, windCORES has acquired around 150 clients through co-location and cloud solutions, from very small start-up companies to bigger, more established ones, such as Zattoo, a leading carbon-neutral Swiss TV streaming platform with several million monthly users. Zattoo joined windCORES in 2020, when it moved one of its six data centers into a wind turbine in Paderborn. Currently, 218 channels are encoded with windCORES, and by the end of next year, the company hopes to relocate more existing servers to the wind farm, making it Zattoo's main data center location. [...] WindCORES has recently opened a larger, second location called "windCORES II" at the Huser Klee windfarm in Lichtenau, Germany. Built for a new large automotive client from Munich (the name is yet to be revealed), it is over three levels and around 20 meters high.

Samuel Axon reports via Ars Technica: The trailer for Amazon's Fallout TV series dropped this weekend, and it's either craven fan service or wonderfully authentic, depending on your point of view. The trailer depicts a lead character leaving a vault after an apparent catastrophe, discovering the broken world outside, and encountering ridiculous monsters as well as factions like the Brotherhood of Steel. It also features some extreme gore, which you'd expect from Fallout.

We've written a few times about the slowly unfolding saga of this show, which has Westworld's Lisa Joy and Jonathan Nolan as producers. To be clear, though, they won't actually be the showrunners; that honor goes to Geneva Robertson-Dworet (Captain Marvel, Tomb Raider) and Graham Wagner (Portlandia, The Office, Silicon Valley). The two showrunners each cover one-half of what Fallout has traditionally been: Robertson-Dworet brings the sci-fi action credentials, and Wagner brings the satirical comedy. As announced in October, the show will premiere on April 12th, 2024, exclusively via Prime Video.

ExpressVPN is the biggest VPN company so far to take advantage of the VPN support available in tvOS 17. According to The Verge, ExpressVPN will let Apple TV users connect to servers "in any of 105 countries around the world" so they can watch geo-restricted content around the world. From the report: To download it, you'll need to make sure you're on tvOS 17 -- earlier versions don't support native VPN apps at all. Once set up, the app will route your traffic through faraway servers before forwarding them to whatever streaming service or other internet server the Apple TV contacts. ExpressVPN on the Apple TV uses the company's Lightway protocol. Reddit users reported spotting the app last week. Most said they could switch countries to get around region restrictions, though some had issues logging in or getting it to work with specific apps. It's also a basic experience that lacks advanced VPN features like split tunneling, which dynamically applies the VPN connection to certain services as needed, freeing users from managing it manually.

Sony is about to delete tons of Discovery shows from PlayStation users' libraries even if they already "purchased" them. Why? Because most users don't actually own the digital content they buy thanks to the mess of online DRM and license agreements. Some of the soon-to-be-deleted TV shows include Mythbusters and Naked and Afraid. Kotaku reports: The latest pothole in the road to an all-digital future was discovered via a warning Sony recently sent out to PlayStation users who purchased TV shows made by Discovery, the reality TV network that recently merged with Warner Bros. in one of the most brutal and idiotic corporate maneuvers of our time. "Due to our content licensing arrangements with content providers, you will no longer be able to watch any of your previously purchased Discovery content and the content will be removed from your video library," read a copy of the email that was shared with Kotaku.

It linked to a page on the PlayStation website listing all of the shows impacted. As you might imagine, given Discovery's penchant for pumping out seasons of relatively cheap to produce but popular reality TV and documentary-based shows, there are a lot of them. They include, but are not limited to, hits such as: Say Yes to the Dress, Shark Week, Cake Boss, Long Island Medium, Deadly Women, and many, many more. [...] Now, essentially anything you buy on PSN, whether a PS5 blockbuster or, uh, Police Women of Cincinnati, is essentially just on indefinite loan until such time as the PlayStation servers die or the original copyright owner decides to pull the content.

Google Play has reversed its latest ban on a web browser that keeps getting targeted by vague Digital Millennium Copyright Act (DMCA) notices. Downloader, an Android TV app that combines a browser with a file manager, was restored to Google Play last night. From a report: Downloader, made by app developer Elias Saba, was suspended on Sunday after a DMCA notice submitted by copyright-enforcement firm MarkScan on behalf of Warner Bros. Discovery. It was the second time in six months that Downloader was suspended based on a complaint that the app's web browser is capable of loading websites.

The first suspension in May lasted three weeks, but Google reversed the latest one much more quickly. As we wrote on Monday, the MarkScan DMCA notice didn't even list any copyrighted works that Downloader supposedly infringed upon. Instead of identifying specific copyrighted works, the MarkScan notice said only that Downloader infringed on "Properties of Warner Bros. Discovery Inc." In the field where a DMCA complainant is supposed to provide an example of where someone can view an authorized example of the work, MarkScan simply entered the main Warner Bros. URL: https://www.warnerbros.com/.

An anonymous reader quotes a report from Ars Technica: App developer Elias Saba has had some bad luck with Digital Millennium Copyright Act (DMCA) takedowns. His Android TV app Downloader, which combines a web browser with a file manager, was suspended by Google Play in May after several Israeli TV companies complained that the app could be used to load a pirate website. Google reversed that suspension after three weeks. But Downloader has been suspended by Google Play again, and this time the reason is even harder to understand. Based on a vague DMCA notice, it appears that Downloader was suspended simply because it can load the Warner Bros. website. [...]

The notice includes a copy of the DMCA complaint, which came from MarkScan, a "digital asset protection" firm that content owners hire to enforce copyrights. MarkScan said in its complaint that it represents Warner Bros. Discovery Inc. A DMCA notice is supposed to identify and describe the copyrighted work that was infringed. But MarkScan's notice about Downloader identifies the copyrighted work only as "Properties of Warner Bros. Discovery Inc." It provides no detail on which Warner Bros. work was infringed by Downloader. A DMCA notice is also supposed to provide an example of where someone can see "an authorized example of the work." In this field, MarkScan simply entered the main Warner Bros. URL: https://www.warnerbros.com/. The Downloader app had been installed over 10 million times before the takedown, according to an Internet Archive capture taken before the latest suspension.

Saba appealed the takedown today, but he told us that the appeal was rejected by Google Play after 24 minutes. Saba said he also submitted a DMCA counter-notice, which gives the complainant 10 business days from today to file a legal action. After his first takedown in May, his app was reinstated after the DMCA complainant didn't take any legal action. Saba also wrote a blog post today about the latest takedown. "Given that my app still does not contain any copyright-infringing content and never has, I've countered this new DMCA takedown which will, hopefully, mean the app will be restored sometime in the coming weeks," he wrote. "In the meantime, you can sideload the app onto your Google TV or Android TV devices by downloading the APK from https://www.aftvnews.com/downloader.apk. Downloader remains available on Fire TV devices directly from the Amazon Appstore." Saba said it's "absurd that Google seems to make no effort at all to verify the copyright claims being made on my app which is just a web browser that can download files and has no content of any sort in it."

"If loading a website with infringing content in a standard web browser is enough to violate DMCA, then every browser in the Google Play Store including @googlechrome should also be removed," said Saba in May. "It's a ridiculous claim and an abuse of the DMCA."

Global pay TV penetration (the number of pay TV subscriptions relative to the number of households) is set to decline for the first time ever in 2024 following a peak penetration of 60.3% in Q4 2023. This decline will continue into the forecast period, with a drop of almost 4 percentage points by the end of 2028, according to Ampere's latest forecasts, which cover 96 markets. From a report: This decline in pay TV penetration has been driven primarily by the Americas, and in particular North America which has seen its pay TV penetration almost halve from a high of 84% in 2009 to 45% in 2023. In the case of North America, this drop has been caused by a combination of high costs (currently over $90 per month) and competition from a mature SVoD market which is driving customers increasingly to cut the cord.

However, the recent distribution deal between Disney and Charter in the US, which saw select Disney streaming products bundled into Charter's TV packages, demonstrates that cable operators in the region remain a powerful force as distribution partners, giving streamers the ability to reach a larger and potentially untapped audience base. In addition to North America, Latin America has also shown large declines in pay TV penetration, with a drop of around 10 percentage points since its peak of 42% in 2016. On the contrary, the APAC and Europe have shown the highest penetration growth in recent years, with large gains coming from China, especially after China Mobile acquired an IPTV license in 2018. The growth in these regions has largely come from low-cost IPTV services which are often bundled into broadband packages for a low cost, and helps drive pay TV subscriptions in these areas. In Europe, markets such as Portugal, Serbia and Hungary are expected to see further growth in the forecast period.

A series of arrests that began in late August and continued into last week has sparked concerns that a relatively rare 'Scene' crackdown targeting the top of the so-called 'Piracy Pyramid' may be underway in the Nordic region. TorrentFreak reports: In a statement last week, Denmark's National Unit for Special Crime (NSK) announced that as part of a long-running investigation, a man was arrested on November 22 and then charged with copyright infringement offenses. NSK said its officers searched the home of a 47-year-old man in South Zealand (Sydsjaelland) and seized IT equipment in connection with illegal file-sharing and "copyright infringement of a particularly serious nature." "The case is about an organized network that has illegally shared extremely large quantities of films and TV series via file sharing services," said NSK Police Commissioner Anders-Emil Nohr Kelbaek. While noting that NSK had no further information to offer at this time, Kelbaek said he was pleased that NSK had arrested another suspect believed to have played a 'significant role' in the unnamed network.

Last week's arrest was only the latest in a series of arrests carried out as part of the same long-running NSK investigation into the illegal distribution of movies and TV shows. In late August, NSK arrested four people on suspicion of sharing "extremely large quantities" of movies and TV shows. NSK raided addresses in South-West Jutland, North Zealand and Bornholmand. A 43-year old was arrested at the last location, but it's claimed he lives elsewhere. In common with last week's arrest, all were charged on suspicion of "particularly serious" copyright infringement offenses. In an almost identical statement to that issued last week, Commissioner Anders-Emil Nohr Kelbaek said the case was about "an organized network that shares extremely large amounts of data, presumably in the form of films and series."

TorrentFreak sources report concerns that last week's arrest may be linked to Scene groups. Terminology used by NSK doesn't instantly rule that out and does seem to suggest something potentially more significant than other arrests over the past few years. According to NSK, the August arrests took place on August 28, 2023. Using information in Scene release databases we looked for Danish Scene groups and/or groups that were releasing Denmark-focused content before that date but then made no releases afterward; while that wouldn't provide conclusive proof that a group had been targeted, the method has proven useful in the past. While activity late August suggests nothing especially out of the ordinary, activity since the arrest last week stands in contrast. TF is informed that some groups may have gone dark simply out of an abundance of caution. It's also possible that the groups have nothing to release. Furthermore, there are many other global groups with no obvious links to Danish content or Denmark that also stopped releasing on November 21. The reasons for this are unknown but holidays in the United States may play a role.

Simon Sharwood reports via The Register: Amazon Web Services has announced the WorkSpaces Thin Client -- a device dedicated to connecting to its WorkSpaces desktop-as-a service offering and based on Amazon's own "Fire Cube" smart TV box. The $195 machine has the same hardware as the Fire Cube: the eight-core Arm-powered Amlogic POP1-G SoC, plus 2GB of LPDDR4 RAM, 10/100 ethernet, and a single USB-A 2.0 port. Bluetooth is included to connect other peripherals. A second HDMI output can be added by acquiring an $85 hub that also offers four more USB ports. Like the Fire TV Cube, the Thin Client also runs a modified cut of Android.

But there the similarities end. AWS created custom firmware and ripped out anything remotely related to running a consumer device, replacing it with software designed solely to create a secure connection between the device and desktops running in the Amazonian cloud. Amazon Business -- the B2B version of Jeff Bezos's digital souk -- will ship the device to your door, and charge it to your AWS bill. At least if you are in the USA. Europe will get the Thin Client in early 2024, and it'll eventually migrate elsewhere.

AWS decided to base the box on the Fire Cube because, according to a corporate blog post, AWS customers expressed a desire for cheaper and easier-to-maintain client devices. As AWS execs searched for a well-priced box, they considered the Fire TV Cube, found it fit the bill and noted it was already being made at scale. Keeping things in-house made sense, too. And so we find ourselves with AWS taking on established thin client providers. The cloudy concern is also keen to have a crack at the thick wedge of the enterprise PC market: call centers, payment processing centers, and other environments with lots of users and high staff turnover due to factors like seasonal demand for workers.

"Several of your films have explored artificial intelligence," Rolling Stone pointed out to 85-year-old Ridley Scott, before asking: "Does AI worry you?" Ridley Scott: I always thought the world would end up being run by two corporations, and I think we're headed in that direction. Tyrell Corp in Blade Runner probably owned 45-50% of the world, and one of his playthings was creating replication through DNA. Tyrell thinks he's god and in the first Blade Runner has made a Nexus female. And the Nexus female will have a limited lifespan because AI will get dangerous. We have to lock down AI. And I don't know how you're gonna lock it down. They have these discussions in the government, "How are we gonna lock down AI?" Are you fucking kidding? You're never gonna lock it down. Once it's out, it's out. If I'm designing AI, I'm going to design a computer whose first job is to design another computer that's cleverer than the first one. And when they get together, then you're in trouble, because then it can take over the whole electrical-monetary system in the world and switch it off. That's your first disaster. It's a technical hydrogen bomb. Think about what that would mean?

Rolling Stone: I wanted to ask you about what effect you think AI will have on Hollywood as it was a big sticking point in the writers' strike, in particular. One fear is that studios will plug a book into AI, have it crap out an "adaptation," and then pay actual screenwriters day rates to punch it up.

Ridley Scott: Yeah. They really have to not allow this, and I don't know how you can control it. Another AI expert said, "We are way over-panicking. Of course, I have a computer that can defeat a chess master in an hour because we can feed him every conceivable move from data, and it'll process 1,900 conceivable moves on what the person will do next in seconds, and the guy is in trouble." There's something non-creative about data. You're gonna get a painting created by a computer, but I like to believe — and I'm saying this without confidence — it won't work with anything particularly special that requires emotion or soul. With that said, I'm still worried about it.
The article also looks back more than 40 years, to when Ridley Scott was going to direct Dune in between filming Alien and Blade Runner. Scott says he had "a really good screenplay, had all the sets to go" — but the producer had wanted to save money by filiming it in Mexico City, and Scott "didn't love" the idea of spending a year there.

It was November 23rd of the year 1963 that Doctor Who first premiered on the BBC. And the many years since then have wrought their changes, writes the BBC: Events on screen and off have shaped the character's personality, their face changing to reflect Britain itself, and every version building on what has gone before. To truly understand Who, you have to know your history...

[T]he series was originally intended to teach children history as much as thrill them... [T]he Daleks were shouty miniaturised tanks, terrifying to a nation that had lived through World War 2... Scripts by the likes of Douglas Adams (who wrote The Hitchhiker's Guide to the Galaxy) leaned into the show's inherent strangeness... Interestingly, the new specials and series involve Marvel-owner Disney, who will stream it outside the UK and Ireland, in turn helping boost the budget.
The article handily summarizes the last 60 years. ("Perhaps the most shocking revelation of [2010 showrunner Steven Moffat's] tenure was a hitherto unseen, past version of the Doctor, played by John Hurt. Other writers would take this idea and run with it...") The article ends with the words, "Only time will tell."

And elsewhere another BBC article notes that today "the TARDIS is set to return to BBC One and iPlayer." With David Tennant as the Fourteenth Doctor and Catherine Tate reprising her role as Donna Noble the popular duo will make their spectacular return to mark the show's 60th anniversary with three special episodes running each Saturday from the 25th November...

Neil Patrick Harris as the Toymaker [is] set to cause all kinds of mayhem. It's going to be an unmissable cosmic adventure, all before Ncuti Gatwa gets the keys to the TARDIS over the festive season.
Thanks to Alain Williams (Slashdot reader #2,972) for sharing the article.

As 2023 slowly comes to an end I wondered what your picks are for the best movies and TV shows that came out this year. What films or series did you enjoy the most? Share your favorites and why you think they stand out above the rest.

OLED monitors risk burn-in, especially with static images. Newer models combat this using improved materials, algorithms, efficiencies, features, and heat management. However, long-term data is minimal as quality selection is recent. An unexpected quirk applies to ultrawides: playing 16:9 content creates brighter center areas versus darker sides, quickening OLED degradation. In an extreme test by RTINGS, Samsung ultrawides developed heavy differential wear in just 700 hours. ArsTechnica adds: Even OLED monitors that have already been released can see their capabilities change in a way that could impact burn-in risk. For example, the Odyssey G8 monitor got a firmware update in August that removed the ability to use the Peak Brightness setting in SDR mode. While this is just one specific mode that, again, some users might not use, it's worth noting how this could change the amount of wear an OLED monitor could see. RTINGS' review said that after the firmware update, the monitor's max luminance "when displaying a bright highlight in an SDR scene" went from 331 nits to 230 nits. Samsung hasn't confirmed the reasons for this change, but such changes highlight how OLED monitor burn-in risk can change from use to use and from update to update, across different products.

An anonymous reader writes: Christopher Nolan made headlines earlier this month when he took a playful jab at streaming platforms while discussing the upcoming home release of "Oppenheimer." The atomic bomb drama, which grossed a staggering $950 million in theaters worldwide, is hitting Blu-ray and other digital platforms this month. Nolan said at a recent "Oppenheimer" screening that it's important to own the film on Blu-ray so that "no evil streaming service can come steal it from you." He told The Washington Post in a follow-up interview: "It was a joke when I said it. But nothing's a joke when it's transcribed onto the internet. There is a danger, these days, that if things only exist in the streaming version they do get taken down, they come and go," the director added.

Streamers have become notoriously known in the last year for pulling original titles from their platforms in order to license them out elsewhere and open up potential revenue streams. When such titles are streaming-only offerings, their removal makes it impossible to view the films elsewhere. Such was the case this year with the Disney+ movie "Crater," for instance. The streaming-only family adventure was pulled from Disney+ in June and could not be viewed anywhere until it was reissued as a digital release months later in September. For Nolan, owning physical media is the only way to combat such streaming trends. Guillermo del Toro agrees, having shared Nolan's recent quotes on X (formerly Twitter) and adding his own commentary on the issue. "Physical media is almost a Fahrenheit 451 (where people memorized entire books and thus became the book they loved) level of responsibility," del Toro wrote to his followers. "If you own a great 4K HD, Blu-ray, DVD etc etc of a film or films you love...you are the custodian of those films for generations to come."

An anonymous reader shared this report from TechCrunch: Kyle Vogt, the serial entrepreneur who co-founded and led Cruise from a startup in a garage through its acquisition and ownership by General Motors, has resigned, according to an email sent to employees Sunday evening...

The executive shakeup comes a less than a month after the California Department of Motor Vehicles suspended Cruise's permits to operate self-driving vehicles on public roads after an October 2 incident that saw a pedestrian — who had been initially hit by a human-driven car and landed in the path of a Cruise robotaxi — run over and dragged 20 feet by the AV. A video, which TechCrunch also viewed, showed the robotaxi braking aggressively and coming to a stop over the woman. The DMV's order of suspension stated that Cruise withheld about seven seconds of video footage, which showed the robotaxi then attempting to pull over and subsequently dragging the woman 20 feet... [M]ore layoffs are expected at the company that employs about 4,000 full-time employees.
TechCrunch notes that Vogt previously co-founded Justin.tv Socialcam, Twitch, and shares this quote from an email that Vogt sent to all employees Sunday evening. "The startup I launched in my garage has given over 250,000 driverless rides across several cities, with each ride inspiring people with a small taste of the future...

"The status quo on our roads sucks, but together we've proven there is something far better around the corner."